The Complete Collection: Part Two 1959 - 1962

~ Release by Ahmad Jamal (see all versions of this release, 2 available)

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1Comme Çi, Comme Ça
2:15
2Ivy
live instrumental recording of:
Ivy (in 1959-02)
lyricist and composer:
Hoagy Carmichael
4:03
3Never Never Land
live instrumental recording of:
Never Never Land (Peter Pan, 1954 musical) (in 1959-02)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC and WC Music Corp.
part of:
Peter Pan (1954 musical)
3:12
4Tangerine
live instrumental recording of:
Tangerine (1941 song) (in 1959-02)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:46
5Ahmad's Blues
live recording of:
Ahmad’s Blues (in 1959-02)
composer:
Ahmad Jamal
4:25
6Seleritius
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
live recording of:
Seleritus (in 1959-02)
composer:
Ahmad Jamal
3:06
7I Like to Recognize the Tune
live instrumental recording of:
I Like to Recognize the Tune (in 1959-02)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
1:46
8I'm Alone With You
3:15
9Sophisticated Gentleman
recording engineer:
Malcolm Chisholm (from 1959-02-27 until 1959-02-28) and Tommy Nola (from 1959-02-27 until 1959-02-28)
producer:
Dave Usher
bass:
Israel Crosby (from 1959-02-27 until 1959-02-28)
drums (drum set):
Vernell Fournier (from 1959-02-27 until 1959-02-28)
piano:
Ahmad Jamal (from 1959-02-27 until 1959-02-28)
strings:
Alexander Cores (violin) (from 1959-02-27 until 1959-02-28), Bernard Eichenbaum (from 1959-02-27 until 1959-02-28), George Brown (American pop violinist) (from 1959-02-27 until 1959-02-28), Bertrand Hirsch (from 1959-02-27 until 1959-02-28), Harry Katzman (from 1959-02-27 until 1959-02-28), Leo Kruczek (from 1959-02-27 until 1959-02-28), Harry Lookofsky (from 1959-02-27 until 1959-02-28), Seymour Miroff (from 1959-02-27 until 1959-02-28), Felix Orlewitz (from 1959-02-27 until 1959-02-28), Gene Orloff (from 1959-02-27 until 1959-02-28), Alvin Rudnitsky (from 1959-02-27 until 1959-02-28), Lucien Schmit (from 1959-02-27 until 1959-02-28), Sylvan Shulman (violinist) (from 1959-02-27 until 1959-02-28), David Soyer (from 1959-02-27 until 1959-02-28) and Isadore Zir (aka Isadore Zit viola player) (from 1959-02-27 until 1959-02-28)
conductor:
Joseph Kennedy (violin, aranger, writer) (from 1959-02-27 until 1959-02-28)
arranger:
Joseph Kennedy (violin, aranger, writer)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1959-02-27 until 1959-02-28)
4:14
10Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
45:15
11For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
52:46
12Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
55:45
13Excerpt From the Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
3:03
14You'd Be So Easy to Love
3:19
15Time on My Hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
1:35
16Rain Check
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
4:41
17I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:01
18Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
4:54
19Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
2:39
2▼Digital Media
#TitleArtistRatingLength
1Poinciana
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
live instrumental recording of:
Poinciana (Song of the Tree) (on 1958-01-17)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
The Ahmad Jamal Trio3:03
2Too Late Now
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Too Late Now (Royal Wedding / On a Clear Day) (on 1958-01-17)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
The Ahmad Jamal Trio2:31
3All the Things You Are
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
The Ahmad Jamal Trio3:13
4Cherokee
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Cherokee (on 1958-01-17)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
The Ahmad Jamal Trio3:40
5It Might as Well Be Spring
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
The Ahmad Jamal Trio3:28
6I'll Remember April
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
I’ll Remember April (on 1958-01-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
The Ahmad Jamal Trio2:42
7My Funny Valentine
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1958-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
The Ahmad Jamal Trio3:25
8Gone With the Wind
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Gone With the Wind (on 1958-01-17)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
The Ahmad Jamal Trio3:25
9Billy Boy
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Billy Boy (on 1958-01-17)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
The Ahmad Jamal Trio3:01
10It's You or No One
recording engineer:
Malcolm Chisholm (on 1958-01-17)
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
The Ahmad Jamal Trio2:30
11They Can't Take That Away From Me
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1958-01-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
The Ahmad Jamal Trio4:45
12Poor Butterfly
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Poor Butterfly (on 1958-01-17)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
The Ahmad Jamal Trio3:40
13Ahmad's Waltz
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet4:46
