A 10th Anniversary Sampler From Hyperion, 1980-1990

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Domine ad Adiuvandum (from Monteverdi Vespers, 1610)
engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Orchestra of The Sixteen (from 1988-03-28 until 1988-03-30)
choir vocals:
The Sixteen (UK choir) (from 1988-03-28 until 1988-03-30)
conductor:
Harry Christophers (conductor) (from 1988-03-28 until 1988-03-30)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-03-28 until 1988-03-30)
recording of:
Second Vespers for the Feast of Santa Barbara. Chant: Deus in adiutorium meum intende (from 1988-03-28 until 1988-03-30)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Second Vespers for the Feast of Santa Barbara (reconstruction)
Claudio Monteverdi2:01
2Réjouissance (from Music for The Royal Fireworks)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
The King’s Consort (on 1989-01-16)
conductor:
Robert King (conductor and harpsichordist) (on 1989-01-16)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 1989-01-16)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (on 1989-01-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:20
3Allegro (from Oboe Concerto in D minor)
recording engineer:
Antony Howell (engineer) (from 1987-06-28 until 1987-06-30)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cello:
Jane Coe (cellist) (from 1987-06-28 until 1987-06-30)
double bass:
Chi-Chi Nwanoku (double bass) (from 1987-06-28 until 1987-06-30)
harpsichord:
Robert King (conductor and harpsichordist) (from 1987-06-28 until 1987-06-30)
instruments:
The King’s Consort (from 1987-06-28 until 1987-06-30)
solo oboe:
Paul Goodwin (conductor / oboist) (from 1987-06-28 until 1987-06-30)
viola:
Jane Norman (violinist, violist) (from 1987-06-28 until 1987-06-30)
violin:
Miles Golding (violinist) (from 1987-06-28 until 1987-06-30) and Roy Goodman (conductor and violinist) (from 1987-06-28 until 1987-06-30)
conductor:
Robert King (conductor and harpsichordist) (from 1987-06-28 until 1987-06-30)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1987-06-28 until 1987-06-30)
recording of:
Oboe Concerto in D minor, TWV 51:d1: IV. [Allegro] (from 1987-06-28 until 1987-06-30)
composer:
Georg Philipp Telemann (composer)
part of:
Oboe Concerto in D minor, TWV 51:d1
Georg Philipp Telemann1:58
4Allegro (from Six Concertos in Seven Parts op. 2)
engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
instruments:
The Parley of Instruments (from 1988-11-25 until 1988-11-26)
conductor:
Roy Goodman (conductor and violinist) (from 1988-11-25 until 1988-11-26)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-11-25 until 1988-11-26)
recording of:
Concerto in B minor, op. 2 no. 2: V. Allegro (from 1988-11-25 until 1988-11-26)
composer:
John Stanley (English classical composer and organist)
part of:
Concerto in B minor, op. 2 no. 2
John Stanley1:54
5Allegro (from Concerto in F major for Violin & Piano)
piano:
Justin Oprean (pianist) (from 1988-10-01 until 1988-10-02)
violin:
Adelina Oprean (violinist) (from 1988-10-01 until 1988-10-02)
orchestra:
European Union Chamber Orchestra (from 1988-10-01 until 1988-10-02)
recording of:
Concerto for Violin, Piano and Strings in F major, Hob. XVIII:6: III. Allegro (from 1988-10-01 until 1988-10-02)
composer:
Joseph Haydn (composer) (in 1766)
part of:
Concerto for Violin, Piano and Strings in F major, Hob. XVIII:6
Joseph Haydn3:42
6Andante (from String Symphony no. 5 in B flat major)
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1988-07-11 until 1988-07-12)
conductor:
Ross Pople (New Zealand-born British conductor and cellist) (from 1988-07-11 until 1988-07-12)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1988-07-11 until 1988-07-12)
recording of:
String Symphony no. 5 in B-flat major: II. Andante (from 1988-07-11 until 1988-07-12)
composer:
Felix Mendelssohn (composer)
part of:
String Symphony no. 5 in B-flat major
Felix Mendelssohn3:12
7Allegretto (from Konzertstück in F major)
clarinet:
Dame Thea King (British clarinettist)
orchestra:
English Chamber Orchestra
conductor:
James Judd (conductor)
recording of:
Konzertstück in F major: II. Allegretto
