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Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 1
Orgel:
Gillian Weir (organist)
teilweise recording of:
Méditations sur le Mystère de la Sainte Trinité: IV.
Komponist(in):
Olivier Messiaen (composer and organist) (in 1969)
Teil von:
Méditations sur le Mystère de la Sainte Trinité
Olivier Messiaen1:19
2Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 2
Orgel:
Gillian Weir (organist)
teilweise recording of:
Méditations sur le Mystère de la Sainte Trinité: IV.
Komponist(in):
Olivier Messiaen (composer and organist) (in 1969)
Teil von:
Méditations sur le Mystère de la Sainte Trinité
Olivier Messiaen0:49
3Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 3
Orgel:
Gillian Weir (organist)
teilweise recording of:
Méditations sur le Mystère de la Sainte Trinité: IV.
Komponist(in):
Olivier Messiaen (composer and organist) (in 1969)
Teil von:
Méditations sur le Mystère de la Sainte Trinité
Olivier Messiaen1:56
4Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 4
Orgel:
Gillian Weir (organist)
teilweise recording of:
Méditations sur le Mystère de la Sainte Trinité: IV.
Komponist(in):
Olivier Messiaen (composer and organist) (in 1969)
Teil von:
Méditations sur le Mystère de la Sainte Trinité
Olivier Messiaen0:35
5Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 5
Orgel:
Gillian Weir (organist)
teilweise recording of:
Méditations sur le Mystère de la Sainte Trinité: IV.
Komponist(in):
Olivier Messiaen (composer and organist) (in 1969)
Teil von:
Méditations sur le Mystère de la Sainte Trinité
Olivier Messiaen1:13
6Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 1Amy Beach1:18
7Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 2Amy Beach2:46
8Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 3Amy Beach0:42
9Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 4Amy Beach3:07
10Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 5Amy Beach0:38
11They Are There! "A War Song March", S. 188, Part 1
Chorgesang:
Gregg Smith Singers
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
They Are There! (A War Song March), S. 188
Orchestrator(in):
Lou Harrison (American composer) (von 1943-07 bis 1943-08)
Texter:
Charles Ives (American composer) (in 1942)
Komponist(in):
Charles Ives (American composer)
Teil von:
A Descriptive Catalogue of the Music of Charles Ives (Nummer: S. 188)
Arrangement von:
They Are There!, S. 371
Charles Ives0:40
12They Are There! "A War Song March", S. 188, Part 2
Chorgesang:
Gregg Smith Singers
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
They Are There! (A War Song March), S. 188
Orchestrator(in):
Lou Harrison (American composer) (von 1943-07 bis 1943-08)
Texter:
Charles Ives (American composer) (in 1942)
Komponist(in):
Charles Ives (American composer)
Teil von:
A Descriptive Catalogue of the Music of Charles Ives (Nummer: S. 188)
Arrangement von:
They Are There!, S. 371
Charles Ives1:53
13They Are There! "A War Song March", S. 188, Part 3
Chorgesang:
Gregg Smith Singers
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
They Are There! (A War Song March), S. 188
Orchestrator(in):
Lou Harrison (American composer) (von 1943-07 bis 1943-08)
Texter:
Charles Ives (American composer) (in 1942)
Komponist(in):
Charles Ives (American composer)
Teil von:
A Descriptive Catalogue of the Music of Charles Ives (Nummer: S. 188)
Arrangement von:
They Are There!, S. 371
Charles Ives0:36
14Sonata for violin & piano: II. Buoyant, Part 1
Geige / Violine:
Ida Kavafian (violinist and violist)
Klavier:
Vivian Fine (American composer)
teilweise recording of:
Sonata for Violin and Piano: II. Buoyant
Komponist(in):
Ruth Crawford Seeger (American composer) (in 1926)
Teil von:
Sonata for Violin and Piano
Ruth Crawford Seeger1:06
15Sonata for violin & piano: II. Buoyant, Part 2
Geige / Violine:
Ida Kavafian (violinist and violist)
Klavier:
Vivian Fine (American composer)
teilweise recording of:
Sonata for Violin and Piano: II. Buoyant
Komponist(in):
Ruth Crawford Seeger (American composer) (in 1926)
Teil von:
Sonata for Violin and Piano
Ruth Crawford Seeger1:11
16Sonata for violin & piano: II. Buoyant, Part 3
Geige / Violine:
Ida Kavafian (violinist and violist)
Klavier:
