The SBS Movie Show presents: You Must Remember This: 101 Movie Themes & Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: 1933 - 1940
#TitleArtistRatingLength
1King Kong: Overture
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
King Kong: Main Title
composer:
Max Steiner (in 1933)
publisher:
Peermusic Pty. Ltd. (Australia)
part of:
King Kong (film score)
Max Steiner4:13
2Bride of Frankenstein: The Creation of the Female Monster
recording engineer:
Kenneth Wilkinson (engineer) (from 1974-07-10 until 1974-07-11)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-07-10 until 1974-07-11)
conductor:
Charles Gerhardt (conductor, producer, arranger) (from 1974-07-10 until 1974-07-11)
remixer:
Grover Helsley
phonographic copyright (℗) by:
BMG Music (in 1974) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-07-10 until 1974-07-11)
recording of:
Creation of the Female Monster (The Bride of Frankenstein) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The Bride of Frankenstein
Franz Waxman7:24
3Captain Blood: Main Title
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recording of:
Overture (Captain Blood)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Captain Blood
Erich Wolfgang Korngold3:15
4Top Hat: Top Hat, White Tail and Tails
recorded in:
New York, New York, United States (on 1935-06-27)
vocals:
Fred Astaire (on 1935-06-27)
orchestra:
Johnny Green and His Orchestra (on 1935-06-27)
recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (on 1935-06-27)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Irving Berlin2:36
5Snow White: Snow White and the Seven Dwarves Fantasy
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
instrumental recording of:
Heigh‐Ho (The Dwarfs’ Marching Song)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
On est toutes Blanche-Neige
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
instrumental recording of:
One Song
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne, Inc.
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
recording of:
Snow White and the Seven Dwarfs (Fantasy medley)
composer:
Frank Churchill, Leigh Harline and Paul J. Smith (film and television composer, Disney Legends honoree)
instrumental recording of:
Someday My Prince Will Come
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
instrumental recording of:
Whistle While You Work (from "Snow White and the Seven Dwarfs")
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) and EMI Allans Music Australia Pty Ltd
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
instrumental recording of:
With a Smile and a Song
lyricist:
Larry Morey (American lyricist, 1905–1971)
writer:
Leigh Harline
composer:
Frank Churchill
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Frank Churchill, Leigh Harline & Paul J. Smith8:10
6The Adventures of Robin Hood: Fanfare and Love Scene
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
Fanfare and Love Scene (The Adventures of Robin Hood) (in 1991-02)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
The Adventures of Robin Hood
Erich Wolfgang Korngold7:16
7Jezebel: Waltz
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recording of:
Waltz (Jezebel)
composer:
Max Steiner
Max Steiner2:12
8Wuthering Heights: Wuthering Heights (Cathy's Theme)
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
arranger:
Christopher Palmer (arranger)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Cathy’s Theme (Wuthering Heights)
composer:
Alfred Newman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Alfred Newman3:35
9Gone With the Wind: Gone With the Wind (main title)
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
Tara’s Theme (Gone With the Wind, main theme) (in 1991-02)
composer:
Max Steiner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Olive Music LLC
part of:
Gone With the Wind (soundtrack from the 1939 film)
Max Steiner4:30
10The Wizard of Oz: Over the Rainbow
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1982)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Max Steiner3:12
11Pinocchio: When You Wish Upon a Star
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1989)
recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1940 winner)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
Leigh Harline2:26
12Fantasia: The Sorcerer's Apprentice
engineer:
John Dunkerley (engineer)
producer:
Paul Myers (classical record producer)
editor:
Jonathan Stokes (engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (in 1987-10)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas11:34
13The Philadelphia Story: The Philadelphia Story
recording engineer:
Kenneth Wilkinson (engineer) (from 1974-07-10 until 1974-07-11)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-07-10 until 1974-07-11)
conductor:
Charles Gerhardt (conductor, producer, arranger) (from 1974-07-10 until 1974-07-11)
remixer:
Grover Helsley
phonographic copyright (℗) by:
BMG Music (in 1974) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-07-10 until 1974-07-11)
recording of:
Main Title (The Philadelphia Story) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
MGM Fanfare (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
The True Love (The Philadelphia Story) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Franz Waxman3:40
14Rebecca: Rebecca (Suite)
recording engineer:
Kenneth Wilkinson (engineer) (from 1974-07-10 until 1974-07-11)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-07-10 until 1974-07-11)
conductor:
Charles Gerhardt (conductor, producer, arranger) (from 1974-07-10 until 1974-07-11)
remixer:
Grover Helsley
