The Voice

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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3cd boxset

Anmerkung zuletzt geändert am 2017-08-23 23:20 UTC.

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Nr.TitelBewertungLänge
1Saturday Night (Is the Loneliest Night of the Week)
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1958-12-22)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC und WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1?:??
2East of the Sun (And West of the Moon)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (am 1961-05-03)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
1?:??
3Something Old, Something New
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-02-24)
Bass:
Phil Stephens (bass and tuba player) (am 1946-02-24)
Bratsche / Viola:
Alexander Neiman (violist) (am 1946-02-24), Leonard Selic (am 1946-02-24) und Dave Sterkin (am 1946-02-24)
Cello:
Fred Goerner (am 1946-02-24), Jack Sewell (am 1946-02-24) und Julius Tannenbaum (am 1946-02-24)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-02-24), Harry Bluestone (am 1946-02-24), Sam Freed, Jr. (Violinist) (am 1946-02-24), Gerald Joyce (am 1946-02-24), George Kast (am 1946-02-24), Sol Kindler (am 1946-02-24), Morris King (am 1946-02-24), Samuel Levine (violinist) (am 1946-02-24), Sam Middleman (am 1946-02-24), Nicholas Pisani (am 1946-02-24), Mischa Russell (violinist) (am 1946-02-24) und Olcott Vail (am 1946-02-24)
Gitarre:
George van Eps (am 1946-02-24)
Harfe:
May Cambern (am 1946-02-24)
Holzblasinstrumente:
Heinie Beau (am 1946-02-24), Herbie Haymer (am 1946-02-24), Jules Kinsler (am 1946-02-24), Harry Schuchman (am 1946-02-24) und Arthur Smith (Saxophonist) (am 1946-02-24)
Instrumente:
Ben A. Creitz (woodwind, brass and bass player) (am 1946-02-24)
Klavier:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-02-24)
Posaune:
Hoyt Bohannon (am 1946-02-24), Les Jenkins (am 1946-02-24) und Elmer Smithers (am 1946-02-24)
Schlagzeug:
Ray Hagan (am 1946-02-24)
Trompete:
Max Herman (am 1946-02-24), Manny Klein (am 1946-02-24) und Ray Linn (am 1946-02-24)
Waldhorn:
Richard Perissi (am 1946-02-24)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-02-24)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Axel Stordahl (am 1946-02-24)
arranger:
Axel Stordahl
Teil von:
V Disc (by matrix number) (Nummer: JDB 136 (2))
cover recording of:
Something Old, Something New (aka "Here Comes the Bride") (am 1946-02-24)
Verfasser(in):
Ramey Idriss und George Tibbles
publisher:
Barton Music Corp.
recording of:
Something Old, Something New (aka "Here Comes the Bride")
Verfasser(in):
Ramey Idriss und George Tibbles
publisher:
Barton Music Corp.
?:??
4If You Please
recorded in:
New York, New York, Vereinigte Staaten (am 1943-06-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-06-22)
vocals:
Bobby Tucker (am 1943-06-22) und The Bobby Tucker Singers (am 1943-06-22)
conductor:
Bobby Tucker (am 1943-06-22)
arranger:
Alec Wilder (American composer)
cover recording of:
If You Please (am 1943-06-22)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
?:??
5The One I Love Belongs to Somebody Else
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
The One I Love (Belongs to Somebody Else) (am 1961-05-03)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild und Milton Weil Music Co. (am 1924-01-07)
?:??
6Daybreak
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Daybreak (am 1961-05-02)
Texter:
Harold Adamson
Komponist(in):
Ferde Grofé (pianist, arranger, conductor and composer)
publisher:
EMI Feist Catalog Inc.
basiert auf:
Mississippi Suite: IV. Mardi Gras. Allegro – Andantino (espressivo e sostenuto) – Assai maestoso e appassionato
?:??
7Somewhere a Voice Is Calling
alto saxophone:
Fred Stulce (am 1942-03-09)
Bass:
Phil Stevens (country bass player) (am 1942-03-09)
Gitarre:
Clark Yocum (am 1942-03-09)
Instrumente:
Manny Gershman (am 1942-03-09)
Klavier:
Milt Raskin (Milton Raskin) (am 1942-03-09)
Posaune:
George Arus (am 1942-03-09), Dave Jacobs (jazz trombonist) (am 1942-03-09) und Jimmy Skiles (am 1942-03-09)
Schlagzeug:
Buddy Rich (am 1942-03-09)
Tenorsaxophon:
Heinie Beau (am 1942-03-09), Don Lodice (am 1942-03-09) und Bruce Snyder (am 1942-03-09)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1942-03-09), Ziggy Elman (am 1942-03-09), Manny Klein (am 1942-03-09), Chuck Peterson (trumpet) (am 1942-03-09) und Al Stearns (am 1942-03-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-03-09)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1942-03-09)
arranger:
Sy Oliver
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-03-09)
recording of:
Somewhere a Voice Is Calling (am 1942-03-09)
Texter:
Eileen Newton (Early 20th Century Poet) (in 1901)
Komponist(in):
Arthur F. Tate (in 1901)
publisher:
Francis, Day & Hunter Ltd., T.B. Harms Co. und Warner Bros. Music (publisher; do NOT use as release label)
?:??
