The Spanish Guitar Anthology

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sevilla (Sevillanas), op. 47/3 (Suite española no. 1)
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
arranger:
Andrés Segovia (guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (in 1964-05)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:33
2Recuerdos de la Alhambra
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (in 1964-05)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega3:56
3Fandanguillo, op. 36
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Fandanguillo, op. 36 (in 1964-05)
composer:
Joaquín Turina (Spanish composer) (from 1925-05-25 until 1925-06-04)
Joaquín Turina4:42
4Soleares, op. 69/2 (Homenaje a Tárrega)
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Homenaje a Tárrega, op. 69: II. Soleares (in 1964-05)
composer:
Joaquín Turina (Spanish composer) (in 1932)
part of:
Homenaje a Tárrega, op. 69
Joaquín Turina2:04
5Ráfaga, op. 53
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Ráfaga, op. 53 (in 1964-05)
composer:
Joaquín Turina (Spanish composer) (in 1929)
Joaquín Turina2:52
6El testament d'Amelia
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
El testament d’Amèlia (Miguel Llobet guitar arrangement) (in 1964-05)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El testament d’Amèlia
Miguel Llobet Solés2:14
7El Colibri
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
El colibrí (in 1964-05)
composer:
Julio Salvador Sagreras
Julio Salvador Sagreras1:15
8Danza española no. 5 "Andaluza"
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
arranger:
John Williams (classical guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (in 1964-05)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
composer:
Enrique Granados (composer)
part of:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados / John Williams4:21
9Homenaje
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar) (in 1964-05)
composer:
Manuel de Falla (Spanish composer) (in 1920-08)
dedicated to:
Claude Debussy (French composer)
is based on:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
Manuel de Falla3:31
10Fantasia
guitar:
John Williams (classical guitarist)
recording of:
Tres libros de música en cifras para virhuela: Fantasia No.X (IAM 2)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580) (in 1546)
Alonso Mudarra / John Williams1:44
11Diferencias sobre el Conde Claros
guitar:
John Williams (classical guitarist)
recording of:
Diferencias sobre Conde claros
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra / John Williams1:57
12Aires de la Mancha: Jeringonza
guitar:
John Williams (classical guitarist)
recording of:
Aires de la Mancha: I. Jeringonza
composer:
Federico Moreno Torroba (composer)
part of:
Aires de la Mancha
Federico Moreno Torroba1:31
13Aires de la Mancha: Ya llega el invierno
guitar:
John Williams (classical guitarist)
recording of:
Aires de la Mancha: II. Ya llega el invierno
composer:
Federico Moreno Torroba (composer)
part of:
Aires de la Mancha
Federico Moreno Torroba2:19
14Aires de la Mancha: Coplilla
guitar:
John Williams (classical guitarist)
recording of:
Aires de la Mancha: III. Coplilla
composer:
Federico Moreno Torroba (composer)
part of:
Aires de la Mancha
Federico Moreno Torroba0:51
15Aires de la Mancha: La pastora
guitar:
John Williams (classical guitarist)
recording of:
Aires de la Mancha: IV. La pastora
composer:
Federico Moreno Torroba (composer)
part of:
Aires de la Mancha
Federico Moreno Torroba2:18
16Aires de la Mancha: La seguidilla
guitar:
John Williams (classical guitarist)
recording of:
Aires de la Mancha: V. Seguidilla
composer:
Federico Moreno Torroba (composer)
part of:
Aires de la Mancha
Federico Moreno Torroba2:05
17Variations on a Theme by Mozart, op. 9
recorded in:
New York, New York, United States (in 1965-11)
engineer:
Ed Michalski (engineer) (in 1965-11) and Fred Plaut (in 1965-11)
producer:
Paul Myers (classical record producer) (in 1965-11)
classical guitar:
John Williams (classical guitarist) (in 1965-11)
recording of:
Introduction and Variations on a Theme by Mozart, op. 9 (in 1965-11)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor6:33
2▼CD
#TitleArtistRatingLength
1Suite española no. 1, op. 47: No. 1. Granada (Serenata)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz4:41
2Suite española no. 1, op. 47: No. 2. Asturias (Leyenda)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:14
3Suite española no. 1, op. 47: No. 3. Sevilla (Sevillanas)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:40
4Mallorca (Barcarola), op. 202
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Mallorca, op. 202 (catch-all for arrangements) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Mallorca, op. 202
Isaac Albéniz6:26
5Córdoba form "Cantos de España", op. 232
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz6:53
6Torre Bermeja (Serenata), op. 92/12 (12 piezas caracteristicas)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
12 piezas características, op. 92, no. 12: Torre Bermeja (arr. Segovia for guitar) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
classical guitar arranger:
Andrés Segovia (guitarist)
arrangement of:
12 piezas características, op. 92, no. 12: Torre Bermeja (for piano)
Isaac Albéniz4:11
7Suite española no. 1, op. 47: No. 4. Cádiz (Canción)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Suite española no. 1, op. 47: IV. Cádiz (Saeta) (catch-all for arrangements) (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: IV. Cádiz (Saeta) (for solo piano)
Isaac Albéniz3:45
8Suite española no. 2, op. 97: No. 4. Zambra granadina (Danza oriental)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
Suite española nº 2, op. 97: IV. Zambra granadina (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer) (in 1888)
part of:
Suite española nº 2, op. 97
Isaac Albéniz4:17
9Tango, op. 165/2 (España)
guitar:
John Williams (classical guitarist) (on 1980-10-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1980-10-01)
recording of:
España, seis hojas de álbum, op. 165: II. Tango (on 1980-10-01)
composer:
Isaac Albéniz (Spanish composer) (in 1890)
part of:
España, seis hojas de álbum, op. 165
Isaac Albéniz3:11
3▼CD
#TitleArtistRatingLength
1Asturias (Leyenda), op. 47/5 (Suite española no. 1)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
guitar:
John Williams (classical guitarist)
arranger:
Andrés Segovia (guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) (in 1969)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Andrés Segovia (guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:22
2Tango, op. 165/2 (España)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
Andrés Segovia (guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (Spanish composer) (in 1890)
arrangement of:
España, seis hojas de álbum, op. 165: II. Tango
Isaac Albéniz2:49
3Canarios
guitar:
John Williams (classical guitarist)
recording of:
Canarios
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
Gaspar Sanz1:24
4Fandango (3 piezas española)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Tres piezas españolas, nº 1: Fandango (in 1969)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo3:46
5Nocturno
guitar:
John Williams (classical guitarist)
recording of:
Nocturno
composer:
Federico Moreno Torroba (composer) (in 1926)
Federico Moreno Torroba3:34
6Valses poéticos (excerpts)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Valses poéticos (catch-all for arrangements) (in 1969)
composer:
Enrique Granados (composer)
arrangement of:
Valses poéticos, H.147
Enrique Granados7:40
7Sonata in D major
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Sonata in D major (catch-all for arrangements) (in 1969)
composer:
Mateo Albéniz (Spanish composer)
arrangement of:
Sonata in D major
Mateo Albéniz / John Williams3:15
8El sombrero de tres picos: The corregidor's dance
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El sombrero de tres picos: Parte II. Danza del corregidor (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos: Parte II. Danza del corregidor
Manuel de Falla1:51
9El sombrero de tres picos: Fisherman's song
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador) (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
Manuel de Falla2:32
10El sombrero de tres picos: The Miller's dance (Farruca)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca) (in 1969)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:23
11Madroños
guitar:
John Williams (classical guitarist)
recording of:
Madroños
composer:
Federico Moreno Torroba (composer)
Federico Moreno Torroba2:47
12Canciones populares catalanas: La nit de Nadal
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
La nit de Nadal (El desembre congelat) (for guitar, Llobet) (in 1969)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
La nit de Nadal
Miguel Llobet Solés1:14
13Canciones populares catalanas: El noi de la mare
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
El noi de la mare (Miguel Llobet guitar arrangement) (in 1969)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El noi de la mare
Miguel Llobet Solés2:28
14La maja de Goya (12 tonadillas en estilo antiguo)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
La maja de Goya (catch-all for arrangements) (in 1969)
composer:
Enrique Granados (composer)
publisher:
Unión Musical Española
arrangement of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados3:43
15Córdoba, op. 232/5 (Cantos de España)
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (in 1969)
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz6:44
16Danza española no. 1 (La vida breve)
guitar:
Timothy Kain (guitarist) and John Williams (classical guitarist)
recording of:
Danza de La vida breve (for two guitars, Pujol)
composer:
Manuel de Falla (Spanish composer)
arranger:
Emilio Pujol (composer)
arrangement of:
La vida breve: Acto II. Danza española
Manuel de Falla3:21
17Intermezzo (Goyescas)
guitar:
Timothy Kain (guitarist) and John Williams (classical guitarist)
recording of:
Goyescas, H. 65: Intermezzo (for guitar)
composer:
Enrique Granados (composer)
arrangement of:
Goyescas, H.65: Cuadro I. Intermedio (for orchestra)
Enrique Granados4:21
18Rondella aragonesa (12 danzas española)
guitar:
Timothy Kain (guitarist) and John Williams (classical guitarist)
recording of:
12 danzas españolas, op. 37, nº 6: Rondalla aragonesa (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 6: Rondalla aragonesa
Enrique Granados5:10
19Sonata in A major, R. 84
guitar:
Timothy Kain (guitarist) and John Williams (classical guitarist)
recording of:
Keyboard Sonata no. 84 in D major (catch-all for arrangements)
composer:
Padre Antonio Soler (composer)
arrangement of:
Keyboard Sonata no. 84 in D major
Padre Antonio Soler3:12
4▼CD
#TitleArtistRatingLength
1Valses poéticos
Enrique Granados14:52
2Invocación y danza
classical guitar:
John Williams (classical guitarist)
recording of:
Invocación y danza (Invocation and Dance)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (until 1961)
dedicated to:
Manuel de Falla (Spanish composer)
premiered by:
Alirio Díaz (classical guitarist and composer) (on 1962-05-12)
publisher:
Ediciones Joaquín Rodrigo
premiered at:
Château de La Brède in La Brède, Gironde, Nouvelle-Aquitaine (New Aquitaine), France (on 1962-05-12)
is based on:
El amor brujo (for symphony orchestra)
is based on:
Siete canciones populares españolas, G. 40, nº 7: Polo
Joaquín Rodrigo9:19
3Canciones populares catalanas: Canço del lladre
Miguel Llobet Solés1:44
4Canciones populares catalanas: El testament d'Amelia
Miguel Llobet Solés2:11
5Canciones populares catalanas: La filadora
Miguel Llobet Solés1:00
6Canciones populares catalanas: El mestre
Miguel Llobet Solés3:28
7Canciones populares catalanas: La nit de Nadal
Miguel Llobet Solés1:05
8Canciones populares catalanas: L'hereu Riera
Miguel Llobet Solés1:17
9Canciones populares catalanas: Lo fill del rei
Miguel Llobet Solés2:18
10Canciones populares catalanas: La pastoreta
Miguel Llobet Solés1:12
11Canciones populares catalanas: El noi de la mare
Miguel Llobet Solés2:21
12En los trigales
classical guitar:
John Williams (classical guitarist)
recording of:
Por los campos de España, nº 1: En los trigales
composed in:
Spain
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1938)
publisher:
Ediciones Joaquín Rodrigo
part of:
Por los campos de España
Joaquín Rodrigo3:56
13Iberia: No. 7. El Albaicín
Isaac Albéniz9:08
14Iberia: No. 6. Triana
Isaac Albéniz4:43
15Iberia: No. 4. Rondeña
Isaac Albéniz8:28
5▼CD
#TitleArtistRatingLength
1L'Encouragement, op. 34, Fantaisie pour 2 guitarres: I. Cantabile
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
guitar:
Julian Bream (from 1971-07 until 1971-08) and John Williams (classical guitarist) (from 1971-07 until 1971-08)
recording of:
Duet for guitars "L'encouragement", op. 34: I. Cantabile (from 1971-07 until 1971-08)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor5:56
2L'Encouragement, op. 34, Fantaisie pour 2 guitarres: II. Andantino - Variations 1-3
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Duet for guitars "L'encouragement", op. 34: II. Theme and Variations: Andantino (from 1971-07 until 1971-08)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor4:59
3L'Encouragement, op. 34, Fantaisie pour 2 guitarres: III. Valse
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Duet for guitars "L'encouragement", op. 34: III. Valse (from 1971-07 until 1971-08)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor3:27
4Córdoba, op. 232/4
Isaac Albéniz6:26
5Intermezzo (Goyescas)
Enrique Granados4:49
6Danza española no. 1 (La vida breve)
Manuel de Falla3:39
7Danza española no. 6 "Rondella aragonesa"
Enrique Granados5:40
8Danza española no. 11 "Zambra"
Enrique Granados6:23
9Bajo la palmera, op. 232/3 (Cantos de España)
Isaac Albéniz5:39
10Evocación (Iberia)
Isaac Albéniz5:51
11Fantasia for 2 guitars, op. 54bis
Fernando Sor11:09
12Castilla (Seguidillas), op. 47/7 (Suite española no. 1)
Isaac Albéniz4:02
13Danza española no. 2 "Oriental"
Enrique Granados5:02
6▼CD
#TitleArtistRatingLength
1Concierto de Aranjuez: I. Allegro con spirito
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:06
2Concierto de Aranjuez: II. Adagio
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (from 1983-03-06 until 1983-03-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: II. Adagio (from 1983-03-06 until 1983-03-07)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:26
3Concierto de Aranjuez: III. Allegro gentile
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:12
4Fantasía para un gentilhombre: I. Villano y Ricercare
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:59
5Fantasía para un gentilhombre: II. Españoleta y fanfare de la Caballeria de Nápoles
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo9:33
6Fantasía para un gentilhombre: III. Danza de las hachas
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:01
7Fantasía para un gentilhombre: IV. Canario
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: IV. Canario (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:47
7▼CD
#TitleArtistRatingLength
1Concierto de Aranjuez: I. Allegro con spirito
classical guitar:
John Williams (classical guitarist)
orchestra:
Members of the Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:02
2Concierto de Aranjuez: II. Adagio
classical guitar:
John Williams (classical guitarist) (on 1965-12-14)
