The Complete Bill Evans on Verve

~ Release by Bill Evans (see all versions of this release, 1 available)

Annotation

The original Verve release of this 18-CD box set is notable for being in a metal box that is designed to rust over time. One of the edges is fairly sharp as well. I tell people that they better wear gloves if the haven't had a tetanus booster.

Annotation last modified on 2015-02-19 22:37 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1The Washington Twist
recorded in:
New York, New York, United States (on 1962-08-20)
producer:
Creed Taylor
bass:
Monty Budwig (on 1962-08-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-20)
piano:
Bill Evans (pianist) (on 1962-08-20)
instrumental cover recording of:
The Washington Twist (on 1962-08-20)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music and Irving Berlin Music Company
6:29
2Danny Boy
recorded in:
New York, New York, United States (on 1962-08-14)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Monty Budwig (on 1962-08-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-14)
piano:
Bill Evans (pianist) (on 1962-08-14)
instrumental cover recording of:
Danny Boy (on 1962-08-14)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
3:44
3Let's Go Back to the Waltz
recorded in:
New York, New York, United States (on 1962-08-14)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Monty Budwig (on 1962-08-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-14)
piano:
Bill Evans (pianist) (on 1962-08-14)
instrumental recording of:
Let’s Go Back to the Waltz (on 1962-08-14)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music and Irving Berlin Music Company
4:33
4With a Song in My Heart
producer:
Creed Taylor
bass:
Monty Budwig (on 1962-08-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-20)
piano:
Bill Evans (pianist) (on 1962-08-20)
instrumental cover recording of:
With a Song in My Heart (on 1962-08-20)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
9:14
5Goodbye
recorded in:
New York, New York, United States (on 1962-08-14)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass and double bass [bass]:
Monty Budwig (on 1962-08-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-14)
piano:
Bill Evans (pianist) (on 1962-08-14)
cover recording of:
Goodbye (on 1962-08-14)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
5:11
6I Believe in You
recorded in:
New York, New York, United States (on 1962-08-14)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Monty Budwig (on 1962-08-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-14)
piano:
Bill Evans (pianist) (on 1962-08-14)
instrumental cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1962-08-14)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
5:54
7Reflections in the Park
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1963-01-24)
cello:
Aaron Juvelier (on 1963-01-24) and Joseph Tekula (cellist) (on 1963-01-24)
clarinet:
Phil Woods (US jazz woodwind player) (on 1963-01-24)
drums (drum set):
Ed Shaughnessy (on 1963-01-24)
flute:
Spencer Sinatra (on 1963-01-24)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1963-01-24)
piano:
Bill Evans (pianist) (on 1963-01-24)
vibraphone:
Gary McFarland (on 1963-01-24)
viola:
Julien Barber (on 1963-01-24) and Allan Goldberg (on 1963-01-24)
orchestra:
Gary McFarland's Orchestra (on 1963-01-24)
conductor:
Gary McFarland
arranger:
Gary McFarland
recording of:
Reflections in the Park (on 1963-01-24)
composer:
Gary McFarland
3:46
8Night Images
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1963-01-24)
