Bauern- und Kaffee-Kantate

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Bauernkantate, BWV 212: Arie (Duett) S. B.: Mer hahn en neue Oberkeet
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:52
2Bauernkantate, BWV 212: Rezitativ (Dialog) S. B.: Nu, Mieke, gib dein Guschel immer her / Arie S.: Ach, es schmeckt doch gar zu gut
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:50
3Bauernkantate, BWV 212: Rezitativ B.: Der Herr ist gut; allein der Schösser / Arie B.: Ach Herr Schöner, geht nicht gar zu schlimm
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:35
4Bauernkantate, BWV 212: Rezitativ S.: Es bleibt dabei / Arie S.: Unser trefflicher, lieber Kammerherr
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:01
5Bauernkantate, BWV 212: Rezitativ (Dialog) S. B.: Er hilft uns allen, alt und jung / Arie S.: Das ist galant
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:44
6Bauernkantate, BWV 212: Rezitativ B.: Und unsre gnädge Frau / Arie B.: Fünfzig Taler bares Geld
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:27
7Bauernkantate, BWV 212: Rezitativ S.: Im Ernst ein Wort / Arie S.: Klein-Zschocher müsse
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach7:12
8Bauernkantate, BWV 212: Rezitativ B.: Das ist zu klug vor dich / Arie B.: Es nehme zehntausend Dukaten
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:02
9Bauernkantate, BWV 212: Rezitativ S.: Das klingt zu liederlich / Arie S.: Gib, Schöne
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:07
10Bauernkantate, BWV 212: Rezitativ B.: Du hast wohl recht / Arie B.: Dein Wachstum sei feste
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:15
11Bauernkantate, BWV 212: Rezitativ (Dialog) S. B.: Und damit sei es auch genug / Arie S.: Und daß ihrs alle wißt
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:00
12Bauernkantate, BWV 212: Rezitativ (Dialog) S. B.: Mein Schatz, erraten! / Duett (Chor): Wir gehn nun, wo der Dudelsack
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:47
13Kaffeekantate, BWV 211: Rezitativ T.: Schweigt stille, plautert nicht / Arie B.: Hat man nicht mit seinen Kindern
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
tenor vocals:
Kurt Equiluz (tenor) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:18
14Kaffeekantate, BWV 211: Rezitativ B. S.: Du böses Kind, du loses Mädchen / Arie S.: Ei! wie schmeckt der Kaffee süße
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:23
15Kaffeekantate, BWV 211: Rezitativ B. S.: Wenn du mir nicht den Kaffee läßt / Arie B: Mädchen, die von harten Sinnen
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:05
16Kaffeekantate, BWV 211: Rezitativ B.: Nun folge, was dein Vater spricht / Arie S.: Heute noch
bass vocals:
Max van Egmond (bass-baritone) (on 1967-05-06)
soprano vocals:
Rotraud Hansmann (soprano) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach8:37
17Kaffeekantate, BWV 211: Rezitativ T.: Nun geht und sucht der alte Schlendrian / Chor (Terzett): Die Katze läßt das Mausen nicht
tenor vocals:
Kurt Equiluz (tenor) (on 1967-05-06)
orchestra:
Concentus Musicus Wien (on 1967-05-06)
conductor:
Nikolaus Harnoncourt (conductor) (on 1967-05-06)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1967-05-06)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (on 1967-05-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:38