Karajan A-Z: Verdi - Vivaldi

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Il Trovatore: Act 1: All'erta! all'erta! (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:44
2Il Trovatore: Act 1: Di due figli - Abbietta zingara - Sull'orlo dei tetti (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi7:24
3Il Trovatore: Act 1: Che più t'arresti? (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:13
4Il Trovatore: Act 1: Tacea la notte placida - Di tale amor (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:53
5Il Trovatore: Act 1: Tace la notte! (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:53
6Il Trovatore: Act 1: Deserto sulla terra - Non m'inganno. Ella scende! - No. Di geloso amor (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:00
7Il Trovatore: Act 2: Vedi! Le fosche notturne spoglie "Anvil Chorus" (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:54
8Il Trovatore: Act 2: Stride la vampa! - Mesta è la tua canzon! (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [un vecchio zingaro]:
Rudolf Zimmer (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:42
9Il Trovatore: Act 2: Soli or siamo - Condotta ell'era in ceppi (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:44
10Il Trovatore: Act 2: Non son tuo figlio? - Mal reggendo all'aspro asalto (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:35
11Il Trovatore: Act 2: L'usato messo Ruiz invia (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
tenor vocals [un messo]:
Kurt Equiluz (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:12
12Il Trovatore: Act 2: Tutto è deserto (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:29
13Il Trovatore: Act 2: Il balen del suo sorriso (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:19
14Il Trovatore: Act 2: Qual suono! Oh ciel! - Ah! se l'error t'ingombra (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:40
15Il Trovatore: Act 2: Perchè piangete? (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:25
16Il Trovatore: Act 2: E deggio e posso crederlo? (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Ines]:
Laurence Dutoit (Austrian soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:10
17Il Trovatore: Act 3: Or co' dadi! - Squilli, echeggi la tromba "Soldiers' Chorus" (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
live recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:11
18Il Trovatore: Act 3: In braccio al mio rival! (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
19Il Trovatore: Act 3: Giorni poveri vivea (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:31
20Il Trovatore: Act 3: Quale d'armi fragor (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
21Il Trovatore: Act 3: Ah si, ben mio (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:08
22Il Trovatore: Act 3: L'onda de' suoni mistici (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:34
23Il Trovatore: Act 3: Di quella pira (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:28
24Il Trovatore: Act 4: Siam giunti; ecco la torre (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Ruiz]:
Siegfried Rudolf Frese (German operatic bass-baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:01
25Il Trovatore: Act 4: D'amor sull'ali rosee (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:47
26Il Trovatore: Act 4: Miserere d'un'alma (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1962-07-31) and Kammerchor der Salzburger Festspiele (Austrian chamber choir) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
chorus master:
Roberto Benaglio (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:46
27Il Trovatore: Act 4: Udiste? Come albeggi - Qual voce! - Mira, d'acerbe lagrime (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:57
28Il Trovatore: Act 4: Vivrà! - contende il giubilo (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:40
29Il Trovatore: Act 4: Madre, non dormi? (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:48
30Il Trovatore: Act 4: Si la stanchezza m'opprime (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:34
31Il Trovatore: Act 4: Che! Non m'inganna - Ha quest'infame (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:12
32Il Trovatore: Act 4: Ti scosta! - Non respingermi (Live at Großes Festspielhaus, Salzburg, 1962)
recording engineer:
Hans Haring (recording engineer)
audio engineer:
Othmar Eichinger and Gottfried Kraus (writer, critic, producer, radio host)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (on 1962-07-31)
mezzo-soprano vocals [Azucena]:
Giulietta Simionato (mezzo-soprano) (on 1962-07-31)
soprano vocals [Leonora]:
Leontyne Price (soprano) (on 1962-07-31)
tenor vocals [Manrico]:
Franco Corelli (tenor) (on 1962-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
balance engineer:
Josef Sladko (engineer)
recorded at:
Salzburg Festival 1962 (1962-07-26 – 1962-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:37
33Un ballo maschera: Overture
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Nº 1. Preludio (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera
Giuseppe Verdi4:39
34Un ballo maschera: Act 1: Posa in pace
producer:
Michel Glotz
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:52
35Un ballo maschera: Act 1: S'avanza il conte - La rivedrà nell'estasi
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3a Scena “S'avanza il conte” (Oscar, Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi6:15
36Un ballo maschera: Act 1: Alla vita che t'arride
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
tenor vocals [minister for justice]:
Wolfgang Witte (saxophonist) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5a Scena “Il primo Giudice - S'avanzi” (Oscar, Riccardo, Giudice) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:19
37Un ballo maschera: Act 1: Volta la terra "Oscar's Aria"
producer:
Michel Glotz
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
tenor vocals [minister for justice]:
Wolfgang Witte (saxophonist) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:09
