100 Sixties Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Other Catalog #
disk 1: 530.650-9
disk 2: 530.651-0
disk 3: 530.651-1
disk 4: 530.651-2
disk 5: 530.651-3

Annotazione modificata l'ultima volta il 2015-05-18 00:19 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1I Got You (I Feel Good)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good))
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown2:29
2Standing in the Shadows of Love
registrazione di:
Standing in the Shadows of Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Ltd
Four Tops2:39
3Keep On Running
The Spencer Davis Group2:46
4Do You Love Me?
Brian Poole & The Tremeloes2:24
5Leave a Little Love
registrazione di:
Leave a Little Love
autore:
Peter Callander e Les Reed
Lulu2:45
6With a Girl Like You
registrazione di:
With a Girl Like You
autore:
Reg Presley
The Troggs4.42:10
7Make It Easy on Yourself
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Make It Easy on Yourself
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e MCA Music Ltd.
The Walker Brothers53:13
8Hole in My Shoe
registrazione di:
Hole in My Shoe
autore:
Dave Mason (co‐founder of Traffic)
Traffic2:50
9I’m Gonna Get Me a Gun
tecnico di registrazione:
Vic Smith (il 1967-01-23)
produttore:
Mike Hurst (musician and record producer from London, England)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1967) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1967)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1967-01-23)
registrazione di:
I’m Gonna Get Me a Gun (il 1967-01-23)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd.
Cat Stevens3.52:14
10This Is My Song
voce di tenore:
Harry Secombe (actor, comedian, singer, television presenter)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1967)
registrazione di:
This Is My Song (nel 1967-02)
paroliere e compositore:
Charlie Chaplin (filmmaker) (nel 1966)
editore:
Leeds Music e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
parte di:
A Countess From Hong Kong
Harry Secombe3:20
11What Becomes of the Brokenhearted
produttore:
William "Mickey" Stevenson (Motown songwriter)
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin4.652:55
12Do You Mind?
registrazione di:
Do You Mind
paroliere e compositore:
Lionel Bart
Anthony Newley2:21
13Speak to Me Pretty
voce:
Brenda Lee (1960s American singer)
registrazione di:
Speak to Me Pretty (Two Little Bears)
autore:
William Dunham e Henryk Wars
editore:
Angelica Music
Brenda Lee2:16
14Cinderella Rockefella
arrangiatore:
Phil Dennys
diritti fonografici (℗) detenuti da:
Phonogram GmbH (nel 1967), Phonogram Ltd. (not for release label use!) (nel 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1967), Philips (dal 1967 al 1968), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (dal 1967 al 1968), Phonogram, Inc. (dal 1967 al 1968) e Phonogram (nel 1979)
registrazione cover di:
Cinderella Rockefella (nel 1967)
paroliere:
Nancy Ames
compositore:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
editore:
Irving (BMI), Laetrec Music, Music Publishers of Africa (M.P.A.), Rondor Music (Australia) e Rondor Music (London) Ltd.
Esther & Abi Ofarim2:31
15King of the Road
registrata a:
Tennessee, Stati Uniti (il 1964-11-03)
produttore:
Jerry Kennedy
voce:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (il 1964-11-03)
diritti fonografici (℗) detenuti da:
Smash (nel 1965)
registrazione di:
King of the Road (il 1964-11-03)
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller4.52:28
16This Little Bird
registrazione cover di:
The Little Bird
paroliere e compositore:
John D. Loudermilk
Marianne Faithfull2:03
17Green Green Grass of Home
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrazione cover di:
Green, Green Grass of Home
paroliere e compositore:
Claude “Curly” Putman, Jr.
editore:
Burlington Music, Burlington Music Ltd. e Tree Music
versione tradotta di:
Ik ben weer in m’n dorpje
Tom Jones43:05
18Nadine
produttore:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) e Willie Dixon
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra e voce principale:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
Nadine (Is It You?) (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Limited
registrazione di:
Nadine
paroliere e compositore:
Chuck Berry
editore:
Tristan Music Ltd.
