Passion

~ Release by Jaroussky (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri
recording engineer, mixer and editor:
Michel Pierre (audio engineer)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
orchestra:
Ensemble Artaserse (from 2014-03-20 until 2014-03-28)
conductor:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2014-03-20 until 2014-03-28)
recording of:
Filiae maestae Jerusalem, RV 638: II. "Sileant Zephyri" (from 2014-03-20 until 2014-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Filiae maestae Jerusalem, RV 638
Antonio Vivaldi6:31
2L’Ormindo: Act 2. Che città (Nerillo)
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
L'Ormindo, Act 2: "Che città" (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Ormindo
Francesco Cavalli3:23
3Olimpiade: Act 1. Mentre dormi (Licida)
Josef Mysliveček4:11
4Arianna e Teseo: Mira in cielo (Alceste)
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Arianna e Teseo: "Mira in cielo" (Alceste)
composer:
Nicola Antonio Porpora (Italian composer)
part of:
Arianna e Teseo
Nicola Porpora5:48
5Semiramide riconosciuta: Se pietoso il tuo labbro (Mirteo)
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo)
composer:
Nicola Antonio Porpora (Italian composer)
part of:
Semiramide riconosciuta: Atto II
Nicola Porpora8:00
6Giustino, RV 717: Act 1. Vedrò con mio diletto (Anastasio)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2006-07-03 until 2006-07-10)
orchestra:
Ensemble Matheus (from 2006-07-03 until 2006-07-10)
conductor:
Jean‐Christophe Spinosi (from 2006-07-03 until 2006-07-10)
balance engineer:
Michel Pierre (audio engineer)
recording of:
Giustino: Vedro con mio diletto (Anastasio) (from 2006-07-03 until 2006-07-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Giustino, RV 717: Act I
Antonio Vivaldi5:13
7Xerse: Act 1. Ombra mai fu (Xerse)
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Xerse / Ombra mai fu (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Xerse
Francesco Cavalli3:23
8Niobe, regina di Tebe: Act 1. Sfere amiche (Anfione)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Niobe, regina di Tebe, Act 1: "Sfere amiche" (Anfione)
composer:
Agostino Steffani
part of:
Niobe, Regina di Tebe
Agostino Steffani4:55
9Gli amori d’Apollo e di Dafne: Act 3. Misero Apollo (Apollo)
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Gli Amori d'Apollo e di Dafne: Atto III, Scena 4: Misero Apollo (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Gli amori d'Apollo e di Dafne
part of:
Gli Amori d'Apollo e di Dafne: Atto III
Francesco Cavalli4:24
10Stabat Mater, RV 621: I. Stabat Mater dolorosa
recording engineer, mixer and editor:
Michel Pierre (audio engineer)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
orchestra:
Ensemble Artaserse (from 2014-03-20 until 2014-03-28)
conductor:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2014-03-20 until 2014-03-28)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2014-03-20 until 2014-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:07
11Stabat Mater, RV 621: VII. Eia Mater
recording engineer, mixer and editor:
Michel Pierre (audio engineer)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
orchestra:
Ensemble Artaserse (from 2014-03-20 until 2014-03-28)
conductor:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2014-03-20 until 2014-03-28)
recording of:
Stabat Mater, RV 621: VII. Largo "Eja Mater" (from 2014-03-20 until 2014-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:32
12Confitebor tibi Domine, P. 66: V. Sanctum et terribile nomen ejus
choir vocals:
Coro della Radiotelevisione Svizzera
countertenor vocals:
Philippe Jaroussky (countertenor)
soprano vocals:
Julia Lezhneva (soprano)
orchestra:
I Barocchisti
conductor:
Diego Fasolis (conductor)
recording of:
Confiteor tibi Domine: V. Alto solo "Sanctum et terribile"
composer:
Giovanni Battista Pergolesi (composer)
part of:
Confitebor tibi Domine, P.66
