The Ephesian Matron / The Brickdust Man / The Grenadier

~ Release by Charles Dibdin; Yvonne Barclay, Susan Bisatt, Andrew Knight, Andrew Mayor, Bronwen Mills, Mark Padmore, Jane Streeton, Kevin West, Opera Restor'd, Peter Holman (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Ephesian Matron; or, The Widow's Tears: Overture
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: Overture (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin6:14
2The Ephesian Matron; or, The Widow's Tears: The Trio. Hence, hence away
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
bass vocals:
Andrew Knight (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Trio. Hence, hence away (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin3:06
3The Ephesian Matron; or, The Widow's Tears: The Father's Aria. But more, a monument I'll raise
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
bass vocals:
Andrew Knight (baritone) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Father's Aria. But more, a monument I'll raise (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin3:20
4The Ephesian Matron; or, The Widow's Tears: The Matron's Mad Aria. And while, grown frantic with my woes
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Matron's Mad Aria. And while, grown frantic with my woes (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin3:49
5The Ephesian Matron; or, The Widow's Tears: The Maid's First Aria. If I was a wife
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Maid's First Aria. If I was a wife (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin3:46
6The Ephesian Matron; or, The Widow's Tears: The Centurion's First Aria. What ho! charming dame, what ho!
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Centurion's First Aria. What ho! charming dame, what ho! (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin5:01
7The Ephesian Matron; or, The Widow's Tears: The Duet. By Venus, mother of desire
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Duet. By Venus, mother of desire (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin4:09
8The Ephesian Matron; or, The Widow's Tears: The Matron's Second Aria. But before you go away, sir
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Matron's Second Aria. But before you go away, sir (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin4:52
9The Ephesian Matron; or, The Widow's Tears: The Centurion's Second Aria. Zounds! I'm undone!
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Centurion's Second Aria. Zounds! I'm undone! (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin2:08
10The Ephesian Matron; or, The Widow's Tears: The Maid's Second Aria. Men boast of their prudence and sense
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
bass vocals:
Andrew Knight (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: The Maid's Second Aria. Men boast of their prudence and sense (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin4:01
11The Ephesian Matron; or, The Widow's Tears: Vaudeville. Thus old wits in wicked satires
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
bass vocals:
Andrew Knight (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: Vaudeville. Thus old wits in wicked satires (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin2:35
12The Brickdust Man: Overture
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Brickdust Man: Overture (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Brickdust Man
Charles Dibdin3:27
13The Brickdust Man: Air. I am a lad, by fortune's spight
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Yvonne Barclay (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Kevin West (tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Brickdust Man: Air. I am a lad, by fortune's spight (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Brickdust Man
Charles Dibdin2:07
14The Brickdust Man: Air. Oh, Molly, I'm charmed when I come in your sight
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Yvonne Barclay (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Kevin West (tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Brickdust Man: Air. Oh, Molly, I'm charmed when I come in your sight (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Brickdust Man
Charles Dibdin3:14
15The Brickdust Man: Air. Get you gone, you nasty fellow
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Yvonne Barclay (soprano) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Brickdust Man: Air. Get you gone, you nasty fellow (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Brickdust Man
Charles Dibdin2:32
16The Brickdust Man: Air. In short, dearest Moll, you alone were in fault
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Yvonne Barclay (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Kevin West (tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Brickdust Man: Air. In short, dearest Moll, you alone were in fault (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Brickdust Man
Charles Dibdin3:52
17The Brickdust Man: Duet. Then let us agree
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Yvonne Barclay (soprano) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Brickdust Man: Duet. Then let us agree (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Brickdust Man
Charles Dibdin1:01
18The Grenadier: Duet. Forever, false Jenny
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
soprano vocals:
Susan Bisatt (from 1992-03-31 until 1992-04-02)
tenor vocals:
Kevin West (tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Grenadier: Duet. Forever, false Jenny (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Grenadier
Charles Dibdin2:07
19The Grenadier: Duet. Silly Ralph, your Jenny's true
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
baritone vocals:
Andrew Mayor (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Susan Bisatt (from 1992-03-31 until 1992-04-02)
tenor vocals:
Kevin West (tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Grenadier: Duet. Silly Ralph, your Jenny's true (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Grenadier
Charles Dibdin4:27
20The Grenadier: Air. Oh my Jenny, I lie at thy feet
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
baritone vocals:
Andrew Mayor (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Susan Bisatt (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Grenadier: Air. Oh my Jenny, I lie at thy feet (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Grenadier
Charles Dibdin3:24
21The Grenadier: Air. I'll handle the broom and the mop ever twirl
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
baritone vocals:
Andrew Mayor (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Susan Bisatt (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Grenadier: Air. I'll handle the broom and the mop ever twirl (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Grenadier
Charles Dibdin1:47
22The Grenadier: Trio. I'll cut you to pieces if ever you dare
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
baritone vocals:
Andrew Mayor (baritone) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Susan Bisatt (from 1992-03-31 until 1992-04-02)
tenor vocals:
Kevin West (tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Grenadier: Trio. I'll cut you to pieces if ever you dare (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Grenadier
Charles Dibdin1:47

Credits

Release

design/illustration:Terry Shannon (designer)
ASIN:US: B000002ZRO [info]
discography entry:http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66608 [info]