Love Is Here to Stay

~ Release by Bill Charlap & Sandy Stewart (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Rating	Length
1	Love Is Here to Stay recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: Love Is Here to Stay lyricist: Ira Gershwin composer: George Gershwin (composer) publisher: Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present) sub-publisher: Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: The Goldwyn Follies		5:10
2	After You recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: After You lyricist and composer: Cole Porter (composer) publisher: Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)		5:36
3	The Boy Next Door recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: The Boy Next Door (from “Meet Me in St. Louis”) writer: Ralph Blane and Hugh Martin publisher: Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label) part of: Meet Me in St. Louis (1944 musical film soundtrack)		4:30
4	Happiness Is Just a Thing Called Joe/A Sleepin' Bee recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States medley including a recording of: A Sleepin’ Bee (House of Flowers) lyricist: Harold Arlen and Truman Capote composer: Harold Arlen publisher: Harwin Music and S.A. Music Co. part of: House of Flowers medley including a recording of: Happiness Is a Thing Called Joe lyricist: Yip Harburg (in 1940) composer: Harold Arlen (in 1940) part of: The 16th Academy Award for Best Original Song (number: 2)		5:45
5	Always recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: Always lyricist and composer: Irving Berlin (in 1925) publisher: Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music		3:34
6	Here I Am in Love Again recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: Here I Am in Love Again writer: Moose Charlap (Moose Charlap) and Chuck Sweeney		5:18
7	I've Got a Crush on You/Do It Again recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: I’ve Got a Crush on You lyricist: Ira Gershwin (in 1928) composer: George Gershwin (composer) (in 1928) publisher: New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01) part of: Treasure Girl (1928 musical)		6:17
8	Where Is Me? recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: Where Is Me? lyricist: June Carroll (lyricist, singer & actress) composer: Arthur Siegel (American songwriter)		4:39
9	Dancing on the Ceiling recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: Dancing on the Ceiling (1930 Rodgers & Hart song) lyricist: Lorenz Hart (in 1930) composer: Richard Rodgers (composer) (in 1930)		5:05
10	It Might as Well Be Spring recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: It Might as Well Be Spring (State Fair) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945) composer: Richard Rodgers (composer) (in 1945) publisher: Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) part of: The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner) part of: State Fair (1945 film soundtrack) part of: State Fair (1962 film soundtrack) part of: State Fair		7:34
11	I'll Never Go There Anymore recording engineer: Joel Moss (from 2004-10-23 until 2004-10-24) producer and mixer: Joel Moss piano: Bill Charlap vocals: Sandy Stewart (1950s singer) recorded at: Sound on Sound Recording Studios (New York) in New York, New York, United States (from 2004-10-23 until 2004-10-24) mixed at: Sound on Sound Recording Studios (New York) in New York, New York, United States recording of: I'll Never Go There Anymore composer: Mark Charlap ("Moose") and Eddie Lawrence (actor, comic and impressionist)		3:36

Credits

Release

photography and design:	Carol Friedman
liner notes:	Barbara Carroll
mastering:	Ric Wilson (mastering and editing)

copyrighted (©) by and phonographic copyright (℗) by:	Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 2005 to present)