Chilled Electronic 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:47
2Love Comes Quickly
recording of:
Love Comes Quickly
writer:
Stephen Hague, Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Cage Music Ltd., Charisma Music Publishing Ltd, Sony/ATV Tunes LLC (ASCAP) and Unichappell Music
Pet Shop Boys3:37
3Say Hello, Wave Goodbye
recording of:
Say Hello, Wave Goodbye
lyricist:
Marc Almond (English pop singer and songwriter)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and WB Music Corp. (1929–2019)
Soft Cell4:44
4Souvenir
recording of:
Souvenir
writer:
Martin Cooper (OMD and The Listening Pool) and Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark3:15
5Smalltown Boy
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat3:57
6Hey Little Girl
recording of:
Hey Little Girl
lyricist and composer:
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:16
7Head Over Heels
producer:
Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
music videos:
Head Over Heels (music video) by Tears for Fears
recording of:
Head Over Heels
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
Tears for Fears44:13
8Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.13:45
9Black Man Ray
recording of:
Black Man Ray
writer:
Gary Daly, Gazza Johnson and Eddie Lundon (China Crisis)
China Crisis3:02
10Strange Little Girl
recording of:
Strange Little Girl
lyricist and composer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician), Dave Greenfield and Hans Wärmling
publisher:
Complete Music Ltd., EMI Music Publishing Limited (PRS‐affiliated) and Incomplete Music Inc.
The Stranglers2:41
11Are ‘Friends’ Electric?
recording of:
Are ‘Friends’ Electric?
lyricist and composer:
Gary Numan
publisher:
Beggars Banquet Music Ltd., Momentum Music Ltd., Numan Music Ltd., Andrew Heath Music (from 1979 to present) and Beggars Banquet (from 1979 to present)
Gary Numan / Tubeway Army4:48
12Driving Away From Home (Jim’s Tune)
It’s Immaterial3:41
13Pearly‐Dewdrops’ Drops
recording of:
Pearly-Dewdrops’ Drops
writer:
Elizabeth Fraser (Cocteau Twins), Robin Guthrie (guitarist in Cocteau Twins) and Simon Raymonde
Cocteau Twins3:53
14Time After Time
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper3:43
15Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
recording of:
Bette Davis Eyes
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
16Running Up That Hill (A Deal With God)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush4:43
17Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:03
18You’re the Best Thing
recording of:
You’re the Best Thing
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
The Style Council4:12
19Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:50
20Love Theme From “Blade Runner”
engineer:
Philippe Colonna, Frédérick Rousseau and Raine Shine
producer:
Vangelis (Greek composer of electronic, new age and classical)
saxophone:
Dick Morrissey
synthesizer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1989) and Warner Music UK Ltd. (not for release label use!) (in 1994)
recorded at:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, United Kingdom (in 1982)
recording of:
Love Theme (Blade Runner)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Warner–Barham Music LLC
sub-publisher:
Universal Music Publishing France (not for release label use!)
part of:
Blade Runner
Vangelis3.64:53
2▼CD
#TitleArtistRatingLength
1This Is Not America
engineer:
Marcellus Frank and David Richards (Swiss-based producer and engineer)
producer:
David Bowie (English singer‐songwriter) and Pat Metheny
mixer:
Bob Clearmountain
analog synthesizer [Oberheim], analog synthesizer [Prophet-5], keyboard [Kurzweil] and marimba:
Lyle Mays (from 1984-09 until 1984-10)
drums (drum set):
Paul Wertico (from 1984-09 until 1984-10)
electric bass guitar:
Steve Rodby (from 1984-09 until 1984-10)
electric guitar, guitar synthesizer [Roland GR-300 guitar synthesizer] and synclavier:
Pat Metheny (from 1984-09 until 1984-10)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (from 1984-09 until 1984-10)
performer:
Pat Metheny Group (from 1984-09 until 1984-10)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1985)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1985)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1984-09 until 1984-10)
recording of:
This Is Not America (from 1984-09 until 1984-10)
lyricist and writer:
David Bowie (English singer‐songwriter)
composer:
Lyle Mays and Pat Metheny
publisher:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
David Bowie & The Pat Metheny Group3.453:46
2Crockett’s Theme
Jan Hammer3:23
3La Vie en rose
producer:
Tom Moulton
arranger:
Duke Williams
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977)
produced for:
Beam Junction Productions
cover recording of:
La Vie en rose (English translation)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
Grace Jones3:33
4Avalon
recording of:
Avalon
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:07
5Waiting for a Train
recording of:
Waiting for a Train
lyricist and composer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
Flash & the Pan3:34
6Nobody’s Diary
producer:
Daniel Miller (British music producer and founder of Mute Records), Eric Radcliffe (UK producer / engineer / musician) and Yazoo (80s British synthpop duo, aka Yaz)
recording of:
Nobody’s Diary
lyricist and composer:
Alison Moyet
Yazoo4.54:28
7What Is Love
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1983) and Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones4.53:38
8I’m Not the Man I Used to Be
engineer:
Robin Goodfellow and Richard Manwaring (Producer)
producer:
Andy Cox (of The Beat), Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) and London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
samples:
Funky Drummer (remix) by James Brown (The Godfather of Soul)
recording of:
I’m Not the Man I Used to Be
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Pubs) Ltd.
