Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes

~ Release by Purcell; Choir of the English Concert, The English Concert, Trevor Pinnock (see all versions of this release, 1 available)

Tracklist

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1▼CD: Dido and Aeneas (1–22) / King Arthur: Act I (23–31)
#TitleArtistRatingLength
1Dido and Aeneas, Z.626: Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Overture (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:19
2Dido and Aeneas, Z.626, Act 1: “Shake the cloud from off your brow” … “Banish sorrow, banish care”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:02
3Dido and Aeneas, Z.626, Act 1: “Ah! Belinda, I am press’d” … “When monarchs unite, how happy”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:44
4Dido and Aeneas, Z.626, Act 1: “Whence could so much virtue spring?” … “Fear no danger”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
soprano vocals [Second Woman]:
Sarah Leonard (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:32
5Dido and Aeneas, Z.626, Act 1: “See, your royal guest appears” … “Cupid only throws the dart”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass-baritone vocals [Aeneas, a Trojan prince]:
Stephen Varcoe (bass-baritone) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:26
6Dido and Aeneas, Z.626, Act 1: “If not for mine, for empire’s sake” … “To the hills and the vales”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass-baritone vocals [Aeneas, a Trojan prince]:
Stephen Varcoe (bass-baritone) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:19
7Dido and Aeneas, Z.626, Act 1: The Triumphing Dance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1988-07)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:11
8Dido and Aeneas, Z.626, Act 2: Prelude for the Witches “Wayward sisters” … “Ho, ho, ho”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
soprano vocals [First Witch]:
Elisabeth Priday (soprano) (in 1988-07)
tenor vocals [Sorceress]:
Nigel Rogers (tenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:35
9Dido and Aeneas, Z.626, Act 2: “Ruin’d ere the set of sun” … “But ere we this perform”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
mezzo-soprano vocals [Second Witch]:
Carol Hall (operatic mezzo‐soprano) (in 1988-07)
soprano vocals [First Witch]:
Elisabeth Priday (soprano) (in 1988-07)
tenor vocals [Sorceress]:
Nigel Rogers (tenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:21
10Dido and Aeneas, Z.626, Act 2: “In our deep vaulted cell”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:41
11Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1988-07)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:55
12Dido and Aeneas, Z.626, Act 2: Ritornelle: “Thanks to these lonesome vales”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1988-07)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:21
13Dido and Aeneas, Z.626, Act 2: “Oft she visits”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Second Woman]:
Sarah Leonard (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:17
14Dido and Aeneas, Z.626, Act 2: “Behold, upon my bending spear” … “Haste, haste to town”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass-baritone vocals [Aeneas, a Trojan prince]:
Stephen Varcoe (bass-baritone) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:23
15Dido and Aeneas, Z.626, Act 2: “Stay, Prince”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass-baritone vocals [Aeneas, a Trojan prince]:
Stephen Varcoe (bass-baritone) (in 1988-07)
soprano vocals [Spirit]:
Kym Amps (English soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:41
16Dido and Aeneas, Z.626, Act 3: Prelude: “Come away, fellow sailors”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
tenor vocals [First Sailor]:
Nigel Rogers (tenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:34
17Dido and Aeneas, Z.626, Act 3: The Sailors’ Dance “See the flags and streamers curling”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
mezzo-soprano vocals [Second Witch]:
Carol Hall (operatic mezzo‐soprano) (in 1988-07)
soprano vocals [First Witch]:
Elisabeth Priday (soprano) (in 1988-07)
tenor vocals [Sorceress]:
Nigel Rogers (tenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1988-07)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:43
18Dido and Aeneas, Z.626, Act 3: “Our next motion” … “Destruction’s our delight”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
tenor vocals [Sorceress]:
Nigel Rogers (tenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:13
19Dido and Aeneas, Z.626, Act 3: The Witches’ Dance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1988-07)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:12
20Dido and Aeneas, Z.626, Act 3: “Your counsel all is urg’d in vain” … “Great minds against themselves conspire”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass-baritone vocals [Aeneas, a Trojan prince]:
Stephen Varcoe (bass-baritone) (in 1988-07)
choir vocals:
Choir of the English Concert (in 1988-07)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
soprano vocals [Belinda, her confidante]:
Lynne Dawson (soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:02
21Dido and Aeneas, Z.626, Act 3: “Thy hand, Belinda” … “When I am laid in earth”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989) and Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:22
22Dido and Aeneas, Z.626, Act 3: “With drooping wings”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:51
23King Arthur, or The British Worthy, Z.628: First Music: Chaconne
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:23
24King Arthur, or The British Worthy, Z.628: Second Music: I. Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:59
25King Arthur, or The British Worthy, Z.628: II. Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:26
26King Arthur, or The British Worthy, Z.628, Act 1: “Woden, first to thee” / “We have sacrific’d”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:21
27King Arthur, or The British Worthy, Z.628, Act 1: “The white horse neigh’d aloud” / “To Woden thanks we render”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:22
28King Arthur, or The British Worthy, Z.628, Act 1: The lot is cast
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell30:43
29King Arthur, or The British Worthy, Z.628, Act 1: “Brave souls”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:34
