Complete Works

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

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1▼CD: Orchestral Works
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1Images pour orchestre: 1. Gigues
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
Images pour orchestre, L. 122, CD 118: I. Gigues (on 1989-06-15)
composer:
Claude Debussy (French composer) (in 1912)
publisher:
Durand et Cie (1909–1947) (in 1913-12)
part of:
Images pour orchestre, L. 122, CD 118
8:35
2Images pour orchestre: 3. Rondes de printemps
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (on 1989-06-15)
composer:
Claude Debussy (French composer) (from 1905 until 1909)
premiered at:
[concert] (1910-03-02)
publisher:
Durand et Cie (1909–1947) (in 1910-04)
premiered at:
Salle Gaveau in Paris, Île-de-France, France (on 1910-03-02)
part of:
Images pour orchestre, L. 122, CD 118
8:15
3Images pour orchestre: 2. Ibéria: Par les rues et par les chemins
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (on 1989-06-15)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
7:18
4Images pour orchestre: 2. Ibéria: Les Parfums de la nuit
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (on 1989-06-15)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
8:49
5Images pour orchestre: 2. Ibéria: Le Matin d'un jour de fête
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (on 1989-06-15)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
4:41
6Prélude à l'après-midi d'un faune
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1989-06-15)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
11:43
7La Mer, Trois esquisses symphoniques: 1. De l'aube à midi sur la mer
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (on 1989-06-15)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
9:48
8La Mer, Trois esquisses symphoniques: 2. Jeux de vagues
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
7:30
9La Mer, Trois esquisses symphoniques: 3. Dialogue du vent et de la mer
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1989-06-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-06-15)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1989-06-15)
live recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
9:16
2▼CD: Orchestral Works
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12 Danses, pour harpe et orchestre à cordes: 1. Danse sacrée
harp:
Lisa Wellbaum (in 1999-04)
orchestra:
The Cleveland Orchestra (in 1999-04)
conductor:
Pierre Boulez (composer and conductor) (in 1999-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1999-04)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée (in 1999-04)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
5:08
22 Danses, pour harpe et orchestre à cordes: 2. Danse profane
harp:
Lisa Wellbaum (in 1999-04)
orchestra:
The Cleveland Orchestra (in 1999-04)
conductor:
Pierre Boulez (composer and conductor) (in 1999-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1999-04)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane (in 1999-04)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
5:17
3Jeux, Poème dansé
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Jeux, L. 126, CD 133 (for orchestra) (in 1993-03)
composer:
Claude Debussy (French composer) (from 1912-08 until 1913-04)
dedicated to:
Madame Jacques Durand
premiered at:
[concert] (1913-05-15)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 126) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 133)
16:07
4Première Rapsodie, pour clarinette et orchestre
producer:
Karl-August Naegler (balance engineer)
clarinet:
Franklin Cohen (clarinetist) (in 1991-03)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Première Rapsodie pour clarinette en si bémol, L. 116, CD 124b (for clarinet and orchestra) (in 1991-03)
orchestrator:
Claude Debussy (French composer) (in 1911)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-01)
premiered at:
[concert] (1919-05-03)
publisher:
Durand et Cie (1909–1947) (in 1911-12)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 116) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 124b)
orchestration of:
Première Rapsodie pour clarinette en si bémol, L. 116, CD 124a (for clarinet and piano)
8:42
5Fantaisie pour piano et orchestre: 1. Andante ma non troppo - Allegro giusto
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1995-06)
orchestra:
Budapest Festival Orchestra (in 1995-06)
conductor:
Iván Fischer (conductor) (in 1995-06)
balance engineer:
Onno Scholtze (sound engineer) (in 1995-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1995-06)
