Complete 1946-1951 European Small Group Master Takes

~ Release by Don Byas (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Working Eyes
part of:
Swing (by matrix number) (number: 0SW 437-1)
Don Byas, Tyree Glenn, Peanuts Holland and His Orchestra?:??
2Gloria
recorded in:
Paris, Île-de-France, France (on 1946-12-04)
double bass:
Ted Sturgis (on 1946-12-04)
drums (drum set):
Oliver Buford (on 1946-12-04)
piano:
Billy Taylor (jazz/bop pianist) (on 1946-12-04)
tenor saxophone:
Don Byas (on 1946-12-04)
part of:
Swing (by matrix number) (number: 0SW 438-1)
instrumental recording of:
Gloria (on 1946-12-04)
lyricist:
Claude Nougaro
composer:
Don Byas
Don Byas, Tyree Glenn, Peanuts Holland and His Orchestra?:??
3Peanut Butter Blues
part of:
Swing (by matrix number) (number: 0SW 439-1)
Don Byas, Tyree Glenn, Peanuts Holland and His Orchestra?:??
4The Mohawk Special
part of:
Swing (by matrix number) (number: 0SW 440-1)
Don Byas, Tyree Glenn, Peanuts Holland and His Orchestra?:??
5I'm Beginning to See the Light
instrumental recording of:
I’m Beginning to See the Light (on 1947-01-06)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Don Byas Quartet?:??
6Rosetta
recording of:
Rosetta (on 1947-01-06)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Don Byas Quartet?:??
7Ain't Misbehavin'
instrumental recording of:
Ain’t Misbehavin’ (on 1947-01-06)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Don Byas Quartet?:??
8Body and Soul
instrumental recording of:
Body and Soul (on 1947-01-06)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Don Byas Quartet?:??
9Blue and Sentimental
instrumental recording of:
Blue and Sentimental (on 1947-01-06)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Don Byas Quartet?:??
10Mad Monk
recording of:
Mad Monk (on 1947-01-13)
composer:
Billy Taylor (jazz/bop pianist)
Don Byas, Tyree Glenn Orchestra?:??
11Please Don't Talk About Me When I'm Gone
instrumental recording of:
Please Don’t Talk About Me When I’m Gone (on 1947-01-13)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Don Byas, Tyree Glenn Orchestra?:??
12The Hour of Parting
instrumental recording of:
The Hour of Parting (on 1947-01-13)
lyricist:
Gus Kahn
composer:
Mischa Spoliansky (composer)
Don Byas, Tyree Glenn Orchestra?:??
13I Can't Get Started
instrumental recording of:
I Can’t Get Started (on 1947-01-13)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Don Byas, Tyree Glenn Orchestra?:??
14Billie's Bounce
recording of:
Billie’s Bounce (on 1947-01-13)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Don Byas, Tyree Glenn Orchestra?:??
15I Surrender, Dear
instrumental recording of:
I Surrender Dear (on 1947-01-13)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
Don Byas, Tyree Glenn Orchestra?:??
16Walking Around
tenor saxophone:
Don Byas (on 1947-01-27)
Don Byas Ree-Boppers?:??
17How High the Moon
tenor saxophone:
Don Byas (on 1947-01-27)
instrumental recording of:
How High the Moon (on 1947-01-27)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Don Byas Ree-Boppers?:??
18Red Cross
tenor saxophone:
Don Byas (on 1947-01-27)
recording of:
Red Cross (on 1947-01-27)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Don Byas Ree-Boppers?:??
2▼CD
#TitleArtistRatingLength
1Laura
tenor saxophone:
Don Byas (on 1947-01-27)
instrumental recording of:
Laura (1945 song) (on 1947-01-27)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Don Byas Ree-Boppers?:??
2Cement Mixer
tenor saxophone:
Don Byas (on 1947-01-27)
recording of:
Cement Mixer (on 1947-01-27)
composer:
Slim Gaillard
Don Byas Ree-Boppers?:??
3Dynamo "A"
tenor saxophone:
Don Byas (on 1947-01-27)
recording of:
Dynamo (on 1947-01-27)
composer:
Dizzy Gillespie
Don Byas Ree-Boppers?:??
4These Foolish Things
tenor saxophone:
Don Byas (on 1947-06-12)
instrumental recording of:
These Foolish Things (Remind Me of You) (on 1947-06-12)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Don Byas And His Orchestra?:??
5Humoresque
tenor saxophone:
Don Byas (on 1947-06-12)
Don Byas And His Orchestra?:??
6Stormy Weather
instrumental recording of:
Stormy Weather (on 1947-06-12)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Don Byas And His Orchestra?:??
7Riffin' and Jivin'
double bass:
Lucien Simoens (on 1947-06-12)
drums (drum set):
Armand Molinetti (on 1947-06-12)
guitar:
Jean-Jacques Tilché (jazz guitarist and producer) (on 1947-06-12)
piano:
Jack Diéval (on 1947-06-12)
tenor saxophone:
Don Byas (on 1947-06-12)
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1947-06-12)
recording of:
Riffin’ and Jivin’ (on 1947-06-12)
composer:
Don Byas
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Don Byas And His Orchestra?:??
8I Can't Explain
tenor saxophone:
Don Byas (on 1947-06-12)
Don Byas And His Orchestra?:??
9Blues for Panassie
tenor saxophone:
Don Byas (on 1947-06-12)
Don Byas And His Orchestra?:??
10Janine
tenor saxophone:
Don Byas (on 1947-10-11)
Don Byas Y Las Estrellas De Ritmo Y Melodia?:??
11Byas Jump
tenor saxophone:
Don Byas (on 1947-10-11)
Don Byas Y Las Estrellas De Ritmo Y Melodia?:??