30King Arthur, or The British Worthy, Z.628, Act 1: “I call ye all”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:09
31King Arthur, or The British Worthy, Z.628, Act 1: “Come if you dare”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. First Act Tune (unnumbered interstitial work) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell34:08
2▼CD: King Arthur: Act II–V
#TitleArtistRatingLength
1King Arthur, or The British Worthy, Z.628, Act 2: “Hither this way” (Philidel)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell32:09
2King Arthur, or The British Worthy, Z.628, Act 2: “Let not a moon‐born elf” (Grimbald)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Grimbald]:
Gerald Finley (bass-baritone) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:12
3King Arthur, or The British Worthy, Z.628, Act 2: “Hither, this way bend”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell30:38
4King Arthur, or The British Worthy, Z.628, Act 2: Come follow, follow, follow me (Philidel)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell32:19
5King Arthur, or The British Worthy, Z.628, Act 2: How blest are shepherds (Shepherd)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Shepherd]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell34:34
6King Arthur, or The British Worthy, Z.628, Act 2: Shepherd, shepherd, leave decoying (Shepherdesses)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Shepherdess I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Shepherdess II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:55
7King Arthur, or The British Worthy, Z.628, Act 2: Come, shepherds
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:30
8King Arthur, or The British Worthy, Z.628, Act 2: Second Act Tune: Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:08
9King Arthur, or The British Worthy, Z.628, Act 3: Prelude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:24
10King Arthur, or The British Worthy, Z.628, Act 3: What ho (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:08
11King Arthur, or The British Worthy, Z.628, Act 3: What power art thou (Genius)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell32:51
12King Arthur, or The British Worthy, Z.628, Act 3: Thou doting fool (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:54
13King Arthur, or The British Worthy, Z.628, Act 3: Great love, I know thee now
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:02
14King Arthur, or The British Worthy, Z.628, Act 3: No part of my dominion (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:11
15King Arthur, or The British Worthy, Z.628, Act 3: Prelude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1991-06)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:51
16King Arthur, or The British Worthy, Z.628, Act 3: See, see, we assemble
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Dance (latter part of Act III, 25. “See, see, we assemble”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell33:20
17King Arthur, or The British Worthy, Z.628, Act 3: ’Tis I that have warm’d ye (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell32:11
18King Arthur, or The British Worthy, Z.628, Act 3: “Sound a parley” / “’Tis love, ’tis love, ’tis love that has warm’d us”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell34:25
19King Arthur, or The British Worthy, Z.628, Act 3: Third Act Tune: Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:46
20King Arthur, or The British Worthy, Z.628, Act 4: Two Daughters (Syrens)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Siren I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Siren II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell33:06
21King Arthur, or The British Worthy, Z.628, Act 4: Passacaglia – “How happy the lover” – Ritornello – “For love ev’ry creature” – “No joys are above” – “In vain are our graces” – “Then use the sweet blessing”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Sylvan]:
Gerald Finley (bass-baritone) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell36:07
22King Arthur, or The British Worthy, Z.628, Act 4: Fourth Act Tune: Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell30:40
23King Arthur, or The British Worthy, Z.628, Act 5: Trumpet Tune
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell30:53
24King Arthur, or The British Worthy, Z.628, Act 5: Ye blust’ring brethren
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Aeolus]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 33. “Ye blust’ring brethren” (Aeolus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:03
25King Arthur, or The British Worthy, Z.628, Act 5: Symphony
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell32:00
26King Arthur, or The British Worthy, Z.628, Act 5: Round thy coast
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Pan]:
Gerald Finley (bass-baritone) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Nereid]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 35. “Round thy coasts, fair nymph of Britain” (Pan, a Nereid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell32:26
27King Arthur, or The British Worthy, Z.628, Act 5: For folded flocks
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 36. “For folded flocks, on fruitful plains” (alto, tenor, bass) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:39
28King Arthur, or The British Worthy, Z.628, Act 5: Your hay it is mow’d (Comus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Comus]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell32:36
29King Arthur, or The British Worthy, Z.628, Act 5: Fairest Isle (Venus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Venus]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell34:49
30King Arthur, or The British Worthy, Z.628, Act 5: Dialogue: You say, ’tis love
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [He]:
Gerald Finley (bass-baritone) (in 1991-06)
soprano vocals [She]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 39. “You say ’tis love” (He, She) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell35:25
31King Arthur, or The British Worthy, Z.628, Act 5: Trumpet tune
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell30:40
32King Arthur, or The British Worthy, Z.628, Act 5: “Saint George, the patron of our Isle” … “Our natives not alone appear”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Honour]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:32
