Tientos y glosados

~ Release by Antonio de Cabezón; Ensemble Accentus, Thomas Wimmer (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Diferencias sobre la Gallarda Milanesa
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Obras de música: Diferencias sobre la gallarda milanesa (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:26
2Tiento I
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Tiento I (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:52
3Fabordon y glosas del Primer Tono Ilano
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Fabordon y glosas del Primer Tono Ilano (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:11
4Ancol que col partire
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Ancol que col partire (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:03
5Himno: Ave, maris stella VI
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Himno: Ave, maris stella VI (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:14
6Pavana con su glosa
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Pavana con su glosa (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:12
7Pues a mi desconsolado
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Pues a mi desconsolado (from 1997-03-23 until 1997-03-26)
composer:
Juan de Cabezón
Juan de Cabezón2:38
8Dic nobis, Maria
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Dic nobis, Maria (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:59
9Diferencias sobre, "Guadarme las vacas"
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Diferencias sobre, "Guadarme las vacas" (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:18
10Diferencias sobre el canto de La dama le demanda
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Obras de música: Diferencias sobre El canto de la dama le demanda (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:38
11Fabordon y glosas del sexto tono
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Fabordón y glosas del sexto tono (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón4:07
12Diferencias sobre el canto del Cauallero
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Diferencias sobre El Canto del Caballero (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:28
13Pavana Italiana
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Pavana Italiana (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón1:54
14Tiento XVIII
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Tiento XVIII (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón4:00
15Himno: Te lucis ante terminum
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Himno: Te lucis ante terminum (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón1:17
16Du vien sela
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Du vien sela (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:07
17Fantasia a 5, "Susana un jur": Glosado
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
'Susana un jur' (Glosa) (from 1997-03-23 until 1997-03-26)
composer:
Hernando de Cabezón (Spanish composer & organist, c. 1541-1602)
version of:
Susana un jur
Hernando de Cabezón4:13
18Para quien crie cabellos
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Romance "Para quien crie yo cabellos" (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:16
19Himno: Pange lingua V
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Himno: Pange lingua V (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón1:42
20Rugier, glosado de Antonio
instruments:
Ensemble Accentus (from 1997-03-23 until 1997-03-26)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1997-03-23 until 1997-03-26)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-03-23 until 1997-03-26)
recording of:
Rugier, glosado de Antonio (from 1997-03-23 until 1997-03-26)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón1:07

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streaming page:https://tidal.com/album/8017846 [info]