The Complete Capitol Singles Collection

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Lean Baby
recorded in:
Los Angeles, California, United States (on 1953-04-02)
producer:
Voyle Gilmore
cello:
Cy Bernard (on 1953-04-02)
double bass:
Phil Stephens (bass and tuba player) (on 1953-04-02)
drums (drum set):
Ray Hagan (on 1953-04-02)
French horn:
Vincent DeRosa (on 1953-04-02)
guitar:
George van Eps (on 1953-04-02)
harp:
Ann Mason Stockton (American harpist) (on 1953-04-02)
piano:
Bill Miller (pianist) (on 1953-04-02)
reeds:
Leonard Hartman (on 1953-04-02), Heine Beau (on 1953-04-02), Skeets Herfurt (on 1953-04-02) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-02)
trumpet:
Rubin "Zeke" Zarchy (on 1953-04-02)
viola:
Paul Robyn (on 1953-04-02) and Dave Sterkin (on 1953-04-02)
violin:
Harry Bluestone (on 1953-04-02), Murray Kellner (on 1953-04-02), Alex Murray (violinist) (on 1953-04-02), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1953-04-02), Irving Prager (on 1953-04-02) and Mischa Russell (violinist) (on 1953-04-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-02)
orchestra:
Axel Stordahl and His Orchestra (on 1953-04-02) and The Nelson Riddle Orchestra (on 1953-04-02)
conductor:
Axel Stordahl (on 1953-04-02)
arranger:
Heine Beau (on 1953-04-02)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Lean Baby (on 1953-04-02)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Billy May
12:34
2I’m Walking Behind You
recording of:
I’m Walking Behind You (1953 song)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:57
3I’ve Got the World on a String
recorded in:
Los Angeles, California, United States (on 1953-04-30)
bass:
Philip Stephens (bass and tuba player) (on 1953-04-30)
drums (drum set):
Alvin Stoller (on 1953-04-30)
guitar:
Al Hendrickson (on 1953-04-30)
piano:
Bill Miller (pianist) (on 1953-04-30)
reeds:
Jack Dumont (on 1953-04-30), Skeets Herfurt (on 1953-04-30), Plas Johnson (on 1953-04-30), Joe Koch (on 1953-04-30), Ernest Romersa (on 1953-04-30) and Theodore Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-30)
trombone:
Milt Bernhart (on 1953-04-30), Francis Howard (trombone) (on 1953-04-30), Jimmy Priddy (on 1953-04-30) and Si Zentner (on 1953-04-30)
trumpet:
Harry “Sweets” Edison (on 1953-04-30), Conrad Gozzo (on 1953-04-30), Vito "Mickey" Mangano (on 1953-04-30) and Rubin "Zeke" Zarchy (on 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (on 1953-04-30)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3.752:12
4My One and Only Love
producer:
Dave Cavanaugh
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Ed Gilbert
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Milt Bernhart and Jimmy Priddy
trumpet:
Clyde Hurley and Manny Klein
viola:
Alfred Barr and Paul Robyn
violin:
Victor Bay, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Mischa Russell (violinist) and Gerald Vinci (American violinist and strings conductor)
conductor:
Nelson Riddle
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-05-02)
recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
3:13
5Anytime, Anywhere
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-05-02)
recording of:
Anytime, Anywhere (on 1953-05-02)
writer:
Lenny Adelson and Imogen Carpenter
2:46
6From Here to Eternity
recording of:
From Here to Eternity
lyricist:
Robert Wells (songwriter)
composer:
Freddie Karger (Frederick Maxwell Karger, Jr)
publisher:
Barton Music Corp.