phonographic copyright (℗) by:
BMG Music (in 1974) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-07-10 until 1974-07-11)
medley including a recording of:
After the Ball (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a recording of:
Confession Scene (Rebecca) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Manderley in Flames (Rebecca) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a recording of:
Mrs. Danvers (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
medley including a recording of:
Prelude (Rebecca) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Franz Waxman7:49
2▼CD: 1941 - 1950
#TitleArtistRatingLength
1Citizen Kane: Overture From Citizen Kane
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Herrmann (composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recording of:
Overture (Citizen Kane)
composer:
Bernard Herrmann (composer)
part of:
Citizen Kane (soundtrack from the 1941 film)
Bernard Herrmann2:50
2Casablanca: As Time Goes By
piano:
Turner Layton
vocals:
Turner Layton
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Max Steiner3:07
3Now, Voyager: Now, Voyager
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Main Theme (Star Trek: Voyager)
miscellaneous support:
Bob Bornstein
orchestrator:
Hummie Mann and Gregory Smith (Disney composer/arranger, conductor, music supervisor)
composer:
Jerry Goldsmith (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Max Steiner4:34
4Meet Me in St. Louis: The Trolley Song
vocals:
Judy Garland (on 1944-04-21)
orchestra:
The Georgie Stoll Orchestra (on 1944-04-21)
conductor:
Georgie Stoll (on 1944-04-21)
recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1944-04-21)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin & Ralph Blane52:55
5Henry V: Passacaglia:The Death of Falstaff
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recording of:
Suite from Henry V: II. Passacaglia - The Death of Falstaff (for orchestra, Mathieson)
orchestrator:
Muir Mathieson (in 1963)
composer:
William Walton (British composer and conductor)
part of:
Henry V Suite (for orchestra, Mathieson)
Patrick Doyle3:27
6Double Indemnity: Mrs. Dietrichson, the Conspiracy
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-10-16 until 1974-10-17)
conductor:
Charles Gerhardt (conductor, producer, arranger) (from 1974-10-16 until 1974-10-17)
phonographic copyright (℗) by:
BMG Music (in 1974) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-10-16 until 1974-10-17)
recording of:
Mrs. Dietrichson, the Conspiracy (Double Indemnity) (from 1974-10-16 until 1974-10-17)
composer:
Miklós Rózsa (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Miklós Rózsa3:25
7Spellbound: The Dream Sequence, the Mountain Lodge
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
phonographic copyright (℗) by:
BMG Music (in 1974)
recording of:
The Dream Sequence, the Mountain Lodge
composer:
Miklós Rózsa (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Miklós Rózsa5:33
8Brief Encounter: Piano concerto No.2: II. Adagio sostenuto
piano:
Eileen Joyce (Australian pianist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Erich Leinsdorf (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1947)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov11:37
9The Red Shoes: Prelude
orchestra:
British Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Muir Mathieson
recording of:
The Red Shoes: Prelude / Ballet Music (Part 1)
composer:
Easdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Brian Easdale3:59
10On the Town: Times Square: 1944
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer and conductor) (in 1985-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Three Dance Episodes from “On the Town”: III. Times Square: 1944 (in 1985-06)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Bernstein5:23
11Sunset Blvd: Sunset Blvd.: Suite
recording engineer:
Kenneth Wilkinson (engineer) (from 1974-07-10 until 1974-07-11)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-07-10 until 1974-07-11)
conductor:
Charles Gerhardt (conductor, producer, arranger) (from 1974-07-10 until 1974-07-11)
remixer:
Grover Helsley
phonographic copyright (℗) by:
BMG Music (in 1974) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-07-10 until 1974-07-11)
medley including a recording of:
Norma As Salome (Sunset Boulevard) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Sunset Boulevard (original soundtrack of the 1950 American film)
medley including a recording of:
Norma Desmond (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Sunset Boulevard (original soundtrack of the 1950 American film)
medley including a recording of:
Opening Theme (Sunset Boulevard, 1950 American film) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Sunset Boulevard (original soundtrack of the 1950 American film)
medley including a recording of:
Studio Stroll (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Sunset Boulevard (original soundtrack of the 1950 American film)
medley including a recording of:
The Comeback (Sunset Boulevard) (from 1974-07-10 until 1974-07-11)
composer:
Franz Waxman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Franz Waxman7:47
3▼CD: 1951 - 1960
#TitleArtistRatingLength
1The Day the Earth Stood Still: Outer Space
orchestra:
Hollywood Bowl Orchestra (in 1994-09)
conductor:
John Mauceri (conductor) (in 1994-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1995)
recording of:
The Day the Earth Stood Still: Outer Space (in 1994-09)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:45
2A Place in the Sun: A Place in the Sun: Suite