Vivian Fine (American composer)
teilweise recording of:
Sonata for Violin and Piano: II. Buoyant
Komponist(in):
Ruth Crawford Seeger (American composer) (in 1926)
Teil von:
Sonata for Violin and Piano
Ruth Crawford Seeger0:47
17Appalachian Spring (excerpt 1)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:19
18Appalachian Spring (excerpt 2)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland2:47
19Appalachian Spring (excerpt 3)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland2:06
20Appalachian Spring (excerpt 4)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:33
21Appalachian Spring (excerpt 5)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:29
22Appalachian Spring (excerpt 6)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:49
23Appalachian Spring (excerpt 7)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:25
24Appalachian Spring (excerpt 8)
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:58
25Symphony no. 1 “Afro‐American”: III. Animato, Part 1
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Symphony no. 1 “Afro-American”: III. Animato
Komponist(in):
William Grant Still (American composer) (in 1930)
Teil von:
Symphony no. 1 “Afro-American”
William Grant Still2:32
26Symphony no. 1 “Afro‐American”: III. Animato, Part 2
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Symphony no. 1 “Afro-American”: III. Animato
Komponist(in):
William Grant Still (American composer) (in 1930)
Teil von:
Symphony no. 1 “Afro-American”
William Grant Still0:22
27Symphony no. 1 “Afro‐American”: III. Animato, Part 3
Orchester:
London Symphony Orchestra
conductor:
Paul Freeman (classical conductor)
teilweise recording of:
Symphony no. 1 “Afro-American”: III. Animato
Komponist(in):
William Grant Still (American composer) (in 1930)
Teil von:
Symphony no. 1 “Afro-American”
William Grant Still0:31
28String Quartet No. 2: I. Introduction and Allegro fantastico, Part 1
Saiteninstrumente:
Juilliard String Quartet (Juilliard Streichquartett)
teilweise recording of:
String Quartet no. 2: I. Allegro fantastico
Komponist(in):
Elliott Carter (American composer) (in 1959)
Teil von:
String Quartet no. 2
teilweise recording of:
String Quartet no. 2: Introduction
Komponist(in):
Elliott Carter (American composer) (in 1959)
Teil von:
String Quartet no. 2
Elliott Carter1:16
29String Quartet No. 2: I. Introduction and Allegro fantastico, Part 2
Saiteninstrumente:
Juilliard String Quartet (Juilliard Streichquartett)
teilweise recording of:
String Quartet no. 2: I. Allegro fantastico
Komponist(in):
Elliott Carter (American composer) (in 1959)
Teil von:
String Quartet no. 2
teilweise recording of:
String Quartet no. 2: Introduction
Komponist(in):
Elliott Carter (American composer) (in 1959)
Teil von:
String Quartet no. 2
Elliott Carter3:02
30String Quartet No. 2: I. Introduction and Allegro fantastico, Part 3
Saiteninstrumente:
Juilliard String Quartet (Juilliard Streichquartett)
teilweise recording of:
String Quartet no. 2: I. Allegro fantastico
Komponist(in):
Elliott Carter (American composer) (in 1959)
Teil von:
String Quartet no. 2
teilweise recording of:
String Quartet no. 2: Introduction
Komponist(in):
Elliott Carter (American composer) (in 1959)
Teil von:
String Quartet no. 2
Elliott Carter1:37
31Black Angels: Images 4 to 9, Part 1George Crumb1:54
32Black Angels: Images 4 to 9, Part 2George Crumb1:01
33Black Angels: Images 4 to 9, Part 3George Crumb1:20
34Black Angels: Images 4 to 9, Part 4George Crumb2:41
35Black Angels: Images 4 to 9, Part 5George Crumb1:39
36Black Angels: Images 4 to 9, Part 6George Crumb1:27
37Philomel: Section I, Part 1
Soprangesang:
Bethany Beardslee (soprano)
teilweise recording of:
Philomel
Komponist(in):
Milton Babbitt (American composer) (in 1964)
Librettist:
John Hollander (poet)
Milton Babbitt1:25
38Philomel: Section I, Part 2
Soprangesang:
Bethany Beardslee (soprano)
teilweise recording of:
Philomel
Komponist(in):
Milton Babbitt (American composer) (in 1964)
Librettist:
John Hollander (poet)
Milton Babbitt1:02
39Philomel: Section I, Part 3
Soprangesang:
Bethany Beardslee (soprano)
teilweise recording of:
Philomel
Komponist(in):
Milton Babbitt (American composer) (in 1964)
Librettist:
John Hollander (poet)
Milton Babbitt0:45