Chuck Berry42:35
19Leader of the Pack
diritti fonografici (℗) detenuti da:
Red Bird (nel 1964)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 316) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 447)
registrazione di:
Leader of the Pack (nel 1964)
autore:
Jeff Barry, Ellie Greenwich e George “Shadow” Morton
editore:
Robert Mellin Music Publishing Corp., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tender Tunes Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., Warner/Chappell Music Ltd. (1996–2019) e ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Shangri‐Las4.52:53
20Fire
produttore:
Kit Lambert
produttore associato:
Pete Townshend (of The Who)
basso :
Sean Nicholas
batteria :
Dracken Theaker
organo :
Vincent Crane
voce:
Arthur Brown
arrangiatore:
Vincent Crane
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1968)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Fire
autore:
Arthur Brown, Vincent Crane, Mike Finesilver e Peter Ker (producer and songwriter)
editore:
Gowmonk, Inc. e Onward Music Ltd.
Arthur Brown3.852:59
2▼CD
#TitoloArtistaValutazioneDurata
1Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:36
2Why
registrazione cover di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Anthony Newley2:29
3All or Nothing
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966)
registrazione di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
Small Faces3.53:05
4Dedicated to the One I Love
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
Dunhill Records Inc. (nel 1967)
è stato produttore per:
Dunhill Records USA
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.23:00
5The Last Waltz
Engelbert Humperdinck3:00
6Brown Eyed Handsome Man
tecnico di registrazione:
Norman Petty (dal 1956-12 al 1957-01)
produttore:
Norman Petty
basso :
Larry Welborn (dal 1956-12 al 1957-01)
batteria :
Jerry Allison (dal 1956-12 al 1957-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-12 al 1957-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-12 al 1957-01)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1963) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1956-12 al 1957-01)
registrazione cover di:
Brown Eyed Handsome Man (dal 1956-12 al 1957-01)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:05
7Ain’t Nothing Like the Real Thing
produttore:
Nickolas Ashford e Valerie Simpson
strumenti:
The Funk Brothers (il 1967-10-06)
voce di accompagnamento:
Valerie Simpson (nel 1967) e Nickolas Ashford (il 1967-10-06)
voce principale:
Marvin Gaye (il 1967-10-06) e Tammi Terrell (il 1967-10-06)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-10-06)
registrazione di:
Ain’t Nothing Like the Real Thing (il 1967-10-06)
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1967 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye & Tammi Terrell3.752:15
8Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.152:54
9No Particular Place to Go
registrazione di:
No Particular Place to Go
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:44
10Are You Sure
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1961)
registrazione di:
Are You Sure?
compositore:
Bob Allison e John Allison (John Alford, member of The Allisons)
The Allisons2:07
11Lightnin’ Strikes
registrazione di:
Lightnin’ Strikes
autore:
Lou Christie e Twyla Herbert
editore:
Lightning Strikes Music, Songs of Universal, Inc. (BMI) e Spirit One Music
Lou Christie2:59
12Mack the Knife (live)
registrazione dal vivo cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald4:59
13It Takes Two
voce:
Kim Weston
registrazione di:
It Takes Two
autore:
Sylvia Moy e William Stevenson (Motown songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye & Kim Weston32:59
14Mama
registrazione di:
Mama (US English version, Barlow/Brito)
paroliere:
Bixio Cherubini (nel 1940)
compositore:
Cesare Andrea Bixio (nel 1940)
traduttore:
Harold Barlow (US songwriter & plagiarism consultant) (nel 1946) e Phil Brito (nel 1946)
versione tradotta di:
Mamma
Connie Francis3:58
15The Legend of Xanadu
registrazione di:
The Legend of Xanadu
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:37
16Cloud Nine
registrazione di:
Cloud Nine
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations3:31
17Yeh Yeh
Georgie Fame2:47
18Like I’ve Never Been Gone
registrazione di:
Like I've Never Been Gone
compositore:
Paul Hampton (US singer/songwriter composer and actor) e Camille Monte
Billy Fury42:13
19This Old Heart of Mine (Is Weak for You)
produttore:
Lamont Dozier, Holland–Dozier (with Brian Holland) e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966)
registrazione di:
This Old Heart of Mine (Is Weak for You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Sylvia Moy
