Complete Cantatas: Celebrating the Cycle 1995-2013

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▼Hybrid SACD
#TitleArtistRatingLength
1Cantata, BWV 110 "Unser Mund sei voll Lachens": Unser Mund sei voll Lachens
sound engineer:
Andreas Ruge (in 2008-07)
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2008-07)
performer:
Bach Collegium Japan (in 2008-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2008-07)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (in 2008-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach6:21
2Cantata, BWV 161 "Komm, du süsse Todesstunde": Komm, du süsse Todesstunde
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (Japanese countertenor) (from 1997-02 until 1997-07)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1997-02 until 1997-07)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:26
3Cantata, BWV 55 "Ich armer Mensch, ich Sündenknecht": I. Ich armer Mensch, ich Sündenknecht
sound engineer:
Dirk Lüdemann (in 2006-09)
producer:
Jens Braun (classical engineer)
tenor vocals:
Gerd Türk (German tenor) (in 2006-09)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2006-09)
performer:
Bach Collegium Japan (in 2006-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2006-09)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": I. Aria (Tenore) "Ich armer Mensch, ich Sündenknecht" (in 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
Johann Sebastian Bach6:08
4Cantata, BWV 120 "Gott man lobet dich in Stille": Heil und Segen
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
soprano vocals:
Hana Blažíková (in 2010-06)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:29
5Cantata, BWV 102 "Herr, deine Augen sehen nach dem Glauben": Herr, deine Augen sehen nach dem Glauben
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:42
6Cantata, BWV 82 "Ich habe genug": aria "Ich habe genug, ich habe den Heiland"
sound engineer:
Dirk Lüdemann (in 2006-09)
producer:
Jens Braun (classical engineer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2006-09)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2006-09)
performer:
Bach Collegium Japan (in 2006-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2006-09)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:55
7Cantata, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": Wie zittern und wanken
oboe:
Masamitsu San'nomiya (in 1999-02)
soprano vocals:
Miah Persson (soprano) (in 1999-02)
orchestra:
Bach Collegium Japan (in 1999-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-02)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:09
8Cantata, BWV 91 "Gelobet seist du, Jesu Christ": O Christenheit! Wohlan, so mache dich bereit
sound engineer:
Marion Schwebel (in 2004-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2004-09)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2004-09)
performer:
Bach Collegium Japan (in 2004-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2004-09)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (in 2004-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:20
9Cantata, BWV 91 "Gelobet seist du, Jesu Christ": Die Armut, so Gott auf sich nimmt
sound engineer:
Marion Schwebel (in 2004-09)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor)
countertenor vocals:
Robin Blaze (countertenor) (in 2004-09)
soprano vocals:
Yukari Nonoshita (in 2004-09)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2004-09)
performer:
Bach Collegium Japan (in 2004-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2004-09)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (in 2004-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach6:47
10Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": Overture
sound engineer:
Thore Brinkmann (in 2011-09)
producer:
Jens Braun (classical engineer)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-09)
performer:
Bach Collegium Japan (in 2011-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2011-09)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (in 2011-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:41
11Cantata, BWV 103 "Ihr werdet weinen und heulen": Ihr werdet weinen und heulen
sound engineer:
Thore Brinkmann (in 2006-02)
producer:
Uli Schneider (producer/engineer)
bass vocals:
Dominik Wörner (bass) (in 2006-02)
choir vocals:
Bach Collegium Japan (in 2006-02)
orchestra:
Bach Collegium Japan (in 2006-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2006-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2006-02)
recording of:
Kantate, BWV 103 "Ihr werdet weinen und heulen": I. Coro (+ Bass) "Ihr werdet weinen und heulen" (in 2006-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 103 "Ihr werdet weinen und heulen"
Johann Sebastian Bach5:00
12Cantata, BWV 125 "Mit Fried und Freud ich fahr dahin": Ich will auch mit gebrochnen Augen
sound engineer:
Andreas Ruge (in 2005-02)
producer:
Jens Braun (classical engineer) (in 2005-02)
alto vocals:
Robin Blaze (countertenor)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-02)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-02)
performer:
Bach Collegium Japan (in 2005-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen" (in 2005-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach8:32
13Cantata, BWV 51 "Jauchzet Gott in allen Landen": Sei Lob und Preis
sound engineer:
Uli Schneider (producer/engineer) (in 2005-09)
producer:
Jens Braun (classical engineer)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
performer:
Bach Collegium Japan (in 2005-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 2005-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:19
14Cantata, BWV 51 "Jauchzet Gott in allen Landen": Alleluja!
sound engineer:
Uli Schneider (producer/engineer) (in 2005-09)
producer:
Jens Braun (classical engineer)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
performer:
Bach Collegium Japan (in 2005-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 2005-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:06
15Cantata, BWV 147 "Herz und Mund und Tat und Leben": Jesu, bleibet meine Freude
sound engineer:
Dirk Lüdemann (in 1999-06)
producer:
Jens Braun (classical engineer)
editor:
Dirk Lüdemann
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1999-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31