Kammermusik

~ Release by Hanns Eisler; Trexler, Lang, Erber, Pommer, Knothe (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
13 Lieder for Middle‐Range Voice and Chamber Orchestra: I. Improvisation “Wolke, Kleid und Blume ihr Gesicht”
soprano vocals:
Roswitha Trexler (soprano)
orchestra:
Kammermusikvereinigung des Leipziger Gewandhauses
conductor:
Max Pommer (conductor)
recording of:
Drei Lieder für eine mittlere Stimme und Kammerorchester: I. Improvisation "Wolke, Kleid und Blume ihr Gesicht"
lyricist:
Klabund
composer:
Hanns Eisler (German-Austrian composer) (in 1919)
part of:
Drei Lieder für eine mittlere Stimme und Kammerorchester
Hanns Eisler1:09
23 Lieder for Middle‐Range Voice and Chamber Orchestra: II. Wanderer erwacht in der Herberge “Ich erwache leicht geblendet”
soprano vocals:
Roswitha Trexler (soprano)
orchestra:
Kammermusikvereinigung des Leipziger Gewandhauses
conductor:
Max Pommer (conductor)
recording of:
Drei Lieder für eine mittlere Stimme und Kammerorchester: II. Wanderer erwacht in der Herberge "Ich erwache leicht geblendet"
lyricist:
Klabund
composer:
Hanns Eisler (German-Austrian composer) (in 1919)
part of:
Drei Lieder für eine mittlere Stimme und Kammerorchester
Hanns Eisler1:44
33 Lieder for Middle‐Range Voice and Chamber Orchestra: III. Am Morgen “Der Morgen graut”
soprano vocals:
Roswitha Trexler (soprano)
orchestra:
Kammermusikvereinigung des Leipziger Gewandhauses
conductor:
Max Pommer (conductor)
recording of:
Drei Lieder für eine mittlere Stimme und Kammerorchester: III. Am Morgen "Der Morgen graut"
lyricist:
Klabund
composer:
Hanns Eisler (German-Austrian composer) (in 1919)
part of:
Drei Lieder für eine mittlere Stimme und Kammerorchester
Hanns Eisler2:03
4Divertimento, Op. 41: I. Andante con moto
bassoon:
Dieter Hähnchen (German classical bassoon player)
clarinet:
Siegfried Schramm
flute:
Hermann Wolfframm (German classical flute player.)
horn:
Dieter Buschner (German classical horn player)
instruments:
Bläservereinigung Berlin
oboe:
Klaus Gerbeth
recording of:
Divertimento für Bläserquintett, op. 41: I. Andante con moto
composer:
Hanns Eisler (German-Austrian composer) (in 1923)
part of:
Divertimento für Bläserquintett, op. 41
Hanns Eisler2:20
5Divertimento, Op. 41: II. Thema und Variationen
bassoon:
Dieter Hähnchen (German classical bassoon player)
clarinet:
Siegfried Schramm
flute:
Hermann Wolfframm (German classical flute player.)