2:59
7I Love You
recording of:
I Love You
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
2:28
8South of the Border
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-04-30)
producer:
Voyle Gilmore
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ted Romersa
trombone:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
South of the Border (Down Mexico Way) (on 1953-04-30)
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. and Peter Maurice Music Co. Ltd. (on 1939-03-30)
12:50
9Take a Chance
recording of:
Take a Chance
writer:
David Raksin and Dok Stanford
2:40
10Young at Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (on 1953-12-09)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.652:51
11Don’t Worry ’Bout Me
recording of:
Don’t Worry ’Bout Me
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
3:08
12I Could Have Told You
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and John Graas
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Skeets Herfurt, Harry Klee and Champ Webb
trombone:
Pullman “Tommy” Pederson
viola:
Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Henry Hill (Violin player), Anatol Kaminsky (Violinist), Paul Shure, Felix Slatkin, Gerald Vinci (American violinist and strings conductor) and Mischa Violin (violinist)
conductor:
Gordon Jenkins
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-12-09)
recording of:
I Could Have Told You
lyricist:
Carl Sigman
composer:
Jimmy Van Heusen
publisher:
Boca Music, Inc., Major Songs and Music Sales Corporation (American copyright holder in both popular and classical music)
13:18
13Rain (Falling From the Skies)
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and John Graas
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Skeets Herfurt, Harry Klee and Champ Webb
trombone:
Pullman “Tommy” Pederson
viola:
Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Henry Hill (Violin player), Anatol Kaminsky (Violinist), Mischa Russell (violinist), Paul Shure, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
conductor:
Nelson Riddle
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-12-09)
recording of:
Rain (Falling From the Skies)
writer:
G. Finlay and Robert Mellin
13:25
14Three Coins in the Fountain
recording of:
Three Coins in the Fountain
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1954 winner)
23:06
15The Gal That Got Away
recording of:
The Man That Got Away (A Star Is Born)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
3:11
16Half as Lovely (Twice as True)
recording of:
Half as Lovely (Twice as True)
lyricist:
Sammy Gallop
composer:
Lew Spence
3:07
17It Worries Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Arthur Kafton and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bobby Gibbons
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Chuck Gentry, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo and Rubin "Zeke" Zarchy
viola:
Maxine Johnson and Paul Robyn
violin:
Victor Bay, Harry Bluestone, Walter Edelstein, George Kast, Nicholas Pisani, Mischa Russell (violinist), Eudice Shapiro (Violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-05-13)
orchestra:
The Nelson Riddle Orchestra (on 1954-05-13)
conductor:
Nelson Riddle (on 1954-05-13)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-05-13)
recording of:
It Worries Me (on 1954-05-13)
lyricist:
Ernst Verch
composer:
Fritz Schulz-Reichel
translator:
Carl Sigman
translated version of:
Denk’ an mich
12:54
18When I Stop Loving You
recording of:
When I Stop Loving You
writer:
George Cates, Alan Copeland and Mort Greene
2:57
19White Christmas
conductor:
Nelson Riddle (on 1954-08-23)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
White Christmas (on 1954-08-23)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
32:37
20The Christmas Waltz
producer:
Voyle Gilmore
bass:
Nat Gangursky (on 1957-07-16) and Jack Ryan (jazz bassist) (on 1957-07-16)
cello:
Cy Bernard (on 1957-07-16) and Armand Kaproff (on 1957-07-16)
drums (drum set):
Nick Fatool (on 1957-07-16)
guitar:
Allan Reuss (on 1957-07-16)
harp:
Kathryn Thompson (harpist) (on 1957-07-16)
piano:
Bill Miller (pianist) (on 1957-07-16)
viola:
William Baffa (on 1957-07-16), Lou Kievman (violist) (on 1957-07-16), Paul Robyn (on 1957-07-16) and Dave Sterkin (on 1957-07-16)
violin:
Harry Bluestone (on 1957-07-16), Walter Edelstein (on 1957-07-16), Joseph Quadri (on 1957-07-16), Sol Kindler (on 1957-07-16), Joseph Livoti (violinist) (on 1957-07-16), Nicholas Pisani (on 1957-07-16), Lou Raderman (on 1957-07-16), Mischa Russell (violinist) (on 1957-07-16), Marshall Sosson (on 1957-07-16) and Victor Amo (on 1957-07-16)
choir vocals:
The Ralph Brewster Singers (on 1957-07-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-07-16)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-16)
conductor:
Gordon Jenkins (on 1957-07-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
The Christmas Waltz (on 1957-07-16)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA), EMI Music Publishing (WP) Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WB Music Corp. (1929–2019), WC Music Corp., Westminster Music Ltd., Windswept Pacific Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
3.53:00
21Someone to Watch Over Me
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
2:58
22You, My Love
recording of:
You, My Love
lyricist:
Mack Gordon
composer:
Jimmy Van Heusen
12:54
2▼CD
#TitleRatingLength
1Melody of Love
recording of:
Melody of Love (1954 version w/lyrics)
lyricist:
Tom Glazer (in 1954)
composer:
Hans Engelmann (in 1903)
publisher:
Theodore Presser Co.