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) e Stone Agate Music Division
The Isley Brothers4.252:47
20You’ve Lost That Lovin’ Feelin’
tecnico:
Larry Levine
produttore:
Jerry Bruckheimer, Don Simpson (American film producer, screenwriter, and actor) e Phil Spector
voce:
Bobby Hatfield (dal 1964-08 al 1964-11) e Bill Medley (dal 1964-08 al 1964-11)
arrangiatore:
Jack Nitzsche (American musician and score composer) e Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label) e Polydor International (nel 1964)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1964-08 al 1964-11)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 34)
registrazione di:
You’ve Lost That Lovin’ Feelin’ (dal 1964-08 al 1964-11)
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers33:43
3▼CD
#TitoloArtistaValutazioneDurata
1Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:28
2Twist and Shout
registrazione cover di:
Twist and Shout
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Brian Poole & The Tremeloes2:06
3I Think of You
registrazione di:
I Think of You
paroliere e compositore:
Peter Lee Stirling (English pop singer/songwriter)
The Merseybeats2:32
4How High the Moon
registrazione cover di:
How High the Moon
paroliere:
Nancy Hamilton (nel 1940)
compositore:
Morgan Lewis (nel 1940)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:21
5Stranger on the Shore
diritti fonografici (℗) detenuti da:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (nel 1962) e K‐tel International (do not use as a release label! for copyrights/distributor use only) (nel 1984)
registrazione di:
Stranger on the Shore (original instrumental version)
compositore:
Acker Bilk
editore:
EMI Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:59
61‒2‒3
registrazione di:
1‐2‐3 (nel 1965)
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry2:25
7I Can Sing a Rainbow
The Dells3:28
8San Franciscan Nights
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
registrazione di:
San Franciscan Nights
autore:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch e John Weider
Eric Burdon and the Animals3.53:22
9Reach Out, I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops42:57
10Well I Ask You
Eden Kane2:17
11Summer Nights
Marianne Faithfull1:51
12Diane
The Bachelors2:32
13The Mighty Quinn
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1967)
registrazione cover di:
Quinn the Eskimo (The Mighty Quinn) (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding e Dwarf Music (nel 1968)
Manfred Mann4.52:53
14Recovery
Fontella Bass2:32
15You Don’t Have to Be a Baby to Cry
registrazione di:
You Don’t Have to Be a Baby to Cry
paroliere:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
compositore:
Terry Shand (jazz pianist/composer)
editore:
Frank Music Corp.
The Caravelles2:00
16You’ve Got Your Troubles
registrazione di:
You’ve Got Your Troubles
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Concord Sounds, Greenaway Operations and Activities Limited e Mills Music
The Fortunes3:23
17My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:46
18The Crying Game
esecutore:
Dave Berry
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry32:45
19Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:38
20It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.52:02
4▼CD
#TitoloArtistaValutazioneDurata
1I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
2The Game of Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1965)
registrazione cover di:
Game of Love
paroliere e compositore:
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:09
3Walk Away Renee
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrazione cover di:
Walk Away Renée
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
Four Tops2:46
4California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
5Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:57
6Twenty Five Miles
Edwin Starr3:20
7What’s New Pussycat?
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965)
registrazione di:
What’s New Pussycat? (nel 1965)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
parte di:
The 38th Academy Award for Best Original Song (numero: 2)
Tom Jones3.52:07
8Take Me in Your Arms and Love Me
registrazione di:
Take Me in Your Arms and Love Me
compositore:
Cornelius Grant (soul, funk and disco producer and songwriter), Roger Penzabene (songwriter, who worked mainly at Motown) e Barrett Strong
editore:
Stone Agate Music
Gladys Knight & the Pips2:54
9My Heart Has a Mind of Its Own
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione di:
My Heart Has a Mind of Its Own (1960 song)
autore:
Howard Greenfield e Jack Keller
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Robert Mellin Ltd. e Screen Gems–Columbia Music, Inc.
