Esquire Jazz Collection: Voice of the Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Blue Note - Catalog #: 32994 - Format: CD
Additional:
Abbey Lincoln's track certainly from Abbey Lincoln's Affair... A Story Of A Girl In Love (Liberty / Capitol).

Annotation last modified on 2006-05-15 19:49 UTC.

Tracklist

1▼Medium
#TitleArtistRatingLength
1Sweet Lorraine
The Nat King Cole Trio3:07
2Something Cool
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-08-14)
baritone saxophone:
Chuck Gentry (on 1953-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-14)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-14)
trombone:
Milt Bernhart (on 1953-08-14), Herbie Harper (on 1953-08-14) and Tommy Pederson (on 1953-08-14)
trumpet:
Maynard Ferguson (on 1953-08-14), Conrad Gozzo (on 1953-08-14) and Shorty Rogers (trumpet) (on 1953-08-14)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1953-08-14)
vocals:
June Christy (on 1953-08-14)
conductor:
Pete Rugolo (on 1953-08-14)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-14)
recording of:
Something Cool (on 1953-08-14)
lyricist and composer:
Billy Barnes (composer and lyricist)
June Christy44:17
3But Not for Me
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Chet Baker3:00
4Detour Ahead
recording of:
Detour Ahead
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Billie Holiday3:00
5Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
Abbey Lincoln2:14
6Every Day I Have the Blues
Joe Williams4:37
7I Loves You, Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:05
8The Masquerade Is Over
cover recording of:
The Masquerade Is Over
writer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Chappell & Co., Inc. (USA), Magidson Bernhardt Music and Music Sales Corporation (American copyright holder in both popular and classical music)
Nancy Wilson4:14
9I Wanna Be Around
cover recording of:
I Wanna Be Around
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
Dinah Washington3:38
10I’ve Grown Accustomed to Her Face
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Count Basie (pianist) (in 1959-01) and Ralph Sharon (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (jazz trombonist) (in 1959-01)
trumpet:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
arranger:
Ralph Sharon
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1959-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Count Basie and Tony Bennett43:05
11Drifting Blues
cover recording of:
Drifting Blues
writer:
Charles Brown (blues musician), Johnny Moore (US blues guitarist, Three Blazers) and Eddie Williams (blues musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists
Billy Eckstine3:59
12’Round Midnight
double bass:
Al McKibbon (double bassist) (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (US jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Sarah Vaughan3:35