orchestra:
Members of the Philadelphia Orchestra (The Philadelphia Orchestra) (on 1965-12-14)
conductor:
Eugene Ormandy (conductor) (on 1965-12-14)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1965-12-14)
recording of:
Concierto de Aranjuez: II. Adagio (on 1965-12-14)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:01
3Concierto de Aranjuez: III. Allegro gentile
classical guitar:
John Williams (classical guitarist)
orchestra:
Members of the Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
recording of:
Concierto de Aranjuez: III. Allegro gentile
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:03
4Fantasia para un gentilhombre: I. Villano e ricercare. Adagietto
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (on 1967-07-21)
orchestra:
English Chamber Orchestra (on 1967-07-21)
conductor:
Sir Charles Groves (conductor) (on 1967-07-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (on 1967-07-21)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare (on 1967-07-21)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:00
5Fantasía para un gentilhombre: II. Españoleta
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (on 1967-07-21)
orchestra:
English Chamber Orchestra (on 1967-07-21)
conductor:
Sir Charles Groves (conductor) (on 1967-07-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (on 1967-07-21)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (on 1967-07-21)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:57
6Fantasía para un gentilhombre: II. Fanfare de la caballería de Nápoles
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (on 1967-07-21)
orchestra:
English Chamber Orchestra (on 1967-07-21)
conductor:
Sir Charles Groves (conductor) (on 1967-07-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (on 1967-07-21)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (on 1967-07-21)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:06
7Fantasía para un gentilhombre: III. Danza de las hachas
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (on 1967-07-21)
orchestra:
English Chamber Orchestra (on 1967-07-21)
conductor:
Sir Charles Groves (conductor) (on 1967-07-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (on 1967-07-21)
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas (on 1967-07-21)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo1:57
8Fantasía para un gentilhombre: IV. Canario
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (on 1967-07-21)
orchestra:
English Chamber Orchestra (on 1967-07-21)
conductor:
Sir Charles Groves (conductor) (on 1967-07-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (on 1967-07-21)
recording of:
Fantasía para un gentilhombre: IV. Canario (on 1967-07-21)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:52
9Concierto de Aranjuez: I. Allegro con spirito
recorded in:
London (Greater London), England, United Kingdom (from 1974-02 until 1974-04)
engineer:
Roy Emerson (producer, engineer, classical) (from 1974-02 until 1974-04) and Mike Ross‐Trevor (engineer) (from 1974-02 until 1974-04)
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (from 1974-02 until 1974-04)
cor anglais [English horn]:
James Brown (UK oboe/English horn player) (from 1974-02 until 1974-04)
orchestra:
English Chamber Orchestra (from 1974-02 until 1974-04)
conductor:
Daniel Barenboim (pianist and conductor) (from 1974-02 until 1974-04)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (from 1974-02 until 1974-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:58
10Concierto de Aranjuez: II. Adagio
recorded in:
London (Greater London), England, United Kingdom (from 1974-02 until 1974-04)
engineer:
Roy Emerson (producer, engineer, classical) (from 1974-02 until 1974-04) and Mike Ross‐Trevor (engineer) (from 1974-02 until 1974-04)
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (from 1974-02 until 1974-04)
cor anglais [English horn]:
James Brown (UK oboe/English horn player) (, from 1974-02 until 1974-04)
orchestra:
English Chamber Orchestra (from 1974-02 until 1974-04)
conductor:
Daniel Barenboim (pianist and conductor) (from 1974-02 until 1974-04)
recording of:
Concierto de Aranjuez: II. Adagio (from 1974-02 until 1974-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo11:29
11Concierto de Aranjuez: III. Allegro gentile
recorded in:
London (Greater London), England, United Kingdom (from 1974-02 until 1974-04)
engineer:
Roy Emerson (producer, engineer, classical) (from 1974-02 until 1974-04) and Mike Ross‐Trevor (engineer) (from 1974-02 until 1974-04)
producer:
Paul Myers (classical record producer)
classical guitar:
John Williams (classical guitarist) (from 1974-02 until 1974-04)
cor anglais [English horn]:
James Brown (UK oboe/English horn player) (from 1974-02 until 1974-04)
orchestra:
English Chamber Orchestra (from 1974-02 until 1974-04)
conductor:
Daniel Barenboim (pianist and conductor) (from 1974-02 until 1974-04)
recording of:
Concierto de Aranjuez: III. Allegro gentile (from 1974-02 until 1974-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:01

Credits

Release

part of:Masters (Sony Classical) (order: 16)
ASIN:UK: B00EC0VWJC [info]
DE: B00EC0VWJC [info]