Super Hits Heavy Metal

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Breaking the Law
engineer:
Lou Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (from 1980-01 until 1980-02)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (from 1980-01 until 1980-02)
electric guitar:
Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
lead vocals:
Rob Halford (from 1980-01 until 1980-02)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
recorded at:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
music videos:
Breaking the Law (music video) by Judas Priest
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 4), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Breaking the Law (from 1980-01 until 1980-02)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
publisher:
Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Geargate Ltd. (publishing for K. K. Downing), Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II and Warner Chappell Music France
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Judas Priest4.152:35
2Balls to the Wall
engineer:
Louis Austin (engineering)
producer:
Accept (German heavy metal band)
mixer:
Michael Wagener
bass guitar:
Peter Baltes (from 1983-07 until 1983-08)
drums (drum set):
Stefan Kaufmann (German drummer for Accept and U.D.O.) (from 1983-07 to ????)
guitar:
Hermann Frank (from 1983-07 until 1983-08) and Wolf Hoffmann (from 1983-07 until 1983-08)
vocals:
Udo Dirkschneider (from 1983-07 until 1983-08)
recorded at and mixed at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983-07 until 1983-08)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 79)
recording of:
Balls to the Wall (from 1983-07 until 1983-08)
lyricist:
Peter Baltes, Deaffy, Udo Dirkschneider, Wolf Hoffmann and Stefan Kaufmann (German drummer for Accept and U.D.O.)
composer:
Peter Baltes, Udo Dirkschneider, Wolf Hoffmann and Stefan Kaufmann (German drummer for Accept and U.D.O.)
publisher:
Breeze Music GmbH, SMV Schacht Musikverlage and Summer Breeze Music (from 1983 to present)
Accept4.055:43
3Pictured Life
producer:
Dieter Dierks
bass guitar:
Francis Buchholz (in 1976)
drums (drum set):
Rudy Lenners (Belgian drummer) (in 1976)
guest keyboard and guest synthesizer:
Achim Kirschning (in 1976)
guitar [lead guitar]:
Ulrich Roth (in 1976)
guitar [rhythm guitar]:
Rudolf Schenker (in 1976)
background vocals:
Francis Buchholz (in 1976), Uli Jon Roth (in 1976) and Rudolf Schenker (in 1976)
lead vocals:
Klaus Meine (in 1976)
arranger:
Dieter Dierks and Scorpions (German rock band)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1976)
recording of:
Pictured Life (in 1976)
lyricist:
Klaus Meine and Uli Jon Roth
composer:
Rudolf Schenker
publisher:
Rudolf Slezak Musikverlag GmbH (publisher)
Scorpions2.83:25
4Black Metal
producer:
Keith Nichol and Venom (British metal band)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982, in 2002)
recording of:
Black Metal
writer:
Anthony Bray, Jeffrey Dunn and Conrad Lant
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Notting Hill Music (UK) Ltd.
Venom4.53:42
5Faster Than the Speed of Light
Raven44:22
6Casi Me Maton
recording of:
Casi me mato
Barón Rojo3:42
7Don’t Fear the ReaperBlue Öyster Cult5:08
8All Fired Up
Fastway2:43
9Antisocial
publisher:
EMI Music Publishing France
phonographic copyright (℗) by:
Sony Music Entertainment (France) S.A. (not for release label use! Sony Music Entertainment FR subsidiary from 1988–2003) (in 1980)
recorded at:
Scorpio Sound in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Antisocial (French version by Trust) (in 1980-02)
lyricist:
Bernard Bonvoisin
composer:
Norbert Krief
publisher:
EMI Music Publishing France
Trust55:09
10The Price You Pay
recording of:
The Price You Pay
writer:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet) and Steve Holland (Southern rock guitarist Steven Jerome Holland)
Molly Hatchet43:04
11Mississippi Queen
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Mississippi Queen
writer:
Corky Laing, Felix Pappalardi, David Rea and Leslie West
publisher:
Universal Music Publishing MGB Ltd. and Upfall Music Corp.
Mountain4.12:32
12Cum On Feel the Noize
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Rudy Sarzo
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (American recording engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 41)
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:51
13The Battle Rages On
assistant engineer:
Peter Beckerman, Mark Conese (US Engineer, drummer and owner of Ambient Recording Co.), Devin Emke, Michael Reiter, Darren Schneider, John Siket and Wally Walton
engineer:
Jason Corsaro (U.S. music engineer, and record producer), Hans Gemperle, Bill Kennedy (recording engineer) and Pat Regan (American recording engineer)
producer:
Roger Glover and Thom Panunzio
mixer:
Roger Glover and Pat Regan (American recording engineer)
drums (drum set):
Ian Paice (from 1992-05 until 1993-03)
electric bass guitar:
Roger Glover (from 1992-05 until 1993-03)
electric guitar:
Ritchie Blackmore (from 1992-05 until 1993-03)
Hammond organ and keyboard:
Jon Lord (from 1992-05 until 1993-03)
lead vocals:
Ian Gillan (from 1992-05 until 1993-03)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1992-05 until 1993-03) and Greg Rike Productions in Altamonte Springs, Florida, United States (from 1992-05 until 1993-03)
