Ö1-Klassiker, Volume 7

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Tracklist

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1Medium: Symphonie Nr. 5 c-Moll (Wiener Philharmoniker feat. conductor: Carlos Kleiber), Symphonie Nr. 6 F-Dur (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)
#TitleRatingLength
1Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlos Kleiber (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
7:22
2Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlos Kleiber (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
10:00
3Symphonie No. 5 c-Moll, Op. 67: III. Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlos Kleiber (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
5:09
4Symphonie No. 5 c-Moll, Op. 67: IV. Allegro
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
10:59
5Symphonie No. 6 F-Dur, Op. 68 "Pastorale": I. "Erwachen heiterer Empfindungen bei der Ankunft auf dem Land". Allegro ma non troppo
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (hornist), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (Australian violinist and conductor), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
11:12
6Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. "Szene am Bach". Andante molto mosso
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (hornist), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (Australian violinist and conductor), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
12:00
7Symphonie No. 6 F-Dur, Op. 68 "Pastorale": III. "Lustiges Zusammensein der Landleute". Allegro
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (hornist), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (Australian violinist and conductor), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
4:49
8Symphonie No. 6 F-Dur, Op. 68 "Pastorale": IV. "Gewitter, Sturm". Allegro
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (hornist), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (Australian violinist and conductor), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
3:39
9Symphonie No. 6 F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (hornist), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (Australian violinist and conductor), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
9:16
2Medium: Symphonie Nr. 7 A-Dur Op. 92 (Wiener Philharmoniker feat. conductor: Carlos Kleiber), Fantasie für Klavier, Chor und Orchester c-Moll Op. 80 (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)
#TitleRatingLength
1Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto. Vivace
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
13:36
2Symphonie No. 7 A-Dur, Op. 92: II. Allegretto
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
8:09
3Symphonie No. 7 A-Dur, Op. 92: III. Presto
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
8:15
4Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio
engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1975-11 until 1976-01)
conductor:
Carlos Kleiber (conductor) (from 1975-11 until 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1975-11 until 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1975-11 until 1976-01)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
8:43
5Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Adagio
solo fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
3:25
6Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Finale14:36