The Byrd Edition, Vol 4: Cantiones Sacrae 1575

~ Release by William Byrd; The Cardinall’s Musick, Andrew Carwood, David Skinner (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantiones sacrae (1575): Emendemus in melius
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
alto vocals:
Robin Blaze (countertenor) (from 1999-03-02 until 1999-03-04) and Patrick Craig (countertenor) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04) and Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
soprano vocals:
Carys Lane (soprano) (from 1999-03-02 until 1999-03-04) and Rebecca Outram (soprano) (from 1999-03-02 until 1999-03-04)
tenor vocals:
Philip Cave (from 1999-03-02 until 1999-03-04), James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04), Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04) and Julian Stocker (lay vicar & tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Emendemus in melius, T 4 (à 5, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 4) and Hamond Partbooks (British Library Add. MS 30480-30484, c. 1560-1590) (number: 57)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd3:17
2Cantiones sacrae (1575): Libera me, Domine, et pone me
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
meane vocals:
Lucy Ballard (alto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Libera me, Domine, et pone me, T 5 (à 5, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 5)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd6:54
3Cantiones sacrae (1575): Peccantem me quotidie
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
alto vocals:
Robin Blaze (countertenor) (from 1999-03-02 until 1999-03-04) and Patrick Craig (countertenor) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04) and Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
soprano vocals:
Carys Lane (soprano) (from 1999-03-02 until 1999-03-04) and Rebecca Outram (soprano) (from 1999-03-02 until 1999-03-04)
tenor vocals:
Philip Cave (from 1999-03-02 until 1999-03-04), James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04), Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04) and Julian Stocker (lay vicar & tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Peccantem me quotidie, T 6 (à 5, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd6:36
4Cantiones sacrae (1575): Aspice, Domine quia facta est
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
meane vocals:
Lucy Ballard (alto) (from 1999-03-02 until 1999-03-04) and Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Aspice Domine quia facta est, T 7 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 7)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd5:17
5Cantiones sacrae (1575): Attolite portas
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
meane vocals:
Lucy Ballard (alto) (from 1999-03-02 until 1999-03-04) and Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Attollite portas, T 8 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
Peterhouse Partbooks (manuscript c. 1625-1640) and William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 8)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd4:19
6Cantiones sacrae (1575): O lux beata Trinitas
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
meane vocals:
Lucy Ballard (alto) (from 1999-03-02 until 1999-03-04) and Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
O lux, beata Trinitas, T 9 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 9)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd4:27
7Cantiones sacrae (1575): Laudate pueri Dominum
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04) and Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
meane vocals:
Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Laudate pueri Dominum, T 10 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 10)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd4:17
8Cantiones sacrae (1575): Memento, homo
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04)
meane vocals:
Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Memento homo, T 11 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 11)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd2:25
9Cantiones sacrae (1575): Siderum rector
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
alto vocals:
Robin Blaze (countertenor) (from 1999-03-02 until 1999-03-04) and Patrick Craig (countertenor) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04) and Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
soprano vocals:
Carys Lane (soprano) (from 1999-03-02 until 1999-03-04) and Rebecca Outram (soprano) (from 1999-03-02 until 1999-03-04)
tenor vocals:
Philip Cave (from 1999-03-02 until 1999-03-04), James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04), Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04) and Julian Stocker (lay vicar & tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Siderum rector, T 12 (à 5, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 12)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd3:02