8There Are Such Things
recorded in:
New York, New York, Vereinigte Staaten (am 1942-07-01)
alto saxophone:
Fred Stulce (am 1942-07-01)
Bass:
Phil Stevens (tuba) (am 1942-07-01)
Bratsche / Viola:
Leonard Atkins (am 1942-07-01) und Sam Ross (violin) (am 1942-07-01)
Cello:
Harold Bemko (am 1942-07-01)
Geige / Violine:
Alex Beller (am 1942-07-01), Bernard Tinterow (am 1942-07-01), William Ehrenkrantz (am 1942-07-01), Seymour Miroff (am 1942-07-01), Raoul Polikian (am 1942-07-01), Leonard Posner (am 1942-07-01) und Irving Raymond (am 1942-07-01)
Gitarre:
Clark Yocum (am 1942-07-01)
Harfe:
Ruth Hill (harpist) (am 1942-07-01)
Klavier:
Milton Raskin (Milton Raskin) (am 1942-07-01)
Posaune:
George Arus (am 1942-07-01), Tommy Dorsey (swing trombone player & band leader) (am 1942-07-01), Dave Jacobs (jazz trombonist) (am 1942-07-01) und Jimmy Skiles (am 1942-07-01)
Saxophon:
Heinie Beau (am 1942-07-01), Don Lodice (am 1942-07-01), Harry Schuchman (am 1942-07-01), Bruce Snyder (am 1942-07-01) und Fred Stulce (am 1942-07-01)
Schlagzeug:
Buddy Rich (am 1942-07-01)
Tenorsaxophon:
Heinie Beau (am 1942-07-01), Don Lodice (am 1942-07-01) und Bruce Snyder (am 1942-07-01)
Trompete:
Ziggy Elman (am 1942-07-01), James Blake (jazz trumpeter) (am 1942-07-01), James Zito (am 1942-07-01) und Chuck Peterson (trumpet) (am 1942-07-01)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-07-01)
vocals:
John Huddleston (vocalist) (am 1942-07-01), Chuck Lowry (am 1942-07-01), The Pied Pipers (American vocal group, active 1930s-50s) (am 1942-07-01), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-07-01), Jo Stafford (am 1942-07-01) und Clark Yocum (am 1942-07-01)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1942-07-01)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1942-07-01)
recording of:
There Are Such Things (am 1942-07-01)
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (songwriter) (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
?:??
9Homesick/That's All
recording of:
Homesick, That's All
Verfasser(in):
Gordon Jenkins
publisher:
Mayfair Music, Inc.
?:??
10A Fellow Needs a Girl
recording of:
A Fellow Needs a Girl (from "Allegro")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music, Inc.
Teil von:
Allegro (Rodgers & Hammerstein musical)
?:??
11The Coffee Song
recording of:
The Coffee Song (1946 song)
Texter:
Bob Hilliard
Komponist(in):
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
?:??
12It Started All Over Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (von 1961-03-20 bis 1961-03-21)
conductor:
Sy Oliver (von 1961-03-20 bis 1961-03-21)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
recording of:
It Started All Over Again (am 1961-05-03)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Embassy Music Corporation
?:??
13Light a Candle in the Chapel
alto saxophone:
Fred Stulce (am 1942-07-02)
Bass:
Phil Stevens (country bass player) (am 1942-07-02)
Bratsche / Viola:
Leonard Atkins (am 1942-07-02) und Sam Ross (violin) (am 1942-07-02)
Cello:
Harold Bemko (am 1942-07-02)
Geige / Violine:
Alex Beller (am 1942-07-02), William Ehrenkrantz (am 1942-07-02), Seymour Miroff (am 1942-07-02), Raoul Polikian (am 1942-07-02), Leonard Posner (am 1942-07-02) und Bernie Tinterow (am 1942-07-02)
Gitarre:
Clark Yocum (am 1942-07-02)
Harfe:
Ruth Hill (harpist) (am 1942-07-02)
Klavier:
Milt Raskin (Milton Raskin) (am 1942-07-02)
Posaune:
George Arus (am 1942-07-02), Dave Jacobs (jazz trombonist) (am 1942-07-02) und Jimmy Skiles (am 1942-07-02)
Saxophon:
Harry Schuchman (am 1942-07-02)
Schlagzeug:
Buddy Rich (am 1942-07-02)
Tenorsaxophon:
Heinie Beau (am 1942-07-02), Don Lodice (am 1942-07-02) und Bruce Snyder (am 1942-07-02)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1942-07-02), Ziggy Elman (am 1942-07-02), Danny Vanelli (am 1942-07-02) und Jimmy Zito (am 1942-07-02)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-07-02)
Orchester:
Tommy Dorsey and His Orchestra (am 1942-07-02)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1942-07-02)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1942-07-02)
recording of:
Light a Candle in the Chapel (am 1942-07-02)
Verfasser(in):
Ed G. Nelson (Popular music songwriter and bandleader), Duke Leonard und Harry Pease (Vaudeville singer, lyricist, songwriter)
publisher:
Fisher Music Corp. und Mills Music, Inc.
1?:??
14Aint'cha Ever Comin' Back
conductor:
Axel Stordahl
Interpret(in):
The Pied Pipers (American vocal group, active 1930s-50s) (am 1947-03-11)
arranger:
Axel Stordahl
recording of:
Ain’tcha Ever Comin’ Back (am 1947-03-11)
Verfasser(in):
Axel Stordahl, Irving Taylor und Paul Weston
publisher:
Sinatra Songs, Inc.