recording of:
Fantaisie pour piano et orchestre, L. 73, CD 72 : I. Andante - Allegro (in 1995-06)
composer:
Claude Debussy (French composer) (from 1889-10 until 1890-04)
part of:
Fantaisie pour piano et orchestre, L. 73, CD 72
recording of:
Fantaisie pour piano et orchestre, L. 73, CD 72 : III. Allegro molto
composer:
Claude Debussy (French composer) (from 1889-10 until 1890-04)
part of:
Fantaisie pour piano et orchestre, L. 73, CD 72
6:30
6Fantaisie pour piano et orchestre: 2. Lento e molto espressivo
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1995-06)
orchestra:
Budapest Festival Orchestra (in 1995-06)
conductor:
Iván Fischer (conductor) (in 1995-06)
balance engineer:
Onno Scholtze (sound engineer) (in 1995-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1995-06)
recording of:
Fantaisie pour piano et orchestre, L. 73, CD 72 : II. Lento e molto espressivo (in 1995-06)
composer:
Claude Debussy (French composer) (from 1889-10 until 1890-04)
part of:
Fantaisie pour piano et orchestre, L. 73, CD 72
7:05
7Fantaisie pour piano et orchestre: 3. Allegro molto
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist, conductor) (in 1995-06)
orchestra:
Budapest Festival Orchestra (in 1995-06)
conductor:
Iván Fischer (conductor) (in 1995-06)
balance engineer:
Onno Scholtze (sound engineer) (in 1995-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1995-06)
recording of:
Fantaisie pour piano et orchestre, L. 73, CD 72 : III. Allegro molto (in 1995-06)
composer:
Claude Debussy (French composer) (from 1889-10 until 1890-04)
part of:
Fantaisie pour piano et orchestre, L. 73, CD 72
recording of:
Fantaisie pour piano et orchestre, L. 73, CD 72 : I. Andante - Allegro
composer:
Claude Debussy (French composer) (from 1889-10 until 1890-04)
part of:
Fantaisie pour piano et orchestre, L. 73, CD 72
6:24
8Première suite d'orchestre, Version for piano duet: 1. Fête
piano:
Philippe Cassard (pianist) (in 2011-07) and François Chaplin (pianist) (in 2011-07)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (in 2011-07)
recording of:
Première Suite d’orchestre, L. 50, CD 46 : I. Fête (for piano 4-hands) (in 2011-07)
composer:
Claude Debussy (French composer) (on 1883-01-24)
part of:
Première Suite d’orchestre, L. 50, CD 46 (for piano 4-hands)
5:39
9Première suite d'orchestre, Version for piano duet: 2. Ballet
piano:
Philippe Cassard (pianist) (in 2011-07) and François Chaplin (pianist) (in 2011-07)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (in 2011-07)
recording of:
Première Suite d’orchestre, L. 50, CD 46 : II. Ballet (for piano 4-hands) (in 2011-07)
composer:
Claude Debussy (French composer) (on 1883-01-24)
part of:
Première Suite d’orchestre, L. 50, CD 46 (for piano 4-hands)
4:14
10Première suite d'orchestre, Version for piano duet: 3. Rève
piano:
Philippe Cassard (pianist) (in 2011-07) and François Chaplin (pianist) (in 2011-07)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (in 2011-07)
recording of:
Première Suite d’orchestre, L. 50, CD 46 : III. Rêve (for piano 4-hands) (in 2011-07)
composer:
Claude Debussy (French composer) (on 1883-01-24)
part of:
Première Suite d’orchestre, L. 50, CD 46 (for piano 4-hands)
6:40
11Première suite d'orchestre, Version for piano duet: 4. Cortège et bacchanale
piano:
Philippe Cassard (pianist) (in 2011-07) and François Chaplin (pianist) (in 2011-07)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (in 2011-07)
recording of:
Première Suite d’orchestre, L. 50, CD 46 : IV. Bacchanale (Cortège et Bacchanale) (for piano 4-hands) (in 2011-07)
composer:
Claude Debussy (French composer) (on 1883-01-24)
part of:
Première Suite d’orchestre, L. 50, CD 46 (for piano 4-hands)
8:38
3▼CD: Orchestral Works
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1Le roi Lear, Musique de scène pour orchestre: 1. Fanfare
producer:
René Challan (French composer)
orchestra:
Orchestre national de l’ORTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1973-02 until 1974-04)
conductor:
Jean Martinon (French conductor and composer) (from 1973-02 until 1974-04)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1973-02 until 1974-04)
recording of:
Musique pour “Le Roi Lear”, L. 107, CD 116: Fanfare d’ouverture (from 1973-02 until 1974-04)
orchestrator:
Jean Roger‐Ducasse (French composer)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Musique pour “Le Roi Lear”, L. 107, CD 116 (orch. Roger-Ducasse)
1:48
2Le roi Lear, Musique de scène pour orchestre: 2. Le Sommeil de Lear
producer:
René Challan (French composer)
orchestra:
Orchestre national de l’ORTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1973-02 until 1974-04)