version of:
Melody of Love (1903 instrumental)
3:03
2I’m Gonna Live Till I Die
recording of:
I’m Gonna Live Till I Die
writer:
Mann Curtis, Al Hoffman and Walter Kent
21:55
3Why Should I Cry Over You?
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-08)
orchestra:
The Nelson Riddle Orchestra (on 1953-12-08)
conductor:
Nelson Riddle (on 1953-12-08)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1953-12-08)
recording of:
Why Should I Cry Over You (on 1953-12-08)
writer:
Chester Conn and Ned Miller (Nathan "Ned" Miller)
2:42
4Don’t Change Your Mind About Me
recording of:
Don’t Change Your Mind About Me
writer:
Lenny Adelson and Imogen Carpenter
2:45
5Two Hearts, Two Kisses (Make One Love)
cover recording of:
Two Hearts, Two Kisses (Make One Love)
writer:
Henry Stone (in 1954) and Otis Williams (US baritone singer, member of The Temptations & The Distants) (in 1954)
publisher:
Jay & Cee
2:23
6From the Bottom to the Top
recording of:
From the Bottom to the Top
writer:
Gee Wilson
2:22
7If I Had Three Wishes
recording of:
If I Had Three Wishes
lyricist:
Claude Baum
composer:
Lew Spence
2:56
8Learnin’ the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-03-23)
reeds:
Plas Johnson (on 1955-03-23)
trumpet:
Harry “Sweets” Edison (on 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-23)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-23)
conductor:
Nelson Riddle (on 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (on 1955-03-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
23:02
9Not as a Stranger
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-04)
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
recording of:
Not as a Stranger (on 1955-03-04)
lyricist:
Buddy Kaye
composer:
Jimmy Van Heusen
12:46
10How Could You Do a Thing Like That to Me?
producer:
Voyle Gilmore
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
marimba:
Max Albright
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) and Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Skeets Herfurt, Plas Johnson, Irving “Babe” Russin and Wilbur Schwartz
trombone:
Walter Benson, Ed Kusby, Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Manny Klein and Vito N. Mangano
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-07)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-07)
conductor:
Nelson Riddle (on 1955-03-07)
arranger:
Nelson Riddle and Billy May (on 1955-03-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
How Could You Do a Thing Like That to Me (a.k.a. Sultry Serenade) (on 1955-03-07)
writer:
Allan Roberts (songwriter) and Tyree Glenn
12:45
11Same Old Saturday Night
recording of:
Same Old Saturday Night
lyricist:
Sammy Cahn
composer:
Frank Reardon
2:30
12Fairy Tale
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-07-29)
orchestra:
The Nelson Riddle Orchestra (on 1955-07-29)
conductor:
Nelson Riddle (on 1955-07-29)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-07-29)
recording of:
Fairy Tale (on 1955-07-29)
lyricist and composer:
Jay Livingston and Dok Stanford
3:00
13Love and Marriage
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
32:38
14Impatient Years
recording of:
The Impatient Years
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
3:16
15(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
22:58
16Weep They Will
recording of:
Weep They Will (on 1955-10-17)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Sam Weiss Music, Inc.