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
A Place in the Sun Suite (in 1991-02)
composer:
Franz Waxman
is based on:
A Place in the Sun
Franz Waxman10:02
3The Big Sky: The Big Sky
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
The Big Sky (The Big Sky)
composer:
Dimitri Tiomkin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dimitri Tiomkin8:11
4Singin' in the Rain: Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
recording of:
Main Title (Singin’ in the Rain)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Nacio Herb Brown & Lennie Hayton3:40
5On the Waterfront: Love Theme
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
On the Waterfront: Love Theme (in 1991-02)
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
On the Waterfront (film score)
Leonard Bernstein3:49
6An Affair to Remember: An Affair to Remember
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
An Affair to Remember (Our Love Affair)
lyricist:
Harold Adamson and Leo McCarey
composer:
Harry Warren (US composer and lyricist)
publisher:
EMI Feist Catalog Inc.
part of:
The 30th Academy Award for Best Original Song (number: 2)
Hugo Friedhofer & Harry Warren2:44
7The Bridge on the River Kwai: Colonel Bogey March
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
Colonel Bogey March (also known as Dink March or Underberg)
composer:
Kenneth J. Alford (in 1914)
cover recording of:
The Bridge on the River Kwai: V. Finale: The River Kwai March
composer:
Malcolm Arnold (composer) (in 1957)
part of:
The Bridge on the River Kwai
Malcolm Arnold4:09
8Gigi: Main Title: Fountain Scene / Chez Maxim Waltz
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recording of:
Chez Maxim Waltz (Gigi)
composer:
Frederick Loewe
medley including a recording of:
Fountain Scene (Gigi)
composer:
Frederick Loewe
medley including a recording of:
Gigi (Gigi)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
The 31st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1958 winner)
part of:
Gigi (full musical)
Frederick Loewe6:17
9Vertigo: Prelude and Scene D'Amour
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Prelude (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
recording of:
Scène d’amour (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
Bernard Herrmann8:52
10North by Northwest: North by Northwest
producer:
Tony D’Amato
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1968-12)
conductor:
Bernard Herrmann (composer) (in 1968-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1968-12)
recording of:
Overture (North by Northwest) (in 1968-12)
composer:
Bernard Herrmann (composer)
part of:
North by Northwest (1959 film score)
Bernard Herrmann3:09
11Ben-Hur: Parade of the Charioteers
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Kenneth Alwyn (conductor)
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
Parade of the Charioteers (Ben-Hur)
composer:
Miklós Rózsa (composer)
part of:
Ben-Hur
Miklós Rózsa3:41
12Spartacus: Love Theme
orchestra:
Nürnberger Symphoniker (Nuremberg Symphony Orchestra, the real orchestra)
conductor:
Richard Kaufman (conductor)
recording of:
Love Theme (Spartacus)
lyricist:
Terry Callier and Alex North (US composer)
composer:
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alex North3:38
13Psycho: Psycho: A Narrative for Orchestra
producer:
Tony D’Amato
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1968-12)
conductor:
Bernard Herrmann (composer) (in 1968-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1968-12)
recording of:
Psycho (A Narrative for Orchestra) (in 1968-12)
composer:
Bernard Herrmann (composer)
is based on:
Psycho
Bernard Herrmann14:30
4▼CD: 1961 - 1976
#TitleArtistRatingLength
1Breakfast at Tiffany's: Moon River
conductor:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
BMG Music (in 1961)
recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Henry Mancini2:47
2West Side Story: Selections From West Side Story
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer and conductor) (in 1985-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
medley including a recording of:
West Side Story Selections (in 1985-06)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
is based on:
West Side Story
medley including a recording of:
West Side Story: America (Anita, Shark Girls)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
medley including a recording of:
West Side Story: I Feel Pretty
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
medley including a recording of:
West Side Story: Jet Song
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
medley including a recording of:
West Side Story: One Hand, One Heart (Tony, Maria)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
medley including a recording of:
West Side Story: Something’s Coming (Tony)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
medley including a recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein9:11
3Lawrence of Arabia: Overture
engineer:
Dick Lewzey and Jonathan Miller (UK engineer)
producer:
Geoffrey Alexander
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1989-01-10 until 1989-01-11)
conductor:
Tony Bremner (from 1989-01-10 until 1989-01-11)
arranger and orchestrator:
Christopher Palmer (arranger) and Gerard Schurmann
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1989)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1989-01-10 until 1989-01-11)
cover recording of:
Overture (Lawrence of Arabia)
orchestrator:
Gerard Schurmann
composer:
Maurice Jarre (composer and conductor)
publisher:
Shapiro, Bernstein & Co., Inc.
