#1 US Anthems

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1American Pie, Pt. 1
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
2California Dreamin’
The Mamas & the Papas2:39
3The Boxer
Simon & Garfunkel5:08
4Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (Nashville session musician and arranger) (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech (Nashville session musician and arranger) e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:27
5California Girls
registrazione di:
California Girls
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys2:36
6Turn! Turn! Turn! (To Everything There Is a Season)
The Byrds3:50
7San Francisco (Be Sure to Wear Flowers in Your Hair)
Scott McKenzie2:57
8Everybody’s Talkin’ (from Midnight Cowboy)
Harry Nilsson2:40
9Knockin’ on Heaven’s Door
registrazione di:
Knockin’ on Heaven’s Door
paroliere e compositore:
Bob Dylan
paroliere aggiunto:
Bob Dylan (il 1975-03-23)
editore:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Ram’s Horn Music (nel 1973)
Bob Dylan2:30
10Because the Night
produttore:
Jimmy Iovine
tecnico di missaggio:
Jimmy Iovine e Shelly Yakus
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978, nel 1988) e Arista Records, LLC (holding company - file NO releases here!) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 72)
registrazione di:
Because the Night
editore:
Bruce Springsteen e Bruce Springsteen (nel 1975)
paroliere:
Patti Smith (nel 1977) e Bruce Springsteen (nel 1977)
compositore:
Bruce Springsteen (nel 1977)
editore:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:19
11More Than a Feeling
registrazione di:
More Than a Feeling
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3:27
12Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:55
13Carry On Wayward Son
produttore:
Jeff Glixman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Carry On Wayward Son
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:26
14Keep On Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica :
Kevin Cronin (guitarist, singer and songwriter)
organo Hammond :
Neal Doughty (keyboards)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.553:20
15Dead Ringer for Love
produttore:
Jimmy Iovine e Jim Steinman
batteria :
Liberty DeVitto (US drummer)
chitarra [guitars] :
Davey Johnstone
chitarra basso :
Steve Buslowe
corno :
Alan Rubin, Lou Delgatto, Lou Marani e Tom Malone (US trombonist)
percussione :
Jimmy Maelen (percussion)
pianoforte :
Roy Bittan
tamburo a fessura [African logs] :
Neleam Ymmij
voce:
Cher e Meat Loaf
voce di accompagnamento:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley e Eric Troyer
esecutore:
Cher
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Dead Ringer for Love
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1981), Neverland Music Publishing Company (nel 1981) e Peg Music Company (nel 1981)
Meat Loaf with Cher3.84:22
16Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
17Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS43:44
18Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:29
19American Woman
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1969, nel 1970) e BMG Music (nel 1970)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
edit di:
American Woman (original stereo mix) di The Guess Who (Canadian rock band)
registrazione di:
American Woman
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.23:47
20Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:57
21The Happening
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1967-03-02)
strumenti:
The Funk Brothers (il 1967-03-02)
voce di accompagnamento:
Florence Ballard (il 1967-03-02) e Mary Wilson (il 1967-03-02)
voce principale:
Diana Ross (il 1967-03-02)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-02)
registrazione di:
The Happening (il 1967-03-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Frank De Vol, Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes52:50
22Walk Away Renee
registrazione di:
Walk Away Renée
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
Four Tops2:43
23Yester‐Me, Yester‐You, Yesterday
produttore:
Johnny Bristol e Harvey Fuqua
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione di:
Yester‐Me, Yester‐You, Yesterday
autore:
Ron Miller (Motown songwriter Ronald Norman Miller) e Bryan Wells
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:04
2▼CD
#TitoloArtistaValutazioneDurata
1Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.153:53
2I Found Someone
produttore:
Michael Bolton
basso :
Will Lee (US jazz/rock bassist)
batteria [drums] :
Chris Parker (American drummer)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e John McCurry
diritti fonografici (℗) detenuti da:
MBO Productions, Inc.
registrazione cover di:
I Found Someone
autore:
Michael Bolton e Mark Mangold
editore:
EMI Blackwood Music Inc. e Is Hot Music Ltd.