?:??
15Polka Dots (And Moonbeams)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Polka Dots and Moonbeams (am 1961-05-02)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
2.5?:??
16Stardust
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Stardust (the jazz standard) (am 1961-11-20)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
1?:??
17On a Little Street in Singapore
recording of:
On a Little Street in Singapore
Verfasser(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Billy Hill (US songwriter)
?:??
18Oh! Look at Me Now
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Harry Klee
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Dave Sterkin
Cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Dick Nash und Pullman “Tommy” Pederson
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) und James Williamson (Saxophone player)
Trompete:
Pete Candoli, Harry “Sweets” Edison, Ray Linn und Shorty Sherock
Ventilposaune:
Juan Tizol
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-04, am 1956-11-26)
cover recording of:
Oh! Look at Me Now (am 1956-11-28)
Texter:
John DeVries (in 1941)
Komponist(in):
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation und Hampshire House Publishing Corp.
recording of:
Oh! Look at Me Now
Texter:
John DeVries (in 1941)
Komponist(in):
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation und Hampshire House Publishing Corp.
1?:??
19Whispering
recording of:
Whispering
Texter:
Richard Coburn (in 1920) und Malvin Schönberger (Malvin Schonberger) (in 1920)
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) (in 1920) und John Schoenberger (John Schonberger) (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. (Carlin) und Sherman, Clay & Co. (in 1920)
?:??
20The House I Live In
recording of:
The House I Live In
Texter:
Lewis Allan
Komponist(in):
Earl Robinson (40s US folk artist)
publisher:
Chappell & Co., Inc. (USA) und Music Sales Corporation (American copyright holder in both popular and classical music)
?:??
21If You Are But a Dream
recorded in:
New York, New York, Vereinigte Staaten (am 1944-11-14)
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahan (violist) (am 1944-11-14), Sol Pfaeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
Emmerick Gara (cellist) (am 1944-11-14), George Poliakin (am 1944-11-14) und Avron Twerdowky (cellist) (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Frederick Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), Leonard Kanter (violinist) (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Holzblasinstrumente:
Artie Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harry Feldman (am 1944-11-14), Bernie Kaufman (am 1944-11-14), Pete Pumiglio (am 1944-11-14) und Hank Ross (am 1944-11-14)
Posaune:
John D'Agostino (trombonist) (am 1944-11-14), Andy Russo (Jazz trombonist) (am 1944-11-14) und Charlie Small (trombone) (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (US trumpeter) (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupsa (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
Axel Stordahl and His Orchestra (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
Axel Stordahl
Teil von:
V Disc (by matrix number) (Nummer: VP 1030 (1))
cover recording of:
If You Are But a Dream (am 1944-11-14)
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
recording of:
If You Are But a Dream (am 1944-11-14)
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
1?:??
22Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
?:??
23Cradle Song
recorded in:
New York, New York, Vereinigte Staaten (am 1944-12-03)
Bass:
Jack Kimmel (am 1944-12-03)
Bratsche / Viola:
Sidney Brecher (am 1944-12-03), Hyman Dickler (violist) (am 1944-12-03) und Sol Rumberg (am 1944-12-03)
Cello:
Seymour Barab (am 1944-12-03), George Poliakin (am 1944-12-03) und Avron Twerdowky (cellist) (am 1944-12-03)
Geige / Violine:
Julius Brand (am 1944-12-03), Frederick Buldrini (am 1944-12-03), Louis Gabowitz (am 1944-12-03), Marty Goldner (violinist) (am 1944-12-03), Sid Harris (am 1944-12-03), Bernard Kundell (am 1944-12-03), Boris Levitsky (violinist) (am 1944-12-03), Milton Lomask (am 1944-12-03), Harold Micklin (violinist) (am 1944-12-03), Seymour Miroff (am 1944-12-03), Kalman Reve (violinist) (am 1944-12-03) und Julius Schachter (am 1944-12-03)
Gitarre:
Matty Golizio (am 1944-12-03)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1944-12-03)
Holzblasinstrumente:
Ernie Caceres (am 1944-12-03), Nick Caiazza (am 1944-12-03), Bernie Kaufman (am 1944-12-03), Fred Pfeifer (am 1944-12-03) und Hymie Shertzer (am 1944-12-03)
Instrumente:
David Mann (American songwriter) (am 1944-12-03)
Posaune:
Samuel Koty (trombonist) (am 1944-12-03), Billy Rauch (US jazz trombonist) (am 1944-12-03) und Charlie Small (trombone) (am 1944-12-03)
Schlagzeug:
Johnny Blowers (am 1944-12-03)
Trompete:
Billy Butterfield (am 1944-12-03), Carl Poole (US trumpeter) (am 1944-12-03) und Melvin "Red" Solomon (am 1944-12-03)
Waldhorn:
Karl Chlupsa (am 1944-12-03)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-12-03)
conductor:
Axel Stordahl (am 1944-12-03)
arranger:
Axel Stordahl
recording of:
The Cradle Song (Brahms’ Lullaby) (am 1944-12-03)
Komponist(in):
Johannes Brahms (German composer)
Übersetzer:
Natalia Macfarren
enthalten in:
Don’t Wake Your Mom (Shari Lewis video)
übersetzte Version von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
1?:??
