The Martian: Deluxe Soundtrack

~ Release by Harry Gregson‐Williams (see all versions of this release, 3 available)

Tracklist

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1▼CD: Songs From The Martian
#TitleArtistRatingLength
1Turn the Beat Around
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 2)
recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
Vicki Sue Robinson3:24
2Hot Stuff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
phonographic copyright (℗) by:
UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 103)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.45:12
3Rock the Boat
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1973)
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:20
4Don’t Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 355) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:37
5Starman
sound engineer:
Dennis MacKay (70s–present UK producer/engineer)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
12 string guitar, handclaps and lead vocals:
David Bowie (English singer‐songwriter) (on 1972-02-04)
acoustic guitar, electric guitar, piano and background vocals:
Mick Ronson (British guitarist) (on 1972-02-04)
bass guitar:
Trevor Bolder (British bassist) (on 1972-02-04)
drums (drum set):
Mick Woodmansey (British drummer) (on 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972), Jones Music (publishers associated with David Bowie) (in 1990) and Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1990)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1972-02-04)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Starman (on 1972-02-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.44:15
6Waterloo
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1973-12-17)
bass guitar:
Rutger Gunnarsson (on 1973-12-17)
drums (drum set):
Ola Brunkert (on 1973-12-17, on 1974-02-20)
guitar:
Janne Schaffer (on 1973-12-17, on 1974-02-20)
Moog, mellotron and piano:
Benny Andersson (ABBA) (on 1973-12-17)
tenor saxophone:
Christer Eklund (on 1974-01-04)
phonographic copyright (℗) by:
Polar Music AB (in 1974) and Polar Music International AB (in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1973-12-17, on 1974-01-04, on 1974-02-20)
part of:
Sweden in the Eurovision Song Contest (number: 1974) and Winners of the Eurovision Song Contest (number: 1974)
recording of:
Waterloo (English version) (from 1973-12-17 until 1974-01)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Overseas Songs (ended), Polar Music AB (ended), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1974 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1974 to present) and Universal/Union Songs Musikförlag AB (from 1974 to present)
translated version of:
Waterloo (Swedish version)
part of:
Mamma Mia! (1999 musical)
ABBA3.752:46
7Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
8I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
9The Martian Score Suite
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
Harry Gregson‐Williams4:20
2▼CD: Original Motion Picture Score
#TitleRatingLength
1Mars
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
42:25
2Emergency Launch
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
33:10
3Making Water
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
42:38
4Spotting Movement
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
1:50
5Science the S*** Out of This
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
22:17
6Messages From Hermes
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
33:31
7Sprouting Potatoes
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
11:39
8Watney’s Alive!
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
2:46
9Pathfinder
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
32:33
10Hexadecimals
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
2:34
11Crossing Mars
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
3:37
12Reap & Sow
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
2:21
13Crops Are Dead
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
3:26
14Work the Problem
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
1:58
15See You in a Few
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
5:12
16Build a Bomb
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
45:06
17Fly Like Iron Man
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios), Stephanie Economou (composer and violinist) and Paul Thomason
assistant engineer:
John Barrett (engineer) and Stefano Civetta
engineer:
Toby Hulbert
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
editor:
Cecile Tournesac, Tony Lewis (Editor) and Richard Whitfield
conductor:
Harry Gregson‐Williams (English score composer)
additional orchestrator:
David Butterworth
orchestrator:
Harry Gregson‐Williams (English score composer) and Alastair King
concertmaster:
Perry Montague‐Mason (violinist)
54:45

Credits

Release

liner notes:HG-W (English score composer)
additional synthesizer [synth] programming:Andy Page (techno DJ/producer)
synthesizer [synth] programming:Harry Gregson‐Williams (English score composer)
mastering:Gavin Lurssen (American mastering engineer)
piano:Harry Gregson‐Williams (English score composer)
solo cello:Caroline Dale (cellist)
compiler:Stephanie Economou (composer and violinist)
choir vocals:The Bach Choir
solo choir vocals:Dominic Lynch
choir vocals arranger:Chris Katinas
Discogs:https://www.discogs.com/release/7552724 [info]
ASIN:UK: B01604Z00O [info]
DE: B01604Z00O [info]