composer:
Gustaf Adolf Heinze (composer)
part of:
Konzertstück in F major
Gustaf Adolf Heinze3:44
8Le Souvenir de Vous Me Tue (from The Castle of Fair Welcome)
engineer:
Tony Faulkner (recording engineer) (in 1985-10)
producer:
Martin Compton (producer) (in 1985-10)
lute:
Christopher Wilson (lute and theorbo player) (from 1985-10-16 until 1985-10-17)
choir vocals:
Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire) (from 1985-10-16 until 1985-10-17)
conductor:
Christopher Page (conductor and medieval music scholar) (from 1985-10-16 until 1985-10-17)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-10-16 until 1985-10-17)
recording of:
Le souvenir de vous me tue (Lute) (from 1985-10-16 until 1985-10-17)
composer:
Robert Morton (English / Franco-Flemish early Renaissance composer)
Robert Morton3:18
9Tradiderunt Me (from Responsories for Tenebrae)
choir vocals:
Westminster Cathedral Choir (from 1988-03-08 until 1988-03-10)
conductor:
David Hill (British organist and conductor) (from 1988-03-08 until 1988-03-10)
recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (from 1988-03-08 until 1988-03-10)
recording of:
Tradiderunt me, Tenebrae Responsory for Good Friday (from 1988-03-08 until 1988-03-10)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria2:24
10Then David Mourned
organ:
James Judd (conductor) (from 1989-01-04 until 1989-01-05)
choir vocals:
The Choir of St George’s Chapel, Windsor Castle (from 1989-01-04 until 1989-01-05)
conductor:
Christopher Robinson (British conductor & organist) (from 1989-01-04 until 1989-01-05)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-01-04 until 1989-01-05)
recording of:
Then David Mourned (from 1989-01-04 until 1989-01-05)
writer:
2 Samuel 1: 17 ([anonymous], special purpose artist)
composer:
Thomas Tomkins (English Renaissance/Baroque composer)
Thomas Tomkins3:01
11Quam Olim Abrahae (from Requiem Mass in D minor)
recording engineer:
Antony Howell (engineer) (from 1987-02-12 until 1987-02-14)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1987-02-12 until 1987-02-14)
choir vocals:
Corydon Singers (from 1987-02-12 until 1987-02-14)
orchestra:
English Chamber Orchestra (from 1987-02-12 until 1987-02-14)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1987-02-12 until 1987-02-14)
concertmaster:
José‐Luis García (violinist & conductor)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-02-12 until 1987-02-14)
recording of:
Requiem in D minor: V. Quam olim Abrahae promisisti (from 1987-02-12 until 1987-02-14)
composer:
Anton Bruckner (Austrian composer)
part of:
Requiem in D minor
Anton Bruckner2:42
12Nunc Dimittis (from Canticles In D Major)
engineer:
Antony Howell (engineer) (from 1987-03-18 until 1987-03-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1987-03)
pipe organ:
Christopher Dearnley (organist) (from 1987-03-18 until 1987-03-20)
choir vocals:
The Choir of St Paul's Cathedral (London) (from 1987-03-18 until 1987-03-20)
conductor:
John Scott (organist, choirmaster) (from 1987-03-18 until 1987-03-20)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (from 1987-03-18 until 1987-03-20)
recording of:
Nunc dimittis in D (from 1987-03-18 until 1987-03-20)
composer:
Sir Herbert Brewer (English organist and composer)
part of:
Magnificat and Nunc dimittis in D
Sir Herbert Brewer3:31
13Boléro de Concert, op. 166
organ:
Christopher Herrick (organist) (in 1987-05)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Sortie, Bolero de Concert, op. 166 (in 1987-05)
composer:
Louis James Alfred Lefébure‐Wély (organist and composer)
part of:
Works of Louis James Alfred Lefébure-Wély by opus number (number: op. 166)
Louis Lefébure-Wély3:32
14Prelude in B flat major, op. 28 no. 21
recording engineer:
Antony Howell (engineer)
producer:
Martin Compton (producer)
piano:
Lívia Rév (pianist) (in 1988-09)
recorded at:
Parish Church of St Peter and St Paul (Kimpton) in Hertfordshire, England, United Kingdom (in 1988-09)
recording of:
Prélude no. 21 in B‐flat major, op. 28: Cantabile (in 1988-09)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 186)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:04
15Valse Oubliée no. 4