2▼CD
Nr.TitelBewertungLänge
1There's No Business Like Show Business
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Annie Get Your Gun
3:24
2Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:47
3Ol' Man River
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
4:04
4I've Got a Crush on You
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
3:19
5Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:06
6How About You
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:57
7Oh! What a Beautiful Morning
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
2:57
8Time After Time
recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:16
9That Old Black Magic
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-03-10)
Bratsche / Viola:
Alexander Neiman (violist) (am 1946-03-10), Leonard Selic (am 1946-03-10) und Dave Sterkin (am 1946-03-10)
Cello:
Fred Goerner (am 1946-03-10), John Sewell (am 1946-03-10) und Julius Tannenbaum (am 1946-03-10)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-03-10), Harry Blostein (am 1946-03-10), Sam Freed (am 1946-03-10), Gerald Joyce (am 1946-03-10), Sol Kindler (am 1946-03-10), Sam Middleman (am 1946-03-10), Nick Pisani (am 1946-03-10), Gene Powers (am 1946-03-10) und Olcott Vail (am 1946-03-10)
Gitarre:
Dave Barbour (am 1946-03-10)
Harfe:
May Cambern (am 1946-03-10)
Klavier:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-03-10)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1946-03-10)
Posaune:
Hoyt Bohannon (am 1946-03-10), George Jenkins (Trombonist) (am 1946-03-10) und Elmer Smithers (am 1946-03-10)
Saxophon:
Herbie Haymer (am 1946-03-10), Heine Beau (am 1946-03-10), Jules Kinsler (am 1946-03-10), Harry Schuchman (am 1946-03-10) und Arthur Smith (Saxophonist) (am 1946-03-10)
Schlagzeug:
Ray Hagan (am 1946-03-10)
Trompete:
Max Herman (am 1946-03-10), Ray Linn (am 1946-03-10) und Rubin "Zeke" Zarchy (am 1946-03-10)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-03-10)
conductor:
Axel Stordahl (am 1946-03-10)
arranger:
Axel Stordahl
cover recording of:
That Old Black Magic (am 1946-03-10)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:35
10All of Me
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-10-19)
conductor:
Axel Stordahl (am 1947-10-19)
arranger:
George Siravo
recording of:
All of Me (am 1947-10-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
cover recording of:
All of Me (am 1954-04-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
32:48
11Autumn in New York
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-12-04)
conductor:
Axel Stordahl (am 1947-12-04)
arranger:
Axel Stordahl
cover recording of:
Autumn in New York (1934) (am 1947-12-04)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
3:17
12I Couldn't Sleep a Wink
2:57
13Without a Song
recording of:
Without a Song
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
4:32
14Dolores
recording of:
Dolores
Texter:
Frank Loesser
Komponist(in):
Louis Alter
publisher:
Paramount Music Corporation
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
2:57
15All or Nothing at All
recorded in:
New York, Vereinigte Staaten (am 1939-08-31)
alto saxophone:
Claude Lakey (am 1939-08-31) und Dave Matthews (jazz saxophonist) (am 1939-08-31)
Gitarre:
Red Kent (am 1939-08-31)
Klavier:
Jack Gardner (piano) (am 1939-08-31)
Kontrabass:
Thurman Teague (Jazz bassist) (am 1939-08-31)
Posaune:
Russell Brown (Swing trombonist) (am 1939-08-31), Truett Jones (Jazz trombonist) (am 1939-08-31) und Dalton Rizzotto (Jazz trombonist) (am 1939-08-31)
Schlagzeug:
Ralph Hawkins (jazz drummer) (am 1939-08-31)
Tenorsaxophon:
Bill Luther (Jazz saxophonist) (am 1939-08-31) und Drew Page (am 1939-08-31)
Trompete:
Claude Bowen (am 1939-08-31), Harry James (US big band leader, trumpeter & actor) (am 1939-08-31), Jack Palmer (jazz trumpeter and singer) (am 1939-08-31) und Jack Schaeffer (am 1939-08-31)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
Orchester:
Harry James and His Orchestra (am 1939-08-31)
conductor:
Harry James (US big band leader, trumpeter & actor) (am 1939-08-31)
arranger:
Andy Gibson (trumpet, arranger, composer) (am 1939-08-31)
recording of:
All or Nothing at All (am 1939-08-31)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:58
16I'll Never Smile Again
recording of:
I’ll Never Smile Again
Texter und Komponist(in):
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:14
17I'll Be Seeing You
alto saxophone:
Johnny Mintz (am 1940-02-26), Les Robinson (am 1940-02-26) und Fred Stulce (am 1940-02-26)
Gitarre:
Benny Heller (am 1940-02-26)
Klarinette:
Johnny Mintz (am 1940-02-26)
Klavier:
Bob Kitsis (am 1940-02-26)
Kontrabass:
Gene Traxler (am 1940-02-26)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1940-02-26), Lowell Martin (jazz trombonist) (am 1940-02-26) und Ward Silloway (US jazz trombonist) (am 1940-02-26)
Schlagzeug:
Buddy Rich (am 1940-02-26)
Tenorsaxophon:
Paul Mason (jazz saxophonist) (am 1940-02-26) und Irving “Babe” Russin (am 1940-02-26)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-02-26), Ray Linn (am 1940-02-26) und Zeke Zarchy (am 1940-02-26)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-02-26)
