Popular Arias and Choruses

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Disc One
Nr.TitelKünstlerBewertungLänge
1Turandot: Atto III. “Nessun Dorma!”
Tenor-Gesang:
Nikolai Nikolov (operatic tenor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:15
2Il Trovatore: Atto II. Anvil Chorus
Chorgesang:
Sofia National Opera
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:39
3La Bohème: Atto I. “Che gelida manina”
Tenor-Gesang:
Nikolai Nikolov (operatic tenor)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:15
4La Bohème: Atto I. “Si. Mi chiamano Mimi”
Soprangesang:
Galya Yoncheva (Bulgarian soprano)
Orchester:
Bulgarian National Radio Symphony Orchestra (Bulgarian National Radio Symphony Orchestra)
conductor:
Vassil Stefanov (Bulgarian conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:06
5Nabucco: Atto III. “Va pensiero“ (The Chorus of the Hebrew Slaves)
Chorgesang:
Sofia National Opera Chorus
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:02
6Madam Butterfly: Atto II. “Un bel dì”
Soprangesang:
Raina Kabaivanska (soprano)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:32
7Macbeth: Atto IV. “Patria oppresa”
Chorgesang:
Sofia National Opera Chorus
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1847)
Librettist:
Andrea Maffei (19th century poet, translator and librettist) und Francesco Maria Piave
Teil von:
Macbeth: Atto IV
Giuseppe Verdi7:41
8Gianni Schicchi: “O mio babbino caro”
Soprangesang:
Galya Yoncheva (Bulgarian soprano)
Orchester:
Bulgarian National Radio Symphony Orchestra (Bulgarian National Radio Symphony Orchestra)
conductor:
Vassil Stefanov (Bulgarian conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:32
9The Barber of Seville: Atto I. Basilio's Aria
Baritongesang:
Stoyan Popov (operatic baritone)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:14
10Porgy and Bess: Act I. Opening Chorus and Summertime
Chorgesang:
Bulgarian National Radio Choir
Mezzosoprangesang:
Alexandrina Milcheva (mezzo-soprano)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act I, Scene I
recording of:
Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Porgy and Bess: Act I, Scene I
George Gershwin5:24
11Il Trovatore: Atto II. “Tutto e deserto... Il balen del tuo sorriso”
Baritongesang:
Stoyan Popov (operatic baritone)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:06
12Tosca: Atto II. “Vissi d'arte”
Soprangesang:
Raina Kabaivanska (soprano)
Orchester:
Sofia Philharmonic (Philharmonisches Orchester Sofia)
conductor:
Gabriele Bellini
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:03
13Fidelio: “Gott, welch ein Augenblick”
Bass-Gesang:
Boris Christoff (Bulgarian bass)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1814)
Librettist:
Jean-Nicolas Bouilly
zusätzlich Librettist:
Georg Friedrich Treitschke
Übersetzer:
Joseph Sonnleithner
Teil von:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:26
14Ernani: Atto I. “Si redesti il Leon di Castiglia”
Chorgesang:
Balkan State Opera Chorus
Orchester:
Balkan State Opera Orchestra
recording of:
Ernani: Atto III. (no. 12b) “Un patto! Un giuramento!…Si redesti il Leon di Castiglia” (Tutti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Ernani: Atto III (La clemenza)
Giuseppe Verdi4:30
2▼CD: Disc Two
Nr.TitelKünstlerBewertungLänge
1Rigoletto: Atto II. “La donna e mobile” [Woman is Fickle]
Tenor-Gesang:
Nikolai Nikolov (operatic tenor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:15
2Madama Butterfly: Atto II. Love Duet
Soprangesang:
Raina Kabaivanska (soprano)
Tenor-Gesang:
Nazzareno Antinori (tenor)
teilweise recording of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly (complete standard version)
Giacomo Puccini12:45
3Madama Butterfly: Atto II. Humming Chorus
Chorgesang:
Sofia National Opera Chorus
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:05
4Aida: Atto I. “Celeste Aida”
vocals:
Nikolai Nikolov (operatic tenor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi4:32
5Otello: Atto II. “Creda in un Deo crudele”
Baritongesang:
Stoyan Popov (operatic baritone)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto II
Giuseppe Verdi5:14
6La traviata: Atto III. “Addio del passato” [Farewell to bright visions]
Soprangesang:
Anna Tomowa‐Sintow (soprano)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi7:54
7Carmen: Atto II. Toreador's Song
Bass-Gesang:
Nicola Ghiuselev (operatic bass)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte II
Georges Bizet4:55
8La Wally: “Ebben? Ne andrò lontano” (Wally's Aria)
Soprangesang:
Julia Venisheva (soprano)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
Alfredo Catalani3:44
9“Cosi dunque tradisci“ K432
Bass-Gesang:
Boris Christoff (Bulgarian bass)
Orchester:
Orchestra of the Sofia National Opera
conductor:
Ettore Gracis (conductor)
recording of:
Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci"
Texter:
Pietro Metastasio
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 421a), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 432), Köchelverzeichnis (original numbering) (Nummer: 432) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 421a)
Wolfgang Amadeus Mozart4:59
10Aida: Atto II. Grand March
Orchester:
Sofia National Opera Orchestra
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi12:31