conductor:
Jean Martinon (French conductor and composer) (from 1973-02 until 1974-04)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1973-02 until 1974-04)
recording of:
Musique pour “Le Roi Lear”, L. 107, CD 116: Le Sommeil de Lear (from 1973-02 until 1974-04)
orchestrator:
Jean Roger‐Ducasse (French composer)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Musique pour “Le Roi Lear”, L. 107, CD 116 (orch. Roger-Ducasse)
3:16
3Rapsodie pour orchestre et saxophone
producer:
René Challan (French composer)
saxophone:
Jean‐Marie Londeix (saxophonist) (from 1973-02 until 1974-04)
orchestra:
Orchestre national de l’ORTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1973-02 until 1974-04)
conductor:
Jean Martinon (French conductor and composer) (from 1973-02 until 1974-04)
balance engineer:
Paul Vavasseur (engineer) (from 1973-02 until 1974-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1973-02 until 1974-04)
recording of:
Rhapsodie pour saxophone et orchestre, L. 98 (from 1973-02 until 1974-04)
orchestrator:
Jean Roger‐Ducasse (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1901 until 1911)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 98)
orchestration of:
Rapsodie pour saxophone et piano, L. 98, CD 104
10:07
4Marche écossaise sur un thème populaire, Version for orchestra
producer:
Volker Straus (producer/engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1976-12)
conductor:
Bernard Haitink (conductor) (in 1976-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1977)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1976-12)
recording of:
Marche écossaise sur un thème populaire, L. 77, CD 83b (for orchestra) (in 1976-12)
composer:
Claude Debussy (French composer) (from 1893 until 1908)
premiered at:
[concert] (1910-01-16)
publisher:
Editions Jobert (in 1911)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 77) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 83b)
orchestration of:
Marche écossaise sur un thème populaire, L. 77, CD 83a (for piano 4-hands)
6:51
5Berceuse héroïque, pour rendre hommage à S.M. le roi Albert Ier, prince de Belgique et à ses soldats
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1957-05)
conductor:
Eduard van Beinum (conductor) (in 1957-05)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1959)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1957-05)
recording of:
Berceuse héroïque, L. 132, CD 140 (for orchestra) (in 1957-05)
orchestrator:
Claude Debussy (French composer) (until 1914-12)
composer:
Claude Debussy (French composer) (in 1914-11)
premiered at:
[concert] (1915-10-26)
publisher:
Durand et Cie (1909–1947) (in 1915)
orchestration of:
Berceuse héroïque, L. 132, CD 140 (for piano)
4:08
6Khamma, Légende dansée
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1994-12)
conductor:
Riccardo Chailly (conductor) (in 1994-12)
balance engineer:
John Dunkerley (engineer) (in 1994-12) and Philip Siney (sound engineer) (in 1994-12)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1994-12)
recording of:
Khamma, L 125 (orch. Koechlin) (in 1994-12)
orchestrator:
Charles Koechlin (composer)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
premiered at:
[concert] (1924-11-15)
version of:
Khamma, L. 125, CD 132 (for piano)
20:07
7Tarentelle Styrienne
producer:
Christopher Raeburn (producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1986-08)
conductor:
Riccardo Chailly (conductor) (in 1986-08)
balance engineer:
John Dunkerley (engineer) (in 1986-08)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1986-08)
recording of:
Tarantelle styrienne, L. 69, CD 77b (orch. Ravel) (in 1986-08)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Claude Debussy (French composer) (in 1890)
orchestration of:
Tarantelle styrienne, L. 69, CD 77a (for piano)
5:17
8La plus que lente, Valse
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
cimbalom:
James Earl Barnes (in 1994-05)
hammered dulcimer:
James Earl Barnes
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recording of:
La plus que lente, L. 121 (pour orchestre) (in 1994-05)
orchestrator and composer:
Claude Debussy (French composer) (in 1910)
arrangement of:
La plus que lente, L. 121, CD 128 (pour piano solo)
5:22
9Nocturnes, Tryptique symphonique: 1. Nuages
piano:
Anne Shasby (in 1974-06) and Richard McMahon (pianist) (in 1974-06)
recording of:
Nocturnes, L. 91, CD 98: I. Nuages (arranged by Ravel for piano duo) (in 1974-06)
composer:
Claude Debussy (French composer) (in 1899)
arranger:
Maurice Ravel (French composer) (in 1909)
arrangement of:
Nocturnes, L. 91, CD 98 : I. Nuages