3▼CD: Dioclesian: Act I–V (1–26) / Dioclesian: The Masque (27–29)
#TitleArtistRatingLength
1Dioclesian, Z.627: First Music
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 1. First musick (in 1994-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:33
2Dioclesian, Z.627: Second Music
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 2. Second musick (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell1:38
3Dioclesian, Z.627: Overture
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 3. Ouverture (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell4:28
4Dioclesian, Z.627, Act 1: First Act Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1. First Act Tune (Hornpipe) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1
Henry Purcell0:46
5Dioclesian, Z.627, Act 2: Prelude: “Great Diocles the Boar has kill’d” – “Sing Iô’s! praise the thund’ring Jove”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Great Diocles the Boar has kill'd" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell2:41
6Dioclesian, Z.627, Act 2: “Charon the peaceful Shade invites”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude and Aria "Charon the peaceful Shade invites" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:47
7Dioclesian, Z.627, Act 2: Symphony
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Symphony for Trumpets and Violins (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:37
8Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”: “Sound all your instruments”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Duet and Chorus "Let all mankind the pleasures share" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:39
9Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Dioclesian, Z. 627: Act II. “Let all mankind the pleasure share” (chorus) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:44
10Dioclesian, Z.627, Act 2: Prelude: “Let the soldiers rejoice” – “Rejoice, rejoice, with a general voice”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Let the soldier's rejoice" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:58
11Dioclesian, Z.627, Act 2: Ritornello
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Ritornello (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:40
12Dioclesian, Z.627, Act 2: “To Mars let ’em raise”: “Rejoice, rejoice, with a general voice”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01) and Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Trio and Chorus "To Mars let 'em raise" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:15
13Dioclesian, Z.627, Act 2: Ritornello
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Ritornello (2) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:46
14Dioclesian, Z.627, Act 2: Symphony: “Since the toils and the hazards” – “All sing great Diocles’ story”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Aria and Chorus "Since the toils and hazards of war" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell5:51
15Dioclesian, Z.627, Act 2: Dances of Furies
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Dance of the furies (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell3:42
16Dioclesian, Z.627, Act 2: Second Act Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Second act tune (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:52
17Dioclesian, Z.627, Act 3: Chaconne
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Two in one upon a Ground, Chaconne for flutes (in 1994-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell2:49
18Dioclesian, Z.627, Act 3: “When first I saw”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Song "When First I Saw Aurelia's Eyes" (Probably substituted for "What shall I do?" (Act 3) in a later production.) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:24
19Dioclesian, Z.627, Act 3: The Chair Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. The Chair Dance (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell1:12
20Dioclesian, Z.627, Act 3: Prelude: “What shall I do”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Prelude for Hautboys – Aria "What shall I do?" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell5:24
21Dioclesian, Z.627, Act 3: Third Act Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Third act tune (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell0:43
22Dioclesian, Z.627, Act 4: Butterfly Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Dance – Butterfly Dance (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell2:12
23Dioclesian, Z.627, Act 4: Trumpet Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Tune for Trumpets (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell0:42
24Dioclesian, Z.627, Act 4: “Sound, Fame, thy brazen trumpet sound!” … “Let all rehearse”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Aria "Sound, Fame, thy brazen trumpet sound" (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell5:37
25Dioclesian, Z.627, Act 4: Fourth Act Tune
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Fourth act tune (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell0:51
26Dioclesian, Z.627, Act 5: Country Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Country Dance (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:50
27Dioclesian, Z.627, The Masque: Prelude: “Call the Nymphs”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Choir of the English Concert (in 1994-01)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: "Call the nymphs" (Cupid – Chorus) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:48
28Dioclesian, Z.627, The Masque: “Let the Graces and Pleasures repair”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:56
29Dioclesian, Z.627, The Masque: “Come, come away”
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Simon Birchall (operatic bass) (in 1994-01) and Lawrence Wallington (British classical bass vocalist) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Come, come away" (Bacchanalian – Silvan) (in 1994-01)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:07
4▶CD: Dioclesian: The Masque (1–16) / Timon of Athens (17–27)
5▶CD: Come, ye sons of art, away (Ode for the Birthday of Queen Mary II) (1–9) / Welcome to all the pleasures (Ode for St. Cecilia’s Day) (10–15) / Of old, when heroes thought it base (The Yorkshire Feast Song) (16–27)