3:20
17You’ll Get Yours
recording of:
You’ll Get Yours
writer:
Dok Stanford and Jimmy Van Heusen
2:28
18Flowers Mean Forgiveness
recording of:
Flowers Mean Forgiveness
writer:
Al Frisch, Eddie White and Mack Wolfson
3:08
19(How Little It Matters) How Little We Know
reeds:
Plas Johnson (on 1956-04-05)
trumpet:
Harry “Sweets” Edison (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
recording of:
(How Little It Matters) How Little We Know (on 1956-04-05)
lyricist:
Carolyn Leigh
composer:
Philip Springer
publisher:
Carwin Music, Inc. and Tamir Music
12:41
20Five Hundred Guys
recording of:
Five Hundred Guys
writer:
Don Canton and Ira Kosloff
2:50
21Johnny Concho Theme (Wait for Me)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
recording of:
Johnny Concho’s Theme (Wait for Me) (on 1956-04-05)
lyricist:
Dok Stanford
composer:
Nelson Riddle
2:52
22You’re Sensational
recording of:
You’re Sensational (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
part of:
High Society (stage musical)
3:55
23Well Did You Evah
cover recording of:
Well, Did You Evah! (High Society)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
13:47
3▼CD
#TitleRatingLength
1Mind If I Make Love to You?
recording of:
Mind If I Make Love to You?
lyricist and composer:
Cole Porter (composer)
2:24
2Who Wants to Be a Millionaire?
recording of:
Who Wants to Be a Millionaire? (High Society)
lyricist and composer:
Cole Porter (composer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Chappell & Co. (in 1955)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
12:07
3You Forgot All the Words (While I Still Remember the Tune)
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
George van Eps
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Robert Lawson, Wilbur Schwartz and Champ Webb
trombone:
Dick Noel (trombone), Jimmy Priddy and Paul Tanner
trumpet:
Johnny Best (jazz trumpeter), Harry “Sweets” Edison, Shorty Sherock and Rubin "Zeke" Zarchy
viola:
Maxine Johnson, Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Sam Cytron, Robert E. Gross, Henry Hill (Violin player), Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld and Mischa Russell (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-10-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-10-17)
conductor:
Gordon Jenkins (on 1955-10-17) and Nelson Riddle (on 1955-10-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-10-17)
recording of:
You Forgot All the Words (While I Still Remember the Tune) (on 1955-07-29)
writer:
E.H. Jay and Bernie Wayne
publisher:
Midwood Music Corp.
13:21
4Hey! Jealous Lover
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-09)
conductor:
Nelson Riddle (on 1956-04-09)
arranger:
Nelson Riddle
recording of:
Hey! Jealous Lover (on 1956-04-09)
lyricist:
Sammy Cahn
writer:
Kay Twomey
composer:
Bee Walker
publisher:
Barton Music Corp. and Cahn Music Company
12:22
5Your Love for Me
recording of:
Your Love for Me
writer:
Barry Parker (songwriter)
2:59
6Can I Steal a Little Love?
recorded in:
Hollywood, Los Angeles, California, United States (on 1956-12-03)
reeds:
Plas Johnson (on 1956-12-03)
trumpet:
Harry “Sweets” Edison (on 1956-12-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-12-03)
orchestra:
The Nelson Riddle Orchestra (on 1956-12-03)
recording of:
Can I Steal a Little Love? (on 1956-12-03)
writer:
Phil Tuminello
publisher:
Northern Music Company
12:32
7So Long, My Love
recording of:
So Long, My Love
lyricist:
Sammy Cahn
composer:
Lew Spence
2:47
8Crazy Love
recording of:
Crazy Love
lyricist:
Sammy Cahn
composer:
Phil Tuminello
2:52
9Something Wonderful Happens in Summer
recording of:
Something Wonderful Happens in Summer
writer:
Joe Bushkin and John DeVries
publisher:
Sands Music Corp.