Giovanni Battista Pergolesi3:59
13Erismena: Act 2. Uscitemi dal cor, lacrime amare (Idraspe)
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Erismena / Uscitemi dal cor, lagrime amare (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Erismena
Francesco Cavalli5:50
14Stabat Mater, P. 77: X. Fac ut portem Christi mortem
countertenor vocals:
Philippe Jaroussky (countertenor)
soprano vocals:
Julia Lezhneva (soprano)
orchestra:
I Barocchisti
conductor:
Diego Fasolis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:45
15Longe mala, umbrae, terrores, RV 629: I. Longe mala, umbrae, terrores
recording engineer, mixer and editor:
Michel Pierre (audio engineer)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
orchestra:
Ensemble Artaserse (from 2014-03-20 until 2014-03-28)
conductor:
Philippe Jaroussky (countertenor) (from 2014-03-20 until 2014-03-28)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2014-03-20 until 2014-03-28)
recording of:
Longe mala, umbrae, terrores, RV 629: I. Aria "Longe mala, umbrae, terrores" (Allegro) (from 2014-03-20 until 2014-03-28)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Longe mala, umbrae, terrores, RV 629
Antonio Vivaldi5:09
16Nisi Dominus, RV 608: IV. Cum dederit
assistant sound engineer:
Étienne Grossein
sound engineer:
Thomas Dappelo
producer and editor:
Laure Casenave-Péré (ingénieure du son)
countertenor vocals:
Philippe Jaroussky (countertenor) (in 2007-07)
orchestra:
Ensemble Matheus (in 2007-07)
conductor:
Jean‐Christophe Spinosi (in 2007-07)
recorded at:
Salle Surcouf - Foyer du Marin in Brest, Finistère, Bretagne (Brittany), France (in 2007-07)
recording of:
Nisi Dominus, RV 608: IV. Largo “Cum dederit delectis suis somnum” (in 2007-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nisi Dominus, RV 608
Antonio Vivaldi5:09
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1Flow My Tears
lute:
Thibaut Garcia (guitarist) (on 2019-03-05)
countertenor vocals:
Philippe Jaroussky (countertenor) (on 2019-03-05)
recorded at:
RIFFX 1 Studio in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (on 2019-03-05)
recording of:
Lachrimae Pavane (Flow My Tears) (on 2019-03-05)
composer:
John Dowland (composer and lutenist)
John Dowland4:05
2Welcome to All the Pleasures, Z. 339 “Ode for St Cecilia’s Day” : III. Here the Deities Approve
sound engineer:
Frédéric Braye (in 2013-06) and Mireille Faure (in 2013-06)
countertenor vocals:
Philippe Jaroussky (countertenor) (in 2013-06)
orchestra:
L’Arpeggiata (in 2013-06)
conductor:
Christina Pluhar
recorded at:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, France (in 2013-06)
recording of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial
composer:
Henry Purcell (Baroque composer)
part of:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
Henry Purcell4:46
3O Solitude, My Sweetest Choice, Z. 406
sound engineer:
Frédéric Braye (in 2013-06) and Mireille Faure (in 2013-06)
countertenor vocals:
Philippe Jaroussky (countertenor)
conductor:
Christina Pluhar
performer:
L’Arpeggiata (in 2013-06)
recorded at:
Salle Byzantine (Palais de Béhague) in Paris, Île-de-France, France (in 2013-06)
recording of:
O Solitude, Z. 406
lyricist:
Katherine Philips (17th century poet)
composer:
Henry Purcell (Baroque composer) (from 1684 until 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406)
is based on:
O Solitude
Henry Purcell5:24
4Radamisto, HWV 12: Act 3. Qual nave smarrita (Radamisto)
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Ensemble Artaserse
recording of:
Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Radamisto, HWV 12: Atto III
George Frideric Handel6:12
5Partenope, HWV 27: Act 2. Furibondo spira il vento (Arsace)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Partenope, HWV 27: Atto II "Furibondo spira il vento"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Partenope, HWV 27: Atto II
George Frideric Handel4:04