Connie Francis2:33
10There Goes My Everything
Engelbert Humperdinck2:55
11Heartbeat
registrazione di:
Heartbeat
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly42:11
12The Clapping Song (Clap Pat Clap Slap)
registrazione di:
The Clapping Song
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Embassy Music Corporation e EMI Al Gallico Music Corp.
Shirley Ellis2:45
13Fings Ain’t Wot They Used T’Be
registrazione di:
Fings Ain’t Wot They Used t’Be (Fings Ain’t Wot They Used t’Be)
paroliere e compositore:
Lionel Bart
Max Bygraves2:17
14I Believe
The Bachelors2:06
15Theme From Dr. Kildare
voce:
Richard Chamberlain (American actor and singer)
registrazione di:
Theme From “Dr. Kildare” (Three Stars Will Shine Tonight)
paroliere:
Hal Winn
compositore:
Jerry Goldsmith (American score composer) e Pete Rugolo
parte di:
Dr. Kildare (American TV series 1961–1966)
Richard Chamberlain2:42
16She’s Not There
Neil MacArthur3:22
17Juliet
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1964)
registrazione di:
Juliet (1964 song by the Four Pennies)
autore:
Fritz Fryer, Lionel Morton (member of the Four Pennies) e Mike Wilsh
editore:
Flamingo Music
The Four Pennies2:23
18Bend It
registrazione di:
Bend It (nel 1966)
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich32:33
19(I’m a) Road Runner
tecnico di missaggio:
Suha Gur
basso :
James Jamerson
chitarra :
Willie Woods (US guitarist & songwriter)
membranofono :
James Graves
sassofono :
Junior Walker
tastiera :
Vic Thomas (keyboard)
registrazione di:
(I’m a) Road Runner
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Jr. Walker & the All Stars22:49
20My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.452:59
5▼CD
#TitoloArtistaValutazioneDurata
1Shout
registrazione cover di:
Shout
autore:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) e Rudolph Isley
editore:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
parte di:
MJ: The Musical
Lulu & the Luvvers42:54
2Release Me
registrazione di:
Release Me
autore:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) e Robert Yount (songwriter)
autore aggiunto:
W.S. Stevenson
editore:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing e Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:20
3Wimoweh
Karl Denver2:33
4Delilah
registrazione di:
Delilah (Tom Jones song) (nel 1968)
paroliere:
Barry Mason (English songwriter)
compositore:
Les Reed
editore:
Donna Music Ltd. (publisher)
Tom Jones43:23
5Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
6You Can’t Hurry Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
You Can’t Hurry Love
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes2:46
7You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
8Rescue Me
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass2:54
9It’s a Man’s Man’s Man’s World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:46
10Getaway
Georgie Fame2:32
11I Put a Spell on You
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
registrazione cover di:
I Put a Spell on You (il 1965-01-15)
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Nina Simone4.252:35
12Matthew & Son
tecnico di registrazione:
Vic Smith (il 1966-12-01)
produttore:
Mike Hurst (musician and record producer from London, England)
arrangiatore:
Mike Hurst (musician and record producer from London, England) e Alan Tew (British composer and arranger)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1966-12-01)
registrazione di:
Matthew and Son (il 1966-12-01)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd.
Cat Stevens3.152:40
13Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.452:35
14Diamonds
registrazione di:
Diamonds (instrumental)
compositore:
Jerry Lordan
Jet Harris & Tony Meehan2:24
15Wonderful World, Beautiful People
registrazione di:
Wonderful World, Beautiful People
paroliere e compositore:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff53:12
16Go Go Go
registrazione di:
Go Go Go
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:49
17Bo Diddley
registrazione cover di:
Bo Diddley
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Buddy Holly2:21
18Jealousy
registrazione di:
Jealousy
autore:
Jacob Gade e Simon May
versione di:
Jealousy (English version, lyrics by Winifred May)
Billy Fury2:48
19The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:51
20What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong42:19

Accreditamenti

Gruppo di pubblicazioni

parte di:100 Classics (ordine: 14)