3:15
10You’re Cheatin’ Yourself (If You’re Cheatin’ on Me)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
You're Cheatin' Yourself (If You're Cheatin' on Me) (on 1957-05-20)
lyricist:
Dick Manning (American songwriter)
composer:
Al Hoffman
2:35
11All the Way
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (on 1957-08-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
2.52:53
12Chicago
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-08-13)
producer:
Dave Cavanaugh, Voyle Gilmore and Bill Miller (US producer at Capitol Records)
cello:
Cy Bernard, Armand Kaproff and Edgar Lustgarten
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Skeets Herfurt, Harry Klee, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Russell Brown (Swing trombonist), Pullman “Tommy” Pederson and Jimmy Priddy
trumpet:
Pete Candoli, Harry “Sweets” Edison, Conrad Gozzo and George Seaberg
valve trombone:
Juan Tizol
viola:
Maxine Johnson and Barbara Simons
violin:
Victor Bay, Alex Beller, Harry Bluestone, Jacques Gasselin, Dan Lube, Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld, Mischa Russell (violinist) and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (on 1957-08-13)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
32:13
13Witchcraft
producer:
Dave Cavanaugh
bass:
Joe Comfort (on 1957-05-20)
bass trombone:
George Roberts (american bass trombone) (on 1957-05-20)
cello:
Cy Bernard (on 1957-05-20), Edgar Lustgarten (on 1957-05-20) and Eleanor Slatkin (US cellist, b. Aller) (on 1957-05-20)
drums (drum set):
Frank DeVito (american jazz drummer) (on 1957-05-20)
guitar:
Nick Bonney (guitarist) (on 1957-05-20)
harp:
Kathryn Julye (on 1957-05-20)
piano:
Bill Miller (pianist) (on 1957-05-20)
reeds:
Buddy Collette (on 1957-05-20), Harry Klee (on 1957-05-20), Joe Koch (on 1957-05-20), Wilbur Schwartz (on 1957-05-20) and Warren Webbe (on 1957-05-20)
trombone:
Jim Priddy (on 1957-05-20), Dick Noel (trombone) (on 1957-05-20) and Juan Tizol (on 1957-05-20)
trumpet:
Clarence "Shorty" Sherock (on 1957-05-20), Harry “Sweets” Edison (on 1957-05-20), Conrad Gozzo (on 1957-05-20) and Vito "Mickey" Mangano (on 1957-05-20)
viola:
Maxine Johnson (on 1957-05-20) and Barbara Simons (on 1957-05-20)
violin:
Alex Beller (on 1957-05-20), Harry Bluestone (on 1957-05-20), Robert Cross (violinist) (on 1957-05-20), Walter Edelstein (on 1957-05-20), Ben Gill (on 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-05-20), Mischa Russell (violinist) (on 1957-05-20), Marshall Sosson (on 1957-05-20) and Gerald Vinci (American violinist and strings conductor) (on 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
arranger:
Nelson Riddle
publisher:
Morley Music Corp. and Notable Music Co., Inc.