6Partenope, HWV 27: Act 3. Ch’io parta? (Arsace)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Partenope, HWV 27, Act 3: "Ch'io parta?" (Arsace)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Partenope, HWV 27: Atto III
George Frideric Handel4:09
7Serse, HWV 40: Act 1. Frondi tenere ... Ombra mai fù (Xerse)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:14
8Flavio, re de’ Longobardi, HWV 16: Act 2. Rompo i lacci (Guido)
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Ensemble Artaserse
recording of:
Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Aria "Rompo i lacci, e frango i dardi" (Guido)
composer:
George Frideric Handel (German‐British baroque composer) (until 1723-05-07)
librettist:
Nicola Francesco Haym
part of:
Flavio, re de' longobardi, HWV 16: Atto II
George Frideric Handel5:21
9Cantata, BWV 82 "Ich habe genug": I. Ich habe genug
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Petra Müllejans (violinist)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland”
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:31
10Komm, süsser Tod, komm, sel’ge Ruh, BWV 478
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
L’Arpeggiata
conductor:
Christina Pluhar
recording of:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 478)
Johann Sebastian Bach2:22
11Cantata, TWV 1:983 "Jesus liegt in letzten Zügen": III. Mein liebster Heiland
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Petra Müllejans (violinist)
recording of:
Jesus liegt in letzten Zügen, TWV 1:983: Aria: Mein liebster Heiland, könnt ich doch mit dir erblassen
composer:
Georg Philipp Telemann (composer)
part of:
Jesus liegt in letzten Zügen, TWV 1:983
Georg Philipp Telemann5:01
12L’Orfeo, SV 318: Act 1. Rosa del Ciel (Euridice, Orfeo)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
L’Orfeo: Atto primo. Rosa del ciel (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
Claudio Monteverdi2:56
13Orfeo ed Euridice, Wq. 30: Act 3. Che farò senza Euridice (Orfeo)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:54
14Du bist die Ruh, D. 776
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Du bist die Ruh’, D. 776
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)
Franz Schubert4:28
15Ständchen, D. 957
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (original for voice and piano)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:58
16Fisch‐Ton‐Kan, D. 23: Qui je suis, qui je suis (Fisch‐Ton‐Kan)
engineer:
Michel Pierre (audio engineer)
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2014-06 until 2014-10)
strings:
Quatuor Ébène (from 2014-06 until 2014-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-06 until 2014-10)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06 until 2014-10)
recording of:
Fisch-Ton-Kan: "Qui je suis, qui je suis" (Fisch-Ton-Kan) (from 2014-06 until 2014-10)
lyricist:
Paul Verlaine (French poet)
composer:
Emmanuel Chabrier (composer)
part of:
Fisch-Ton-Kan
Emmanuel Chabrier2:39
17Colloque sentimental
engineer:
Michel Pierre (audio engineer)
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2014-06 until 2014-10)
strings:
Quatuor Ébène (from 2014-06 until 2014-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-06 until 2014-10)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06 until 2014-10)
recording of:
Colloque sentimental (from 2014-06 until 2014-10)
lyricist:
Paul Verlaine (French poet)
composer:
Léo Ferré
Léo Ferré3:29
18Les Feuilles mortes
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Les Feuilles mortes (Autumn Leaves)
lyricist:
Jacques Prévert (in 1946)
composer:
Joseph Kosma (composer) (in 1946)
Joseph Kosma, Jacques Prévert5:46
3▼CD
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1Polifemo: Act 2. Placidetti zeffiretti (Aci)
countertenor vocals:
Philippe Jaroussky (countertenor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Polifemo, Act II Scene 4: Arietta. Placidetti zeffiretti (Galatea)
composer:
Nicola Antonio Porpora (Italian composer)