6:58
10Nocturnes, Tryptique symphonique: 2. Fêtes
piano:
Anne Shasby (in 1974-06) and Richard McMahon (pianist) (in 1974-06)
recording of:
Nocturnes, L. 91, CD 98: II. Fêtes (arranged by Ravel for piano duo) (in 1974-06)
composer:
Claude Debussy (French composer) (in 1899)
arranger:
Maurice Ravel (French composer) (in 1909)
arrangement of:
Nocturnes, L. 91, CD 98 : II. Fêtes
5:47
11Nocturnes, Tryptique symphonique: 3. Sirènes
piano:
Anne Shasby (in 1974-06) and Richard McMahon (pianist) (in 1974-06)
recording of:
Nocturnes, L. 91, CD 98: III. Sirènes (arranged by Ravel for piano duo) (in 1974-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
arranger:
Maurice Ravel (French composer) (in 1909)
arrangement of:
Nocturnes, L. 91, CD 98 : III. Sirènes
10:10
4▼CD: Orchestral Works
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1Nocturnes, Tryptique symphonique pour orchestre et chœurs: 1. Nuages
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
orchestra:
Orchestre de Paris (in 1978-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1978-01)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (in 1978-01)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
8:36
2Nocturnes, Tryptique symphonique pour orchestre et chœurs: 2. Fétes
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
orchestra:
Orchestre de Paris (in 1978-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1978-01)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1978-01)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
7:01
3Nocturnes, Tryptique symphonique pour orchestre et chœurs: 3. Sirènes
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
choir vocals:
Choeur de femmes de orchestre de Paris (in 1978-01) and Chœur de l'Orchestre de Paris (in 1978-01)
orchestra:
Orchestre de Paris (in 1978-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-01)
chorus master:
Arthur Oldham (chorus master) (in 1978-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1978-01)
recording of:
Nocturnes, L. 91, CD 98 : III. Sirènes (in 1978-01)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1901-10-27)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
10:04
4Printemps, Suite symphonique: 1. Très modéré
recorded in:
Paris, Île-de-France, France (in 1977-01)
producer:
Günther Breest (producer for classical music) and Wolfgang Stengel
orchestra:
Orchestre de Paris (in 1977-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-01)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recording of:
Printemps, L. 61, CD 68b : I. Très modéré (in 1977-01)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1912)
composer:
Claude Debussy (French composer) (in 1887-02)
orchestration of:
Printemps, L. 61, CD 68a : I. Très modéré
part of:
Printemps, L. 61, CD 68b (for piano 4-hands and orchestra)
10:41
5Printemps, Suite symphonique: 2. Modéré
recorded in:
Paris, Île-de-France, France (in 1977-01)
producer:
Günther Breest (producer for classical music) and Wolfgang Stengel
orchestra:
Orchestre de Paris (in 1977-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-01)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recording of:
Printemps, L. 61, CD 68b : II. Modéré (in 1977-01)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1912)
composer:
Claude Debussy (French composer) (in 1887-02)
orchestration of:
Printemps, L. 61, CD 68a : II. Modéré
part of:
Printemps, L. 61, CD 68b (for piano 4-hands and orchestra)
7:10
6La boîte à joujoux, Ballet pour enfants: Prélude
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : I. Prélude. Le Sommeil de la boîte (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à Joujoux : I. Prélude. Le Sommeil de la boîte (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
2:31
7La boîte à joujoux, Ballet pour enfants: 1. Premier Tableau. Le Magasin de jouets
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante (in 1992-05)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : II. 1er tableau. Le Magasin de jouets (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : II. 1er tableau. Le Magasin de jouets (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
11:25
8La boîte à joujoux, Ballet pour enfants: 2. Deuxième Tableau. Le Champ de bataille
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : III. 2e tableau. Le Champ de bataille (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : III. 2e tableau. Le Champ de bataille (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
9:13
9La boîte à joujoux, Ballet pour enfants: 3. Troisième Tableau. La Bergerie à vendre