recording of:
Witchcraft (on 1957-05-20)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
12:53
14Tell Her You Love Her
recording of:
Tell Her You Love Her
lyricist:
Barry Parker
composer:
Homer Denison (orchestrator, composer) and Hugh Halliday
3:01
15The Christmas Waltz
producer:
Voyle Gilmore
bass:
Nat Gangursky (on 1957-07-16) and Jack Ryan (jazz bassist) (on 1957-07-16)
cello:
Cy Bernard (on 1957-07-16) and Armand Kaproff (on 1957-07-16)
drums (drum set):
Nick Fatool (on 1957-07-16)
guitar:
Allan Reuss (on 1957-07-16)
harp:
Kathryn Thompson (harpist) (on 1957-07-16)
piano:
Bill Miller (pianist) (on 1957-07-16)
viola:
William Baffa (on 1957-07-16), Lou Kievman (violist) (on 1957-07-16), Paul Robyn (on 1957-07-16) and Dave Sterkin (on 1957-07-16)
violin:
Harry Bluestone (on 1957-07-16), Walter Edelstein (on 1957-07-16), Joseph Quadri (on 1957-07-16), Sol Kindler (on 1957-07-16), Joseph Livoti (violinist) (on 1957-07-16), Nicholas Pisani (on 1957-07-16), Lou Raderman (on 1957-07-16), Mischa Russell (violinist) (on 1957-07-16), Marshall Sosson (on 1957-07-16) and Victor Amo (on 1957-07-16)
choir vocals:
The Ralph Brewster Singers (on 1957-07-16)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-07-16)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-16)
conductor:
Gordon Jenkins (on 1957-07-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
The Christmas Waltz (on 1957-07-16)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA), EMI Music Publishing (WP) Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WB Music Corp. (1929–2019), WC Music Corp., Westminster Music Ltd., Windswept Pacific Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
3.53:04
16Mistletoe and Holly
choir vocals:
The Ralph Brewster Singers (on 1957-07-17)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Gordon Jenkins & His Orchestra (on 1957-07-17)
conductor:
Gordon Jenkins (on 1957-07-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recording of:
Mistletoe and Holly (on 1957-07-17)
writer:
Harry Sanicola, Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) and Dok Stanford
publisher:
The International Music Network, The International Music Network Ltd, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell Music Ltd. (1996–2019)
2.52:19
17Nothing in Common
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Fred Falensby, Skeets Herfurt, Joe Koch, Irving “Babe” Russin and Willie Smith (US jazz alto saxophonist, 1910-1967)
trombone:
Ed Kusby, Dick Noel (trombone), Pullman “Tommy” Pederson and William Schafer
trumpet:
Frank Beach (trombone, trumpet), Johnny Best (jazz trumpeter), Harry “Sweets” Edison and Conrad Gozzo
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-03-03) and Keely Smith (on 1958-03-03)
orchestra:
The Billy May Orchestra (on 1958-03-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-03-03)
recording of:
Nothing in Common (on 1958-03-03)
writer:
Sammy Cahn and Jimmy Van Heusen
2:32
18How Are Ya’ Fixed for Love?
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Fred Falensby, Skeets Herfurt, Joe Koch, Irving “Babe” Russin and Willie Smith (US jazz alto saxophonist, 1910-1967)
trombone:
Ed Kusby, Dick Noel (trombone), Pullman “Tommy” Pederson and William Schafer
trumpet:
Frank Beach (trombone, trumpet), Johnny Best (jazz trumpeter), Harry “Sweets” Edison and Conrad Gozzo
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-03-03) and Keely Smith (on 1958-03-03)
orchestra:
The Billy May Orchestra (on 1958-03-03)
conductor:
Billy May (on 1958-03-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-03-03)
recording of:
How Are Ya' Fixed for Love? (on 1958-03-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
12:27
19The Same Old Song and Dance
recording of:
Same Old Song and Dance
writer:
Sammy Cahn, Jimmy Van Heusen and Bobby Worth (American songwriter)
2:52
20Monique
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-05-29)