recording engineer:
Antony Howell (engineer) (in 1985-10)
producer:
Martin Compton (producer) (in 1985-10)
piano:
Leslie Howard (Australian pianist) (from 1985-10-24 until 1985-10-25)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1986)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1985-10-24 until 1985-10-25)
recording of:
Valse oubliée no. 4, S. 215 no. 4 (from 1985-10-24 until 1985-10-25)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Valses oubliées, S. 215
Ferenc Liszt2:50
16Gnossienne no. 5
piano:
Yitkin Seow (pianist) (from 1989-01-02 until 1989-01-03)
recording of:
Gnossienne no. 5 (from 1989-01-02 until 1989-01-03)
composer:
Erik Satie (French composer) (in 1889)
Erik Satie3:17
17Gymnopédie no. 3
engineer:
Tony Faulkner (recording engineer) (in 1989-04)
producer:
Arthur Johnson (recording producer of classical music) (in 1989-04)
orchestra:
The New London Orchestra (from 1989-04-13 until 1989-04-14)
conductor:
Ronald Corp (British composer and conductor) (from 1989-04-13 until 1989-04-14)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1989-04-13 until 1989-04-14)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy) (from 1989-04-13 until 1989-04-14)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:46
18Les Berceux, op. 23 no. 1
piano:
Geoffrey Parsons (pianist) (from 1988-08-13 until 1988-08-14)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1988-08-13 until 1988-08-14)
recorded at:
Haberdashers’ Aske’s Boys’ School: Seldon Hall in Elstree, Hertfordshire, England, United Kingdom (from 1988-08-13 until 1988-08-14)
recording of:
Les Berceaux, op. 23 no. 1 (from 1988-08-13 until 1988-08-14)
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1879)
part of:
3 Songs, op. 23
Gabriel Fauré2:31
19Am Flusse, D766
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Graham Johnson (pianist) (from 1987-10-17 until 1987-10-18)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-10-17 until 1987-10-18)
recording of:
Am Flusse, D. 766 (from 1987-10-17 until 1987-10-18)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822-12)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 766)
Franz Schubert1:19
20The Glitt'ring Sun (from "The Morning")
engineer:
Antony Howell (engineer) (from 1987-01-03 until 1987-01-04)
producer:
Martin Compton (producer) (from 1987-01-03 until 1987-01-04)
cello:
Mark Caudle (cellist and bass violist) (from 1987-01-03 until 1987-01-04)
double bass:
Anthony Van Kampen (from 1987-01-03 until 1987-01-04)
flute:
Lisa Beznosiuk (flautist) (from 1987-01-03 until 1987-01-04)
violin:
Pavlo Beznosiuk (violinist) (from 1987-01-03 until 1987-01-04), Theresa Caudle (violinist, violist) (from 1987-01-03 until 1987-01-04), Roy Goodman (conductor and violinist) (from 1987-01-03 until 1987-01-04), Pauline Nobes (violinist) (from 1987-01-03 until 1987-01-04), Jane Norman (violinist, violist) (from 1987-01-03 until 1987-01-04), Judy Tarling (viola player, Parley of Instruments) (from 1987-01-03 until 1987-01-04) and Henrietta Wayne (from 1987-01-03 until 1987-01-04)
soprano vocals:
Emma Kirkby (soprano) (from 1987-01-03 until 1987-01-04)
conductor:
Roy Goodman (conductor and violinist) (from 1987-01-03 until 1987-01-04)
performer:
The Parley of Instruments (from 1987-01-03 until 1987-01-04)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1987-01-03 until 1987-01-04)
edit of:
The Morning by The Parley of Instruments, Ray Goodman, Emma Kirkby (soprano)
recording of:
The Morning: The glitt'ring sun begins to rise
composer:
Thomas Arne (composer)
part of:
The Morning
Thomas Arne51:38
21Allegro (from Sonata no. 3 in F major)
recording engineer:
Antony Howell (engineer)
producer:
Martin Compton (producer)
cello:
Richard Boothby (viol and cello player) (from 1987-06-04 until 1987-06-12)
harpsichord:
Robert Woolley (English harpsichordist & organist) (from 1987-06-04 until 1987-06-12)
violin:
Catherine Mackintosh (violinist) (from 1987-06-04 until 1987-06-12) and Elizabeth Wallfisch (violinist) (from 1987-06-04 until 1987-06-12)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1987-06-04 until 1987-06-12)
recording of:
Sonata no. 3 in F major for two violins and figured bass, H. 33: IV. Allegro (trio sonata, op. 1 no. 9) (from 1987-06-04 until 1987-06-12)
composer:
Francesco Geminiani (composer)
part of:
Sonata no. 3 in F major for two violins and figured bass, H. 33 (trio sonata, op. 1 no. 9)
Francesco Geminiani3:23
22Menuetto (from String Quartet in F major op. 77 no. 1)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cello:
Jennifer Ward Clarke (cellist) (from 1989-01-28 until 1989-01-30)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (from 1989-01-28 until 1989-01-30)
violin:
Micaela Comberti (English violinist) (from 1989-01-28 until 1989-01-30) and Simon Standage (English violinist and conductor) (from 1989-01-28 until 1989-01-30)
recorded at:
Parish Church of St Peter and St Paul (Kimpton) in Hertfordshire, England, United Kingdom (from 1989-01-28 until 1989-01-30)
recording of:
String Quartet in G major, op. 77 no. 1, Hob. III:81: III. Menuet. Presto (from 1989-01-28 until 1989-01-30)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G major, op. 77 no. 1, Hob. III:81
Joseph Haydn4:00
23Menuetto (from Flute Quartet in A major, K298)
flute:
Marc Grauwels (Belgian classical flautist)
instruments:
Brussels Virtuosi (Belgian classical music ensemble)
recording of:
Quartet for Flute, Violin, Viola & Cello no. 4 in A major, K. 298: II. Minuetto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Quartet for Flute, Violin, Viola & Cello no. 4 in A major, K. 298
Wolfgang Amadeus Mozart2:21
24Scherzo (from String Sextet no. 1 in B flat major, op. 18)
recording engineer:
Tony Faulkner (recording engineer)
producer:
Arthur Johnson (recording producer of classical music)
cello:
Andrea Hess (from 1988-04-25 until 1988-04-26) and Rhydian Shaxson (from 1988-04-25 until 1988-04-26)
instruments:
The Raphael Ensemble (from 1988-04-25 until 1988-04-26)
viola:
Sally Beamish (composer and violist) (from 1988-04-25 until 1988-04-26) and Roger Tapping (British violist) (from 1988-04-25 until 1988-04-26)
violin:
James Clark (British violinist) (from 1988-04-25 until 1988-04-26) and Elizabeth Wexler (from 1988-04-25 until 1988-04-26)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1988-04-25 until 1988-04-26)
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18: III. Scherzo. Allegro molto - Animato - Più animato (from 1988-04-25 until 1988-04-26)
composer:
Johannes Brahms (German composer) (from 1859 until 1860)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18 (String Sextet No. 1 in B-flat major, Op. 18)
Johannes Brahms2:53
25Valse Caprice, op. 37 (from Caprices And Fantasies)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Susan Drake (harpist) (from 1988-12-06 until 1988-12-08)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
Parish Church of St Peter and St Paul (Kimpton) in Hertfordshire, England, United Kingdom (from 1988-12-06 until 1988-12-08)
recording of:
Valse Caprice, op. 37 (from 1988-12-06 until 1988-12-08)
composer:
Albert Zabel
Albert Zabel4:00
26Allegro Molto (from Piano Quartet no. 2 in G minor, op. 45
recording engineer:
Antony Howell (engineer)
producer:
Andrew Keener (engineer/editor/producer)
cello:
Timothy Hugh (cellist) (from 1985-02-25 until 1985-02-26)
piano:
Susan Tomes (pianist) (from 1985-02-25 until 1985-02-26)
viola:
Robin Ireland (from 1985-02-25 until 1985-02-26)
violin:
Krysia Osostowicz (violinist) (from 1985-02-25 until 1985-02-26)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985, in 2010)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-02-25 until 1985-02-26)
recording of:
Piano Quartet no. 2 in G minor, op. 45: II. Allegro molto (from 1985-02-25 until 1985-02-26)
composer:
Gabriel Fauré (French composer) (from 1885 until 1886)
part of:
Piano Quartet no. 2 in G minor, op. 45
Gabriel Fauré3:21
27Scherzo (from Symphony In E Major, 1878)
orchestra:
Cincinnati Philharmonia Orchestra
conductor:
Gerhard Samuel
edit of:
Symphony in E major: III. Scherzo: Frisch und lebhaft by Cincinnati Philharmonia Orchestra, Gerhard Samuel
partial recording of:
Sinfonie Nr. 1 E-Dur: III. Frisch und lebhaft
composer:
Hans Rott (Austrian composer)
part of:
Sinfonie Nr. 1 E-Dur
Hans Rott3:50