The Very Best of Wilson Pickett

~ Veröffentlichung von Wilson Pickett (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelBewertungLänge
1In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
32:35
2634–5789 (Soulsville, U.S.A.)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-12-20)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-12-20)
Gitarre:
Steve Cropper (am 1965-12-20)
Klavier:
Isaac Hayes (am 1965-12-20)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-12-20)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-12-20) und Andrew Love (am 1965-12-20)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-12-20)
vocals:
Wilson Pickett (am 1965-12-20)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
634‒5789 (Soulsville, U.S.A.) (am 1965-12-20)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
Irving Music, Inc. und Pronto Music (publisher)
3:00
3Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
42:28
4Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:09
5Funky Broadway
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
E-Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (von 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. und Embassy Music Corporation
22:40
6I’m in Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (von 1967-07-01 bis 1967-07-03)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) und Tracebob Music Co.
2:34
7She’s Lookin’ Good
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
cover recording of:
She’s Looking Good (von 1967-07-01 bis 1967-07-03)
Verfasser(in):
Justin Dickens
Komponist(in):
Rodger Collins
publisher:
Veytig Music
2:30
8Hey Jude
Techniker(in) und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass [electric bass]:
Jerry Jemmott (am 1968-11-27)
E-Gitarre:
Duane Allman (am 1968-11-27) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-11-27)
Klavier:
Barry Beckett (am 1968-11-27)
Saxophon:
Floyd Newman (am 1968-11-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-11-27)
Tenorsaxophon:
Andrew Love (am 1968-11-27) und James Mitchell (US saxophonist/arranger) (am 1968-11-27)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1968-11-27)
Sologesang:
Wilson Pickett (am 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-11-27)
cover recording of:
Hey Jude (am 1968-11-27)
geschrieben in:
England, Vereinigtes Königreich (in 1968-06)
Verfasser(in):
John Lennon (The Beatles) (in 1968-06) und Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-06 bis 1968-07-26)
4:09
9Sugar Sugar
Produzent(in):
Tom Dowd und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-11-19)
Gitarre [lead guitar]:
Eddie Hinton (am 1969-11-19)
Gitarre [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-11-19)
Keyboard [piano, organ]:
Barry Beckett (am 1969-11-19)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-11-19)
vocals:
Wilson Pickett (am 1969-11-19)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-11-19)
cover recording of:
Sugar, Sugar (am 1969-11-19)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
2:59
10Engine Number 9
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1970-01)
recording of:
Engine Number Nine (Engine Number 9) (in 1970-01)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
6:28
11Don’t Let the Green Grass Fool You
Bass:
Ronnie Baker (bass) (am 1970-01-15)
Gitarre:
Roland Chambers (am 1970-01-15), Bobby Eli (am 1970-01-15) und Norman Harris (American Philly Soul guitarist, producer, and songwriter) (am 1970-01-15)
Klavier:
Lenny Pakula (am 1970-01-15) und Ugene Dozier (Pianist, keyboardist, songwriter, arranger, and producer) (am 1970-01-15)
Orgel:
Thom Bell (keyboards, songwriter, producer) (am 1970-01-15)
Perkussion und Vibraphon:
Vince Montana (am 1970-01-15)
Schlagzeug:
Earl Young (am 1970-01-15)
arranger:
Lenny Pakula
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1970-01-15)
cover recording of:
Don’t Let the Green Grass Fool You (am 1970-01-15)
Verfasser(in):
Jerry Akines (soul singer and songwriter), Johnnie Bellmon, Victor Drayton und Reginald Turner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:07
12Don’t Knock My Love, Part 1
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
E-Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1971-01-27)
Gitarre:
Tippy Armstrong (am 1971-01-27) und Dennis Coffey (am 1971-01-27)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1971-01-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1971-01-27)
Tenorsaxophon:
Andrew Love (am 1971-01-27)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-01-27)
vocals:
Wilson Pickett (am 1971-01-27)
conductor:
Wade Marcus (am 1971-01-27)
arranger:
Wade Marcus
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-01-27)
recording of:
Don’t Knock My Love (am 1971-01-27)
Komponist(in):
Wilson Pickett und Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Erva Music Publishing (BMI)
2:20
13Fire and Water
cover recording of:
Fire and Water
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Catherine’s Peak Music, Irving Music, Inc. und Songs of PolyGram, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:19
14I’m a Midnight Mover
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1968-03-04)
Produzent(in):
Tom Dowd
vocals:
Wilson Pickett (am 1968-03-04)
arranger:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (am 1968-03-04)
Verfasser(in):
Wilson Pickett und Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) und Tracebob Music Co.
2:28
15I Found Love, Part 1
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1961-06)
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
Blechblasinstrumente:
Ralph "Pee Wee" Middlebrook (in 1961-06)
Gitarre:
Lance Finnie, Lance Finnie (in 1961-06) und Robert Ward (guitar, blues musician) (in 1961-06)
Klarinette und Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
Tenorsaxophon:
Clarence Satchell (, in 1961-06)
Sologesang:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) und Joe Stubbs (in 1961-06)
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
Interpret(in):
The Ohio Untouchables (in 1961-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (in 1962-01)
recording of:
I Found a Love (in 1961-06)
Verfasser(in):
Wilson Pickett, Willie Schofield und Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
2:59
16Everybody Needs Somebody to Love
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
Bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-10-12)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1966-10-12)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (am 1966-10-12)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (am 1966-10-12)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-10-12)
Tenorsaxophon:
Gilbert Caples (am 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1966-10-12) und Eddie Logan (am 1966-10-12)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1966-10-12)
vocals:
Wilson Pickett (am 1966-10-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (am 1966-10-12)
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
32:19

Nennungen

Veröffentlichungsgruppe

Teil von:The Very Best Of (Rhino compilation series) (Reihenfolge: 7)