conductor:
Tommy Dorsey (swing trombone player & band leader)
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-02-26)
recording of:
I’ll Be Seeing You (am 1940-02-26)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
3:07
18The Night We Called It a Day
recording of:
The Night We Called It a Day
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. und Dorsey Brothers Music
3:25
19Stormy Weather
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
4:16
20All Through the Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-02-03)
Bass:
Phil Stephens (bass and tuba player) (am 1946-02-03)
Bratsche / Viola:
Alexander Neiman (violist) (am 1946-02-03), Leonard Selic (am 1946-02-03) und Dave Sterkin (am 1946-02-03)
Cello:
Fred Goerner (am 1946-02-03), Jack Sewell (am 1946-02-03) und Julius Tannenbaum (am 1946-02-03)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-02-03), Harry Bluestone (am 1946-02-03), Sam Freed, Jr. (Violinist) (am 1946-02-03), Gerald Joyce (am 1946-02-03), George Kast (am 1946-02-03), Sol Kindler (am 1946-02-03), Morris King (am 1946-02-03), Samuel Levine (violinist) (am 1946-02-03), Sam Middleman (am 1946-02-03), Nicholas Pisani (am 1946-02-03), Eugene Powers (violinist) (am 1946-02-03) und Mischa Russell (violinist) (am 1946-02-03)
Gitarre:
Dave Barbour (am 1946-02-03)
Harfe:
May Cambern (am 1946-02-03)
Holzblasinstrumente:
Heinie Beau (am 1946-02-03), Herbie Haymer (am 1946-02-03), Jules Kinsler (am 1946-02-03), Harry Schuchman (am 1946-02-03) und Arthur Smith (Saxophonist) (am 1946-02-03)
Instrumente:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-02-03)
Posaune:
Hoyt Bohannon (am 1946-02-03), Les Jenkins (am 1946-02-03) und Elmer Smithers (am 1946-02-03)
Schlagzeug:
Ray Hagan (am 1946-02-03)
Trompete:
Max Herman (am 1946-02-03), Ray Linn (am 1946-02-03) und Irving Parker (trumpeter) (am 1946-02-03)
Waldhorn:
Richard Perissi (am 1946-02-03)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-02-03)
conductor:
Axel Stordahl (am 1946-02-03)
arranger:
Axel Stordahl
recording of:
All Through the Day (am 1946-02-03)
Verfasser(in):
Oscar Hammerstein II (of Rodgers & Hammerstein) und Jerome Kern
publisher:
Williamson Music, Inc.
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
23:05
21But Beautiful
recording of:
But Beautiful
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) und Onyx Music Corporation (in 1947)
3:16
22What Makes the Sunset
recording of:
What Makes the Sunset?
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
2:57
23The Sunshine of Your Smile
recording of:
The Sunshine of Your Smile
Texter:
Leslie Leonard Cooke
Komponist(in):
Lilian Ray
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Francis, Day & Hunter Ltd.
2:40
3▼CD
Nr.TitelBewertungLänge
1One for My Baby (And One More for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
?:??
2Nancy (With the Laughing Face)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-22)
Bass:
Jack Ryan (jazz bassist) (am 1945-08-22)
Bratsche / Viola:
Allan Harshman (violist) (am 1945-08-22), Maurice Perlmutter (am 1945-08-22) und Dave Sterkin (am 1945-08-22)
Cello:
Cy Bernard (am 1945-08-22), Arthur Kafton (am 1945-08-22) und Jack Sewell (am 1945-08-22)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1945-08-22), Walter Edelstein (am 1945-08-22), Peter Ellis (1940s violinist) (am 1945-08-22), Sam Freed, Jr. (Violinist) (am 1945-08-22), David Frisina (am 1945-08-22), Howard Halbert (am 1945-08-22), Gerald Joyce (am 1945-08-22), Sol Kindler (am 1945-08-22), Samuel Levine (violinist) (am 1945-08-22), Anthony Perrotti (am 1945-08-22), Nicholas Pisani (am 1945-08-22) und Mischa Russell (violinist) (am 1945-08-22)
Gitarre:
Perry Botkin (am 1945-08-22)
Harfe:
Ann Mason Stockton (American harpist) (am 1945-08-22)
Holzblasinstrumente:
Heinie Beau (am 1945-08-22), Leonard Hartman (am 1945-08-22), Harold Lawson (am 1945-08-22), Don Lodice (am 1945-08-22) und Fred Stulce (am 1945-08-22)
Klavier:
Frank Leithner (am 1945-08-22)
Posaune:
Peter Beilman (trombonist) (am 1945-08-22), Carl Loeffler (am 1945-08-22) und Elmer Smithers (am 1945-08-22)
Schlagzeug:
Ray Hagan (am 1945-08-22)
Trompete:
Bruce Hudson (am 1945-08-22), Leonard Mach (am 1945-08-22) und Uan Rasey (am 1945-08-22)
Waldhorn:
James Stagliano (am 1945-08-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-08-22)
conductor:
Axel Stordahl (am 1945-08-22)
arranger:
Axel Stordahl
recording of:
Nancy (With the Laughing Face) (am 1945-08-22)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Nancy
Verfasser(in):
Phil Silvers (actor) und Jimmy Van Heusen
publisher:
Barton Music Corp.
2.65?:??
3Try a Little Tenderness
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist) und Barbara Simons
Cello:
Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-01)
conductor:
Nelson Riddle (am 1960-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
Try a Little Tenderness (am 1960-03-01)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
?:??