14Valentina
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet2:22
15Yesterdays
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
Yesterdays (in 1960-08)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Ahmad Jamal Quintet2:58
16Tempo for Two
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet3:29
17Hallelujah
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet2:09
18It's a Wonderful World
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
It’s a Wonderful World (in 1960-08)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
The Ahmad Jamal Quintet2:52
19Baia
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
The Ahmad Jamal Quintet4:03
20You Came a Long Way From St. Louis
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
You Came a Long Way From St. Louis (in 1960-08)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
The Ahmad Jamal Quintet3:39
21Lover Man
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
Lover Man (in 1960-08)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
The Ahmad Jamal Quintet4:07
22Who Cares
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-17)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-17)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-17)
piano:
Ahmad Jamal (from 1960-08-15 until 1960-08-17)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-17)
arranger:
Joe Kennedy (violin, aranger, writer)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-17)
instrumental recording of:
Who Cares? (Of Thee I Sing) (in 1960-08)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
The Ahmad Jamal Quintet3:15
3▼Digital Media
#TitleRatingLength
1We Kiss in a Shadow
5:06
2Sweet & Lovely
4:01
3The Party's Over
4:00
4Love for Sale
4:03
5Snow Fall
2:34
6Broadway
7:50
7Willow Weep for Me
instrumental recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:59
8Autumn Leaves
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
3:52
9Isn't It Romantic
4:28
10The Breeze & I
2:23
11Billy Boy
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Billy Boy
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
3:00
12Sweet and Lovely
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
3:54
13I Didn't Know What Time It Was
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
4:28
14Taboo
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Tabú (original 1934 spanish lyrics)
lyricist and composer:
Margarita Lecuona (Cuban composer) (in 1934)
3:54
15I'll Never Stop Loving You
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
I’ll Never Stop Loving You
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:00
16I'll Remember April
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
I’ll Remember April
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
2:42
17So Beats My Heart for You
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
So Beats My Heart for You
writer:
Pat Ballard, Charles Henderson and Tom Waring
3:35
18For All We Know
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
2:42
19The Breeze and I
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
The Breeze and I
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucía
2:16
20Like Someone in Love
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:47
21Angel Eyes
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
Angel Eyes (1946 jazz standard)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:09
22The Girl Next Door
bass:
Israel Crosby
drums (drum set):
Vernell Fournier
piano:
Ahmad Jamal
instrumental recording of:
The Girl Next Door
composer:
Ralph Blane and Hugh Martin
publisher:
EMI Feist Catalog Inc. and EMI United Partnership Ltd.
3:21
4▼Digital Media
#TitleRatingLength
1Time on My Hands
6:20
2Angel Eyes
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
instrumental recording of:
Angel Eyes (1946 jazz standard) (in 1961-06)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:15
3You Go to My Head
10:56
4Star Eyes
5:56
5All of You
5:00
6What Is This Thing Called Love
6:05
7You're Blasé
engineer:
Ron Malo
producer:
Leonard Chess
double bass [bass]:
Israel Crosby (in 1961-06)
drums (drum set):
Vernell Fournier (in 1961-06)
piano:
Ahmad Jamal (in 1961-06)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (in 1961-06)
instrumental recording of:
You’re Blasé (in 1961-06)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
3:29
8I'll Take Romance-My Funny Valentine
producer:
Paul Gayten (US R&B)
double bass:
Israel Crosby (in 1961)
drums (drum set):
Vernell Fournier (in 1961)
piano:
Ahmad Jamal (in 1961)
recorded at:
The Blackhawk in San Francisco, California, United States (in 1961)
live medley including a instrumental recording of:
I’ll Take Romance (in 1961)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
live medley including a instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1961)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
6:18
9Like Someone in Love
2:53
10Falling in Love With Love
4:21
11The Best Thing for You
4:39
12April in Paris
instrumental recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
4:09
13The Second Time Around
4:16
14We Live in Two Different Worlds
4:30
15Night Mist Blues
recording of:
Night Mist Blues
composer:
Ahmad Jamal
7:02