cello:
Aaron Juvelier (on 1963-01-24) and Joseph Tekula (cellist) (on 1963-01-24)
clarinet:
Phil Woods (US jazz woodwind player) (on 1963-01-24)
drums (drum set):
Ed Shaughnessy (on 1963-01-24)
flute:
Spencer Sinatra (on 1963-01-24)
piano:
Bill Evans (pianist) (on 1963-01-24)
vibraphone:
Gary McFarland (on 1963-01-24)
viola:
Julien Barber (on 1963-01-24) and Allan Goldberg (on 1963-01-24)
orchestra:
Gary McFarland's Orchestra (on 1963-01-24)
conductor:
Gary McFarland
arranger:
Gary McFarland
recording of:
Night Images (on 1963-01-24)
composer:
Gary McFarland
5:55
9Tree Patterns
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1963-01-24)
cello:
Aaron Juvelier (on 1963-01-24) and Joseph Tekula (cellist) (on 1963-01-24)
clarinet:
Phil Woods (US jazz woodwind player) (on 1963-01-24)
drums (drum set):
Ed Shaughnessy (on 1963-01-24)
flute:
Spencer Sinatra (on 1963-01-24)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1963-01-24)
piano:
Bill Evans (pianist) (on 1963-01-24)
vibraphone:
Gary McFarland (on 1963-01-24)
viola:
Julien Barber (on 1963-01-24) and Allan Goldberg (on 1963-01-24)
orchestra:
Gary McFarland's Orchestra (on 1963-01-24)
conductor:
Gary McFarland
arranger:
Gary McFarland
recording of:
Tree Patterns (on 1963-01-24)
composer:
Gary McFarland
5:00
10Peachtree
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1963-01-24)
cello:
Aaron Juvelier (on 1963-01-24) and Joseph Tekula (cellist) (on 1963-01-24)
clarinet:
Phil Woods (US jazz woodwind player) (on 1963-01-24)
drums (drum set):
Ed Shaughnessy (on 1963-01-24)
flute:
Spencer Sinatra (on 1963-01-24)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1963-01-24)
piano:
Bill Evans (pianist) (on 1963-01-24)
vibraphone:
Gary McFarland (on 1963-01-24)
viola:
Julien Barber (on 1963-01-24) and Allan Goldberg (on 1963-01-24)
orchestra:
Gary McFarland's Orchestra (on 1963-01-24)
conductor:
Gary McFarland
arranger:
Gary McFarland
recording of:
Peachtree (on 1963-01-24)
composer:
Gary McFarland
5:08
11Misplaced Cowpoke
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1963-01-24)
cello:
Aaron Juvelier (on 1963-01-24) and Joseph Tekula (cellist) (on 1963-01-24)
clarinet:
Phil Woods (US jazz woodwind player) (on 1963-01-24)
drums (drum set):
Ed Shaughnessy (on 1963-01-24)
flute:
Spencer Sinatra (on 1963-01-24)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1963-01-24)
piano:
Bill Evans (pianist) (on 1963-01-24)
vibraphone:
Gary McFarland (on 1963-01-24)
viola:
Julien Barber (on 1963-01-24) and Allan Goldberg (on 1963-01-24)
orchestra:
Gary McFarland's Orchestra (on 1963-01-24)
conductor:
Gary McFarland
arranger:
Gary McFarland
recording of:
Misplaced Cowpoke (on 1963-01-24)
composer:
Gary McFarland
10:16
12A Moment Alone
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1963-01-24)
cello:
Aaron Juvelier (on 1963-01-24) and Joseph Tekula (cellist) (on 1963-01-24)
clarinet:
Phil Woods (US jazz woodwind player) (on 1963-01-24)
drums (drum set):
Ed Shaughnessy (on 1963-01-24)
flute:
Spencer Sinatra (on 1963-01-24)
piano:
Bill Evans (pianist) (on 1963-01-24)
vibraphone:
Gary McFarland (on 1963-01-24)
viola:
Julien Barber (on 1963-01-24) and Allan Goldberg (on 1963-01-24)
orchestra:
Gary McFarland's Orchestra (on 1963-01-24)
conductor:
Gary McFarland
arranger:
Gary McFarland
recording of:
A Moment Alone (on 1963-01-24)
composer:
Gary McFarland
6:10
2▼CD
#TitleRatingLength
1'Round Midnight
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
’Round Midnight (on 1963-02-09)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:36
2How About You?