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante (in 1992-05)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : IV. 3e tableau. La Bergerie à vendre (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : IV. 3e tableau. La Bergerie à vendre (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
6:46
10La boîte à joujoux, Ballet pour enfants: 4. Quatrième Tableau. Après fortune faite
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : V. 4e tableau. Après fortune faite (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : V. 4e tableau. Après fortune faite (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
1:51
11La boîte à joujoux, Ballet pour enfants: Êpilogue
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : VI. Épilogue (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : VI. Épilogue (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
1:23
5▼CD: Préludes
#TitleRatingLength
1Préludes: Premier livre: 1. Danseuses de Delphes
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: I. Danseuses de Delphes. Lent et grave (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
3:04
2Préludes: Premier livre: 2. Voiles
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
3:40
3Préludes: Premier livre: 3. Le Vent dans la plaine
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: III. Le Vent dans la plaine. Animé (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
2:13
4Préludes: Premier livre: 4. << Les sons et les parfums tournent dans l'air du soir >>
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
3:37
5Préludes: Premier livre: 5. Les Collines d'Anacapri
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
3:03
6Préludes: Premier livre: 6. Des pas sur la neige
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
4:19
7Préludes: Premier livre: 7. Ce qu'a vu le vent d'Ouest
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
3:47
8Préludes: Premier livre: 8. La Fille aux cheveux de lin
piano:
Pierre‐Laurent Aimard (pianist)
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
2:21
9Préludes: Premier livre: 9. La Sérénade interrompue
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
2:48
10Préludes: Premier livre: 10. La Cathédrale engloutie
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
5:39
11Préludes: Premier livre: 11. La Danse de Puck
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: XI. La danse de Puck. Capricieux et léger (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
2:55
12Préludes: Premier livre: 12. Minstrels
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré (in 2012-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-02-10)
part of:
Préludes, Livre I, L. 117, CD 125
2:28
13Préludes: Deuxième livre: 1. Brouillars
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: I. Brouillards. Modéré (Préludes, Book II: 1. Brouillards) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
2:29
14Préludes: Deuxième livre: 2. Feuilles mortes
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (Préludes, Book II: 2. Feuilles mortes) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
3:31
15Préludes: Deuxième livre: 3. La Puerta del Vino
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera (Préludes, Book II: 3. La Puerta del Vino) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
3:50
16Préludes: Deuxième livre: 4. << Les fées sont d'exquises danseuses >>
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: IV. «Les fées sont d’exquises danseuses». Rapide et léger (Préludes, Book II: 4. “Les Fées sont d’exquises danseuses”) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
3:20
17Préludes: Deuxième livre: 5. Bruyères
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: V. Bruyères. Calme (Préludes, Book II: 5. Bruyères) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
2:53
18Préludes: Deuxième livre: 6. << Général Lavine >> - eccentric
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: VI. Général Lavine – eccentric. Dans le style et le mouvement d’un Cakewalk (Préludes, Book II: 6. General Lavine – eccentric) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
2:33
19Préludes: Deuxième livre: 7. La Terrasse des audiences du clair de lune
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (Préludes, Book II: 7. La Terrasse des audiences du clair de lune) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
4:44
20Préludes: Deuxième livre: 8. Ondine
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: VIII. Ondine. Scherzando (Préludes, Book II: 8. Ondine) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
3:29
21Préludes: Deuxième livre: 9. Hommage à Pickwick Esq. P.P.M.P.C.