part of:
Polifemo
part of:
Polifemo: Act II
Nicola Porpora2:56
2Stabat Mater, P. 77: I. Stabat Mater dolorosa
countertenor vocals:
Philippe Jaroussky (countertenor)
soprano vocals:
Julia Lezhneva (soprano)
orchestra:
I Barocchisti
conductor:
Diego Fasolis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:31
3L’Orfeo: Act 1. Cara e amabile catena (Euridice, Orfeo)
recording engineer:
Ulrich Ruscher
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2016-09-20 until 2016-09-29)
soprano vocals:
Emőke Baráth (soprano) (from 2016-09-20 until 2016-09-29)
orchestra:
I Barocchisti (from 2016-09-20 until 2016-09-29)
conductor:
Diego Fasolis (conductor) (from 2016-09-20 until 2016-09-29)
recorded at:
Auditorio Stelio Molo in Lugano, Ticino, Switzerland (from 2016-09-20 until 2016-09-29)
recording of:
L'Orfeo, Act 1: "Cara e amabile catena" (Euridice, Orfeo)
composer:
Antonio Sartorio
part of:
L’Orfeo
Antonio Sartorio2:21
4Giulio Cesare in Egitto, HWV 17: Act 1. Son nata a lagrimar (Cornelia, Sesto)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI, 16. Duetto “Son nata a lagrimar (Son nato a sospirar)” (Cornelia e Sesto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
George Frideric Handel8:07
5O intemerata for 2vv & b.c.
engineer:
Michel Pierre (audio engineer) (from 2005-12-05 until 2005-12-10)
producer:
Étienne Collard
instruments:
Ensemble Artaserse (from 2005-12-05 until 2005-12-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2005-12-05 until 2005-12-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2005-12-05 until 2005-12-10)
recording of:
Motetti a due, tre et quattro voci, Libro 3: No. 21, "O intemerata"
Alessandro Grandi3:11
6Faramondo, HWV 39: Act 3. Caro/Cara, tu m’accendi" (Clotilde, Adolfo)
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
I Barocchisti
conductor:
Diego Fasolis (conductor)
recording of:
Faramondo, HWV 39: Act III, Scene II, no. 24. Duetto "Caro! / Cara! tu mi accendi nel mio core" (Clotilde, Adolfo)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
[anonymous] (special purpose artist)
part of:
Faramondo, HWV 39: Atto III
George Frideric Handel5:56
7Orfeo ed Euridice, Wq. 30: Act 3. Vieni, appaga il tuo consorte … Grande, o Numi (Orfeo, Euridice)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Orfeo ed Euridice, Wq.30: Atto III. Duetto “Vieni, appaga il tuo consorte" (Orfeo, Euridice)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck5:05
8Tirsi e Fileno: Veggio Fille/Parlo a Clori (Tirsi, Fileno)
countertenor vocals:
Max Emanuel Cenčić (countertenor) and Philippe Jaroussky (countertenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno)
composer:
Benedetto Marcello (composer)
part of:
Tirsi e Fileno, S. 475
Benedetto Giacomo Marcello7:01
9Niobe, regina di Tebe: Act 1. Mia fiamma, mio ardore (Anfione, Niobe)
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Niobe, regina di Tebe, Act 1: "Mia fiamma, mio ardore" (Anfione, Niobe)
composer:
Agostino Steffani
part of:
Niobe, Regina di Tebe
Agostino Steffani2:17
10Eritrea: Act 1. O luci belle (Laodicea, Theramene)
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
soprano vocals:
Emőke Baráth (soprano) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Eritrea / O luci belle (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Eritrea
Francesco Cavalli2:33
11Magnificat in D Major, BWV 243: VI. Et misericordia
countertenor vocals:
Philippe Jaroussky (countertenor)
tenor vocals:
Toby Spence (tenor)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 2006-10-26 until 2006-10-29)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:26
12L’incoronazione di Poppea, SV 308: Act 3. Pur ti miro (Nerone, Poppea)
harp and theorbo:
Christina Pluhar (from 2007-08 until 2008-01)
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
L’Arpeggiata (from 2007-08 until 2008-01)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (from 2007-08 until 2008-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi4:13