38Un ballo maschera: Act 1: Signori: oggi d'Ulrica
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 6a “Sia condannata” … “Signori, oggi d'Ulrica” (Giudice, Riccardo, Oscar, Samuel, Tom, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:15
39Un ballo maschera: Act 1: Zitti, l'incanto non dèssi turbare - Rallegrati ornai
producer:
Michel Glotz
baritone vocals [Cristiano]:
Jean-Luc Chaignaud (baritone) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
mezzo-soprano vocals [Ulrica]:
Florence Quivar (mezzo soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Ankastrom's servant]:
Adolf Tomaschek (tenor) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7a Scena “Zitti … l'incanto non dèssi turbare” (Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7b Invocazione “Re dell'abisso, affrettati” (Ulrica) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi10:35
40Un ballo maschera: Act 1: Che v'agita cosi? - Della città all'occaso
producer:
Michel Glotz
mezzo-soprano vocals [Ulrica]:
Florence Quivar (mezzo soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8b Terzetto “Della città all'occaso” (Ulrica, Amelia, Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi5:47
41Un ballo maschera: Act 1: Su, profetessa - Di' tu se fedele
producer:
Michel Glotz
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
mezzo-soprano vocals [Ulrica]:
Florence Quivar (mezzo soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi5:19
42Un ballo maschera: Act 1: E la destra d'un grande - E scherzo od è follia
producer:
Michel Glotz
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
mezzo-soprano vocals [Ulrica]:
Florence Quivar (mezzo soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10a Scena “Chi voi siate, l'audace parola” (Ulrica, Riccardo, Samuel, Oscar, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi5:38
43Un ballo maschera: Act 1: Finsci il vaticinio
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
baritone vocals [Cristiano]:
Jean-Luc Chaignaud (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
mezzo-soprano vocals [Ulrica]:
Florence Quivar (mezzo soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Suni Jo (Sumi Jo, soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11b Inno “O figlio d'Inghilterra” (Coro, Oscar, Riccardo, Ulrica, Renato, Samuel, Tom) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:44
44Un ballo maschera: Act 2: Prelude
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto II. Nº 12a. Preludio (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:07
45Un ballo maschera: Act 2: Ecco l'orrido campo - Ma dall'arido stelo divulsa
producer:
Michel Glotz
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi6:21
46Un ballo maschera: Act 2: Duet. Teco io sto - Non sai tu che - Oh, qual soave brivido
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13b. Duetto "Non sai tu che se l'anima mia" (Riccardo, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13c. "M'ami, m'ami!" (Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13d. Cabaletta "Oh, qual soave brivido" (Riccardo, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:33
47Un ballo maschera: Act 2: Ahimè! S'appressa alcun
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 14b. Terzetto "Tu qui? - Per salvarti da lor" (Riccardo, Renato, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 14c. "Amico, gelosa t'affido una cura" (Riccardo, Renato) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 14d. Cabaletta "Odi tu come fremono cupi" (Amelia, Renato, Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:54
48Un ballo maschera: Act 2: Seguitemi - Ve', se di notte
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 15b. Coro "Avventiamoci su lui" (Coro, Samuel, Tom, Renato, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi8:03
49Un ballo maschera: Act 3: A tal colpa
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:26
50Un ballo maschera: Act 3: Morrò, ma prima in grazia - Alzati, là tuo figlio
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi6:27
51Un ballo maschera: Act 3: Aria. Eri tu che macchiavi
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:00
52Un ballo maschera: Act 3: Siam soli. Udite - Dunque l'onta - D'una grazia vi supplico
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi8:55
53Un ballo maschera: Act 3: Il messaggio entri - Ah! Di che fulgor
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:05
54Un ballo maschera: Act 3: Forse la soglia attinse - Ma se m'è forza perderti
producer:
Michel Glotz
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:52
55Un ballo maschera: Act 3: Ah dessa è là
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22b. Coro “Fervono amori e danze” (1) (Coro, Samuel, Tom, Renato) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:17
56Un ballo maschera: Act 3: Saper vorreste - Fervono amori e danze
producer:
Michel Glotz
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:30
57Un ballo maschera: Act 3: Ah! Perché qui! Fuggite
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:16
58Un ballo maschera: Act 3: Ella è pura
producer:
Michel Glotz
baritone vocals [Ankastrom]:
Leo Nucci (baritone) (from 1989-01-27 until 1989-02-03)
bass vocals [Dehorn]:
Goran Simić (operatic bass) (from 1989-01-27 until 1989-02-03)
bass vocals [Ribbing]:
Kurt Rydl (operatic bass) (from 1989-01-27 until 1989-02-03)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1989-01-27 until 1989-02-03)
soprano vocals [Amelia]:
Josephine Barstow (soprano) (from 1989-01-27 until 1989-02-03)
soprano vocals [Oscar]:
Sumi Jo (soprano) (from 1989-01-27 until 1989-02-03)
tenor vocals [Gustavo III]:
Plácido Domingo (tenor) (from 1989-01-27 until 1989-02-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1989-01-27 until 1989-02-03)
conductor:
Herbert von Karajan (conductor) (from 1989-01-27 until 1989-02-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1989-01-27 until 1989-02-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-01-27 until 1989-02-03)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1989-01-27 until 1989-02-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:43
