Flower Power: The Time of the Season

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:27
2One Toke Over the Line
Techniker(in):
Steve Barncard
Produzent(in):
Nick Gravenites (singer, guitarist and songwriter)
vocals:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) und Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
recording of:
One Toke Over the Line
Texter und Komponist(in):
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) und Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
publisher:
Universal Music Careers
Brewer & Shipley53:21
3Only You Know and I Know
Produzent(in):
Delaney Bramlett
arranger:
Delaney Bramlett
recording of:
Only You Know and I Know
Texter und Komponist(in):
Dave Mason (co‐founder of Traffic)
Delaney & Bonnie3:27
4The Night They Drove Old Dixie Down
Produzent(in):
Norbert Putnam
cover recording of:
The Night They Drove Old Dixie Down
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Joan Baez53:24
5Land of 1000 Dances
cover recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Cannibal & the Headhunters2:17
6Venus
Produzent(in):
Shocking Blue
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.13:06
7Here Comes the Sun
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
Richie Havens2:33
8Summer Nights
Marianne Faithfull1:48
9Society’s Child (Baby I’ve Been Thinking)
recording of:
Society's Child
Texter und Komponist(in):
Janis Ian
publisher:
Dialogue Music, Inc und Taosongs Two
Janis Ian3:14
10Good Time Charlie’s Got the Blues
recording of:
Good Time Charlie’s Got the Blues
Texter und Komponist(in):
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music (BMI-affiliated) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Danny O’Keefe3:03
11I’d Like to Teach the World to Sing (In Perfect Harmony)
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
Verfasser(in):
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis und Roger Greenaway
publisher:
PolyGram Music Publishing
Version von:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:25
12Just a Little
Produzent(in):
Sylvester Stewart
recording of:
Just a Little
Verfasser(in):
Bob Durand und Ron Elliott (guitarist/songwriter, member of The Beau Brummels)
The Beau Brummels2:24
13Hot Smoke and Sasafrass
recording of:
Hot Smoke and Sassafras
Verfasser(in):
Roy Cox (US psychedelic bassist) und Rod Prince
Bubble Puppy2:41
14Don’t Expect Me to Be Your Friend
recording of:
Don’t Expect Me to Be Your Friend
Texter und Komponist(in):
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo3:35
15School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:32
16Come to the Sunshine
Harpers Bizarre2:34
17Bridge Over Troubled Water
Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
E-Bass:
Chuck Rainey (American bassist) (am 1970-08-13)
Gitarre:
Cornell Dupree (am 1970-08-13)
Klavier:
Aretha Franklin (am 1970-08-13)
Orgel:
Billy Preston (am 1970-08-13)
Schlagzeug:
Ray Lucas (am 1970-08-13)
Tenorsaxophon:
King Curtis (saxophonist) (am 1970-08-13)
Hintergrundgesang:
Cissy Houston (am 1970-08-13), The Sweet Inspirations (am 1970-08-13) und The Sweethearts of Soul (am 1970-08-13)
vocals:
Aretha Franklin (am 1970-08-13)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Bridge Over Troubled Water (am 1970-08-13)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin5:31
2▼CD
Nr.TitelKünstlerBewertungLänge
1Time of the Season
Techniker(in):
Geoff Emerick (British recording engineer) und Peter Vince (engineer, producer)
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Bassgitarre:
Chris White (UK bassist for The Zombies) (in 1967-08)
Gitarre:
Paul Atkinson (in 1967-08)
mellotron, Orgel und Klavier:
Rod Argent (in 1967-08)
Schlagzeug:
Hugh Grundy (in 1967-08)
Hintergrundgesang:
Rod Argent (in 1967-08) und Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographisches Urheberrecht (℗) von:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 349)
recording of:
Time of the Season (in 1967-08)
Texter und Komponist(in):
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. und Mainstay Music, Inc. (in 1968)
The Zombies4.53:33
2Going Up the Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat32:52
3Different Drum
Techniker(in):
Peter Abbott (US recording engineer) und John Krause (1950s US engineer)
Produzent(in):
Nick Venet