12What Is This Thing Called Love?
double bass:
Jean Bouchéty (musician, composer and bandleader) (on 1949-01-05)
drums (drum set):
Roger Paraboschi (on 1949-01-05)
piano:
Bernard Peiffer (on 1949-01-05)
tenor saxophone:
Don Byas (on 1949-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1949-01-05)
part of:
Swing (by matrix number) (number: 0SW 562-1)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1949-01-05)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Don Byas?:??
13Yesterdays
part of:
Swing (by matrix number) (number: 0SW 563-2)
Don Byas?:??
14St. Louis Blues
trumpet:
Bill Coleman (US jazz trumpeter) (on 1949-01-05)
part of:
Swing (by matrix number) (number: 0SW 564-1)
recording of:
St. Louis Blues (on 1949-01-05)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Don Byas?:??
15Lover Man
recorded in:
Paris, Île-de-France, France (on 1949-01-05)
double bass:
Jean Bouchéty (musician, composer and bandleader) (on 1949-01-05)
drums (drum set):
Roger Paraboschi (on 1949-01-05)
piano:
Bernard Peiffer (on 1949-01-05)
tenor saxophone:
Don Byas (on 1949-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1949-01-05)
part of:
Swing (by matrix number) (number: 0SW 565-1)
instrumental recording of:
Lover Man (on 1949-01-05)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Don Byas?:??
16Liza
double bass:
Jean Bouchéty (musician, composer and bandleader) (on 1949-01-05)
drums (drum set):
Roger Paraboschi (on 1949-01-05)
piano:
Bernard Peiffer (on 1949-01-05)
tenor saxophone:
Don Byas (on 1949-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1949-01-05)
part of:
Swing (by matrix number) (number: 0SW 566-1)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (on 1949-01-05)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
Don Byas?:??
17Blues at Noon
double bass:
Jean Bouchéty (musician, composer and bandleader) (on 1949-01-05)
drums (drum set):
Roger Paraboschi (on 1949-01-05)
piano:
Bernard Peiffer (on 1949-01-05)
tenor saxophone:
Don Byas (on 1949-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1949-01-05)
part of:
Swing (by matrix number) (number: 0SW 567-1)
Don Byas?:??
3▼CD
#TitleArtistRatingLength
1Summertime
tenor saxophone:
Don Byas (on 1950-07-04)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1950-07-04)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Don Byas Et Ses Rythmes?:??
2It's the Talk of the Town
tenor saxophone:
Don Byas (on 1950-07-04)
instrumental recording of:
It’s the Talk of the Town (on 1950-07-04)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
Don Byas Et Ses Rythmes?:??
3Stardust
tenor saxophone:
Don Byas (on 1950-07-04)
instrumental recording of:
Stardust (the jazz standard) (on 1950-07-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Don Byas Et Ses Rythmes?:??
4A Pretty Girl Is Like a Melody
tenor saxophone:
Don Byas (on 1950-07-04)
instrumental recording of:
A Pretty Girl is Like a Melody (from “Ziegfeld Follies of 1919”) (on 1950-07-04)
lyricist and composer:
Irving Berlin
Don Byas Et Ses Rythmes?:??
5Old Man River
tenor saxophone:
Don Byas (on 1950-07-04)
instrumental recording of:
Ol’ Man River (Show Boat) (on 1950-07-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Don Byas Et Ses Rythmes?:??
6Flamingo
tenor saxophone:
Don Byas (on 1950-07-04)
instrumental recording of:
Flamingo (on 1950-07-04)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
Don Byas Et Ses Rythmes?:??
7Night and Day
double bass:
Jacques "Popof" Medvedko (on 1951-04-19)
drums (drum set):
Benny Bennet (drummer and bandleader) (on 1951-04-19)
guitar:
Jean-Pierre Sasson (on 1951-04-19)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (on 1951-04-19)
tenor saxophone:
Don Byas (on 1951-04-19)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1951-04-19)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1951-04-19)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Don Byas?:??
8The Man I Love
instrumental recording of:
The Man I Love (on 1951-04-19)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Don Byas?:??
9Georgia on My Mind
instrumental recording of:
Georgia on My Mind (on 1951-04-19)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Don Byas?:??
10Easy to Love
instrumental recording of:
Easy to Love (on 1951-04-19)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Don Byas?:??
11Over the Rainbow
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-04-19)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Don Byas?:??
12Where or When
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1951-04-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Don Byas?:??
13Just One of Those Things
instrumental recording of:
Just One of Those Things (in 1951)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Saratoga Jazz Hounds?:??
14Mean to Me
instrumental recording of:
Mean to Me (in 1951)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Saratoga Jazz Hounds?:??
15Live and Love Tonight
instrumental recording of:
Live and Love Tonight (in 1951)
writer:
Sam Coslow and Arthur Johnston (American composer and songwriter)
Saratoga Jazz Hounds?:??
16I Know That You Know
instrumental recording of:
I Know That You Know (Caldwell & Youmans) (in 1951)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Saratoga Jazz Hounds?:??
17Blue Lou
instrumental recording of:
Blue Lou (in 1951)
composer:
Irving Mills and Edgar Sampson
Saratoga Jazz Hounds?:??
18You're Lucky to Me
instrumental recording of:
You’re Lucky to Me (in 1951)
lyricist:
Andy Razaf
composer:
Eubie Blake
Saratoga Jazz Hounds?:??
19Tenderly
tenor saxophone:
Don Byas (on 1951-11-09)
instrumental recording of:
Tenderly (on 1951-11-09)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Don Byas?:??
20C'est Vous Chérie
tenor saxophone:
Don Byas (on 1951-11-09)
Don Byas?:??
21Chloe
tenor saxophone:
Don Byas (on 1951-11-09)
Don Byas?:??