orchestra:
The Nelson Riddle Orchestra (on 1958-05-29)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-05-29)
recording of:
Monique (on 1958-05-29)
lyricist:
Sammy Cahn
composer:
Elmer Bernstein (American score composer)
3:17
21Mr. Success
producer:
Dave Cavanaugh and Bill Miller (US producer at Capitol Records)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-09-11)
orchestra:
The Nelson Riddle Orchestra (on 1958-09-11)
conductor:
Nelson Riddle (on 1958-09-11)
arranger:
Nelson Riddle
recording of:
Mr. Success (on 1958-09-11)
lyricist:
Henry Sanicola (in 1958) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1958)
composer:
Edwin Greines (American songwriter) (in 1958)
12:43
22Sleep Warm
recording of:
Sleep Warm
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
2:45
23No One Ever Tells You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Chuck Gentry
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Helen Hutchinson
piano:
Bill Miller (pianist)
tenor saxophone:
Irving “Babe” Russin and Champ Webb
trombone:
Milt Bernhart, Ed Kusby and Jimmy Priddy
trumpet:
Harry “Sweets” Edison, Manny Klein, Ray Linn and Shorty Sherock
viola:
Alvin Dinkin and Maxine Johnson
violin:
Victor Bay, Alex Beller, Arnold Belnick, Harry Bluestone, Henry Hill (Violin player), Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-09)
recording of:
No One Ever Tells You (on 1956-04-09)
publisher:
Carroll Coates
writer:
Hub Atwood and Carroll Coates
publisher:
Micana Music
13:25
24To Love and Be Loved
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-10-15)
recording of:
To Love and Be Loved (on 1958-10-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
part of:
The 31st Academy Award for Best Original Song (number: 2)
2:56
4▼CD
#TitleRatingLength
1Time After Time
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
33:29
2French Foreign Legion
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-29)
orchestra:
The Nelson Riddle Orchestra (on 1958-12-29)
conductor:
Nelson Riddle (on 1958-12-29)
arranger:
Nelson Riddle
recording of:
French Foreign Legion (on 1958-12-29)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Guy Wood
publisher:
Barton Music Corp. and Rachel’s Own Music
2.352:02
3All My Tomorrows
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-29)
orchestra:
The Nelson Riddle Orchestra (on 1958-12-29)
conductor:
Nelson Riddle (on 1958-12-29)
arranger:
Nelson Riddle
recording of:
All My Tomorrows (on 1958-12-29)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
3:15
4High Hopes
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-05-08)
orchestra:
The Nelson Riddle Orchestra (on 1959-05-08)
conductor:
Nelson Riddle (on 1959-05-08)
arranger:
Nelson Riddle
recording of:
High Hopes (1959 song popularized by Frank Sinatra) (on 1959-05-08)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
part of:
The 32nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1959 winner)
12:43
5They Came to Cordura
producer:
Dave Cavanaugh and Bill Miller (US producer at Capitol Records)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-29)
orchestra:
The Nelson Riddle Orchestra (on 1958-12-29)
conductor:
Nelson Riddle (on 1958-12-29)
arranger:
Nelson Riddle
recording of:
They Came to Cordura (on 1958-12-29)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
3:01
6Talk to Me
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-05-14)
orchestra:
The Nelson Riddle Orchestra (on 1959-05-14)
conductor:
Nelson Riddle (on 1959-05-14)
arranger:
Nelson Riddle
recording of:
Talk to Me (on 1959-05-14)
writer:
Stanley Kahan and Eddie Snyder
3:02
7River, Stay ’way From My Door
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-04-13)
recording of:
River Stay Way From My Door
lyricist:
Mort Dixon
composer:
Mort Dixon and Harry M. Woods (American 1920/30s songwriter)
publisher:
Olde Clover Leaf Music and Shapiro, Bernstein & Co., Inc.