part of:
Lawrence of Arabia
part of:
Lawrence of Arabia: Suite
Maurice Jarre34:28
4The Great Escape: Main Theme
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
Main Title (The Great Escape)
composer:
Elmer Bernstein (American score composer)
part of:
The Great Escape
Elmer Bernstein2:20
5Dr. Strangelove: The Bomb Run
choir vocals:
Crouch End Festival Chorus
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
chorus master:
David Temple
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1999)
recording of:
Final Bomb Run (Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb)
composer:
Laurie Johnson
part of:
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Laurie Johnson2:17
6Goldfinger: Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
John Barry4.252:54
7The Sound of Music: Climb Every Mountain
vocals:
Judi Connelli and Suzanne Johnston (mezzo soprano)
orchestra:
Tasmanian Symphony Orchestra
conductor:
Guy Noble (conductor) and David Stanhope (Australian composer, conductor and virtuoso pianist)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 1999)
recording of:
Climb Ev’ry Mountain (The Sound of Music)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization and Williamson Music Company
part of:
MJ: The Musical
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Richard Rodgers3:06
8Doctor Zhivago: Somewhere, My Love (Lara's Theme)
orchestra:
Prague Philharmonia
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Somewhere My Love
lyricist:
Paul Francis Webster
composer:
Maurice Jarre (composer and conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Rondor Music (Australia) Pty Ltd and Webster Music Co.
version of:
Lara’s Theme (original without lyrics)
Maurice Jarre3:39
9The Good, the Bad and the Ugly: Main Theme
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1999)
recording of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly (Main Title))
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
part of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly, 1966 film score)
Ennio Morricone2:44
10The Graduate: The Sound of Silence
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
The Sound of Silence
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-19)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Paul Simon & Art Garfunkel3:10
112001: A Space Odyssey: Also Sprach Zarathustra: Introduction (Sunrise)
recording engineer:
James Brown (Decca engineer, 1960s) (in 1959-03) and Gordon Parry (engineer) (in 1959-03)
producer:
John Culshaw and Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-03)
conductor:
Herbert von Karajan (conductor) (in 1959-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-03, from 1959-03-09 until 1959-03-10)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1959-03)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:48
12Once Upon a Time in the West: Main Theme
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1997)
recording of:
C’era una volta il West (Once Upon a Time in the West, main theme)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
part of:
C’era una volta il West (Once Upon a Time in the West)
recording of:
C’era una volta il west: L’uomo dell’armonica (Man With a Harmonica)
composer:
Ennio Morricone (Italian classical and score composer)
part of:
C’era una volta il West (Once Upon a Time in the West)
Ennio Morricone43:56
13Butch Cassidy and the Sundance Kid: Raindrops Keep Fallin' on My Hood
cover recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
Burt Bacharach3:04
14Midnight Cowboy: Main Theme
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
arranger and orchestrator:
Nic Raine
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
Midnight Cowboy
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry4:03
15A Clockwork Orange: Pomp & circumstance: March No.1
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1991-02)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:32
16The Godfather: The Godfather (Love Theme)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1999)
recording of:
Love Theme from The Godfather
composer:
Nino Rota (Italian composer)
version of:
Buongiorno Fortunella
part of:
The Godfather (1972 film soundtrack)
Nino Rota2:49
17The Sting: The Entertainer
piano:
Marvin Hamlisch
phonographic copyright (℗) by:
Geffen Records (in 1974)
recording of:
The Entertainer
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) and Multimood Music (publisher)
part of:
Classic 100: Piano (2025) (number: 25)
Scott Joplin2:38
18Picnic at Hanging Rock: Doina lui petru unc (Panpipes Theme)
