Moonlight in Vermont

~ Release by Johnny Smith (see all versions of this release, 8 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Where or When
recorded in:
New York, New York, United States (on 1952-03-11)
producer:
Teddy Reig
double bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1952-03-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:27
2Tabu
recorded in:
New York, New York, United States (on 1952-03-11)
producer:
Teddy Reig
double bass and double bass [bass]:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
electric guitar [guitar] and guitar:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Tabu (on 1952-03-11)
writer:
Margarita Lecuona (Cuban composer), Francia Luban and Al Stillman
instrumental recording of:
Tabú (original 1934 spanish lyrics) (on 1952-03-11)
lyricist and composer:
Margarita Lecuona (Cuban composer) (in 1934)
2:42
3Moonlight in Vermont
recorded in:
New York, New York, United States (on 1952-03-11)
producer:
Teddy Reig
double bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
performer:
Stan Getz Quintet (on 1952-03-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Moonlight in Vermont (on 1952-03-11)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:16
4Jaguar
recorded in:
New York, New York, United States (on 1952-03-11)
producer:
Teddy Reig
double bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Jaguar
composer:
Johnny Smith (jazz guitarist)
2:34
5Stars Fell on Alabama
producer:
Teddy Reig
bass:
Eddie Safranski (in 1952-11)
drums (drum set):
Don Lamond (in 1952-11)
guitar:
Johnny Smith (jazz guitarist) (in 1952-11)
piano:
Sanford Gold (in 1952-11)
tenor saxophone:
Stan Getz (in 1952-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Stars Fell on Alabama (in 1952-11)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
3:05
6Tenderly
producer:
Teddy Reig
bass:
Eddie Safranski (in 1952-11)
drums (drum set):
Don Lamond (in 1952-11)
guitar:
Johnny Smith (jazz guitarist) (in 1952-11)
piano:
Sanford Gold (in 1952-11)
tenor saxophone:
Stan Getz (in 1952-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Tenderly (in 1952-11)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:27
7(I Don’t Stand a) Ghost of a Chance
producer:
Teddy Reig
double bass:
Eddie Safranski (in 1952-04)
drums (drum set):
Don Lamond (in 1952-04)
guitar:
Johnny Smith (jazz guitarist) (in 1952-04)
piano:
Sanford Gold (in 1952-04)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1952-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (in 1952-04)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
3:11
8Vilja
producer:
Teddy Reig
double bass:
Eddie Safranski (in 1952-04)
drums (drum set):
Don Lamond (in 1952-04)
guitar:
Johnny Smith (jazz guitarist) (in 1952-04)
piano:
Sanford Gold (in 1952-04)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1952-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
The Merry Widow: Vilia
lyricist:
Victor Léon (librettist) and Leo Stein
composer:
Franz Lehár (composer)
translator:
Adrian Ross (lyricist)
part of:
The Merry Widow (English lyrics by Adrian Ross)
2:42
9Cavu
producer:
Teddy Reig
double bass:
Arnold Fiskin (in 1953-08)
drums (drum set):
Don Lamond (in 1953-08)
guitar:
Johnny Smith (jazz guitarist) (in 1953-08)
piano:
Sanford Gold (in 1953-08)
tenor saxophone:
Paul Quinichette (in 1953-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
2:15
10I’ll Be Around
producer:
Teddy Reig
double bass:
Arnold Fiskin (in 1953-08)
drums (drum set):
Don Lamond (in 1953-08)
guitar:
Johnny Smith (jazz guitarist) (in 1953-08)
piano:
Sanford Gold (in 1953-08)
tenor saxophone:
Paul Quinichette (in 1953-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
I’ll Be Around (in 1953-08)
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
2:47
11Yesterdays
producer:
Teddy Reig
double bass:
Arnold Fiskin (in 1953-08)
drums (drum set):
Don Lamond
guitar:
Johnny Smith (jazz guitarist) (in 1953-08)
piano:
Sanford Gold (in 1953-08)
tenor saxophone:
Paul Quinichette (in 1953-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Yesterdays (in 1953-08)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:53
12Cherokee
producer:
Teddy Reig
double bass:
Arnold Fiskin (in 1953-08)
drums (drum set):
Don Lamond (in 1953-08)
guitar:
Johnny Smith (jazz guitarist) (in 1953-08)
piano:
Sanford Gold (in 1953-08)
tenor saxophone:
Paul Quinichette (in 1953-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Cherokee (in 1953-08)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
2:49
13Sometimes I’m Happy
producer:
Teddy Reig
bass:
Bob Carter (bass) (in 1952-11)
drums (drum set):
Morey Feld (in 1952-11)
guitar:
Johnny Smith (jazz guitarist) (in 1952-11)
piano:
Sanford Gold (in 1952-11)
tenor saxophone:
Stan Getz (in 1952-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Sometimes I’m Happy (in 1952-11)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:20
14Nice Work If You Can Get It
producer:
Teddy Reig
bass:
Bob Carter (bass) (in 1952-11)
drums (drum set):
Morey Feld (in 1952-11)
guitar:
Johnny Smith (jazz guitarist) (in 1952-11)
piano:
Sanford Gold (in 1952-11)
tenor saxophone:
Stan Getz (in 1952-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
Nice Work If You Can Get It (in 1952-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:26
15Jaguar (alternate version)
producer:
Teddy Reig
bass:
Eddie Safranski (in 1952-04)
drums (drum set):
Don Lamond (in 1952-04)
guitar:
Johnny Smith (jazz guitarist) (in 1952-04)
piano:
Sanford Gold (in 1952-04)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1952-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Jaguar
composer:
Johnny Smith (jazz guitarist)
2:30
16My Funny Valentine
producer:
Teddy Reig
bass:
Eddie Safranski (in 1952-04)
drums (drum set):
Don Lamond (in 1952-04)
guitar:
Johnny Smith (jazz guitarist) (in 1952-04)
piano:
Sanford Gold (in 1952-04)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1952-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1952-04)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
2:41

Credits

Release

copyrighted (©) by:Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 1956)
phonographic copyright (℗) by:Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2004)
purchase for download and streaming page:https://music.apple.com/us/album/691367794 [info]
stream for free:https://open.spotify.com/album/46m2vVGJn0cSaVBsHMzYgW [info]
https://www.deezer.com/album/309898 [info]