13Rêvons, c’est l’heure
engineer:
Michel Pierre (audio engineer)
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2014-06 until 2014-10)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (from 2014-06 until 2014-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-06 until 2014-10)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06 until 2014-10)
recording of:
Rêvons, c'est l'heure (from 2014-06 until 2014-10)
lyricist:
Paul Verlaine (French poet)
composer:
Jules Massenet (French Romantic composer) (in 1871)
Jules Massenet3:46
14Élégie
executive producer:
Alain Lanceron
producer:
Etienne Collard - La Clef des Sons
cello:
Gautier Capuçon (cellist) (from 2008-07-07 until 2008-07-13)
piano:
Jérôme Ducros (pianist) (from 2008-07-07 until 2008-07-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2008-07-07 until 2008-07-13)
balance engineer:
Michel Pierre - MPA (audio engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2009)
recorded at:
Chambre Syndicale Typographique Parisienne: Salle Akustica (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2008-07-07 until 2008-07-13)
recording of:
Élégie (catch-all for arrangements) (from 2008-07-07 until 2008-07-13)
composer:
Jules Massenet (French Romantic composer) (in 1873)
arrangement of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano)
Jules Massenet3:14
15Violons dans le soir
executive producer:
Alain Lanceron
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2008-07-07 until 2008-07-13)
violin:
Renaud Capuçon (violinist) (from 2008-07-07 until 2008-07-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2008-07-07 until 2008-07-13)
balance engineer:
Michel Pierre (audio engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2009)
recorded at:
Chambre Syndicale Typographique Parisienne: Salle Akustica (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2008-07-07 until 2008-07-13)
recording of:
Violons dans le soir (from 2008-07-07 until 2008-07-13)
lyricist:
Anna de Noailles
composer:
Camille Saint‐Saëns (composer)
publisher:
Éditions Durand (1947–present)
Camille Saint‐Saëns5:17
16Viens, une flûte invisible soupire
executive producer:
Alain Lanceron
producer:
Etienne Collard - La Clef des Sons
flute:
Emmanuel Pahud (flutist) (from 2008-07-07 until 2008-07-13)
piano:
Jérôme Ducros (pianist) (from 2008-07-07 until 2008-07-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2008-07-07 until 2008-07-13)
balance engineer:
Michel Pierre - MPA (audio engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2009)
recorded at:
Chambre Syndicale Typographique Parisienne: Salle Akustica (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2008-07-07 until 2008-07-13)
recording of:
Viens, une flûte invisible soupire (from 2008-07-07 until 2008-07-13)
lyricist:
Victor Hugo (French poet and novelist)
composer:
André Caplet (French composer)
publisher:
Éditions Durand (1947–present)
André Caplet2:50
17Chanson d’automne
engineer:
Michel Pierre (audio engineer)
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2014-06 until 2014-10)
strings:
Quatuor Ébène (from 2014-06 until 2014-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-06 until 2014-10)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06 until 2014-10)
recording of:
Chanson d’automne (transcription for counter-tenor, string quartet and piano) (from 2014-06 until 2014-10)
lyricist:
Paul Verlaine (French poet)
composer:
Charles Trenet
arranger:
Jérôme Ducros (pianist)
is based on:
Verlaine (Chanson d’automne)
Charles Trenet2:54
18Cet air
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Cet Air
writer:
David Assaraf, Toumani Diabaté and Matthieu Chedid (Matthieu Chedid)
‐M‐3:16
19Oh My Love
countertenor vocals:
Philippe Jaroussky (countertenor)
recording of:
Oh My Love
writer:
John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
publisher:
Downtown DMP Songs (ended), Lenono Music and Ono Music
John Lennon, Yoko Ono2:34