orchestra:
ABC Philharmonic Orchestra
conductor:
William Motzing (conductor, composer, trombonist)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 1982)
recording of:
Doina Lui Petru Unc (Panpipes Theme)
composer:
[traditional] (special purpose artist), George Enescu (Romanian composer, violinist, conductor and teacher) and Bruce Smeaton
publisher:
Warner Chappell
Bruce Smeaton4:55
19Jaws: Main Theme
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
arranger:
Peter Smith (Orchestrator, arranger)
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
Main Theme (Jaws)
composer:
John Williams (American score composer and conductor)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
John Williams2:18
20Rocky: Fanfare / Gonna Fly Now
orchestra:
The City of Prague Philharmonic Orchestra and The London Screen Orchestra
conductor:
Mike Townend
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
recording of:
Gonna Fly Now
lyricist:
Carol Connors and Ayn Robbins
composer:
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 49th Academy Award for Best Original Song (number: 2)
Bill Conti4:42
5▼CD: 1977 - 1984
#TitleArtistRatingLength
1Star Wars: Main Theme
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Main Title (Star Wars) (in 1977-12)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
Star Wars (Episode IV: A New Hope 1981 radio drama)
writer:
Brian Daley
composer:
John Williams (American score composer and conductor)
cover recording of:
Star Wars: Suite / Main Title
composer:
John Williams (American score composer and conductor)
John Williams5:11
2Close Encounters of the Third Kind: Suite
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Close Encounters of the Third Kind: Suite (in 1977-12)
composer:
John Williams (American score composer and conductor)
publisher:
EMI Music Publishing (do not use as a release label!)
John Williams12:42
3The Deer Hunter: The Deer Hunter (Cavatina)
engineer:
Lars Finnström (engineer) (from 1981-05 until 1981-06)
classical guitar:
Göran Söllscher (classical guitarist) (from 1981-05 until 1981-06)
guitar arranger:
John Williams (classical guitarist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and PolyGram AB (in 1981)
recorded at:
Mastersound Recording Studios (Skurup) in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden (from 1981-05 until 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1981-05 until 1981-06)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:37
4Apocalypse Now: Ride of the Valkires
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1965-11) and Helen Watts (contralto) (in 1965-11)
mezzo-soprano vocals:
Claudia Hellmann (contralto) (in 1965-11)
soprano vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1965-11), Berit Lindholm (soprano) (in 1965-11), Vera Schlosser (in 1965-11) and Marilyn Tyler (soprano) (in 1965-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1965-11)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1965-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recording of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" (in 1965-11)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1965-11)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:24
5Raiders of the Lost Ark: March
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:31
6Gallipoli: Adagio for organ and strings
organ:
Alastair Ross (organist and harpsichordist)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1977)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni8:55
7Chariots of Fire: Chariots of Fire
engineer:
Raphael Preston, Raine Shine and John Walker (technical)
producer:
Vangelis (Greek composer of electronic, new age and classical)
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
recorded at:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, United Kingdom
recording of:
Chariots of Fire (title theme of the 1981 film)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) and WB Music Corp. (1929–2019)
Vangelis3.63:35
8Blade Runner: Love Theme
engineer:
Philippe Colonna, Frédérick Rousseau and Raine Shine
producer:
Vangelis (Greek composer of electronic, new age and classical)
saxophone:
Dick Morrissey
synthesizer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1989) and Warner Music UK Ltd. (not for release label use!) (in 1994)
recorded at:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, United Kingdom (in 1982)
recording of:
Love Theme (Blade Runner)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Warner–Barham Music LLC
sub-publisher:
Universal Music Publishing France (not for release label use!)
