Aida

~ Release by Giuseppe Verdi; Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti (see all versions of this release, 14 available)

Tracklist

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1▼Hybrid SACD (SACD layer, 2 channels)
#TitleArtistRatingLength
1Aida: Prelude
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Aida: Preludio (standard opening to the opera, ~4min)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:37
2Aida: Atto I. “Si, corre voce che l’Etiope ardisca”
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:35
3Aida: Atto I. “Se quel guerrier io fossi!”
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:54
4Aida: Atto I. “Celeste Aida”
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:25
5Aida: Atto I. “Quale insolita gioia nel tuo sguardo!”
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:19
6Aida: Atto I. “Vieni, o diletta, appressati”
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:45
7Aida: Atto I. “Alta cagion v’aduna”
bass vocals [Il re]:
Luigi Roni (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
tenor vocals [Un messagero]:
Nicola Martinucci (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:24
8Aida: Atto I. “Su! del Nilo al sacro lido”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:08
9Aida: Atto I. “Ritorna vincitor!”
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:09
10Aida: Atto I. “I sacri nomi di padre, d’amante”
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:26
11Aida: Atto I. “Possente, possente Ftha”
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
soprano vocals [Sacerdotessa]:
Esther Casas (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:27
12Aida: Atto I. Danza sacra delle sacerdotesse
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:12
13Aida: Atto I. “Mortal, diletto ai numi”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:00
14Aida: Atto I. “Nume custode e vindice”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi4:30
15Aida: Atto II. “Chi mai fra gl’inni e i plausi”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:49
16Aida: Atto II. Danza di schiavi mori
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:27
17Aida: Atto II. “Vieni, sul crin ti piovano”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:37
18Aida: Atto II. “Fu la sorte dell’armi a’tuoi funesta”
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:39
19Aida: Atto II. “Ebben, qual nuovo fremito t’assal, gentil Aida?”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:55
20Aida: Atto II. “Pieta ti prenda del mio dolor”
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:55
21Aida: Atto II. “Su! del Nilo al sacro lido”
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:47
22Aida: Atto II. “Gloria all’Egitto, ad Iside”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:03
23Aida: Atto II. Marcia trionfale
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:26
24Aida: Atto II. Ballabile
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:06
25Aida: Atto II. “Vieni, o guerriero vindice”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:20
26Aida: Atto II. “Salvator della patria”
bass vocals [Il Re]:
Luigi Roni (operatic bass) (in 1974-07)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1974-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:11
27Aida: Atto II. “Che veggo! Egli? Mio padre!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:52
28Aida: Atto II. “Ma tu, Re, tu signore possente”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:44
29Aida: Atto II. “Il dolor che in quel volto favella”
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:44
2▼Hybrid SACD (SACD layer, 2 channels)
#TitleArtistRatingLength
1Aida: Atto II. “O Re, pei sacri numi”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:36
2Aida: Atto II. “Gloria all’Egitto, ad Iside”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:06
3Aida: Atto III. “O tu che sei d’Osiride”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:11
4Aida: Atto III. “Vieni d’Iside al tempio”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:13
5Aida: Atto III. “Qui Radames verra!”
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:37
6Aida: Atto III. “O patra mia”
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:17
7Aida: Atto III. “Ciel! mio padre!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:43
8Aida: Atto III. “In armi ora si desta il popol nostro”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:02
9Aida: Atto III. “Padre, a costoro schiava non sono”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:24
10Aida: Atto III. “Pur ti riveggo, mia dolce Aida”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:27
11Aida: Atto III. “Nel fiero anelito di nuova guerra”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:49
12Aida: Atto III. “Fuggiam gli ardori inospiti.....La, tra foreste vergini”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:29
13Aida: Atto III. “Aida!....Tu non m’ami”
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recording of:
Aida: Atto III. “Aida! Tu non m'ami. Va!” – “Ah no! Fuggiamo!” (Radamès, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:05
14Aida: Atto III. “Ma dimmi: per qual via”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:26
15Aida: Atto III. “Traditor!....La mia rival!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:05
16Aida: Atto IV. “L’abborrita rivale a me sfuggia”
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:15
17Aida: Atto IV. “Gia i sacerdoti adunansi”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:33
18Aida: Atto IV. “No, vive Aida!....Vive!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:00
19Aida: Atto IV. “Ohime! morir mi sento!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:39
20Aida: Atto IV. “Spirto del nume, sovra noi discendi!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi1:51
21Aida: Atto IV. “Radames! Radames! Radames”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:51
22Aida: Atto IV. “A lui vivo, la tomba!”
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:38
23Aida: Atto IV. “La fatal pietra sovra me si chiuse”
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:12
24Aida: Atto IV. “Presago il core della tua condanna”
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi1:54
25Aida: Atto IV. “Vedi? di morte l’angelo”
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi1:46
26Aida: Atto IV. “O terra, addio, valle di pianti”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:46