Songs for Aussie Mums, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Sisters Are Doin’ It for Themselves
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 1985)
registrazione di:
Sisters Are Doin’ It for Themselves
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics4:17
2Girls Just Wanna Have Fun
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper3:30
3All Fired Up
assistente tecnico:
Clif Norrell
tecnico:
Paul Lini
produttore:
Keith Forsey (drummer, producer and songwriter) e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Tim Leitner
tecnico di missaggio:
Chris Lord‐Alge
batteria :
Myron Grombacher
chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
chitarra basso :
Fernando Saunders
percussione :
Bo Castro
voce principale:
Pat Benatar
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
All Fired Up
paroliere e compositore:
Kerryn Tolhurst (Australian musician)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar54:29
4Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes (original version)
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:08
5Goody Two Shoes
registrazione di:
Goody Two Shoes
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1982)
Adam Ant3:22
6Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.33:57
7Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:20
8Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
9Sex Machine (Get On Up)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown6:39
10I Gotcha
Joe Tex2:29
11You Took the Words Right Out of My Mouth
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978)
edit di:
You Took the Words Right Out of My Mouth (Hot Summer Night) di Meat Loaf
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf44:15
12I Want to Take You Higher
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973)
registrazione cover di:
I Want to Take You Higher
paroliere e compositore:
Sylvester Stewart
editore:
Daly City Music e Mijac Music
si basa su:
Higher
Ike & Tina Turner2:51
1399 Luft Balloons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:52
14Wake Me Up Before You Go Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
2▼CD
#TitoloArtistaValutazioneDurata
1Cosmic Girl
registrata presso:
Rock in Rio 4 (2011-09-23 – 2011-10-02)
registrazione di:
Cosmic Girl
autore:
Jay Kay (English singer, Jamiroquai) e Derrick McKenzie
editore:
EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3:48
2Keep On Movin’
tecnico di registrazione:
Adrian Bushby
programmazione aggiuntiva:
Chris Laws (engineer, keyboardist & songwriter)
produttore:
Julian Gallagher (songwriter, producer) e Richard Stannard
produttore aggiunto e tecnico di missaggio aggiunto:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistente tecnico di missaggio:
Daniel Pursey (UK engineer), Conal Markey e Alvin Sweeney
tecnico di missaggio:
Adrian Bushby, Jake Davies e Matt Howe (producer and engineer)
esecutore:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") e Scott (British singer/performer/songwriter)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 1999)
è stato produttore per:
Biffco Productions
registrata presso:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
mixata in aggiunta presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
prodotta in aggiunta presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Keep On Movin’
autore:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) e Richard Stannard
editore:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd e Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:18
3She’s So High
produttore:
Bob Rock
batteria [drums] :
Lance Porter (Drummer)
chitarra basso [bass] :
Chris Wyse
chitarra elettrica , chitarra lap steel , pianoforte e voce principale:
Tal Bachman
moog e piano elettrico Wurlitzer [Wurlitzer] :
Buck Johnson
voce di accompagnamento:
Tal Bachman e Buck Johnson
registrazione di:
She's So High
autore:
Tal Bachman
Tal Bachman4.53:45
4Pash
diritti fonografici (℗) detenuti da:
Mushroom Music Pty. Ltd. (dal 1998 a oggi) e Mushroom Records International B.V. (not for release label use! © & ℗ rights use only) (nel 1998)
registrazione di:
Pash
paroliere e compositore:
Kate Ceberano e Mark Goldenberg
editore:
Mushroom Music (Mushroom label’s publishing company)
Kate Ceberano3:35
5Can’t Get Enough of Your Love
produttore e tecnico di missaggio:
Robert Clivilles and David Cole
arrangiatore:
Robert Clivilles and David Cole
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1993)
registrazione cover di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Taylor Dayne4:25
6Another Night
registrazione di:
Another Night
autore:
Frank Hassas, Olaf Jeglitza e Jürgen Wind
editore:
Diamond Cut e Universal Music Corp. (USA, affiliated with ASCAP)
Real McCoy3:38
7Ain’t No Sunshine
Rockmelons3:16
8Love… Thy Will Be Done
produttore aggiunto:
Martika (American singer‐songwriter and actress)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Love… Thy Will Be Done (nel 1991)
autore:
Martika (American singer‐songwriter and actress) e Prince (“The Artist Formerly Known as…”)
editore:
BMG Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (, nel 1991), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1991), Girlsongs (publisher) (nel 1991) e Tika Tunes (publisher) (nel 1991)
Martika24:11
9Heaven Knows
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1992)
registrazione di:
Heaven Knows
autore:
Heather Field (Australian songwriter) e Rick Price (Australian singer and songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e Kobalt Music Publishing Australia Pty Ltd
Rick Price4:27
10Rush
registrazione di:
Rush
paroliere, autore e compositore:
Mick Jones (The Clash/Big Audio Dynamite)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4:00
11Chemistry
Mondo Rock4:24
12To Her Door
registrazione di:
To Her Door
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Mushroom Music Publishing e Sony/ATV Music Publishing
Paul Kelly3:17
13When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:52
14The World’s Greatest Mum
registrazione di:
The World’s Greatest Mum
paroliere e compositore:
Johnny Chester (Australian singer)
Johnny Chester2:24

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