10Cantiones sacrae (1575): Da mihi auxilium
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04)
meane vocals:
Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Da mihi auxilium, T 13 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 13)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd5:59
11Cantiones sacrae (1575): Domine, secundum actum meum
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (on 1999-09-17)
bass vocals:
Robert McDonald (bass vocalist) (on 1999-09-17)
meane vocals:
Lucy Ballard (alto) (on 1999-09-17)
tenor vocals:
Andrew Carwood (on 1999-09-17) and James Gilchrist (British tenor) (on 1999-09-17)
vocals:
The Cardinall’s Musick (on 1999-09-17)
conductor:
Andrew Carwood (on 1999-09-17)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (on 1999-09-17)
recording of:
Domine secundum actum meum, T 14 (à 6, Cantiones sacrae (1575)) (on 1999-09-17)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 14)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd6:34
12Cantiones sacrae (1575): Diliges Dominum
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04) and Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
soprano vocals:
Carys Lane (soprano) (from 1999-03-02 until 1999-03-04) and Rebecca Outram (soprano) (from 1999-03-02 until 1999-03-04)
tenor vocals:
Philip Cave (from 1999-03-02 until 1999-03-04) and Julian Stocker (lay vicar & tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Diliges Dominum, T 15 (à 8, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 15)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd2:47
13Cantiones sacrae (1575): Miserere mihi, Domine
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (on 1999-09-17)
bass vocals:
Robert McDonald (bass vocalist) (on 1999-09-17)
meane vocals:
Lucy Ballard (alto) (on 1999-09-17)
tenor vocals:
Andrew Carwood (on 1999-09-17) and James Gilchrist (British tenor) (on 1999-09-17)
vocals:
The Cardinall’s Musick (on 1999-09-17)
conductor:
Andrew Carwood (on 1999-09-17)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (on 1999-09-17)
recording of:
Miserere mihi Domine, T 16 (à 6, Cantiones sacrae (1575)) (on 1999-09-17)
lyricist:
[anonymous] (special purpose artist)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 16)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd2:15
14Cantiones sacrae (1575): Tribue Domine
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
alto vocals:
Robin Blaze (countertenor) (from 1999-03-02 until 1999-03-04) and Patrick Craig (countertenor) (from 1999-03-02 until 1999-03-04)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Michael McCarthy (classical bass vocalist, choirmaster) (from 1999-03-02 until 1999-03-04) and Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
soprano vocals:
Carys Lane (soprano) (from 1999-03-02 until 1999-03-04) and Rebecca Outram (soprano) (from 1999-03-02 until 1999-03-04)
tenor vocals:
Philip Cave (from 1999-03-02 until 1999-03-04), James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04), Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04) and Julian Stocker (lay vicar & tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Tribue Domine, T 17 (à 6, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 17)
William Byrd11:31
15Cantiones sacrae (1575): Libera me, Domine, de morte aeterna
recording engineer:
Martin Haskell (sound engineer)
producer:
David Skinner (musicologist and conductor)
baritone vocals:
Robert Evans (baritone) (from 1999-03-02 until 1999-03-04)
bass vocals:
Robert McDonald (bass vocalist) (from 1999-03-02 until 1999-03-04)
meane vocals:
Lucy Ballard (alto) (from 1999-03-02 until 1999-03-04) and Caroline Trevor (contralto) (from 1999-03-02 until 1999-03-04)
tenor vocals:
James Gilchrist (British tenor) (from 1999-03-02 until 1999-03-04) and Steven Harrold (tenor) (from 1999-03-02 until 1999-03-04)
vocals:
The Cardinall’s Musick (from 1999-03-02 until 1999-03-04)
conductor:
Andrew Carwood (from 1999-03-02 until 1999-03-04)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 1999-03-02 until 1999-03-04)
recording of:
Libera me, Domine, de morte aeterna, T 18 (à 5, Cantiones sacrae (1575)) (from 1999-03-02 until 1999-03-04)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 18)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
William Byrd3:52

Credits

Release

manufactured in:EU (Europe)
liner notes:David Skinner (musicologist and conductor)
liner notes translator:Isabelle Battioni (liner notes, translator)
Elke Davies (translator)
translator:Carolyn Hammond
rights society:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
copyrighted (©) by:ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1999)
graphic design:Studio B, The Creative People (graphic design)
part of:The Byrd Edition (Gaudeamus/hyperion) (number: 4) (order: 4)
Discogs:https://www.discogs.com/release/11347896 [info]
ASIN:UK: B000038I8G [info]
discography entry:http://www.cardinallsmusick.com/music/cantiones-sacrae-1575 [info]