Fine Young Cannibals34:19
9Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
drums (drum set):
Warren Cann (in 1980-04)
guitar:
Midge Ure (in 1980-04)
keyboard and violin:
Billy Currie (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1980-05)
edit of:
Vienna (original album mix) by Ultravox
music videos:
Vienna (music video) by Ultravox and Vienna (uncut) by Ultravox
recording of:
Vienna (in 1980-04)
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:36
10Moments in Love
producer:
Trevor Horn
guest vocals:
Camilla Pilkington
vocals:
Camilla Pilkington
arranger:
Trevor Horn
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
samples:
Boogie Woogie Bugle Boy by The Andrews Sisters
recording of:
Moments in Love
composer:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) and Unforgettable Songs Ltd.
Art of Noise4.654:31
11All Cried Out
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
edit of:
All Cried Out (album version) by Alison Moyet
recording of:
All Cried Out
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. and Sony/ATV Music Publishing Ltd.
Alison Moyet43:39
12Big in Japan
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:46
13The Captain of Her Heart
phonographic copyright (℗) by:
Theswico, Ltd (in 1985)
recording of:
The Captain of Her Heart
lyricist and composer:
Felix Haug and Kurt Maloo
publisher:
Z Muzik Ed. Soc. (Suiza) and Z-Muzik (publisher; do NOT use as release label) (in 1985)
Double3:54
14The Word Girl
recording engineer and mixer:
Howard Gray (UK producer, engineer, and electronic musician)
miscellaneous support:
Ranking Ann (task: d.j.)
producer:
Scritti Politti
drums (drum set):
Fred Maher
guitar:
Nick Moroch (US guitarist)
piano and synthesizer [synthesizers]:
David Gamson
vocals:
Green Gartside
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
The Word Girl
writer:
David Gamson and Green Gartside
publisher:
Jouissance Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1985), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1985) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1985)
Scritti Politti3:16
15I Go to Sleep
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
cover recording of:
I Go to Sleep
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. and Sony/ATV
Pretenders2:52
16Eyes Without a Face
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Sal Cuevas (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
background vocals:
Perri Lister (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
edit of:
Eyes Without a Face by Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:08
17Of Course I’m Lying
Yello3:49
18Chase
recording of:
Chase (from Midnight Express)
composer:
Giorgio Moroder
publisher:
EMI Gold Horizon Music Corp., Giorgio Moroder Publishing Co. and USI A Music Publishing
Giorgio Moroder43:38
19Ghosts
recording of:
Ghosts
lyricist and composer:
David Sylvian
publisher:
Chadwick-Nomis Ltd and Virgin Music (Publishers) Ltd.