horn:
Dieter Buschner (German classical horn player)
instruments:
Bläservereinigung Berlin
oboe:
Klaus Gerbeth
recording of:
Divertimento für Bläserquintett, op. 41: II. Thema und Variationen
composer:
Hanns Eisler (German-Austrian composer) (in 1923)
part of:
Divertimento für Bläserquintett, op. 41
Hanns Eisler5:17
6Tagebuch des Hanns Eisler, Op. 9, Pt. 1: I. Terzett. Leitspruch “Es ist unmöglich”
alto vocals:
Rosemarie Lang (mezzo-soprano)
mezzo-soprano vocals:
Roswitha Trexler (soprano)
soprano vocals:
Helga Termer (soprano)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, I. Teil: I. Terzett. Leitspruch „Es ist unmöglich“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:04
7Tagebuch des Hanns Eisler, Op. 9, Pt. 1: II. Tema con variazioni für Sologeige
violin:
Conrad Other (German violinist)
soprano vocals:
Helga Termer (soprano)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, I. Teil: II. Tema con variazioni für Sologeige
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler4:12
8Tagebuch des Hanns Eisler, Op. 9, Pt. 1: III. Regen “Die ganze Welt ist eine kalte Douche”
piano:
Gerhard Erber (German pianist)
soprano vocals:
Helga Termer (soprano)
tenor vocals:
Peter Menzel (German tenor)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, I. Teil: III. Regen „Die ganze Welt ist eine kalte Douche“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler0:45
9Tagebuch des Hanns Eisler, Op. 9, Pt. 1: IV. Intermezzo No. 1
piano:
Gerhard Erber (German pianist)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, I. Teil: IV. Intermezzo No. 1
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler0:33
10Tagebuch des Hanns Eisler, Op. 9, Pt. 1: V. Terzett. Im Badezimmer “Wenn man sitzt im warmen Bad”
alto vocals:
Rosemarie Lang (mezzo-soprano)
mezzo-soprano vocals:
Roswitha Trexler (soprano)
soprano vocals:
Helga Termer (soprano)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, I. Teil: V. Terzett. Im Badezimmer „Wenn man sitzt im warmen Bad“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:00
11Tagebuch des Hanns Eisler, Op. 9, Pt. 2: I. Introduktion
piano:
Gerhard Erber (German pianist)
violin:
Conrad Other (German violinist)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, II. Teil: I. Introduktion
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:37
12Tagebuch des Hanns Eisler, Op. 9, Pt. 2: II. Terzett. Ruhe “Ein bißchen Ruhe schadet nicht”
violin:
Conrad Other (German violinist)
alto vocals:
Rosemarie Lang (mezzo-soprano)
mezzo-soprano vocals:
Roswitha Trexler (soprano)
soprano vocals:
Helga Termer (soprano)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, II. Teil: II. Terzett. Ruhe „Ein bißchen Ruhe schadet nicht“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:37
13Tagebuch des Hanns Eisler, Op. 9, Pt. 2: I. Intermezzo No. 2
piano:
Gerhard Erber (German pianist)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, II. Teil: I. Intermezzo No. 2
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler0:51
14Tagebuch des Hanns Eisler, Op. 9, Pt. 2: II. Depression “Wenn man ein dummer, schlechter Bürgerknabe ist”
piano:
Gerhard Erber (German pianist)
tenor vocals:
Peter Menzel (German tenor)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, II. Teil: II. Depression „Wenn man ein dummer, schlechter Bürgerknabe ist“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:16
15Tagebuch des Hanns Eisler, Op. 9, Pt. 3: I. Guter Rat “Liebes Kind, sei doch nicht so niedergeschlagen”
piano:
Gerhard Erber (German pianist)
soprano vocals:
Helga Termer (soprano)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, III. Teil: I. Guter Rat „Liebes Kind, sei doch nicht so niedergeschlagen“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:02
16Tagebuch des Hanns Eisler, Op. 9, Pt. 3: II. Terzett. Bemerkungen über das Reisen “Das Reisen kann nicht schön sein”
piano:
Gerhard Erber (German pianist)
alto vocals:
Rosemarie Lang (mezzo-soprano)
mezzo-soprano vocals:
Roswitha Trexler (soprano)
soprano vocals:
Helga Termer (soprano)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, III. Teil: II. Terzett. Bemerkungen über das Reisen „Das Reisen kann nicht schön sein“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:31
17Tagebuch des Hanns Eisler, Op. 9, Pt. 3: III. Vor- und Rückblick “In dreieinhalb Jahren”
piano:
Gerhard Erber (German pianist)
soprano vocals:
Helga Termer (soprano)
tenor vocals:
Peter Menzel (German tenor)
conductor:
Max Pommer (conductor)
recording of:
Tagebuch des Hanns Eisler, op. 9, III. Teil: III. Vor‐ und Rückblick „In dreieinhalb Jahren“
composer:
Hanns Eisler (German-Austrian composer) (in 1926)
part of:
Tagebuch des Hanns Eisler, op. 9
Hanns Eisler1:26
18Suite No. 5, Op. 34 “Dans les rues”: I. Präludium. Larghetto
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: I. Praeludium
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler1:48
19Suite No. 5, Op. 34 “Dans les rues”: II. Intermezzo
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: II. Intermezzo
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler2:12
20Suite No. 5, Op. 34 “Dans les rues”: III. Tema con variazioni. Larghetto
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: III. Larghetto
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler2:46
21Suite No. 5, Op. 34 “Dans les rues”: IV. Marsch
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: IV. Marsch
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler1:26
22Suite No. 5, Op. 34 “Dans les rues”: V. Tema con variazioni – Andante No. 1
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: V. Tema con variazioni – Andante No. 1
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler3:11
23Suite No. 5, Op. 34 “Dans les rues”: VI. Andante eroico – Andante, Marschtempo
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: VI. Andante eroico
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler2:37
24Suite No. 5, Op. 34 “Dans les rues”: VII. Tema con variazioni. Andante No. 2
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: VII. Tema con variazioni – Andante No. 2
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler2:39
25Suite No. 5, Op. 34 “Dans les rues”: VIII. Finale. Larghetto, allegro – Eilend
orchestra:
Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Adolf Fritz Guhl
recording of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”: VIII. Finale
composer:
Hanns Eisler (German-Austrian composer) (in 1933)
part of:
Suite Nr. 5 op. 34 für Kammerorchester, “Dans les rues”
Hanns Eisler3:08
26Nonet No. 1, 32 Variations on a Five‐Bar Theme (1939)
bassoon:
Herbert Heilmann (bassoonist)
cello:
Wolfgang Bernhardt (cellist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
French horn:
Werner Schramm (German horn player)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
viola:
Arnim Orlamünde (violist)
violin:
Friedrich-Carl Erben (violinist, conductor) and Ralf-Rainer Haase (violinist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 1, 32 Variations on a Five‐Bar Theme
composer:
Hanns Eisler (German-Austrian composer) (in 1939)
Hanns Eisler5:28
27Nonet No. 2, Suite for Nine Instruments: I. Allegretto molto
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: I. Allegretto molto
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler0:51
28Nonet No. 2, Suite for Nine Instruments: Ia. Andante l’istesso
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: Ia. Andante l’istesso
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:20
29Nonet No. 2, Suite for Nine Instruments: II. Allegro
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: II. Allegro
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler0:43
30Nonet No. 2, Suite for Nine Instruments: III. Allegretto
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: III. Allegretto
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:48
31Nonet No. 2, Suite for Nine Instruments: IV. Allegretto
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: IV. Allegretto
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:20