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
How About You? (on 1963-02-09)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:50
3Spartacus Love Theme
recording engineer:
Ray Hall (engineer) (on 1963-05-20)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-05-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-05-20)
instrumental cover recording of:
Love Theme (Spartacus) (on 1963-05-20)
lyricist:
Terry Callier and Alex North (US composer)
composer:
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:11
4Blue Monk
recording engineer:
Ray Hall (engineer) (on 1963-05-20)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-05-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-05-20)
recording of:
Blue Monk (on 1963-05-20)
publisher:
Thelonious Monk
composer:
Thelonious Monk
4:34
5Stella by Starlight
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Stella by Starlight (on 1963-02-09)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
4:53
6Hey There
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Hey There (The Pajama Game) (on 1963-02-09)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
4:31
7N.Y.C.'s No Lark
recording engineer:
Ray Hall (engineer) (on 1963-02-06)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-06)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-06)
recording of:
N.Y.C.’s No Lark (on 1963-02-06)
composer:
Bill Evans (pianist)
5:37
8Just You, Just Me
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Just You, Just Me (on 1963-02-09)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:37
9Bemsha Swing
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
cover recording of:
Bemsha Swing (instrumental) (on 1963-02-09)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:57
10A Sleepin' Bee
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1963-02-09)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
4:14
11For Heaven's Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
instrumental recording of:
For Heaven’s Sake
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
recording of:
For Heaven’s Sake
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:26
12A Sleepin' Bee
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1963-12-18)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
5:34
13Always (breakdown)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
0:32
14Always (complete take)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
3:55
15Always (master take)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
4:03
16Everything Happens to Me
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Everything Happens to Me (on 1963-12-18)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:40
17Dancing in the Dark
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Dancing in the Dark (on 1963-12-18)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
4:36
18Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Santa Claus Is Coming to Town (on 1963-12-18)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Santa Claus Is Coming to Town
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:23
3▼CD
#TitleRatingLength
1I'll See You Again (breakdown)
recorded in:
New York, New York, United States (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
partial instrumental cover recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
0:52
2I'll See You Again (complete take)
recorded in:
New York, New York, United States (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental cover recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
4:29
3I'll See You Again (master take)
recorded in:
New York, New York, United States (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental cover recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
4:00
4Little Lulu (complete take)
recorded in:
New York, New York, United States (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
cover recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:35
5Little Lulu (complete take)
recorded in:
New York, New York, United States (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
cover recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:02
6Little Lulu (master take)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:56
7My Heart Stood Still
recorded in:
New York, New York, United States (on 1963-12-18)
producer:
Creed Taylor
bass:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental cover recording of:
My Heart Stood Still (on 1963-12-18)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
1:02
8My Heart Stood Still (complete take)
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
instrumental recording of:
My Heart Stood Still (on 1963-12-18)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
instrumental cover recording of:
My Heart Stood Still (on 1963-12-18)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
4:45
9My Heart Stood Still (rehearsal fragments)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
partial instrumental recording of:
My Heart Stood Still (on 1964-05-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
0:49
10My Heart Stood Still (complete take)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental cover recording of:
My Heart Stood Still (on 1964-05-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
7:04
11My Heart Stood Still
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental cover recording of:
My Heart Stood Still (on 1964-05-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:28
12My Heart Stood Still (master take)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental cover recording of:
My Heart Stood Still (on 1964-05-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
8:51
13Grandfather's Waltz (breakdown)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
partial instrumental recording of:
Grandfather’s Waltz (on 1964-05-05)
lyricist:
Gene Lees
composer:
Lars Färnlöf
publisher:
Meager Music
0:27
14Grandfather's Waltz (master take)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
Grandfather’s Waltz (on 1964-05-05)
lyricist:
Gene Lees
composer:
Lars Färnlöf
publisher:
Meager Music
6:34
15Grandfather's Waltz (false start)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
partial instrumental recording of:
Grandfather’s Waltz (on 1964-05-05)
lyricist:
Gene Lees
composer:
Lars Färnlöf
publisher:
Meager Music
0:25
16Grandfather's Waltz (complete take)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
Grandfather’s Waltz (on 1964-05-05)
lyricist:
Gene Lees
composer:
Lars Färnlöf
publisher:
Meager Music
5:52
17Melinda (master take)
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental cover recording of:
Melinda (On a Clear Day You Can See Forever) (on 1964-05-05)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:07
18Dark Eyes
producer:
Creed Taylor
bass:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
recording of:
Dark Eyes (with English lyrics) (on 1964-05-05)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Florian Hermann (composer)
translated version of:
Очи чёрные (Dark Eyes, original version by Y. Hrebinka)
1:18
4▼CD
#TitleRatingLength
1Funkallero (rehearsal fragments)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
recording of:
Funkallero (on 1964-05-06)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
1:12
2Funkallero (master take)
producer:
Creed Taylor
double bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
recording of:
Funkallero (on 1964-05-06)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
6:43
3But Beautiful
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental recording of:
But Beautiful (on 1964-05-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
4:42
4Theme from "The Carpetbaggers"
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
The Carpetbaggers – Original Score (on 1964-05-06)
composer:
Elmer Bernstein (American score composer)
1:37
5Theme from "The Carpetbaggers" (complete take)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
The Carpetbaggers – Original Score (on 1964-05-06)
composer:
Elmer Bernstein (American score composer)
1:57
6Theme from "The Carpetbaggers" (complete take)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
The Carpetbaggers – Original Score (on 1964-05-06)
composer:
Elmer Bernstein (American score composer)
1:46
7Theme from "The Carpetbaggers" (breakdown)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
partial cover recording of:
The Carpetbaggers – Original Score (on 1964-05-06)
composer:
Elmer Bernstein (American score composer)
0:39
8Theme from "The Carpetbaggers" (master take)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
The Carpetbaggers – Original Score (on 1964-05-06)
composer:
Elmer Bernstein (American score composer)
1:50
9Theme from "The Carpetbaggers" (complete take)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
The Carpetbaggers – Original Score (on 1964-05-06)
composer:
Elmer Bernstein (American score composer)
2:18
10Night and Day (drum warmup)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
partial instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1964-05-06)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:06
11Night and Day (master take)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1964-05-06)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:39
12Night and Day (complete take)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1964-05-06)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:45
13WNEW
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
WNEW (Theme Song) (on 1964-05-06)
writer:
Larry Green (big-band era musician)
2:54
14How Deep Is the Ocean?
