The Studio Album Collection 1987–1993

~ Release by Debbie Gibson (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Out of the Blue
#TitleRatingLength
1Out of the Blue
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming:
Debbie Gibson
assistant engineer:
Bill Esses
producer:
Debbie Gibson and Fred Zarr
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Fred Zarr
acoustic guitar:
Ira Siegel
additional guitar:
Fred Zarr
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard and synthesizer and background vocals and lead vocals:
Debbie Gibson
percussion:
Bashiri Johnson
background vocals:
La‐Rita Gaskin, Carrie Johnson and Libby Johnson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
recording of:
Out of the Blue
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
53:57
2Staying Together
4:27
3Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
mixer:
Doc Dougherty and “Little” Louie Vega (US house DJ/producer)
bass:
Gary Down
guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
tom-tom:
Billy Amendola
background vocals:
La‐Rita Gaskin and Norma Jean Wright
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 95) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 479)
recording of:
Only in My Dreams
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
43:49
4Foolish Beat
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming:
Fred Zarr
assistant engineer:
Bill Esses
producer:
Debbie Gibson
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Debbie Gibson
acoustic guitar and electric guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
background vocals:
Carrie Johnson and Tim Lawless
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorceror Studios in New York, New York, United States
recording of:
Foolish Beat
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
4.54:24
5Red Hot
recording engineer:
Peter Sturge (Engineer, producer)
programming and mixer:
John Morales
producer:
John Morales and Sergio Munzibai
keyboard:
David “Jaz” Grant
percussion:
Jimmy Maelen (percussion)
saxophone:
Jeff Smith (US saxophonist)
background vocals:
Connie Harvey, Wendell Morrison and Janet Wright
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and John Morales
recorded at and mixed at:
Quad Recording Studios in New York, New York, United States
recording of:
Red Hot
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
43:52
6Wake Up to Love
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming:
Fred Zarr
assistant engineer:
Bill Esses
producer:
Debbie Gibson and Fred Zarr
assistant mixer:
Jim Goatley
mixer:
Michael Hutchinson (engineer) and Fred Zarr
guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
background vocals:
La‐Rita Gaskin, Carrie Johnson and Libby Johnson
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
recording of:
Wake Up to Love
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
43:42
7Shake Your Love
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Fred Zarr
guitar:
David “Jaz” Grant
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Carrie Johnson, Libby Johnson and Jeff Smith (US saxophonist)
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 8)
recording of:
Shake Your Love
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
53:40
8Fallen Angel
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Fred Zarr
guitar:
David “Jaz” Grant
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Carrie Johnson, Libby Johnson and Jeff Smith (US saxophonist)
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
recording of:
Fallen Angel
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
43:44
9Play the Field
programming, engineer and producer:
Lewis A. Martineé
assistant engineer:
Carlos Santos (Miami producer/engineer aka "Deep")
guitar:
Nestor Gomez
keyboard:
Mike Baskt and Lewis A. Martineé
additional background vocals:
Haydee (background vocalist?) and Lisa Martinelli
background vocals:
Lewis A. Martineé
background vocals and lead vocals:
Debbie Gibson
arranger:
Lewis A. Martineé
recorded at and mixed at:
International Sound Studios in Miami, Florida, United States
recording of:
Play the Field
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
34:37
10Between the Lines
recording engineer:
Peter Sturge (Engineer, producer)
programming and mixer:
John Morales
producer:
John Morales and Sergio Munzibai
additional keyboard and lead vocals:
Debbie Gibson
keyboard:
David “Jaz” Grant
percussion:
Jimmy Maelen (percussion)
saxophone:
Jeff Smith (US saxophonist)
background vocals:
Connie Harvey, Wendell Morrison and Janet Wright
arranger:
John Morales
recorded at and mixed at:
Quad Recording Studios in New York, New York, United States
recording of:
Between the Lines
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (in 1987) and Deborah Ann’s Music (in 1987)
44:42
2▼Digital Media: Electric Youth
#TitleRatingLength
1Who Loves Ya Baby?
