Uno Dos Tres 1•2•3

~ Release by Willie Bobo (see all versions of this release, 2 available)

Tracklist

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1▼Reel-to-reel
#TitleRatingLength
A1Boogaloo in Room 802
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-26)
recording of:
Boogaloo in Room 802
writer:
John Hart (1960's US(?) jazz musician) and Melvin Lastie
32:30
A2Come a Little Bit Closer
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-25)
cover recording of:
Come a Little Bit Closer
writer:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell and Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Morris Music Inc
3:05
A3Goin' Out of My Head
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-26)
cover recording of:
Goin’ Out of My Head
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
3:15
A4I Remember Clifford
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-26)
recording of:
I Remember Clifford
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
32:03
A5Rescue Me
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-25)
cover recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
33:05
A6Michelle
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-25, on 1966-04-26)
cover recording of:
Michelle
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
3:00
2▼Reel-to-reel
#TitleRatingLength
B1No Matter What Shape (Your Stomach's in)
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-25)
cover recording of:
No Matter What Shape (Your Stomach's in)
composer:
Granville Alexander Burland (Jazz musician and founding member of The Nutty Squirrels)
32:45
B2Fried Neck Bones and Some Home Fries
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-01-26)
recording of:
Fried Neck Bones and Some Home Fries
composer:
Willie Bobo, Melvin Lastie and William Correa
52:50
B3Old Man River
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-26)
cover recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
3:05
B41-2-3 (Uno, Dos, Tres)
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-01-26)
cover recording of:
1‐2‐3
additional writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Leonard Borisoff, John Madara and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Welbeck Music Ltd.
32:34
B5Night Song
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-26)
cover recording of:
Night Song (from “Golden Boy”)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
32:40
B6The Breeze and I / From Suite "Andalucia"
producer:
Creed Taylor
alto saxophone and tenor saxophone:
Bobby Brown (sax and flute)
bass:
John Hart (1960's US(?) jazz musician) and Bobby Rodriguez (Latin jazz contrabassist)
bongos and güiro:
Osvaldo Martinez
congas:
Carlos “Patato” Valdés
cornet:
Melvin Lastie
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
percussion:
José Mangual and Victor Pantoja
timbales:
Willie Bobo
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-26)
cover recording of:
The Breeze and I
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucía
3:12