“The Black Messiah” Recorded Live at the Troubador

~ Release by Cannonball Adderley (see all versions of this release, 3 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1Introduction
engineer:
Gene Hicks
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
recording of:
Introduction
composer:
Rick Holmes (a radio personality)
0:44
2The Black Messiah
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
16:18
3Monologue
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:33
4Little Benny Hen
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
4:11
5Zanek
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
5:12
6Dr. Honouris Cousa
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
14:47
2▼Digital Media
#TitleRatingLength
1The Chocolate Nuisance
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
8:33
2Untitled
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
6:15
3The Steam Drill
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
8:46
4Eye of the Cosmos
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
4:54
5Episode From the Music Came
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:42
6Heritage
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
4:36
7Circumference
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
congas:
Buck Clarke (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
3:19
8Pretty Paul
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:48
9The Scene
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
congas:
Buck Clarke (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:15

Credits