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: IX. Hommage à S. Pickwick Esq. P.P.M.P.C.. Grave (Préludes, Book II: 9. Hommage à S. Pickwick Esq. P.P.M.P.C.) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
2:39
22Préludes: Deuxième livre: 10. Canope
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: X. Canope. Très calme et doucement triste (Préludes, Book II: 10. Canope) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
2:32
23Préludes: Deuxième livre: 11. Les Tierces alternées
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: XI. Les tierces alternées. Modérément animé (Préludes, Book II: 11. Les Tierces alternées) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
3:15
24Préludes: Deuxième livre: 12. Feux d'artifice
solo piano:
Pierre‐Laurent Aimard (pianist) (in 2012-05)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 2012-05)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
4:33
6▼CD: Études
#TitleRatingLength
112 Études, pour piano: Premier livre: 1. Pour les << cinq doigts >>, d'après Monsieur Czerny
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: I. Pour les « cinq doigts » d'après monsieur Czerny (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 1)
part of:
Douze Études, pour piano, L. 136, CD 143
2:56
212 Études, pour piano: Premier livre: 2. Pour les tierces
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: II. Pour les tierces (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 2)
part of:
Douze Études, pour piano, L. 136, CD 143
3:20
312 Études, pour piano: Premier livre: 3. Pour les quartes
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: III. Pour les quartes (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 3)
part of:
Douze Études, pour piano, L. 136, CD 143
4:16
412 Études, pour piano: Premier livre: 4. Pour les sixtes
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: IV. Pour les sixtes (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 4)
part of:
Douze Études, pour piano, L. 136, CD 143
3:28
512 Études, pour piano: Premier livre: 5. Pur les octaves
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: V. Pour les octaves (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 5)
part of:
Douze Études, pour piano, L. 136, CD 143
2:30
612 Études, pour piano: Premier livre: 6. Pour les huit doigts
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: VI. Pour les huits doigts (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 6)
part of:
Douze Études, pour piano, L. 136, CD 143
1:44
712 Études, pour piano: Deuxième livre: 7. Pour les degrés chromatiques
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: VII. Pour les degrés chromatiques (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 7)
part of:
Douze Études, pour piano, L. 136, CD 143
2:10
812 Études, pour piano: Deuxième livre: 8. Pour les agréments
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: VIII. Pour les agréments (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 8)
part of:
Douze Études, pour piano, L. 136, CD 143
4:48
912 Études, pour piano: Deuxième livre: 9. Pour les notes répétées
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: IX. Pour les notes répétées (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 9)
part of:
Douze Études, pour piano, L. 136, CD 143
3:13
1012 Études, pour piano: Deuxième livre: 10. Pour les sonorités opposées
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: X. Pour les sonorités opposées (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
premiered at:
[concert] (1916-11-21)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 10)
part of:
Douze Études, pour piano, L. 136, CD 143
4:21
1112 Études, pour piano: Deuxième livre: 11. Pour les arpèges composés
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: XI. Pour les arpèges composés (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
premiered at:
[concert] (1916-11-21)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 11)
part of:
Douze Études, pour piano, L. 136, CD 143
3:35
1212 Études, pour piano: Deuxième livre: 12. Pour les accords
engineer:
Stephan Flock
producer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
piano:
Maurizio Pollini (pianist) (in 1992-10)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-10)
recording of:
Études, L. 136: XII. Pour les accords (in 1992-10)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 12)
part of:
Douze Études, pour piano, L. 136, CD 143
5:05
7▼CD: Other Piano Works I
#TitleRatingLength
1Images I: 1. Reflects dans l'eau
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
4:55
2Images I: 2. Hommage à Rameau
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 2. Hommage à Rameau (Images, Book I: 2. Hommage à Rameau) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
6:35
3Images I: 3. Mouvement
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 3. Mouvement (Images, Book I: 3. Mouvement) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
3:44
