Der Zarewitsch

~ Release by Franz Lehár; Nicolai Gedda, Rita Streich, Harry Friedauer, Ursula Reichart, Hans Söhnker; Chor der Bayerischen Staatsoper, Symphonie-Orchester Graunke, Mattes (see all versions of this release, 2 available)

Annotation

Recorded 19 June to 7 August 1968, Bürgerbräu, Munich, Germany

Annotation last modified on 2022-12-10 13:29 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Der Zarewitsch: Akt I. Nr. 1 Introduktion und Chor „Es steht ein Soldat am Wolgastrand“ – „Wir Tscherkessen brauchen weder Gut noch Geld“ (Chor)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
chorus master:
Wolfgang Baumgart (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Nr. 1 Introduktion und Chor „Es steht ein Soldat am Wolgastrand“ – „Wir Tscherkessen brauchen weder Gut noch Geld“ (Chor) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár2:29
2Der Zarewitsch: Akt I. Nr. 2 Melodram (Großfürst, Gräfin)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
spoken vocals:
Gisela Schunk (in 1968) and Hans Söhnker (actor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Nr. 2 Melodram (Großfürst, Gräfin) (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt I
Franz Lehár2:00
3Der Zarewitsch: Akt I. Nr. 3 Duett „Dich nur allein nenne ich mein“ – „Schaukle, Liebchen, schaukle“ (Iwan, Mascha)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
baritone vocals:
Harry Friedauer (opera singer tenor) (in 1968)
soprano vocals:
Ursula Reichart (Opera singer soprano) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Nr. 3 Duett „Dich nur allein nenne ich mein“ – „Schaukle, Liebchen, schaukle“ (Iwan, Mascha) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár2:56
4Der Zarewitsch: Akt I. Dialog 1
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Dialog 1 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt I
Franz Lehár2:12
5Der Zarewitsch: Akt I. Nr. 4 Lied „Einer wird kommen, der wird mich begehren“ (Sonja) / Dialog 2
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Dialog 2 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt I
recording of:
Der Zarewitsch: Akt I. Nr. 4 Lied „Einer wird kommen, der wird mich begehren“ (Sonja) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár3:38
6Der Zarewitsch: Akt I. Nr. 5 Wolgalied „Allein, wieder allein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Nr. 5 Wolgalied „Allein, wieder allein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár4:48
7Der Zarewitsch: Akt I. Dialog 3
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Dialog 3 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt I
Franz Lehár0:53
8Der Zarewitsch: Akt I. Nr. 6 Finale I „Ein Weib! Du ein Weib!“ – „Champagner ist ein Feuerwein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch, Sonja)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt I. Nr. 6 Finale I „Ein Weib! Du ein Weib!“ – „Champagner ist ein Feuerwein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch, Sonja) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár14:38
9Der Zarewitsch: Akt II. Nr. 7 Introduktion, Lied & Tanz „Herz, warum schlägst du so bang“ (Zarewitsch, Chor)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
chorus master:
Wolfgang Baumgart (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Nr. 7 Introduktion, Lied & Tanz „Herz, warum schlägst du so bang“ (Zarewitsch, Chor) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár4:04
10Der Zarewitsch: Akt II. Dialog 1
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Dialog 1 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár1:31
11Der Zarewitsch: Akt II. Nr. 8 Duett „Bleib bei mir“ – „Hab’ nur dich allein“ (Zarewitsch, Sonja)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Nr. 8 Duett „Bleib bei mir“ – „Hab’ nur dich allein“ (Zarewitsch, Sonja) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár4:29
12Der Zarewitsch: Akt II. Dialog 2
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Dialog 2 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár0:32
13Der Zarewitsch: Akt II. Nr. 9 Lied „Heute hab’ ich meinen schönsten Tag“ – „O komm, es hat der Frühling, ach, nur einen Mai“ (Zarewitsch)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968, from 1968 until 1996)
recording of:
Der Zarewitsch: Akt II. Nr. 9 Lied „Heute hab’ ich meinen schönsten Tag“ – „O komm, es hat der Frühling, ach, nur einen Mai“ (Zarewitsch) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár2:59
14Der Zarewitsch: Akt II. Dialog 3
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Dialog 3 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár1:00
15Der Zarewitsch: Akt II. Nr. 10 Duett „Was mir einst an dir gefiel“ – „Heute abend komm’ ich zu dir“ (Mascha, Iwan)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
baritone vocals:
Harry Friedauer (opera singer tenor) (in 1968)
soprano vocals:
Ursula Reichart (Opera singer soprano) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Nr. 10 Duett „Was mir einst an dir gefiel“ – „Heute abend komm’ ich zu dir“ (Mascha, Iwan) (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár2:13
2▼CD
#TitleArtistRatingLength
1Der Zarewitsch: Akt II. Dialog 4
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Dialog 4 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár0:25