4S'posin'
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-22)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-22)
conductor:
Nelson Riddle (am 1960-08-22)
arranger:
Nelson Riddle
cover recording of:
S’posin’ (am 1960-08-22)
Texter:
Andy Razaf
Komponist(in):
Paul Denniker
publisher:
Mayfair Music Corp.
?:??
5Stella by Starlight
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-03-11)
Bass:
Phil Stephens (bass and tuba player) (am 1947-03-11)
Bratsche / Viola:
William Hymanson (am 1947-03-11), Maurice Perlmutter (am 1947-03-11) und William Spear (am 1947-03-11)
Cello:
Cy Bernard (am 1947-03-11), Fred Goerner (am 1947-03-11) und John Sewell (am 1947-03-11)
Geige / Violine:
Harry Bluestone (am 1947-03-11), Werner Callies (am 1947-03-11), Sam Cytron (am 1947-03-11), Gerald Joyce (am 1947-03-11), George Kast (am 1947-03-11), Morris King (am 1947-03-11), Nick Pisani (am 1947-03-11), Mischa Russell (violinist) (am 1947-03-11), Olcott Vail (am 1947-03-11) und Gerald Vinci (American violinist and strings conductor) (am 1947-03-11)
Gitarre:
Allan Reuss (am 1947-03-11)
Harfe:
May Cambern (am 1947-03-11)
Klavier:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1947-03-11)
Posaune:
Dave Hallett (40s US trombonist) (am 1947-03-11), George Jenkins (Trombonist) (am 1947-03-11) und Pullman Pederson (am 1947-03-11)
Saxophon:
Fred Dornbach (am 1947-03-11), Heine Beau (am 1947-03-11), Herbert Haymer (am 1947-03-11), Jules Kinsler (am 1947-03-11) und Fred Stulce (am 1947-03-11)
Schlagzeug:
Ray Hagan (am 1947-03-11)
Trompete:
Ray Linn (am 1947-03-11), Leonard Mach (am 1947-03-11) und Rubin "Zeke" Zarchy (am 1947-03-11)
Waldhorn:
Vincent De Rosa (am 1947-03-11)
Hintergrundgesang:
The Pied Pipers (American vocal group, active 1930s-50s) (am 1947-03-11)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-03-11)
conductor:
Axel Stordahl (am 1947-03-11)
arranger:
Axel Stordahl
cover recording of:
Stella by Starlight (am 1947-03-11)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
1?:??
6Sunday, Monday or Always
recorded in:
New York, New York, Vereinigte Staaten (am 1943-06-22)
Hintergrundgesang:
The Bobby Tucker Singers (am 1943-06-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-06-22)
vocals:
Bobby Tucker (am 1943-06-22)
conductor:
Bobby Tucker (am 1943-06-22) und Alec Wilder (American composer) (am 1943-06-22)
arranger:
Alec Wilder (American composer)
recording of:
Sunday, Monday or Always (am 1943-06-22)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1943)
Komponist(in):
Jimmy Van Heusen (in 1943)
publisher:
Burke-Van Heusen, Inc.
?:??
7Be Careful, It's My Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Skip Martin
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Be Careful, It’s My Heart (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
1?:??
8Kiss Me Again
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Axel Stordahl (am 1943-10-17)
arranger:
Axel Stordahl
aufgenommen bei:
Ed Sullivan Theater in Theater District, New York, New York, Vereinigte Staaten (am 1943-10-17)
Teil von:
V Disc (by matrix number) (Nummer: VP 246 (1))
cover recording of:
Mlle. Modiste: Act I. "Kiss Me Again" (Fifi) (am 1943-10-17)
Texter:
Henry Blossom
Komponist(in):
Victor Herbert (American composer)
publisher:
M. Witmark & Sons
Teil von:
Mlle. Modiste
recording of:
Kiss Me Again
Verfasser(in):
Herbert ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
?:??
9Mam'selle
recording of:
Mam’selle
Texter:
Mack Gordon
Komponist(in):
Edmund Goulding
publisher:
Leo Feist, Inc.
?:??
10My Melancholy Baby
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-29)
Bass:
Arthur "Artie" Shapiro (am 1945-01-29)
Bratsche / Viola:
Allan Harshman (violist) (am 1945-01-29), Dave Sterkin (am 1945-01-29) und Garry White (am 1945-01-29)
Cello:
Fred Goerner (am 1945-01-29), Arthur Kafton (am 1945-01-29) und Jack Sewell (am 1945-01-29)
Geige / Violine:
Victor Arno (am 1945-01-29), Peter Ellis (1940s violinist) (am 1945-01-29), Sam Freed, Jr. (Violinist) (am 1945-01-29), Gerald Joyce (am 1945-01-29), George Kast (am 1945-01-29), Sol Kindler (am 1945-01-29), Samuel Levine (violinist) (am 1945-01-29), Anthony Perrotti (am 1945-01-29), Nicholas Pisani (am 1945-01-29), Ted Rosen (am 1945-01-29), Mischa Russell (violinist) (am 1945-01-29) und Olcott Vail (am 1945-01-29)
Gitarre:
Dave Barbour (am 1945-01-29)
Harfe:
Irma Clow (am 1945-01-29)
Holzblasinstrumente:
Heinie Beau (am 1945-01-29), Mannie Gershman (am 1945-01-29), Leonard Hartman (am 1945-01-29), Harold Lawson (am 1945-01-29) und Don Lodice (am 1945-01-29)
Klavier:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1945-01-29)
Posaune:
Carl Loeffler (am 1945-01-29), Jimmy Skiles (am 1945-01-29) und Joe Yukl (am 1945-01-29)
Schlagzeug:
Ray Hagan (am 1945-01-29)
Trompete:
Donald Anderson (trumpet) (am 1945-01-29), Charles Griffard (am 1945-01-29) und Leonard Mach (am 1945-01-29)
Waldhorn:
James Stagliano (am 1945-01-29)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-01-29)
conductor:
Axel Stordahl (am 1945-01-29)
arranger:
Axel Stordahl
cover recording of:
My Melancholy Baby (am 1945-01-29)
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
?:??
