Seven Classic Albums

~ Release by Blue Mitchell (see all versions of this release, 1 available)

Tracklist

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1▼CD: Big Six / Out of the Blue
#TitleRatingLength
1Blues March
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Blues March (from 1958-07-02 until 1958-07-03)
composer:
Benny Golson (American jazz saxophonist and composer)
10:22
2Big Six
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Big Six (from 1958-07-02 until 1958-07-03)
composer:
William Boone, Jr.
6:43
3There Will Never Be Another You
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
cover recording of:
There Will Never Be Another You (from 1958-07-02 until 1958-07-03)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
5:03
4Brother Ball
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Brother 'Ball (from 1958-07-02 until 1958-07-03)
composer:
Blue Mitchell (American trumpet player)
7:22
5Jamph
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Jamph (from 1958-07-02 until 1958-07-03)
composer:
Curtis Fuller
3:45
6Sir John
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Sir John (from 1958-07-02 until 1958-07-03)
composer:
Blue Mitchell (American trumpet player)
8:04
7Promenade
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Promenade (from 1958-07-02 until 1958-07-03)
composer:
William Boone, Jr.
1:41
8Blues on My Mind
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
9:07
9It Could Happen to You
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
instrumental recording of:
It Could Happen to You (on 1959-01-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
5:55
10Boomerang
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
5:02
11Sweet Cakes
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
6:12
12Missing You
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
instrumental recording of:
Missing You (on 1959-01-05)
writer:
Ronnell Bright
5:40
2▼CD: Out of the Blue (cont.) / Blue Soul / Blue's Moods
#TitleRatingLength
1When the Saints Go Marching In
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
instrumental recording of:
When the Saints Go Marching In (on 1959-01-05)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
7:02
2Minor Soul
3:40
3The Head
recorded in:
New York, New York, United States (on 1959-09-24)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-24)
piano:
Wynton Kelly (on 1959-09-24)
tenor saxophone:
Jimmy Heath (on 1959-09-24)
trombone:
Curtis Fuller (on 1959-09-24)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-24)
4:24
4The Way You Look Tonight
recorded in:
New York, New York, United States (on 1959-09-30)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-30)
piano:
Wynton Kelly (on 1959-09-30)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-30)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1959-09-30)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:19
5Park Avenue Petite
recorded in:
New York, New York, United States (on 1959-09-30)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-30)
piano:
Wynton Kelly (on 1959-09-30)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-30)
3:54
6Top Shelf
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
4:02
7Waverly Street
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
4:56
8Blue Soul
recorded in:
New York, New York, United States (on 1959-09-30)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-30)
piano:
Wynton Kelly (on 1959-09-30)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-30)
4:09
9Polka Dots & Moonbeams
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
instrumental recording of:
Polka Dots and Moonbeams (on 1959-09-28)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
5:47
10Nica's Dream
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
recording of:
Nica’s Dream (on 1959-09-28)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc., Universal Music Publishing MGB France and フジパシフィックミュージック (Fujipacific Music, Inc.)
6:31
11I'll Close My Eyes
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
I’ll Close My Eyes (from 1960-08-24 until 1960-08-25)
lyricist:
Buddy Kaye
composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
5:53
12Avars
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
4:04
13Scrapple From the Apple
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
recording of:
Scrapple From the Apple (from 1960-08-24 until 1960-08-25)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
translator:
Harrie Geelen
part of:
The Real Book (compilation of jazz standards, volume I)
3:57
14Kinda Vague
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
6:25
15Sir John
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
recording of:
Sir John (from 1960-08-24 until 1960-08-25)
composer:
Blue Mitchell (American trumpet player)
6:02
3▼CD: Blue's Moods (cont.) / Smooth as the Wind
#TitleRatingLength
1When I Fall in Love
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
When I Fall in Love (from 1960-08-24 until 1960-08-25)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:39
2Sweet Pumpkin
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
Sweet Pumpkin (from 1960-08-24 until 1960-08-25)
writer:
Ronnell Bright
4:17
3I Wish I Knew
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
I Wish I Knew (from 1960-08-24 until 1960-08-25)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
