Jazz-Club: Tenor Sax

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1All of Me
cover recording of:
All of Me (on 1956-01-13)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Lester Young5:11
2Perdido
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
recording of:
Perdido (original instrumental version) (in 1968-02)
composer:
Juan Tizol
Don Byas feat. Ben Webster5:50
3The Shadow of Your Smile
engineer:
Birger Swan
producer:
Joachim E. Berendt
bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1969-03-10)
drums (drum set):
Art Taylor (on 1969-03-10)
piano:
Kenny Drew (on 1969-03-10)
tenor saxophone:
Dexter Gordon (on 1969-03-10)
arranger:
Slide Hampton
recorded at:
Metronome Studio (Copenhagen) in Copenhagen, Capital Region of Denmark, Denmark (on 1969-03-10)
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1969-03-10)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
Dexter Gordon5:01
4Autumn Leaves
recorded in:
Chicago, Illinois, United States (on 1961-08-27)
bass:
Buster Williams (US jazz bassist) (on 1961-08-27)
membranophone:
George Brown (jazz drummer) (on 1961-08-27)
piano:
John Houston (jazz pianist) (on 1961-08-27)
saxophone:
Sonny Stitt (on 1961-08-27)
tenor saxophone:
Gene Ammons (on 1961-08-27)
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Gene Ammons feat. Sonny Stitt6:35
5Again 'N' Again
recording engineer:
Wolfgang Hirschmann (on 1970-04-24)
producer:
Pierluigi Campi
double bass [bass]:
Jimmy Woode (on 1970-04-24)
drums (drum set):
Kenny Clarke (on 1970-04-24)
piano:
Francy Boland (Belgian 1950-80s jazz pianist) (on 1970-04-24)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1970-04-24) and Johnny Griffin (on 1970-04-24)
Eddie "Lockjaw" Davis feat. Johnny Griffin3:28
6What's My Name?
Sonny Rollins3:50
7You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
cover recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Al Cohn and Zoot Sims4:54
8Sugar Hips
Hank Mobley5:19
9Ballad Medley
Wardell Gray feat. Stan Getz6:42
10A Night in Tunesia
recording of:
Night in Tunisia (instrumental)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Wayne Shorter6:51
11You're a Weaver of Dreams
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
A Weaver of Dreams (on 1959-02-03)
lyricist:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
composer:
Victor Young (American composer, arranger, violinist & conductor)
John Coltrane5:34
12Take the "A" Train / Exactly Like You
double bass:
Charles Mingus (on 1960-05-25)
drums (drum set):
Dannie Richmond (drummer) (on 1960-05-25)
flute:
Eric Dolphy (on 1960-05-25)
flute and tenor saxophone:
Yusef Lateef (on 1960-05-25)
piano:
Paul Bley (on 1960-05-25) and “Sir” Roland Hanna (jazz pianist) (on 1960-05-25)
tenor saxophone:
Joe Farrell (on 1960-05-25)
trombone:
Jimmy Knepper (trombonist) (on 1960-05-25)
trumpet:
Ted Curson (on 1960-05-25)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-05-25)
cover recording of:
Take the “A” Train (original instrumental version) (on 1960-05-25)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
Joe Farrell feat. Booker Ervin & Yusef Lateef3:40
13What's New?
producer:
Joe Henderson (US jazz tenor saxophonist)
double bass:
Ron Carter (US jazz double-bassist) (in 1980-01)
drums (drum set):
Billy Higgins (US jazz drummer) (in 1980-01)
piano:
Chick Corea (jazz pianist) (in 1980-01)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (in 1980-01)
recorded at:
Studio Masters in Los Angeles, California, United States (in 1980-01)
recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Joe Henderson4:02
14Picasso
producer:
Norman Granz
tenor saxophone:
Coleman Hawkins
recorded at:
Asch Studio in New York, New York, United States (in 1948)
recording of:
Picasso
composer:
Coleman Hawkins
Coleman Hawkins3:15