12:38
8It’s Over, It’s Over, It’s Over
recording of:
It's Over, It's Over, It's Over
writer:
Matt Dennis (American singer, pianist, band leader) and Dok Stanford
2:40
9This Was My Love
producer:
Dave Cavanaugh
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
cello:
James Arkatov (American cellist and photographer) and Victor Gottlieb
drums (drum set):
Bill Richmond
French horn:
James Decker (French hornist), Sinclair Lott (french horn) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Alex Beller, Arnold Belnick, Harry Bluestone, Jacques Gasselin, Henry Hill (Violin player), Murray Kellner, Carl LaMagna, Dan Lube, Erno Neufeld, Nicholas Pisani, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Joseph Stepansky
woodwind:
Buddy Collette, Sal Franzella, Ronny Lang, Ted Nash (40s-80s US swing reedman, uncle of the other), Harry Schuchman and Wilbur Schwartz
conductor:
Nelson Riddle
arranger:
Gordon Jenkins and Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-05-14)
recording of:
This Was My Love
lyricist and composer:
Jim Harbert
publisher:
St. Lawrence Music
13:27
10Nice ’n’ Easy
recording of:
Nice ’n’ Easy
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music and Spirit Two Music Crescendo
12:45
11You’ll Always Be the One I Love
recording of:
You’ll Always Be the One I Love
writer:
Ticker Freeman and Sunny Skylar
2:57
12Ol’ Macdonald
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Gail Martin, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg, Shorty Sherock and Harry “Sweets” Edison (on 1960-09-01)
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Bay, Alex Beller, Kurt Dieterle, Jacques Gasselin, Louis Kaufman (violinist), Murray Kellner, Joseph Livoti (violinist), Mischa Russell (violinist), Gerald Vinci (American violinist and strings conductor) and William Weiss (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
Ol' Macdonald (on 1960-09-01)
additional lyricist:
Alan Bergman (American lyricist), Marilyn Bergman and Lew Spence
writer:
[traditional] (special purpose artist)
arranger:
Nelson Riddle
version of:
Old McDonald Had a Farm
2:42
13My Blue Heaven
recording of:
My Blue Heaven
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:03
14Sentimental Baby
producer:
Dave Cavanaugh and Bill Miller (US producer at Capitol Records)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Gail Martin, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Bay, Alex Beller, Kurt Dieterle, Jacques Gasselin, Louis Kaufman (violinist), Murray Kellner, Joseph Livoti (violinist), Mischa Russell (violinist), Gerald Vinci (American violinist and strings conductor) and William Weiss (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recording of:
Sentimental Baby (on 1960-09-01)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
2:37
15Sentimental Journey
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (jazz trumpeter) (on 1961-03-20)
piano:
Bill Miller (pianist) (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (trombone) (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (60s pop/soul) (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Sentimental Journey (on 1961-03-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. and Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:24
16American Beauty Rose
recording of:
American Beauty Rose
writer:
Arthur Altman, Hal David and Redd Evans
publisher:
Jefferson Music Corp.
2:20
17The Moon Was Yellow
recording of:
The Moon Was Yellow (And the Night Was Young)
publisher:
Edgar Leslie
writer:
Fred Ahlert and Edgar Leslie
publisher:
Fred Ahlert Mus. Corp., Herald Square Music, Inc. and Pencil Mark Music, Inc.
3:00
18I’ve Heard That Song Before
recording of:
I’ve Heard That Song Before
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:32
19Five Minutes More
recording of:
Five Minutes More
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Melrose Music Corp.
2:36
20I’ll Remember April
recording of:
I’ll Remember April
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
2:49
21I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
21:51
22Hidden Persuasion
recording of:
Hidden Persuasion
lyricist and composer:
Wainwright Churchill III
2:26
23Ya Better Stop
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-08)
orchestra:
The Nelson Riddle Orchestra (on 1953-12-08)
conductor:
Nelson Riddle (on 1953-12-08)
arranger:
Nelson Riddle
recording of:
Ya Better Stop (on 1953-12-08)
writer:
Cliff Ferre and Mark McIntyre (American pianist, orchestra leader and songwriter.)
2:36
24The Sea Song
recording of:
The Sea Song
writer:
Dorothy Fields (American librettist and lyricist) and Arthur Schwartz
2:56
25Look to Your Heart
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
orchestra:
The Nelson Riddle Orchestra (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-08-15)
recording of:
Look to Your Heart (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
3:09
26I Believe
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-11-25)
orchestra:
The Nelson Riddle Orchestra (on 1957-11-25)
conductor:
Nelson Riddle (on 1957-11-25)
recording of:
I Believe (Frank Sinatra song) (on 1957-11-25)
lyricist:
Sammy Cahn
composer:
Jule Styne
2.52:31
27Love Looks So Well on You
recording of:
Love Looks So Well on You
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
2:39

Credits

Release group

Wikidata:Q3986377 [info]