4:25
4Smooth as the Wind
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
recording of:
Smooth as the Wind (from 1961-03-29 until 1961-03-30)
composer:
Tadd Dameron
5:12
5But Beautiful
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
But Beautiful (in 1961-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
3:36
6The Best Things in Life Are Free
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
The Best Things in Life Are Free (Good News) (in 1961-03)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Chappell & Co.
part of:
Good News (1947 film)
3:18
7Peace
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
Peace (on 1961-12-27)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc. (in 1970)
3:55
8For Heaven's Sake
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
For Heaven’s Sake (on 1961-12-27)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
3:32
9The Nearness of You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
instrumental recording of:
The Nearness of You (on 1960-12-27)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:22
10A Blue Time
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
4:53
11Strollin'
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
Strollin' (on 1960-12-27)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
3:16
12For All We Know
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
For All We Know (1934 song) (in 1961-03)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:22
13I'm a Fool to Want You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
I’m a Fool to Want You (in 1961-03)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:36
4▼CD: A Sure Thing / The Cup Bearers
#TitleRatingLength
1West Coast Blues
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-28)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1962-03-28)
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
French horn:
Julius Watkins (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-28) and Clark Terry (American swing trumpeter) (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
5:38
2I Can't Get Started
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-07)
bass:
Sam Jones (US jazz bassist) (on 1962-03-07)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-07)
French horn:
Julius Watkins (on 1962-03-07)
piano:
Wynton Kelly (on 1962-03-07)
tenor saxophone:
Jimmy Heath (on 1962-03-07)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-07) and Clark Terry (American swing trumpeter) (on 1962-03-07)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-07)
3:45
3Blue on Blue
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-08)
bass:
Sam Jones (US jazz bassist) (on 1962-03-08)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-08)
French horn:
Julius Watkins (on 1962-03-08)
piano:
Wynton Kelly (on 1962-03-08)
tenor saxophone:
Jimmy Heath (on 1962-03-08)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-08) and Clark Terry (American swing trumpeter) (on 1962-03-08)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-08)
4:45
4A Sure Thing
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-08)
bass:
Sam Jones (US jazz bassist) (on 1962-03-08)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-08)
French horn:
Julius Watkins (on 1962-03-08)
piano:
Wynton Kelly (on 1962-03-08)
tenor saxophone:
Jimmy Heath (on 1962-03-08)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-08) and Clark Terry (American swing trumpeter) (on 1962-03-08)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-08)
4:31
5Hootie Blues
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-07)
bass:
Sam Jones (US jazz bassist) (on 1962-03-07)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-07)
French horn:
Julius Watkins (on 1962-03-07)
piano:
Wynton Kelly (on 1962-03-07)
tenor saxophone:
Jimmy Heath (on 1962-03-07)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-07) and Clark Terry (American swing trumpeter) (on 1962-03-07)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-07)
5:22
6Hip to It
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-28)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1962-03-28)
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
French horn:
Julius Watkins (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-28) and Clark Terry (American swing trumpeter) (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
4:56
7Gone With the Wind
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
5:56
8Turquoise
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
4:59
9Why Do I Love You
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
5:25
10Dingbat Blues
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
5:38
11Capers
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
6:01
12The Cup Bearers
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
6:12
13How Deep Is the Ocean
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
6:40
14Tiger Lily
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
8:29

Credits

Release group

includes:A Sure Thing by Blue Mitchell & Orchestra (American trumpet player) With Pepper Adams (baritone saxophonist), Jimmy Heath, Wynton Kelly
Big 6
Blue Soul by Blue Mitchell Sextet (American trumpet player)
Blue’s Moods
Out of the Blue
Smooth as the Wind
The Cup Bearers
part of:… Classic Albums (Real Gone Jazz) (order: 32)