Cher3.853:40
3Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
4We Belong
assistente tecnico:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
produttore:
Pete Coleman e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
batteria :
Myron Grombacher
chitarra basso :
Donnie Nossov
chitarra basso ospite aggiunto:
Roger Capps
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1984)
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
registrazione di:
We Belong
autore:
Eric Lowen e Dan Navarro (singer/songwriter/voice actor)
editore:
Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:39
5Rapture
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce principale:
Deborah Harry (nel 1980)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione di:
Rapture (nel 1980)
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation e Rare Blue Music Inc
Blondie3.64:57
6Living in America (from Rocky IV soundtrack)
assistente tecnico:
Jeff Lord‐Alge
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman
chitarra :
Dan Hartman e Stevie Ray Vaughan
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
corno :
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral e The Uptown Horns (US horn section, formed in 1980)
membranofono :
Ray Marchica
tastiera :
Dan Hartman
voce di accompagnamento:
Dan Hartman e T.M. Stevens (US bass player Thomas Michael Stevens)
voce principale:
James Brown (The Godfather of Soul)
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown3.354:43
7Stop to Love
Luther Vandross4:22
8What Can I Say
Boz Scaggs2:59
9I Can Dream About You
tecnico di registrazione:
Dan Hartman
tecnico di registrazione aggiunto:
Shelly Yakus
tecnico aggiunto:
Gabe Veltri
assistente tecnico di missaggio:
Steve Krause (Steven A Krause)
tecnico di missaggio:
Humberto Gatica
basso elettrico :
Eddie N. Watkins Jr.
batteria aggiunto:
Art Wood (US session drummer/percussionist)
chitarra aggiunto:
Richie Zito
percussione :
Bobbye Hall
pianoforte :
Bill Payne
voce di accompagnamento:
Winston Ford, Dan Hartman e Joe Pizzullo
voce principale:
Dan Hartman
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1984)
registrazione di:
I Can Dream About You
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) e Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.23:59
10Out of Touch
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1984)
registrazione di:
Out of Touch
paroliere e compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. e Warner/Chappell North America
Daryl Hall & John Oates4:06
11American Heartbeat
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
registrazione di:
American Heartbeat
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Figs. D Music, Rude Music (publisher; do NOT use as release label), Sony/ATV Harmony UK e Sony/ATV Melody
Survivor3.654:10
12The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis and the News43:55
13You Got It
tecnico:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) e Don Smith (producer, engineer and mixer)
produttore:
Jeff Lynne
batteria e percussione :
Phil Jones (Percussionist) (nel 1988-04)
chitarra acustica :
Roy Orbison (nel 1988-04) e Tom Petty (nel 1988-04)
chitarra basso , chitarra elettrica , pianoforte e tastiera :
Jeff Lynne (nel 1988-04)
voce di accompagnamento:
Jeff Lynne (nel 1988-04), Roy Orbison (nel 1988-04) e Tom Petty (nel 1988-04)
voce principale:
Roy Orbison (nel 1988-04)
diritti fonografici (℗) detenuti da:
Roys Boy’s, LLC (nel 1989, nel 2014) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989)
registrata presso:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Regno Unito (nel 1988-04), M.C. Studios in Los Angeles, California, Stati Uniti (nel 1988-04) e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti (nel 1988-04)
registrazione di:
You Got It (nel 1988-04)
autore:
Jeff Lynne, Roy Orbison e Tom Petty
editore:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) e SBK Songs Ltd.
Roy Orbison4.553:30
14The Obvious Child
Paul Simon4:09
15What I Am
Edie Brickell & New Bohemians4:56
16The Way It Is
tecnico:
Elliot Scheiner
produttore:
Bruce Hornsby e Elliot Scheiner
batteria e percussione :
John Molo
pianoforte e sintetizzatore :
Bruce Hornsby
voce:
Bruce Hornsby
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (nel 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Trackman, Inc.
