Comin’ Your Way

~ Release by Stanley Turrentine (see all versions of this release, 10 available)

Annotation

Blue Note Tone Poet reissue on 180g vinyl

Annotation last modified on 2020-10-18 14:34 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1My Girl Is Just Enough Woman for Me
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
instrumental recording of:
My Girl Is Just Enough Woman for Me (on 1961-01-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Albert Hague
part of:
Redhead (musical)
6:44
A2Then I'll Be Tired of You
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
instrumental recording of:
Then I’ll Be Tired of You (on 1961-01-20)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
6:09
A3Fine L'il Lass
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
recording of:
Fine Li’l Lass (on 1961-01-20)
composer:
Leon Mitchell (jazz musician from Philadelphia, PA)
6:14
B1Thomasville
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
recording of:
Thomasville (on 1961-01-20)
composer:
Tommy Turrentine
6:37
B2Someone to Watch Over Me
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1961-01-20)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
7:45
B3Stolen Sweets
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion (on 1961-01-20)
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
recording of:
Stolen Sweets (on 1961-01-20)
writer:
Wild Bill Davis and Dickie Thompson
6:12

Credits

Release

photography:Francis Wolff (photographer and record producer)
mastering:Kevin Gray (mastering engineer)
mastered at:Cohearent Audio (mastering studio) in North Hills, Los Angeles, California, United States
part of:Blue Note Tone Poet Series (number: 20) (order: 20)
Discogs:https://www.discogs.com/release/14853094 [info]