Tracklist

1CD
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1Dido and Aeneas, Z. 626: Overture
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Overture
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell1:46
2Dido and Aeneas, Z. 626, Act 1: “Shake the Cloud from off Your Brow” (Belinda)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
partial recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:34
3Dido and Aeneas, Z. 626, Act 1: “Banish Sorrow, Banish Care” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
partial recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:31
4Dido and Aeneas, Z. 626, Act 1: “Ah! Belinda, I Am Pressed with Torment” (Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:00
5Dido and Aeneas, Z. 626, Act 1: “Grief Increases by Concealing” (Belinda, Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:32
6Dido and Aeneas, Z. 626, Act 1: “When Monarchs Unite, How Happy Their State” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:13
7Dido and Aeneas, Z. 626, Act 1: “Whence Could so Much Virtue Spring” (Dido, Belinda)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:43
8Dido and Aeneas, Z. 626, Act 1: “Fear No Danger to Ensue” (Belinda, Attendant, Chorus)
choir vocals:
Il Pomo d’Oro Choir
soprano vocals [Attendant]:
Carlotta Colombo (soprano)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:29
9Dido and Aeneas, Z. 626, Act 1: “See, See Your Royal Guest Appears” (Belinda, Aeneas, Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
tenor vocals [Aeneas]:
Michael Spyres (tenor)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:51
10Dido and Aeneas, Z. 626, Act 1: “Cupid Only Throws the Dart” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:34
11Dido and Aeneas, Z. 626, Act 1: “If Not for Mine, for Empire’s Sake” – “Pursue Thy Conquest, Love” (Aeneas, Belinda)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
tenor vocals [Aeneas]:
Michael Spyres (tenor)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:14
12Dido and Aeneas, Z. 626, Act 1: “To the Hills and the Vales” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:23
13Dido and Aeneas, Z. 626, Act 1: The Triumphing Dance
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:10
14Dido and Aeneas, Z. 626, Act 2: Prelude for the Witches – “Wayward Sisters” – “Harm’s Our Delight” – (Sorceress, First Witch, Chorus)
mezzo-soprano vocals [Sorceress]:
Beth Taylor (Scottish Mezzo-Soprano)
soprano vocals [First Witch]:
Alena Dantcheva
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:28
15Dido and Aeneas, Z. 626, Act 2: “The Queen of Carthage” – “Ho Ho Ho” (Sorceress, Chorus)
choir vocals:
Il Pomo d’Oro Choir
mezzo-soprano vocals [Sorceress]:
Beth Taylor (Scottish Mezzo-Soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:40
16Dido and Aeneas, Z. 626, Act 2: “Ruin’d Ere the Set of Sun” – “Ho Ho Ho” (First Witch, Second Witch, Sorceress, Chorus)
choir vocals:
Il Pomo d’Oro Choir
mezzo-soprano vocals [Sorceress]:
Beth Taylor (Scottish Mezzo-Soprano)
soprano vocals [First Witch]:
Alena Dantcheva
soprano vocals [Second Witch]:
Anna Piroli (soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:09
17Dido and Aeneas, Z. 626, Act 2: “But, Ere We This Perform” (First Witch, Second Witch)
soprano vocals [First Witch]:
Alena Dantcheva
soprano vocals [Second Witch]:
Anna Piroli (soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:09
18Dido and Aeneas, Z. 626, Act 2: “In Our Deep Vaulted Cell” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:18
19Dido and Aeneas, Z. 626, Act 2: Echo Dance of the Furies
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:08
20Dido and Aeneas, Z. 626, Act 2: Ritornelle
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:33
21Dido and Aeneas, Z. 626, Act 2: “Thanks to These Lonesome Vales” (Belinda, Chorus)
choir vocals:
Il Pomo d’Oro Choir
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:48
22Dido and Aeneas, Z. 626, Act 2: “Oft She Visits This Loved Mountain” (Attendant)
soprano vocals [Attendant]:
Carlotta Colombo (soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:51
23Dido and Aeneas, Z. 626, Act 2: “Behold, Upon My Bended Spear” (Aeneas, Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
tenor vocals [Aeneas]:
Michael Spyres (tenor)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:34
24Dido and Aeneas, Z. 626, Act 2: “Haste, Haste to Town” (Belinda, Chorus)
choir vocals:
Il Pomo d’Oro Choir
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:42
25Dido and Aeneas, Z. 626, Act 2: “Stay, Prince!” (Spirit, Aeneas)
countertenor vocals [Spirit]:
Hugh Cutting (countertenor)
tenor vocals [Aeneas]:
Michael Spyres (tenor)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:36
26Dido and Aeneas, Z. 626, Act 3: “Come Away, Fellow Sailors” (Sailor, Chorus)
choir vocals:
Il Pomo d’Oro Choir
tenor vocals [Sailor]:
Laurence Kilsby (tenor)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:23
27Dido and Aeneas, Z. 626, Act 3: The Sailors’ Dance
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:52
28Dido and Aeneas, Z. 626, Act 3: “See, See, the Flags and Streamers Curling” (Sorceress, First Witch, Second Witch)
mezzo-soprano vocals [Sorceress]:
Beth Taylor (Scottish Mezzo-Soprano)
soprano vocals [First Witch]:
Alena Dantcheva
soprano vocals [Second Witch]:
Anna Piroli (soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:59
29Dido and Aeneas, Z. 626, Act 3: “Our Next Motion Must Be to Storm” (Sorceress)
mezzo-soprano vocals [Sorceress]:
Beth Taylor (Scottish Mezzo-Soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:35
30Dido and Aeneas, Z. 626, Act 3: “Destruction’s Our Delight” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:30
31Dido and Aeneas, Z. 626, Act 3: The Witches’ Dance
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:47
32Dido and Aeneas, Z. 626, Act 3: “Your Counsel, All Is Urg’d in Vain” (Dido, Belinda, Aeneas)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
soprano vocals [Belinda]:
Fatma Said (Egyptian soprano)
tenor vocals [Aeneas]:
Michael Spyres (tenor)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:36
33Dido and Aeneas, Z. 626, Act 3: “But Death, Alas! I Cannot Shun” (Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:24
34Dido and Aeneas, Z. 626, Act 3: “Great Minds Against Themselves Conspire” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:54
35Dido and Aeneas, Z. 626, Act 3: “Thy Hand, Belinda” (Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:58
36Dido and Aeneas, Z. 626, Act 3: Dido’s Lament. “When I Am Laid In Earth” (Dido)
mezzo-soprano vocals [Dido]:
Joyce DiDonato (mezzo-soprano)
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:31
37Dido and Aeneas, Z. 626, Act 3: “With Drooping Wings” (Chorus)
choir vocals:
Il Pomo d’Oro Choir
orchestra:
Il Pomo d’Oro
conductor:
Maxim Emelyanychev (Russian conductor, pianist, harpsichordist & cornetist)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:18

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ASIN:ES: B0F7V7RW3P [info]