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
How Deep Is the Ocean? (on 1964-07-07)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:00
15Love Is Here to Stay
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
Love Is Here to Stay (on 1964-07-07)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
5:06
16Baubles, Bangles and Beads
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1964-07-07)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
5:33
17Peace Piece / [spoken introduction]
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live recording of:
Peace Piece (on 1964-07-07)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
1:31
18Nardis
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live cover recording of:
Nardis (on 1964-07-07)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:38
19Time Remembered
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live recording of:
Time Remembered (on 1964-07-07)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
5:51
20Someday My Prince Will Come
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
Someday My Prince Will Come (on 1964-07-07)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:29
5▼CD
#TitleRatingLength
1What Is This Thing Called Love?
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1964-07-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
4:50
2Stella by Starlight
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
Stella by Starlight (on 1964-07-07)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
6:20
3'Round Midnight
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
’Round Midnight (on 1964-07-07)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:08
4Make Someone Happy
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
instrumental cover recording of:
Make Someone Happy (Do Re Mi) (on 1964-07-07)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
7:14
5Intro and Warmup
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
1:24
6The Boy Next Door
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1964-07-07)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
5:51
7Little Lulu
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live cover recording of:
Little Lulu (on 1964-07-07)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:06
8My Love Is an April Song
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live cover recording of:
My Love Is An April Song (on 1964-07-07)
writer:
Earl Zindars
5:30
9What Kind of Fool Am I
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
What Kind of Fool Am I? (on 1964-07-07)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
8:31
10What Is This Thing Called Love?
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1964-07-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
4:54
11The Touch of Your Lips
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-07)
drums (drum set):
Larry Bunker (on 1964-07-07)
piano:
Bill Evans (pianist) (on 1964-07-07)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-07)
live instrumental cover recording of:
The Touch of Your Lips (on 1964-07-07)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
6:23
12Intro and Warmup
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
0:58
13The Boy Next Door
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1964-07-09)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
4:43
14Time Remembered
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live recording of:
Time Remembered (on 1964-07-09)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
5:36
15Stella by Starlight
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
Stella by Starlight (on 1964-07-09)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
6:21
6▼CD
#TitleRatingLength
1'Deed I Do
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
’Deed I Do (on 1964-07-09)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
6:30
2Baubles, Bangles and Beads
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1964-07-09)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:35
3What Kind of Fool Am I?
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
What Kind of Fool Am I? (on 1964-07-09)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
5:33
4[spoken introduction and warmup]
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
1:08
5Come Rain or Come Shine
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
Come Rain or Come Shine (on 1964-07-09)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:34
6How My Heart Sings
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live cover recording of:
How My Heart Sings (on 1964-07-09)
composer:
Earl Zindars (in 1962)
publisher:
Zindars Publishing
5:13
7Alone Together
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
Alone Together (on 1964-07-09)
lyricist:
Howard Dietz (librettist)
composer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively)) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:55
8Israel
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live cover recording of:
Israel (Miles Davis/John Carisi's song) (on 1964-07-09)
composer:
John Carisi (American trumpeter and composer)
publisher:
Beechwood Music
4:53
9[spoken introduction and warmup]
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
0:47
10Alone Together
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
Alone Together (on 1964-07-09)
lyricist:
Howard Dietz (librettist)
composer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively)) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:13
11Make Someone Happy
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
Make Someone Happy (Do Re Mi) (on 1964-07-09)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
6:54
12My Love Is an April Song
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live cover recording of:
My Love Is An April Song (on 1964-07-09)
writer:
Earl Zindars
5:14
13'Deed I Do
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
’Deed I Do (on 1964-07-09)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
6:18
14Love Is Here to Stay
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
Love Is Here to Stay (on 1964-07-09)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:33
15California, Here I Come
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live cover recording of:
California Here I Come (on 1964-07-09)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
4:02
16These Things Called Changes (warmup)
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live recording of:
These Things Called Changes
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
1:10
17What Kind of Fool Am I?