2Der Zarewitsch: Akt II. Nr. 11 Walzerlied „Bin ein glückliches Menschenkind“ – „Das Leben ruft“ (Sonja)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Nr. 11 Walzerlied „Bin ein glückliches Menschenkind“ – „Das Leben ruft“ (Sonja) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár3:05
3Der Zarewitsch: Akt II. Dialog 5
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Dialog 5 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár1:26
4Der Zarewitsch: Akt II. Nr. 12 Szene & Duett „Es warten die kleinen Mädchen“ – „Liebe mich, küsse mich“ (Sonja, Zarewitsch)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Nr. 12 Szene & Duett „Es warten die kleinen Mädchen“ – „Liebe mich, küsse mich“ (Sonja, Zarewitsch) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár6:08
5Der Zarewitsch: Akt II. Dialog 6
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Dialog 6 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt II
Franz Lehár1:02
6Der Zarewitsch: Akt II. Nr. 13 Ballett „Setz dich her!“ – „Wir Tscherkessen brauchen weder Gut noch Geld“
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Nr. 13 Ballett „Setz dich her!“ – „Wir Tscherkessen brauchen weder Gut noch Geld“ (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár5:39
7Der Zarewitsch: Akt II. Finale II „Berauscht hat mich der heimatliche Tanz“ – „Jetzt weiß ich, was das Leben ist“ (Sonja, Zarewitsch, Großfürst, Chor)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
spoken vocals:
Hans Söhnker (actor) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
chorus master:
Wolfgang Baumgart (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt II. Finale II „Berauscht hat mich der heimatliche Tanz“ – „Jetzt weiß ich, was das Leben ist“ (Sonja, Zarewitsch, Großfürst, Chor) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt II
Franz Lehár8:50
8Der Zarewitsch: Akt III. Nr. 13 1/2 Intermezzo
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Nr. 13bis Intermezzo (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt III
Franz Lehár1:32
9Der Zarewitsch: Akt III. Nr. 14 Duett & Melodram „Kosende Wellen“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Zarewitsch, Sonja)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Nr. 14 Duett & Melodram „Kosende Wellen“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Zarewitsch, Sonja) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt III
Franz Lehár3:59
10Der Zarewitsch: Akt III. Dialog 1
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Dialog 1 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt III
Franz Lehár0:23
11Der Zarewitsch: Akt III. Duett „Mädel, wonniges Mädel“ – „Küß mich“ (Zarewitsch, Sonja)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Duett „Mädel, wonniges Mädel“ – „Küß mich“ (Zarewitsch, Sonja) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt III
Franz Lehár2:10
12Der Zarewitsch: Akt III. Dialog 2
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Dialog 2 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt III
Franz Lehár1:15
13Der Zarewitsch: Akt III. Nr. 15 Duett „Komm an meine Brust“ – „Wenn dein zartes Herz nach Liebe schreit“ (Iwan, Mascha)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
baritone vocals:
Harry Friedauer (opera singer tenor) (in 1968)
soprano vocals:
Ursula Reichart (Opera singer soprano) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Nr. 15 Duett „Komm an meine Brust“ – „Wenn dein zartes Herz nach Liebe schreit“ (Iwan, Mascha) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt III
Franz Lehár2:31
14Der Zarewitsch: Akt III. Dialog 3
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
balalaika:
Balalaika Tschaika (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Dialog 3 (in 1968)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Heinz Reichert
part of:
Der Zarewitsch: Akt III
Franz Lehár2:27
15Der Zarewitsch: Akt III. Nr. 16 Finale III „Für den großen Zar“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Sonja, Zarewitsch, Großfürst, Chor)
additional recording engineer:
Christfried Bickenbach (in 1968)
recording engineer:
Wolfgang Gülich (engineer) (in 1968)
producer:
Helmut Storjohann (German producer) (in 1968)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1968)
soprano vocals:
Rita Streich (soprano) (in 1968)
spoken vocals:
Hans Söhnker (actor) (in 1968)
tenor vocals:
Nicolai Gedda (tenor) (in 1968)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1968)
conductor:
Willy Mattes (composer, arranger and conductor) (in 1968)
chorus master:
Wolfgang Baumgart (in 1968)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1968)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1968)
recording of:
Der Zarewitsch: Akt III. Nr. 16 Finale III „Für den großen Zar“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Sonja, Zarewitsch, Großfürst, Chor) (in 1968)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt III
Franz Lehár4:01

Credits

Release

graphic design:Gadebusch Grafik-Design (Cologne) (in 1968)
copyrighted (©) by:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1996)
phonographic copyright (℗) by:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1988)
ASIN:US: B000006DE4 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002129255 [info]