59Aida: Overture (Prelude)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Preludio (standard opening to the opera, ~4min)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:54
60Aida: Act 1: Si: corre voce che l'Etiope ardisca
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:39
61Aida: Act 1: Se quel guerrier io fossi! - Celeste Aida
producer:
John Culshaw
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi5:03
62Aida: Act 1: Quale insolita gioia - Vieni, o diletta, appressati
producer:
John Culshaw
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:56
63Aida: Act 1: Alta cagion v'aduna - Su! Del Nilo al sacro lido
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:41
64Aida: Act 1: Ritorna vincitor! - I sacri nomi di padre d'amante
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:01
65Aida: Act 1: Possente, possente Fthà - Sacred Dance of the Priestesses
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
soprano vocals [Una sacerdotessa]:
Eugenia Ratti (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:21
66Aida: Act 1: Mortal, diletto ai Numi - Nume, custode e vindice
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:11
67Aida: Act 2: Chi mai fra gl'inni e i plausi - Dance of the Moorish Slaves - Vieni, sul crin ti piovano
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:14
68Aida: Act 2: Fu la sorte dell'armi a'tuoi funesta - Pietà ti prenda
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:04
69Aida: Act 2: Su! Del Nilo al sacro lido
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:46
70Aida: Act 2: Ensemble. Gloria all'Egitto, ad Iside
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:40
71Aida: Act 2: Grand March - Ballet Music
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi6:20
72Aida: Act 2: Vieni, o guerriero vindice
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:30
73Aida: Act 2: Salvator della patria, io ti saluto
producer:
John Culshaw
bass vocals [Il re] and bass vocals [Ramfis]:
Fernando Corena (operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:13
74Aida: Act 2: Che veggo! Egli? Mio padre!
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi0:56
75Aida: Act 2: Quest'assisa ch'io vesto vi dica
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Cornell MacNeil (American baritone) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:05
76Aida: Act 2: Ma tu, Re, tu signore possente
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:25
77Aida: Act 2: O Re: pei sacri Numi
producer:
John Culshaw
bass vocals [Il Re]:
Fernando Corena (operatic bass)
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:42
78Aida: Act 2: Ensemble. Gloria all'Egitto, ad Iside
producer:
John Culshaw
bass vocals [Il re]:
Fernando Corena (operatic bass) (in 1959-09)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:06
79Aida: Act 3: O tu che sei d'Osiride
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:21
80Aida: Act 3: Qui Radames verrà - O Patria mia
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:14
81Aida: Act 3: Ciel! mio padre! - Rivedrai le foreste imbalsamate
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:14
82Aida: Act 3: Pur ti riveggo, mia dolce Aida - Nel fiero anelito
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:06
83Aida: Act 3: Fuggiam gli ardori inospiti
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:07
84Aida: Act 3: Tu. Amonasro! Tu! Il Re?
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:50
85Aida: Act 4: L'aborrita rivale a me sfuggia
producer:
John Culshaw
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:59
86Aida: Act 4: Già i Sacerdoti adunansi
producer:
John Culshaw
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:16
87Aida: Act 4: Ohimè! Morir mi sento! - Spirto del nume
producer:
John Culshaw
vocals:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:23
88Aida: Act 4: Radamès! Radamès! Radamès!
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:04
89Aida: Act 4: La fatal pietra sovra me si chiuse
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals:
Giulietta Simionato (mezzo-soprano)
soprano vocals and soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor) (in 1959-09)
vocals:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959, in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:18
90Aida: Act 4: Presago il core della tua condonna
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:02
91Aida: Act 4: O terra, addio; addio valle di pianti
producer:
John Culshaw
choir vocals:
Singverein der Gellschaft der Musikfreunde (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:13
92Don Carlo: Act 1: Carlo il sommo Imperatore (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [un frate]:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:12
93Don Carlo: Act 1: Io l'ho perduta! (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
tenor vocals [Don Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:31
94Don Carlo: Act 1: Io la vidi e al suo sorriso (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:41
95Don Carlo: Act 1: Il duolo della terra (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [un frate]:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:04
96Don Carlo: Act 1: E lui! desso! l'Infante! (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
bass vocals [un frate]:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:43
97Don Carlo: Act 1: Dio, che nell'alma infondere (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:35
98Don Carlo: Act 1: Sotto ai folti, immensi abeti (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:17
99Don Carlo: Act 1: Nei giardin del bello (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:39
100Don Carlo: Act 1: La Regina! (Live at Felsenreitschule, Salzburg, 1958)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburger Festspiele 1958 (1958-07-26 – 1958-08-31) (Salzburg Festival 1958)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:50
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