Akustikgitarre:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Bernie Leadon und Al Viola
Bass:
Lyle Ritz
Cembalo:
Don Randi
Schlagzeug:
Jimmy Gordon (US drummer with Derek and the Dominos)
Interpret(in):
Linda Ronstadt
cover recording of:
Different Drum
Texter und Komponist(in):
Michael Nesmith
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Stone Poneys4.352:39
4Good Morning Starshine
recording of:
Good Morning Starshine (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
Teil von:
Hair (1967 musical)
Oliver53:41
5Woodstock
cover recording of:
Woodstock
Texter und Komponist(in):
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:31
6Signs
recording of:
Signs
Texter und Komponist(in):
Les Emmerson
Five Man Electrical Band54:02
7Up on Cripple Creek
Techniker(in):
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) und Joe Zagarino
Koproduzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Produzent(in):
The Band (Canadian-American rock band)
Mix:
Tony May (engineer) und Joe Zagarino
recording of:
Up on Cripple Creek
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und Warner/Chappell Music, Inc.
The Band4.64:36
8Abraham, Martin and John
cover recording of:
Abraham, Martin and John
Texter und arranger:
Dick Holler
Komponist(in):
Dick Holler (in 1968)
publisher:
Regent Music (BMI) und TJ Musicservice GmbH
Dion3:21
9Mr. Bojangles
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1974)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band53:37
10We’re an American Band
Assistent recording engineer:
Seth Snyder
Techniker(in) und Produzent(in):
Todd Rundgren
Akustikgitarre, Conga, Gitarre und Hybrid-Piano:
Mark Farner
Bass:
Mel Schacher
Clavinet, Klavier, Moog und Orgel:
Craig Frost
Perkussion und Schlagzeug:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) und Mark Farner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 99) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
Texter und Komponist(in):
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:28
11Love Grows (Where My Rosemary Goes)
Produzent(in):
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) und Demon Music Group (in 1970)
Musikvideos:
Love Grows (Where My Rosemary Goes) von Edison Lighthouse
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 40) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
Verfasser(in):
Tony Macaulay und Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. und Universal Music Publishing MGB Australia
Edison Lighthouse3.82:51
12On the Road Again
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1968)
aufgenommen bei:
Suffolk Meadows in Long Island, New York, Vereinigte Staaten (am 1979-09-08)
live recording of:
On the Road Again (am 1979-09-08)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat3.353:25
13American Pie, Parts I & II
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:09
14Hush
Techniker(in):
Barry Ainsworth (engineer)
Produzent(in) und Mix:
Derek Lawrence (British producer)
E-Bass:
Nick Simper (am 1968-05-11)
E-Gitarre:
Ritchie Blackmore (am 1968-05-11)
Hammond-Orgel und Hintergrundgesang:
Jon Lord (am 1968-05-11)
Schlagzeug:
Ian Paice (am 1968-05-11)
Sologesang:
Rod Evans (am 1968-05-11)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1968)
aufgenommen bei:
Pye Studios in London (Greater London), England, Vereinigtes Königreich (am 1968-05-11)
cover recording of:
Hush (South, Royal, Deep Purple) (am 1968-05-11)
Texter und Komponist(in):
Joe South (bis 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music und Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple4.14:21
15What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:15
16Living in the Past
recording of:
Living in the Past (Jethro Tull)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull) (am 1969-02-12)
publisher:
BMG Monarch, Ian Anderson Music Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1969)
Jethro Tull3:21
17Fresh Air
recording of:
Fresh Air
Texter und Komponist(in):
Jesse Oris Farrow
Verfasser(in):
Dino Valenti
Quicksilver Messenger Service5:22
18We Shall Overcome
recording of:
We Shall Overcome
Texter:
Guy Carawan, Frank Hamilton (folk musician), Zilphia Horton und Pete Seeger
Komponist(in):
Charles Albert Tindley
Joan Baez3:31

Nennungen

Veröffentlichungsgruppe

Teil von:Time Life: Flower Power (Reihenfolge: 8)