Maestro Celebre: Leopold Stokowski

~ Release by Leopold Stokowski (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Prelude No. 8 in E flat minor, transcription for orchestra (after Bach, BWV 853, from The Well-Tempered Clavier, Book 1)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
orchestration of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
Johann Sebastian Bach4:53
2Christ lag in Todesbanden, transcription for orchestra (after Bach, Cantata No. 4, BWV 4)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Chorale from the Easter Cantata (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
orchestration of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
Johann Sebastian Bach2:57
3Toccata, Adagio and Fugue in C major, transcription for orchestra (after Bach, BWV 564): Adagio
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Adagio from the Toccata, Adagio, and Fugue in C major, BWV 564 (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
Johann Sebastian Bach4:27
4Komm, süsser Tod, transcription for orchestra (after Bach, BWV 478)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Komm, süßer Tod, BWV 478 (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
Johann Sebastian Bach5:01
5Siciliano, transcription for orchestra (after Bach, from Violin Sonata No. 4 in C minor, BWV 1017)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Siciliano from Sonata no. 4, BWV 1017 (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sonate für Violine und Klavier c-Moll, BWV 1017: I. Largo
Johann Sebastian Bach3:29
6English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Sarabande
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
English Suite no. 3 in G minor, BWV 808: IV. Sarabande (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Englische Suite Nr. 3 g-Moll, BWV 808: IV. Sarabande
Johann Sebastian Bach4:43
7Orchestral Suite No. 3 in D major, BWV 1068: Air on a G string
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach6:08
8O Haupt voll Blut, transcription for orchestra (after Bach, St. Matthew Passion, BWV 244)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Matthäus-Passion, BWV 244: O Haupt voll Blut und Wunden (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor) (in 1936)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
orchestration of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
Johann Sebastian Bach4:23
9Mein Jesu, was für Seelenweh, transcription for orchestra (after Bach, BWV 487)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Mein Jesu, was für Seelenweh, BWV 487 (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Geistliche Lied, BWV 487 "Mein Jesu, was für Seelenweh"
Johann Sebastian Bach4:34
10Sarabande, transcription for orchestra (after Bach, from Violin Partita No. 1 in B minor, BWV 1002)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: V. Sarabande (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Violin Partita no. 1 in B minor, BWV 1002: V. Sarabande
Johann Sebastian Bach4:36
11Es ist vollbracht, transcription for orchestra (after Bach, St. John Passion, BWV 245)
orchestra:
The Philadelphia Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
St. John Passion, BWV 245: Es ist vollbracht! (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!"
Johann Sebastian Bach9:04
2▼CD
#TitleArtistRatingLength
1Symphony No. 9 in D minor op125 - Allegro ma non troppo un poco maestoso
orchestra:
The Philadelphia Orchestra (on 1934-04-30)
conductor:
Leopold Stokowski (conductor) (on 1934-04-30)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (on 1934-04-30)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven14:02
2Symphony No. 9 in D minor op125 - Scherzo- Molto vivace
orchestra:
The Philadelphia Orchestra (on 1934-04-30)
conductor:
Leopold Stokowski (conductor) (on 1934-04-30)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (on 1934-04-30)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:18
3Symphony No. 9 in D minor op125 - Adagio molto e cantabile
orchestra:
The Philadelphia Orchestra (on 1924-04-30)
conductor:
Leopold Stokowski (conductor) (on 1924-04-30)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (on 1924-04-30)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven15:38
4Symphony No. 9 in D minor op125 - Finale- Presto. Allegro ma' non troppo
baritone vocals:
Eugene Loewenthal (baritone) (on 1934-04-30)
contralto vocals:
Ruth Cathart (contralto) (on 1934-04-30)
soprano vocals:
Agnes Davis (soprano) (on 1934-04-30)
tenor vocals:
Robert Betts (on 1934-04-30)
orchestra:
The Philadelphia Orchestra (on 1934-04-30)
conductor:
Leopold Stokowski (conductor) (on 1934-04-30)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (on 1934-04-30)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven25:12

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Release

ASIN:US: B004NENAAQ [info]