part of:
Blade Runner
Vangelis3.64:59
9E.T.: The Extra Terrestrial: The Flying Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams3:47
10The Big Chill: Heard It Through the Grapevine
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recording of:
I Heard It Through the Grapevine
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye5:05
11Once Upon a Time in America: Once Upon a Time in America (Deborah's Theme)
orchestra:
Prague Philharmonic (The City of Prague Philharmonic Orchestra)
conductor:
Nic Raine
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
recording of:
Once Upon a Time in America (main theme)
composer:
Ennio Morricone (Italian classical and score composer)
part of:
Once Upon a Time in America
Ennio Morricone4:42
12Amadeus: Symphony No. 25 in G minor, KV183: 1. Allegro con brio
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1979) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1978-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:41
6▼CD: 1984 - 1992
#TitleArtistRatingLength
1Beverly Hills Cop: Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:05
2This Is Spinal Tap: Stonehenge
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Stonehenge
composer:
Christopher Guest, Michael McKean (actor), Rob Reiner (American actor and filmmaker) and Harry Shearer
publisher:
EMI Music Publishing (do not use as a release label!)
Spinal Tap4:41
3Back to the Future: Main Theme
producer:
Alan Silvestri (US score composer)
violin:
Jeanne E. Aiken (Session Musician) (from 1985-05-16 until 1985-06-11), Patricia Aiken (from 1985-05-16 until 1985-06-11), Judith Aller (from 1985-05-16 until 1985-06-11), Mark Baranov (Session Musician) (from 1985-05-16 until 1985-06-11) and Jackie Brand (from 1985-05-16 until 1985-06-11)
orchestra:
The Outatime Orchestra (from 1985-05-16 until 1985-06-11)
conductor:
Alan Silvestri (US score composer) (from 1985-05-16 until 1985-06-11)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
Eastwood Scoring Stage in Burbank, California, United States (from 1985-05-16 until 1985-06-11)
recording of:
Back to the Future (Theme) (title theme from the 1985 film of the same name) (from 1985-05-16 until 1985-06-11)
composer:
Alan Silvestri (US score composer)
part of:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
Alan Silvestri3:21
4Out of Africa: Main Title (I Had a Farm in Africa)
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry (English score composer)
mixer:
Dan Wallin
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry (English score composer)
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry43:15
5Hannah and Her Sisters: Harpsichord concerto in F minor, BWV 1056: II. Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) and Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:55
6A Room With a View: “O mio babbino caro” From “Gianni Schicchi”
soprano vocals and soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:31
7Platoon: Adagio for Strings
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Georges Delerue8:47
8Good Morning Vietnam: What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:20
9Moonstruck: That's Amore
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1989)
recording of:
That’s Amore
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Harry Warren & Jack Brooks3:11
10The Untouchables: The Untouchables
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
A&M Records (in 1987)
recording of:
The Untouchables
composer:
Ennio Morricone (Italian classical and score composer)
Ennio Morricone3:15
11Cinema Paradiso: Cinema Paradiso
orchestra:
Prague Philharmonia
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Nuovo Cinema Paradiso (Main theme)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
part of:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:13
12Batman: The Batman Theme
orchestra:
Sinfonia of London Orchestra (John Wilson’s session orchestra)
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1989)
recording of:
Main Theme (Batman, 1989)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Batman (1989)
Danny Elfman2:42
13Dances With Wolves: John Dunbar Theme
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:32
14Silence of the Lambs: Goldberg Variations: Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Howard Shore4:51
15The Crying Game: The Crying Game
programming:
Pete Gleadall
engineer:
Pete Schwier (producer, mixing and recording engineer)
producer:
Pet Shop Boys
vocals and performer:
Boy George
phonographic copyright (℗) by:
Spaghetti Recordings Ltd. (in 1992)
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:25
16Strictly Ballroom: Love Is in the Air (Ballroom mix)
phonographic copyright (℗) by:
Albert Productions (in 1992)
recording of:
Love Is in the Air
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
David Hirschfelder3:31
17Reservoir Dogs: Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:27
7▶CD: 1993 - 2002

Credits

Release

manufactured in:Australia
art direction:Oxygen Design Pty. Ltd.
executive producer:John Derry
Cyrus Meher‐Homji
compiler:Matthew Cowling
John Derry
Cyrus Meher‐Homji
David Wood (compiler)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2004)
licensed from:BMG Australia Limited (not for release label use!)
marketed by:Universal Classics & Jazz (Japanese label division - read the annotation before using!)
Discogs:https://www.discogs.com/release/14430778 [info]
ASIN:UK: B0001VWPCE [info]