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:57
17Broken Wings
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
edit di:
Broken Wings di Mr. Mister (American pop rock band)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister44:22
18Baby I Love Your Way / Freebird (Free Baby)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 97)
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way / Freebird
paroliere e compositore:
Allen Collins, Peter Frampton e Ronnie Van Zant
editore:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
medley di:
Baby, I Love Your Way
medley di:
Free Bird
Will to Power44:07
19Didn’t We Almost Have It All
registrazione cover di:
Didn’t We Almost Have It All
autore:
Will Jennings e Michael Masser
registrazione di:
Didn’t We Almost Have It All
autore:
Will Jennings e Michael Masser
Whitney Houston4.54:34
3▼CD
#TitoloArtistaValutazioneDurata
1September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:34
2Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:08
3Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 93)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:11
4Love Hangover
produttore:
Hal Davis
arrangiatore:
Dave Blumberg e Clay Drayton
registrazione di:
Love Hangover
autore:
Marilyn McLeod (soul/jazz singer and songwriter) e Pam Sawyer (British‐born American lyricist and songwriter)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Diana Ross3.253:45
5Let the Music Play
tecnico:
Frank Kejmar (engineer)
produttore:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
edit di:
Let the Music Play (LP version) di Barry White
registrazione di:
Let the Music Play
paroliere e compositore:
Barry White
Barry White43:28
6Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:42
7Reach Out I’ll Be There
registrazione cover di:
Reach Out, I’ll Be There
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Gloria Gaynor33:06
8Going to a Go‐Go
registrazione di:
Going to a Go‐Go
autore:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers e Marvin Tarplin
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Smokey Robinson & The Miracles2:46
9Nowhere to Run
Martha Reeves and the Vandellas2:56
10ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc.
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:56
11It Takes Two
registrazione di:
It Takes Two
autore:
Sylvia Moy e William Stevenson (Motown songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye and Kim Weston2:58
12Hazard
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1992)
edit di:
Hazard di Richard Marx
registrazione di:
Hazard
paroliere e compositore:
Richard Marx
editore:
Chi‐Boy Music e EMI Songs Ltd.
Richard Marx44:46
13Run Baby Run
registrazione di:
Run, Baby, Run
autore:
David Baerwald, Bill Bottrell e Sheryl Crow (American singer-songwriter and musician)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America e Zen of Iniquity
Sheryl Crow4:24
14One of Us
registrazione di:
One of Us
paroliere e compositore:
Eric Bazilian
Joan Osborne44:15
15R.O.C.K. in the U.S.A. (A Salute to 60’s Rock)
John Mellencamp2:52
16Breakfast at Tiffany’s
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:17
17Are You Gonna Go My Way
assistente tecnico:
Greg DiGesu
tecnico e tecnico di missaggio:
Henry Hirsch
tecnico aggiunto:
David Domanich
produttore:
Lenny Kravitz
basso :
Lenny Kravitz (nel 1998-01) e Tony Breit (nel 1998-12)
batteria , batteria [junkanoo] e voce di accompagnamento e voce principale:
Lenny Kravitz (nel 1998-12)
chitarra acustica e chitarra elettrica :
Craig Ross (guitarist) (nel 1998-12)
sintetizzatore [arp string ensemble] :
Henry Hirsch (nel 1998-12)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1993) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1993)
registrazione di:
Are You Gonna Go My Way (nel 1998-12)
paroliere:
Lenny Kravitz
compositore:
Henry Hirsch, Lenny Kravitz e Craig Ross (guitarist)
editore:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Lenny Kravitz3.853:31
18Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes (original version)
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:13
19Runaway Train
assistente tecnico:
David Michael Dill (engineer) e Dan Gellert (sound engineer)
produttore:
Michael Beinhorn
assistente tecnico di missaggio:
Craig Doubet (recording engineer) e Steve Sisco
tecnico di missaggio:
Andy Wallace (engineer)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1992) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1992)
registrazione di:
Runaway Train
paroliere e compositore:
Dave Pirner
editore:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
Soul Asylum4.44:22
20Time, Love and Tenderness
registrazione di:
Time, Love and Tenderness
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs (dal 1991 a oggi)
Michael Bolton4:16
21Hold On
Wilson Phillips4:25