Japan4:28
20Life in a Northern Town
recording of:
Life in a Northern Town
writer:
Gilbert Gabriel and Nick Laird-Clowes
dedicated to:
Nick Drake (English singer‐songwriter)
The Dream Academy4:05
3▼CD
#TitleArtistRatingLength
1Lullaby
assistant engineer:
Roy Spong and Richard Sullivan (engineer)
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Smudger
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), The Cure, Chris Parry, Mark Saunders (UK record producer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
mixer:
Chris Parry, Mark Saunders (UK record producer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass guitar:
Simon Gallup (from 1988-11 until 1989-02)
bass guitar [six string bass guitar]:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Boris Williams (from 1988-11 until 1989-02)
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (from 1988-11 until 1989-02) and Porl Thompson (from 1988-11 until 1989-02)
instruments:
Lol Tolhurst (from 1988-11 until 1989-02)
keyboard:
Roger O’Donnell (from 1988-11 until 1989-02) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (from 1988-11 until 1989-02)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (from 1988-11 until 1989-02)
remixer:
Chris Parry, Mark Saunders (UK record producer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 2009-07)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1989) and Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1989)
recorded at:
Outside Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom (from 1988-11 until 1989-02) and Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1989-07)
mixed at:
RAK Studio Three in London (Greater London), England, United Kingdom (in 1989)
music videos:
Lullaby by The Cure
recording of:
Lullaby (from 1988-11 until 1989-02)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co. and Fiction Songs Ltd. (in 1989)
live recording of:
Lullaby (in 1989-07)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co. and Fiction Songs Ltd. (in 1989)
The Cure3.954:07
2Life’s What You Make It
recording of:
Life’s What You Make It
writer:
Tim Friese‐Greene and Mark Hollis
Talk Talk3:41
3Human
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
music videos:
Human by The Human League
recording of:
Human
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Flyte Tyme Tunes
The Human League3.53:46
4Save a Prayer
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran3:44
5Hold Me Now
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4:07
6I’m in Love With a German Film Star
recording of:
I’m in Love With a German Film Star
lyricist:
Barbara Gogan
composer:
David Agar, Clive Timperley, David Wardill and Richard Williams (UK drummer for The Passions)
publisher:
America Eaton
The Passions3:54
7Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls3:21
8When Love Breaks Down
producer:
Phil Thornalley
bass:
Martin McAloon
drums (drum set):
Neil Conti
guest keyboard and synthesizer:
Thomas Dolby
guitar:
Paddy McAloon
vocals:
Paddy McAloon and Wendy Smith (British musician, formerly with Prefab Sprout)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
edit of:
When Love Breaks Down by Prefab Sprout
recording of:
When Love Breaks Down
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3:44
9Come Live With Me
recording of:
Come Live With Me
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
Heaven 173:31
10Nothing Has Been Proved
recording of:
Nothing Has Been Proved
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
Cage Music Ltd.
Dusty Springfield4:00
11The Crying Game
programming:
Pete Gleadall
engineer:
Pete Schwier (producer, mixing and recording engineer)
producer:
Pet Shop Boys
vocals and performer:
Boy George
phonographic copyright (℗) by:
Spaghetti Recordings Ltd. (in 1992)
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:19
12True
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet4:00
13This Must Be the Place (Naive Melody)
recording of:
This Must Be the Place (Naive Melody)
writer:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher) and Index Music, Inc.
Talking Heads5:23
14Getting Away With It
music videos:
Getting Away With It (US version, 1990) by Electronic and Getting Away With It (European version, 1989) by Electronic
part of:
TV Cream: Real 100 Best Singles Ever (number: 34)
recording of:
Getting Away With It
composer:
Johnny Marr, Bernard Sumner and Neil Tennant
Electronic4:12
15Regret
recording of:
Regret
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Notting Hill Music (UK) Ltd., Vitalturn Co., Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
New Order4:00
16Slave to Love
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3:44
17Hunting High and Low
bass programming:
Magne Furuholmen
producer:
Tony Mansfield (producer & songwriter)
mixer:
John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
The Downloader’s Music Source Book (number: 276)
recording of:
Hunting High and Low
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:41
18Blue Savannah
recording of:
Blue Savannah
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Minotaur Music Ltd., Musical Moments Ltd. (UK) and Sony Music Publishing (UK) (2003–2008, 2021–present)
Erasure4:17
19Love on a Real Train
recording of:
Love on a Real Train (Risky Business)
composer:
Christopher Franke (German musician, formerly with Tangerine Dream), Edgar Froese and Johannes Schmoelling
part of:
Risky Business (film soundtrack)
Tangerine Dream3:52
20Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:28