32Nonet No. 2, Suite for Nine Instruments: V. Largo
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: V. Largo
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:09
33Nonet No. 2, Suite for Nine Instruments: VI. Andante
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: VI. Andante
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler3:31
34Nonet No. 2, Suite for Nine Instruments: VII. Comodo
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: VII. Comodo
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:29
35Nonet No. 2, Suite for Nine Instruments: VIII. Marcia funebre a la Mexicana
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: VIII. Marcia funebre a la Mexicana
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:22
36Nonet No. 2, Suite for Nine Instruments: IX. Final. Allegro spirito
bassoon:
Herbert Heilmann (bassoonist)
clarinet:
Hans Himmler (German clarinetist)
double bass:
Hans Richter (German contrabassist)
flute:
Wilfried Winkelmann (flutist)
instruments:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
percussion:
Horst Müller (German classical percussionist) and Gerhard Petsch (German classical percussionist)
trumpet:
Josef Gass (German trumpetist)
violin:
Friedrich-Carl Erben (violinist, conductor), Ralf-Rainer Haase (violinist) and Wolfgang Löwe (German violonist)
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Nonett Nr. 2, Suite für neun Instrumente: IX. Finale. Allegro spirito
composer:
Hanns Eisler (German-Austrian composer) (in 1941)
part of:
Nonett Nr. 2, Suite für neun Instrumente
Hanns Eisler2:21
2▼CD
#TitleArtistRatingLength
1Galgenlieder: I. Idylle “Zwei Tannenwurzeln jung und alt”
piano:
Jutta Czapski
soprano vocals:
Roswitha Trexler (soprano)
recording of:
Galgenlieder: I. Idylle „Zwei Tannenwurzeln jung und alt“
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
Hanns Eisler2:19
2Galgenlieder: II. Die beiden Flaschen “Zwei Flaschen stehn auf einer Bank”
piano:
Jutta Czapski
soprano vocals:
Roswitha Trexler (soprano)
recording of:
Galgenlieder: II. Die beiden Flaschen „Zwei Flaschen stehn auf einer Bank“
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
Hanns Eisler3:03
3Galgenlieder: III. Die zwei Trichter “Durch ihres Rumpfs verengten Schacht”
piano:
Jutta Czapski
soprano vocals:
Roswitha Trexler (soprano)
recording of:
Galgenlieder: III. Die zwei Trichter „Durch ihres Rumpfs verengten Schacht“
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
Hanns Eisler0:43
4Galgenlieder: IV. Philanthropisch “Ein nervöser Mensch auf einer Wiese”
piano:
Jutta Czapski
soprano vocals:
Roswitha Trexler (soprano)
recording of:
Galgenlieder: IV. Philanthropisch „Ein nervöser Mensch auf einer Wiese“
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
Hanns Eisler1:43
5Galgenlieder: V. Galgenbruders Frühlingslied “Es lenzet auch auf unserm Span”
piano:
Jutta Czapski
soprano vocals:
Roswitha Trexler (soprano)
recording of:
Galgenlieder: V. Galgenbruders Frühlingslied „Es lenzet auch auf unserm Span“
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
Hanns Eisler1:52
6Galgenlieder: VI. Der Würfel “Ein Würfel sprach zu sich”
piano:
Jutta Czapski
soprano vocals:
Roswitha Trexler (soprano)
recording of:
Galgenlieder: VI. Der Würfel „Ein Würfel sprach zu sich“
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
Hanns Eisler3:13
7Tempo der Zeit, Op. 16: I. “Hallo! Hallo! Hallo!”
choir vocals:
Berliner Singakademie
orchestra:
Mitglieder der Staatskapelle Berlin
conductor:
Dietrich Knothe (conductor)
recording of:
Tempo der Zeit, op. 16: I. “Hallo! Hallo! Hallo!” (Chor)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Tempo der Zeit: Kantate, op. 16 für Soli, Sprecher, Chor, Bläser und Schlagzeug (Rundfunkkantate)
Hanns Eisler2:03
8Tempo der Zeit, Op. 16: II. Arie “Wenn die stampfenden Maschinen”
bass vocals:
Hermann Christian Polster (operatic bass)
orchestra:
Mitglieder der Staatskapelle Berlin
conductor:
Dietrich Knothe (conductor)
recording of:
Tempo der Zeit, op. 16: II. Arie “Wenn die stampfenden Maschinen” (Bass)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Tempo der Zeit: Kantate, op. 16 für Soli, Sprecher, Chor, Bläser und Schlagzeug (Rundfunkkantate)
Hanns Eisler2:47
9Tempo der Zeit, Op. 16: IIIa. Rezitativ und Choral “Und wenn die Luftschiffe”
alto vocals:
Edda Schaller (mezzo-soprano)
choir vocals:
Berliner Singakademie
orchestra:
Mitglieder der Staatskapelle Berlin
conductor:
Dietrich Knothe (conductor)
recording of:
Tempo der Zeit, op. 16: IIIa. Rezitativ und Choral “Und wenn die Luftschiffe – Ah! Liebe Kameraden!” (Alt, Chor)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Tempo der Zeit: Kantate, op. 16 für Soli, Sprecher, Chor, Bläser und Schlagzeug (Rundfunkkantate)
Hanns Eisler2:30
10Tempo der Zeit, Op. 16: IIIb. Zwischenspiel
orchestra:
Mitglieder der Staatskapelle Berlin
conductor:
Dietrich Knothe (conductor)
recording of:
Tempo der Zeit, op. 16: IIIb. Zwischenspiel
composer:
Hanns Eisler (German-Austrian composer)
part of:
Tempo der Zeit: Kantate, op. 16 für Soli, Sprecher, Chor, Bläser und Schlagzeug (Rundfunkkantate)
Hanns Eisler1:02
11Tempo der Zeit, Op. 16: IV. Lied “Ja, das Tempo der Zeit”
alto vocals:
Edda Schaller (mezzo-soprano)
bass vocals:
Hermann Christian Polster (operatic bass)
choir vocals:
Berliner Singakademie
orchestra:
Mitglieder der Staatskapelle Berlin
conductor:
Dietrich Knothe (conductor)
recording of:
Tempo der Zeit, op. 16: IV. Lied “Ja, das Tempo der Zeit kostet Geld” (Alt, Bass, Chor)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Tempo der Zeit: Kantate, op. 16 für Soli, Sprecher, Chor, Bläser und Schlagzeug (Rundfunkkantate)
Hanns Eisler7:48
12Tempo der Zeit, Op. 16: V. Schlußchor “Hallo! Hallo! Hallo!”
choir vocals:
Berliner Singakademie
orchestra:
Mitglieder der Staatskapelle Berlin
conductor:
Dietrich Knothe (conductor)
recording of:
Tempo der Zeit, op. 16: V. Schlußchor: “Hallo! Hallo! Hallo!”
composer:
Hanns Eisler (German-Austrian composer)
part of:
Tempo der Zeit: Kantate, op. 16 für Soli, Sprecher, Chor, Bläser und Schlagzeug (Rundfunkkantate)
Hanns Eisler1:12
1314 Arten, den Regen zu beschreiben, Op. 70
orchestra:
Kammermusikvereinigung der Deutschen Staatsoper Berlin
conductor:
Friedrich-Carl Erben (violinist, conductor)
recording of:
Vierzehn Arten, den Regen zu beschreiben, op. 70
composer:
Hanns Eisler (German-Austrian composer) (from 1941-09 until 1941-11)
dedicated to:
Arnold Schönberg (Arnold Schoenberg, composer)
Hanns Eisler13:01
14Movements for Nonet, Op. Posth.: I. Allegro – Allegretto – Andante
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: I. Allegro – Allegretto – Andante
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler5:27
15Movements for Nonet, Op. Posth.: II. Maestoso – Allegretto
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: II. Maestoso – Allegretto
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler1:41
16Movements for Nonet, Op. Posth.: III. Allegro
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: III. Allegro
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler1:36
17Movements for Nonet, Op. Posth.: IV. Quasi Rezitativo. Moderato
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: IV. Quasi Rezitativo. Moderato
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler2:26
18Movements for Nonet, Op. Posth.: V. Presto, treibend – Andante – Con moto
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: V. Presto, treibend – Andante – Con moto
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler2:29
19Movements for Nonet, Op. Posth.: VI. Allegro moderato
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: VI. Allegro moderato
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler5:18
20Movements for Nonet, Op. Posth.: VII. Presto, treibend – Energico, alla marcia
orchestra:
Gewandhaus-Kammermusikvereinigung
conductor:
Max Pommer (conductor)
recording of:
Sätze für Nonett, op. posth.: VII. Presto, treibend – Energico, alla marcia
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer)
part of:
Galgenlieder
part of:
Sätze für Nonett, op. posth.