4Images II: 1. Cloches à travers les feuilles
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 1. Cloches à travers les feuilles (Images, Book II: 1. Cloches à travers les feuilles) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Alexandre Charpentier
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
4:22
5Images II: 2. Et la lune descend sur le temple qui fut
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 2. Et la lune descend sur le temple qui fut (Images, Book II: 2. Et la lune descend sur le temple qui fut) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Louis Laloy
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
5:14
6Images II: 3. Poissons d'or
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 3. Poissons d’or (Images, Book II: 3. Poissons d’or) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Ricardo Viñes
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
4:07
7Children's Corner: 1. Doctor Gradus ad Parnassum
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:15
8Children's Corner: 2. Jimbo's Lullaby
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
3:29
9Children's Corner: 3. Serenade for the Doll
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:16
10Children's Corner: 4. The Snow is Dancing
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:38
11Children's Corner: 5. The Little Shepherd
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:28
12Children's Corner: 6. Golliwogg's Cake-walk
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
3:01
13Valse romantique
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Valse romantique, L. 71, CD 79 (for piano)
composer:
Claude Debussy (French composer) (in 1890)
dedicated to:
Rose Depecker
publisher:
Choudens (in 1891)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 71) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 79)
4:03
14Ballade
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Ballade (slave), L. 70, CD 78
composer:
Claude Debussy (French composer) (in 1890)
dedicated to:
Madame Philippe Hottinguer
publisher:
Choudens (in 1891) and Eugène Fromont (in 1903)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 70) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 78)
7:56
15Mazurka
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Mazurka, L. 67, CD 75 (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
publisher:
J. Hamelle (in 1903-03) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 67) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 75)
3:04
16Élégie
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Élégie, L. 138, CD 146 (for piano)
composer:
Claude Debussy (French composer) (in 1915-12)
publisher:
G. Henle Verlag (in 1997) and Éditions Durand (1947–present) (in 2004)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 138) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 146)
2:36
17Morceau de concours
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Morceau de concours, L. 108, CD 117 (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (French composer) (in 1904)
publisher:
Musica (French magazine) (in 1905-01) and Éditions Durand (1947–present) (in 1980)
was commissioned by:
Musica (French magazine)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 108) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 117)
0:44
18Danse bohémienne
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Danse bohémienne, L. 9, CD 4 (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (French composer) (from 1880-06 until 1880-09)
publisher:
Schott Music International (publisher; do not use as label) (in 1932)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 4) and Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 9)
2:05
19Nocturne
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Nocturne, L. 82, CD 89 (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (French composer) (in 1892)
publisher:
Paul Dupont (in 1892), Le Figaro musical (in 1892-08) and Société nouvelle d'éditions musicales (in 1903)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 82) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 89)
6:53
20The Little Nigar, Cake-Walk
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Le Petit Nègre, L. 114, CD 122 (for piano)
composer:
Claude Debussy (French composer) (in 1909)
publisher:
Éditions Alphonse Leduc (in 1909)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 114) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 122)
1:45
8▶CD: Other Piano Works II
9▶CD: Other Piano Works III / Chamber Music
10▶CD: Works for Piano Duet & Two Pianos
11▶CD: Chamber Music
12▶CD: Mélodies I
13▶CD: Mélodies II
14▶CD: Mélodies III
15▶CD: Mélodies IV
16▶CD: Pelléas et Mélisande I
17▶CD: Pelléas et mélisande II
18▶CD: Le Martyre de Saint Sébastien / 3 Chansons de Charles d'Orléans
19▶CD: Le Gladiateur / L'Enfant prodigue / La Chute de la maison Usher
20▶CD: Historical & Bonus I
21▶CD: Historical & Bonus II
22▶CD: Historical & Bonus III

Credits