11You Go to My Head
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist) und Barbara Simons
Cello:
Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Harry Klee, Joe Koch, Abe Most und Harry Schuchman
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-01)
conductor:
Nelson Riddle (am 1960-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-03 bis 1960-04)
recording of:
You Go to My Head (am 1960-03-01)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
?:??
12Don't Forget Tonight Tomorrow
recording of:
Don't Forget Tonight Tomorrow
Texter:
Jay Milton
Komponist(in):
Leo "Ukie" Sherin
publisher:
Barton Music Corp.
?:??
13Violets for Your Furs
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
Nelson Riddle and His Orchestra
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
recording of:
Violets for Your Furs (am 1953-11-05)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
?:??
14Our Love Affair
Bass:
Sid Weiss (am 1940-08-29)
Gitarre:
Clark Yocum (am 1940-08-29)
Klavier:
Joe Bushkin (am 1940-08-29)
Posaune:
George Arus (am 1940-08-29), Les Jenkins (am 1940-08-29) und Lowell Martin (jazz trombonist) (am 1940-08-29)
Saxophon:
Heine Beau (am 1940-08-29), Don Lodice (am 1940-08-29), Johnny Mince (am 1940-08-29), Hymie Shertzer (am 1940-08-29) und Fred Stulce (am 1940-08-29)
Schlagzeug:
Buddy Rich (am 1940-08-29)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-08-29), Ziggy Elman (am 1940-08-29), Clyde Hurley (am 1940-08-29) und Ray Linn (am 1940-08-29)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-08-29)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1940-08-29)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-08-29)
recording of:
Our Love Affair (am 1940-08-29)
Texter:
Arthur Freed (in 1939)
Komponist(in):
Roger Edens (in 1939)
publisher:
EMI Feist Catalog Inc.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1940 nominee)
?:??
15Oh! What It Seemed to Be
recording of:
Oh, What It Seemed to Be
Verfasser(in):
Bennie Benjamin, Frankie Carle und George David Weiss
publisher:
Anne-Rachel Music Corp., Santly-Joy, Inc. und The Songwriters Guild
?:??
16Full Moon and Empty Arms
Bass:
Frank Siravo (am 1945-11-19)
Bratsche / Viola:
Sidney Brecher (am 1945-11-19), Hyman Dickler (violist) (am 1945-11-19) und Abram Loft (am 1945-11-19)
Cello:
Richard Anastasio (cellist) (am 1945-11-19), George Poliakin (am 1945-11-19) und Anthony Sophos (am 1945-11-19)
Geige / Violine:
Benjamin Altman (violinist) (am 1945-11-19), John Augustine (violinist) (am 1945-11-19), Milton Bornstein (violinist) (am 1945-11-19), Sam Caplan (am 1945-11-19), Arnold Eidus (am 1945-11-19), Louis Gabowitz (am 1945-11-19), Milton Lomask (am 1945-11-19), Gene Orloff (am 1945-11-19), Raoul Polikian (am 1945-11-19), Leonard Posner (am 1945-11-19), Eugene Powers (violinist) (am 1945-11-19) und Zelly Smirnoff (violinist) (am 1945-11-19)
Gitarre:
Matty Golizio (am 1945-11-19)
Harfe:
Elaine Vito Ricci (am 1945-11-19)
Holzblasinstrumente:
Eddie Brown (saxophonist) (am 1945-11-19), George Dessinger (am 1945-11-19), Raymond Ekstrand (am 1945-11-19), Hymie Shertzer (am 1945-11-19) und Bill Versaci (am 1945-11-19)
Instrumente:
Howard Smith (swing jazz pianist) (am 1945-11-19)
Posaune:
Larry Altpeter (am 1945-11-19), Billy Rauch (US jazz trombonist) (am 1945-11-19) und Andy Russo (Jazz trombonist) (am 1945-11-19)
Schlagzeug:
Nat Polen (am 1945-11-19)
Trompete:
Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1945-11-19), Melvin "Red" Solomon (am 1945-11-19) und Lyman Vunk (am 1945-11-19)
Waldhorn:
Karl Chlupsa (am 1945-11-19)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-11-19)
conductor:
Axel Stordahl (am 1945-11-19)
arranger:
Axel Stordahl
cover recording of:
Full Moon and Empty Arms (am 1945-11-19)
Verfasser(in):
Buddy Kaye und Ted Mossman
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer)
publisher:
Barton Music Corp., Fanfare Music Company und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
Piano Concerto no. 2 in C minor, op. 18
?:??