producer:
Creed Taylor
bass:
Chuck Israels (on 1964-07-09)
drums (drum set):
Larry Bunker (on 1964-07-09)
piano:
Bill Evans (pianist) (on 1964-07-09)
recorded at:
The Trident Club in Sausalito, California, United States (on 1964-07-09)
live instrumental cover recording of:
What Kind of Fool Am I? (on 1964-07-09)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
6:15
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Credits

Release

printed in:United States
art direction and design:Patricia Lie
photography:Jim Marshall (photographer)
Jan Persson (photography)
Giuseppe Pino (photographer)
Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
liner notes:Joseph F. Laredo
Chick Corea (jazz pianist) (in 1995-07)
Neil Tesser (journalist, radio host, music critic, author) (in 1995-07)
executive producer:Richard Seidel
mastering:Suha Gur
bass:Eddie Gomez (jazz double bassist) (on 1969-10-14, on 1969-10-21)
bass trombone:Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1970-05-01)
cello:Seymour Barab (on 1969-11-13, on 1970-05-01)
George Ricci (on 1969-11-13, on 1970-05-01)
drums (drum set):Sol Gubin (on 1970-05-01)
electric piano:Bill Evans (pianist) (on 1969-10-14, on 1969-10-21)
flugelhorn:George Triffon (on 1969-10-21)
flute:Harvey Estrin (on 1969-10-21, on 1970-05-01)
French horn:Ray Alonge (french horn) (on 1969-10-21, on 1970-05-01)
Joseph DeAngelis (on 1970-05-01)
guitar:Sam Brown (jazz guitarist) (on 1969-10-14, on 1969-10-21, on 1970-05-01)
piano:Bill Evans (pianist) (on 1969-10-14, on 1969-10-21, on 1970-05-01)
reeds:Romeo Penque (on 1969-10-21)
William Slapin (on 1970-05-01)
trombone:Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1969-10-21)
John Messner (trombone) (on 1969-10-21)
Wayne Andre (on 1970-05-01)
Mickey Gravine (on 1970-05-01)
trumpet:Jerome Kail (on 1969-10-14)
George Triffon (on 1969-10-21)
viola:Alfred Brown (viola) (on 1969-11-13, on 1970-05-01)
Norman Forrest (on 1969-11-13)
David Schwartz (violist) (on 1970-05-01)
violin:Leo Kahn (on 1969-11-13, on 1970-05-01)
George Ockner (on 1969-11-13, on 1970-05-01)
Raoul Polikian (on 1969-11-13, on 1970-05-01)
Aaron Rosand (violinist) (on 1969-11-13)
Norman Forrest (on 1970-05-01)
Karen Jones (violinist) (on 1970-05-01)
Tosha Samaroff (on 1970-05-01)
David Schwartz (violist) (on 1970-05-01)
conductor:Mickey Leonard (on 1969-10-21, on 1969-11-13, on 1970-05-01)
arranger:Mickey Leonard
manufactured by and marketed by:Verve Records (jazz label, aka “Verve Records”, use this for release labels)
copyrighted (©) by and phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1997)
recorded at:Mediasound Studios in New York, New York, United States (on 1969-10-14, on 1969-10-21)
Century Sound Studios in New York, New York, United States (on 1969-11-13)
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1970-05-01)
mastered at:PolyGram Studios (Tape master storage facility and mastering studio in Edison, NJ) in Edison, New Jersey, United States
Discogs:https://www.discogs.com/release/2496350 [info]
ASIN:US: B0000047DA [info]