mixed at:
Ambient Recording Co. in Stamford, Connecticut, United States and Sound on Sound Recording Studios (New York) in New York, New York, United States
recording of:
The Battle Rages On (from 1992-05 until 1993-03)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
Deep Purple45:54
2CD
#TitleArtistRatingLength
1Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:31
2Hold the Line
recording engineer:
Dana Latham, Gabe Veltri and Tom Knox
assistant engineer:
Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
engineer and mixer:
Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Jeffrey Porcaro and Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Jean-Michel Byron and Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:59
3The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
music video for:
The Final Countdown by Europe (Swedish band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.055:12
4More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.954:46
5Any Way You Want It
sound engineer, engineer and mixer:
Geoff Workman
assistant engineer:
Ken Kessie
producer:
Kevin Elson and Geoff Workman
bass guitar and bass pedals:
Ross Valory
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey)
guitar:
Neal Schon
harmonica and keyboard:
Gregg Rolie (keyboardist and vocalist)
background vocals:
Gregg Rolie (keyboardist and vocalist), Neal Schon and Ross Valory
lead vocals:
Steve Perry (former lead singer of Journey)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1980) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
The Automatt in San Francisco, California, United States (from 1979-11-05 until 1979-11-12)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 80)
recording of:
Any Way You Want It
writer:
Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music and Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey4.13:24
6Kiss Me Deadly
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
BMG Entertainment (in 1988) and Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 76)
recording of:
Kiss Me Deadly (in 1987)
lyricist and composer:
Mick Smiley
publisher:
Mike Chapman Publishing Enterprises, The Makiki Publishing Co. Ltd., The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lita Ford3.653:58
7I Want You to Want Me
recording engineer:
鈴木智雄 (Tomoo Suzuki) (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky (engineer)
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky (engineer) and Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick3.853:43
8Bat Out of Hell
recording engineer:
Jimmy Iovine, John Jansen (US recording engineer and producer), Ed Sprague and Mark Thomas (mix engineer)
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
drums (drum set):
Max Weinberg
guitar family, keyboard and percussion:
Todd Rundgren
keyboard and percussion:
Jim Steinman
keyboard and piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Ellen Foley, Kasim Sultan and Todd Rundgren
lead vocals:
Meat Loaf
remixer:
John Jansen (US recording engineer and producer)
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Bearsville Studios in Bearsville, New York, United States, House of Music in West Orange, New Jersey, United States, The Hit Factory in Manhattan, New York, New York, United States and Utopia Sound in Lake Hill, New York, United States
music videos:
Bat Out of Hell by Meat Loaf
recording of:
Bat out of Hell
lyricist and composer:
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music and Peg Music Co.
Meat Loaf4.359:53
9Surfing With the AlienJoe Satriani4.754:26
10The Audience Is Listening
producer:
Steve Vai
bass and guitar:
Steve Vai
drums (drum set):
Chris Frazier (drummer)
vocals:
Nancy Fagan and Jamie Firlotte
arranger:
Steve Vai
recorded at:
The Mothership in Hollywood, Los Angeles, California, United States
recording of:
The Audience Is Listening
lyricist and composer:
Steve Vai
publisher:
Sy Vy Music
sub-publisher:
大洋音楽 (Taiyō Music)
Steve Vai35:31
11Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 32)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3.453:41
12In for the Count
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
In for the Count
writer:
Peppy Castro, Doug Katsaros, Bob Kulick and Jonathan Stuart (Viper Records founder)
publisher:
Daksel Music Corp. and Seldak Music (publisher)
Balance34:50
13High School
recording engineer:
Lenny DeRose, Robert “Ringo” Hrycyna, Jay Messina, Rod O’Brien and Tom Swift (engineer)
producer:
Bob Ezrin
bass guitar:
Sami Yaffa (bassist)
drums (drum set):
Razzle (of Hanoi Rocks)
electric guitar:
Andy Lyden and Nasty Suicide
electric guitar [lead guitar]:
Andy McCoy
guest keyboard and guest background vocals:
Bob Ezrin
background vocals:
Andy McCoy, Razzle (of Hanoi Rocks), Nasty Suicide and Sami Yaffa (bassist)
lead vocals:
Michael Monroe (lead singer of Hanoi Rocks)
remixer:
Lenny DeRose, Bob Ezrin, Robert “Ringo” Hrycyna and Rod O’Brien
phonographic copyright (℗) by:
A.A.B. Tuotanto Oy, Love Kustannus Oy and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment)
recorded at:
Phase One Studios in Toronto, Ontario, Canada and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
remixed at:
Phase One Studios in Toronto, Ontario, Canada
recording of:
High School
writer:
Bob Ezrin and Andy McCoy
Hanoi Rocks3:54

Credits

Release

ASIN:FR: B000MTFG2G [info]