17Just as Though You Were Here
alto saxophone:
Fred Stulce (am 1942-05-18)
Bass:
Phil Stevens (country bass player) (am 1942-05-18)
Bratsche / Viola:
Leonard Atkins (am 1942-05-18) und Sam Ross (violin) (am 1942-05-18)
Cello:
Harold Bemko (am 1942-05-18)
Geige / Violine:
Alex Beller (am 1942-05-18), William Ehrenkrantz (am 1942-05-18), Leonard Posner (am 1942-05-18), Irving Raymond (am 1942-05-18) und Bernie Tinterow (am 1942-05-18)
Gitarre:
Clark Yocum (am 1942-05-18)
Harfe:
Ruth Hill (harpist) (am 1942-05-18)
Instrumente:
Harry Schuchman (am 1942-05-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1942-05-18)
Posaune:
George Arus (am 1942-05-18), Dave Jacobs (jazz trombonist) (am 1942-05-18) und Jimmy Skiles (am 1942-05-18)
Schlagzeug:
Buddy Rich (am 1942-05-18)
Tenorsaxophon:
Heinie Beau (am 1942-05-18), Don Lodice (am 1942-05-18) und Bruce Snyder (am 1942-05-18)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1942-05-18), Ziggy Elman (am 1942-05-18), Chuck Peterson (trumpet) (am 1942-05-18) und Jimmy Zito (am 1942-05-18)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-05-18)
vocals:
John Huddleston (vocalist) (am 1942-05-18), Chuck Lowry (am 1942-05-18), The Pied Pipers (American vocal group, active 1930s-50s) (am 1942-05-18), Jo Stafford (am 1942-05-18) und Clark Yocum (am 1942-05-18)
Orchester:
Tommy Dorsey and His Orchestra (am 1942-05-18)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1942-05-18)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1942-05-18)
recording of:
Just as Though You Were Here (am 1942-05-18)
Texter:
Eddie DeLange
Komponist(in):
John Benson Brooks
publisher:
Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Scarsdale Music Corp. (ASCAP)
?:??
18What'll I Do?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-17)
conductor:
Gordon Jenkins (am 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
What’ll I Do? (am 1962-01-17)
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
?:??
19Shake Down the Stars
Bass:
Gene Traxler (am 1940-02-26)
Gitarre:
Benny Heller (am 1940-02-26)
Klavier:
Bob Kitsis (am 1940-02-26)
Posaune:
Lowell Martin (jazz trombonist) (am 1940-02-26) und Ward Silloway (US jazz trombonist) (am 1940-02-26)
Saxophon:
Babe Russin (am 1940-02-26), Paul Mason (jazz saxophonist) (am 1940-02-26), Johnny Mince (am 1940-02-26), Les Robinson (am 1940-02-26) und Fred Stulce (am 1940-02-26)
Schlagzeug:
Buddy Rich (am 1940-02-26)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-02-26), Ray Linn (am 1940-02-26) und Zeke Zarchy (am 1940-02-26)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-02-26)
conductor:
Tommy Dorsey (swing trombone player & band leader)
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-02-26)
recording of:
Shake Down the Stars (am 1940-02-26)
Texter:
Eddie DeLange
Komponist(in):
Jimmy Van Heusen
publisher:
Scarsdale Music Corp. (ASCAP) und Van Heusen Music Corp.
?:??
20A Ghost of a Chance
recorded in:
New York, New York, Vereinigte Staaten (am 1945-12-07)
Produzent(in):
Bill Richards (producer)
Bratsche / Viola:
Sidney Brecher (am 1945-12-07)
Cello:
Anthony Sophos (am 1945-12-07)
Geige / Violine:
Raoul Polikian (am 1945-12-07) und Leonard Posner (am 1945-12-07)
Gitarre:
Matty Golizio (am 1945-12-07)
Klavier:
Bill Clifton (jazz pianist) (am 1945-12-07)
Kontrabass:
Frank Siravo (am 1945-12-07)
Oboe:
Mitch Miller (am 1945-12-07)
Schlagzeug:
Nat Polen (am 1945-12-07)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-12-07)
conductor:
Axel Stordahl (am 1945-12-07)
arranger:
Axel Stordahl
cover recording of:
(I Don’t Stand) A Ghost of a Chance (am 1945-12-07)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
?:??
21That's How Much I Love You
recording of:
That’s How Much I Love You
Verfasser(in):
Eddy Arnold, Wally Fowler und Graydon Hall
publisher:
Vogue Music Corp. und Wallace Fowler, Pub.
?:??
22She's Funny That Way
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin, Lou Kievman (violist) und Barbara Simons
Cello:
Virgil Gates (C. Virgil Gates) und Ray Kramer
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, James Getzoff (American concertmaster and violinist), Marvin Limonick, Joseph Livoti (violinist), Nathan Ross und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Hendrickson
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Plas Johnson, Joe Koch, Abe Most, Harry Schuchman und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Tommy Shepard (trombonist) und Ken Shroyer (trombonist)
Schlagzeug:
Norm Jeffries (drummer)
Trompete:
Cappy Lewis
Waldhorn:
William Hinshaw (American horn player) und James McGee
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-03-02)
Orchester:
The Nelson Riddle Orchestra (am 1960-03-02)
conductor:
Nelson Riddle (am 1960-03-02)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-03-02)
recording of:
She’s Funny That Way (am 1960-03-02)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
?:??
23These Foolish Things
recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
?:??

Nennungen

Veröffentlichung

ASIN:UK: B01AB7MUYA [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000940202 [Info]