Antenne Steiermark - Überdosis G'fühl 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Zeig mir Dein' Himmel
engineer:
Andi Beit (from 1995-06 until 1995-07)
acoustic guitar:
Schiffkowitz (from 1995-06 until 1995-07) and Günter Timischl (from 1995-06 until 1995-07)
bass:
Erich Buchebner (from 1995-06 until 1995-07)
drums (drum set):
Gerhard Wennemuth (from 1995-06 until 1995-07)
keyboard:
Ewald Beit (from 1995-06 until 1995-07)
tenor saxophone:
Reinhard Grube (from 1995-06 until 1995-07)
phonographic copyright (℗) by:
Amadeo Österreichische Schallplatten GmbH (in 1995)
recorded at and mixed at:
Recorder Music Studios in Judendorf-Straßengel, Steiermark (Styria), Austria (from 1995-06 until 1995-07)
recording of:
Zeig mir Dein' Himmel (from 1995-06 until 1995-07)
lyricist and composer:
Gert Steinbäcker
publisher:
Edition Scheibmaier
S.T.S.23:54
2I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:06
3Music
John Miles5:53
4Release MeWilson Phillips4:55
5When I Die
No Mercy4:30
6Knockin' on Heaven's Door
recording of:
Knockin’ on Heaven’s Door
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Ram’s Horn Music (in 1973)
Bob Dylan2:32
7Eternal Flames
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson (drummer for The Bangles)
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
The Bangles (in 1988)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:57
8Now and Forever
engineer and mixer:
Bill Drescher (Producer and sound engineer)
producer:
Richard Marx
acoustic guitar [acoustic guitars], mandolin and solo guitar [guitars]:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
bass:
Nathan East
strings:
Israel Baker (American violinist), Farhad Behroozi, Charlie Bisharat (US violinist), Henry Corbett, Gail Cruz, Pavel Farkas, James Getzoff (American concertmaster and violinist), Jerry Goodman and Sid Page
lead vocals:
Richard Marx
strings arranger:
Dick Marx
recording of:
Now and Forever
lyricist and composer:
Richard Marx
Richard Marx33:34
9I've Never Been to Me
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:55
10A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:07
11Bright EyesArt Garfunkel3:59
12Anywhere for You
recording engineer:
Joe Smith (US recording/mixing engineer)
assistant engineer:
Adam Barber, Martin Czembor, Rob Farrell, Chaz Harper, Ken Latchney, Charles McCrorey, Franco Starnella and Daniel Wierup
producer:
Veit Renn
mixer:
Chris Trevett
phonographic copyright (℗) by:
Zomba Records Corporation (in 1996)
recorded at:
Parc Studios in Orlando, Florida, United States
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
Anywhere for You
writer:
Gary Baker (songwriter) and Wayne Perry (songwriter)
publisher:
Zomba Music Publishers Ltd (UK subsidiary of Zomba Music Publishing)
Backstreet Boys2.74:40
13Weus'd a Herz hast wie a Bergwerk (Live)
Rainhard Fendrich4:03
14Classic
Adrian Gurvitz3:40
15Coming Around Again
assistant engineer:
Noah Baron, Bill Miranda (engineer) and Scott Mabuchi
engineer:
George Massenburg and Frank Filipetti (in 1987)
associate producer:
Frank Filipetti and Carly Simon
producer:
Russ Kunkel (session drummer), George Massenburg, Bill Payne and Paul Samwell-Smith
mixer:
Frank Filipetti
drums (drum set) [drums]:
Russ Kunkel (session drummer)
keyboard [keyboards]:
Scott Martin (backing vocals, keyboards, and synthesizers), Bill Payne and Carly Simon
background vocals:
Terry Homberg, Scott Martin (backing vocals, keyboards, and synthesizers), Paul Samwell-Smith and Carly Simon
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986)
recorded at:
Power Station in New York, New York, United States and Right Track Recording in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Coming Around Again (Carly Simon)
lyricist and composer:
Carly Simon
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Universal Music Corporation (USA, affiliated with ASCAP), C’est Music (in 1986) and Famous Music Publishing (in 1986)
Carly Simon3.353:37
16Still Loving YouScorpions6:29
17Starting Over AgainNatalie Cole4:15
18He Ain't Heavy, He Is My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.654:20