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Fred Zarr
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
acoustic guitar:
Ira Siegel
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
hi-hat:
Leslie Ming
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
background vocals:
Debbie Gibson, Carrie Johnson, Libby Johnson and Keith Stewart
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Who Loves Ya Baby?
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:01
2Lost in Your Eyes
3:50
3Love in Disguise
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Debbie Gibson
mixer:
Phil Castellano (brother of John, uncle of Richie), Chris Floberg, Debbie Gibson, David Lebowitz and Tom Vercillo
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
hi-hat:
Leslie Ming
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Debbie Gibson and Carrie Johnson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Love in Disguise
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:18
4Helplessly in Love
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Debbie Gibson
programming:
Bill Esses
engineer:
Bill Esses and Matt Malles
producer:
Debbie Gibson
mixer:
Bassy Bob Brockmann (engineer, producer, remixer), Debbie Gibson and David Lebowitz
acoustic guitar and electric guitar:
Ira Siegel
keyboard and background vocals:
Debbie Gibson
percussion:
Bashiri Johnson
arranger:
Debbie Gibson
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Helplessly in Love
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
54:11
5Silence Speaks
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
additional engineer:
Phil Castellano (brother of John, uncle of Richie)
engineer:
Bill Esses, Jim Goatley and Matt Malles
producer:
Debbie Gibson
mixer:
Phil Castellano (brother of John, uncle of Richie) and Debbie Gibson
acoustic guitar and electric guitar:
Ira Siegel
bass:
Kirk Powers Burkhardt
drums (drum set):
Lou Appel (drummer)
flute:
Roger Rosenberg
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
piano and background vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Silence Speaks (a Thousand Words)
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
53:38
6Should’ve Been the One
recording engineer:
Don Feinberg and Bill Scheniman
additional engineer:
Mario Salvetti
engineer:
Bill Esses, Jim Goatley and Matt Malles
producer:
Debbie Gibson
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
acoustic guitar and electric guitar:
Tommy Williams (former Debbie Gibson musical director)
bass:
Kirk Powers Burkhardt
drums (drum set):
Lou Appel (drummer)
keyboard:
Greg Savina
percussion and saxophone:
Adam Tese
piano and background vocals:
Debbie Gibson
arranger:
Debbie Gibson
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Should’ve Been the One
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
45:10
7Electric Youth
5:12
8No More Rhyme
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Fred Zarr
mixer:
Phil Castellano (brother of John, uncle of Richie), Debbie Gibson, Jim Goatley and Fred Zarr
acoustic guitar:
Ira Siegel
cello:
Bob Osman
hi-hat:
Leslie Ming
horn:
Cadillac Horns
percussion:
Bashiri Johnson
piano:
Fred Zarr
saxophone:
Jeff Smith (US saxophonist)
tenor saxophone:
Ed Palermo (US saxophonist, guitarist and composer)
trombone:
Matt Finders
trumpet:
Bud Burridge (trunpet player)
background vocals:
Carrie Johnson, Tim Lawless and Sandra St. Victor
background vocals and lead vocals:
Debbie Gibson
arranger:
Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
No More Rhyme
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
54:28
9Over the Wall
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Debbie Gibson
programming:
Bill Esses
additional engineer:
Rich Travali (Engineer)
engineer:
Bill Esses and Matt Malles
producer:
Debbie Gibson
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
acoustic guitar and electric guitar:
Ira Siegel
hi-hat:
Leslie Ming
keyboard:
Debbie Gibson
percussion:
Bashiri Johnson
background vocals:
Debbie Gibson and Keith Stewart
arranger:
Debbie Gibson
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Over the Wall
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
43:58
10We Could Be Together
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Debbie Gibson and Fred Zarr
mixer:
Bassy Bob Brockmann (engineer, producer, remixer), Chris Floberg, Debbie Gibson, David Lebowitz, Tom Vercillo and Fred Zarr
acoustic guitar and electric guitar:
Ira Siegel
horn:
Cadillac Horns
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
tenor saxophone:
Ed Palermo (US saxophonist, guitarist and composer)
trombone:
Matt Finders
trumpet:
Bud Burridge (trunpet player)
background vocals:
Debbie Gibson, Carrie Johnson, Libby Johnson, Linda Moran and Keith Stewart
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
We Could Be Together
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
45:26
11Shades of the Past
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
additional engineer:
Matt Malles
producer:
Fred Zarr
mixer:
Phil Castellano (brother of John, uncle of Richie), Chris Floberg, Debbie Gibson, David Lebowitz, Tom Vercillo and Fred Zarr
acoustic guitar and electric guitar:
Ira Siegel
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Debbie Gibson, Carrie Johnson, Libby Johnson and Tim Lawless
arranger:
Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Shades of the Past
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:55
12We Could Be Together (Campfire mix)
recording engineer:
Don Feinberg
producer:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
We Could Be Together
lyricist and composer:
Debbie Gibson
publisher:
Deborah Ann’s Music, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
5:35
13No More Rhyme (acoustic)
4:13
3▼Digital Media: Anything Is Possible
#TitleRatingLength
1Another Brick Falls
recording of:
Another Brick Falls
writer:
Debbie Gibson
53:57
2Anything Is Possible
recording of:
Anything Is Possible
writer:
Lamont Dozier and Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Songs of Universal, Inc. (BMI)
53:43
3Reverse Psychology
recording of:
Reverse Psychology (Debbie Gibson song)
writer:
Lamont Dozier and Debbie Gibson
34:27
4One Step Ahead
recording of:
One Step Ahead (Debbie Gibson song)
writer:
Lamont Dozier and Debbie Gibson
34:53
5Stand Your Ground
3:50
6Deep Down
4:55
7It Must’ve Been My Boy
recording of:
It Must've Been My Boy
writer:
Lamont Dozier and Debbie Gibson
44:21
8Lead Them Home My Dreams
recording of:
Lead Them Home My Dreams
writer:
Debbie Gibson
55:34
9One Hand, One Heart
recording of:
One Hand, One Heart
writer:
Debbie Gibson
54:36
10Sure
recording of:
Sure
writer:
Debbie Gibson
54:17
11Negative Energy
recording of:
Negative Energy
writer:
Debbie Gibson
43:42
12Mood Swings
recording of:
Mood Swings
writer:
Debbie Gibson
53:54
13Try
4:09
14In His Mind
3:34
15Where Have You Been?
recording of:
Where Have You Been?
writer:
Debbie Gibson
46:09
16This So‐Called Miracle
4:18
4▼Digital Media: Body Mind Soul
#TitleRatingLength
1Love or Money
recording of:
Love or Money
writer:
Debbie Gibson, Evan Rogers (musician/producer) and Carl Sturken
54:07
2Do You Have It in Your Heart?
recording of:
Do You Have It in Your Heart ?
writer:
Debbie Gibson, Evan Rogers (musician/producer) and Carl Sturken
44:46
3Free Me
recording of:
Free Me (Debbie Gibson song)
writer:
Debbie Gibson, Evan Rogers (musician/producer) and Carl Sturken
44:28
4Shock Your Mama
recording of:
Shock Your Mama
writer:
Debbie Gibson, Evan Rogers (musician/producer) and Carl Sturken
34:07
5Losin’ Myself
4:02
6How Can This Be?
53:58
7When I Say No
33:55
8Little Birdie
43:59
9Kisses 4 One
33:50
10Tear Down These Walls
44:19
11Goodbye
recording of:
Goodbye (Debbie Gibson song)
writer:
N.M. Walden and S.B. Sager
44:47