Hanns Eisler3:04
21Scherzo for String Trio (c.1920)
cello:
Clemens Dillner (cellist)
viola:
Joachim Zindler (German violist)
violin:
Rudolf Ulbrich (violinist)
recording of:
Scherzo für Streichtrio
composer:
Hanns Eisler (German-Austrian composer) (in 1920)
Hanns Eisler3:47
22Palmström, Op. 5: I. Venus Palmström “Palmström wünscht sich manchmal”
cello:
Wolfgang Bernhardt (cellist)
clarinet:
Oskar Michallik (German clarinetist)
flute:
Wilfried Winkelmann (flutist)
viola:
Arnim Orlamünde (violist)
violin:
Friedrich-Carl Erben (violinist, conductor)
soprano vocals:
Roswitha Trexler (soprano)
conductor:
Hans Jürgen Wenzel (German conductor and composer)
recording of:
Palmström, op. 5: 1. Venus Palmström
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer) (from 1923 until 1924)
part of:
Palmström, op. 5
Hanns Eisler1:07
23Palmström, Op. 5: II. Notturno “Palmström nimmt Papier”
cello:
Wolfgang Bernhardt (cellist)
clarinet:
Oskar Michallik (German clarinetist)
flute:
Wilfried Winkelmann (flutist)
viola:
Arnim Orlamünde (violist)
violin:
Friedrich-Carl Erben (violinist, conductor)
soprano vocals:
Roswitha Trexler (soprano)
conductor:
Hans Jürgen Wenzel (German conductor and composer)
recording of:
Palmström, op. 5: 2. Notturno
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer) (from 1923 until 1924)
part of:
Palmström, op. 5
Hanns Eisler0:41
24Palmström, Op. 5: III. L’art pour l’art “Das Schwirren eines aufgeschreckten Sperlings”
cello:
Wolfgang Bernhardt (cellist)
clarinet:
Oskar Michallik (German clarinetist)
flute:
Wilfried Winkelmann (flutist)
viola:
Arnim Orlamünde (violist)
violin:
Friedrich-Carl Erben (violinist, conductor)
soprano vocals:
Roswitha Trexler (soprano)
conductor:
Hans Jürgen Wenzel (German conductor and composer)
recording of:
Palmström, op. 5: 3. L'Art pour l'art
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer) (from 1923 until 1924)
part of:
Palmström, op. 5
Hanns Eisler0:54
25Palmström, Op. 5: IV. Galgenbruders Frühlingslied “Es lenzet auch auf unserm Spahn”
cello:
Wolfgang Bernhardt (cellist)
clarinet:
Oskar Michallik (German clarinetist)
flute:
Wilfried Winkelmann (flutist)
viola:
Arnim Orlamünde (violist)
violin:
Friedrich-Carl Erben (violinist, conductor)
soprano vocals:
Roswitha Trexler (soprano)
conductor:
Hans Jürgen Wenzel (German conductor and composer)
recording of:
Palmström, op. 5: 4. Galgenbruders Frühlingslied
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer) (from 1923 until 1924)
part of:
Palmström, op. 5
Hanns Eisler0:51
26Palmström, Op. 5: V. Couplet von der Tapetenblume “Tapetenblume bin ich fein”
cello:
Wolfgang Bernhardt (cellist)
clarinet:
Oskar Michallik (German clarinetist)
flute:
Wilfried Winkelmann (flutist)
viola:
Arnim Orlamünde (violist)
violin:
Friedrich-Carl Erben (violinist, conductor)
soprano vocals:
Roswitha Trexler (soprano)
conductor:
Hans Jürgen Wenzel (German conductor and composer)
recording of:
Palmström, op. 5: 5. Couplet von der Tapetenblume
lyricist:
Christian Morgenstern (German poet)
composer:
Hanns Eisler (German-Austrian composer) (from 1923 until 1924)
part of:
Palmström, op. 5
Hanns Eisler0:58