40Philomel: Section I, Part 4
Soprangesang:
Bethany Beardslee (soprano)
teilweise recording of:
Philomel
Komponist(in):
Milton Babbitt (American composer) (in 1964)
Librettist:
John Hollander (poet)
Milton Babbitt0:41
41Philomel: Section I, Part 5
Soprangesang:
Bethany Beardslee (soprano)
teilweise recording of:
Philomel
Komponist(in):
Milton Babbitt (American composer) (in 1964)
Librettist:
John Hollander (poet)
Milton Babbitt0:52
42Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 1
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
Gunther Schuller0:21
43Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 2
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:43
44Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 3
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
Gunther Schuller1:18
45Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 4
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:30
46Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 5
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
teilweise recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village
Komponist(in):
Gunther Schuller (US horn player, conductor, composer)
Teil von:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:05
47Phrygian Gates (excerpt 1)
Klavier:
Ursula Oppens (pianist)
teilweise recording of:
Phrygian Gates
Komponist(in):
John Adams (American minimalist composer) (in 1977)
was commissioned by:
Mack McCray (pianist)
uraufgeführt von:
Mack McCray (pianist) (am 1977-03-17)
Premiere bei:
Hellman Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1977-03-17)
Teil von:
Phrygian Gates and China Gates (for piano)
John Adams2:58
48Phrygian Gates (excerpt 2)
Klavier:
Ursula Oppens (pianist)
teilweise recording of:
Phrygian Gates
Komponist(in):
John Adams (American minimalist composer) (in 1977)
was commissioned by:
Mack McCray (pianist)
uraufgeführt von:
Mack McCray (pianist) (am 1977-03-17)
Premiere bei:
Hellman Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1977-03-17)
Teil von:
Phrygian Gates and China Gates (for piano)
John Adams1:33
49Phrygian Gates (excerpt 3)
Klavier:
Ursula Oppens (pianist)
teilweise recording of:
Phrygian Gates
Komponist(in):
John Adams (American minimalist composer) (in 1977)
was commissioned by:
Mack McCray (pianist)
uraufgeführt von:
Mack McCray (pianist) (am 1977-03-17)
Premiere bei:
Hellman Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1977-03-17)
Teil von:
Phrygian Gates and China Gates (for piano)
John Adams0:21
50Phrygian Gates (excerpt 4)
Klavier:
Ursula Oppens (pianist)
teilweise recording of:
Phrygian Gates
Komponist(in):
John Adams (American minimalist composer) (in 1977)
was commissioned by:
Mack McCray (pianist)
uraufgeführt von:
Mack McCray (pianist) (am 1977-03-17)
Premiere bei:
Hellman Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1977-03-17)
Teil von:
Phrygian Gates and China Gates (for piano)
John Adams0:30
51Phrygian Gates (excerpt 5)
Klavier:
Ursula Oppens (pianist)
teilweise recording of:
Phrygian Gates
Komponist(in):
John Adams (American minimalist composer) (in 1977)
was commissioned by:
Mack McCray (pianist)
uraufgeführt von:
Mack McCray (pianist) (am 1977-03-17)
Premiere bei:
Hellman Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1977-03-17)
Teil von:
Phrygian Gates and China Gates (for piano)
John Adams0:48
52Phrygian Gates (excerpt 6)
Klavier:
Ursula Oppens (pianist)
teilweise recording of:
Phrygian Gates
Komponist(in):
John Adams (American minimalist composer) (in 1977)
was commissioned by:
Mack McCray (pianist)
uraufgeführt von:
Mack McCray (pianist) (am 1977-03-17)
Premiere bei:
Hellman Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1977-03-17)
Teil von:
Phrygian Gates and China Gates (for piano)
John Adams0:38
53Concerto Grosso: IV.
Orchester:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Concerto Grosso: IV. Presto
Komponist(in):
Ellen Taaffe Zwilich (American composer) (in 1985)
Teil von:
Concerto Grosso
Ellen Taaffe Zwilich1:08
54Concerto Grosso: V.
Orchester:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Concerto Grosso: V. Maestoso
Komponist(in):
Ellen Taaffe Zwilich (American composer) (in 1985)
Teil von:
Concerto Grosso
Ellen Taaffe Zwilich3:29