The Platinum Collection

~ Release by King Curtis (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (guitarist) (on 1967-07-05) and Reggie Young (guitarist and songwriter) (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1967-07-05)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-07-05), King Curtis (saxophonist) (on 1967-07-05) and Jimmy Mitchell (saxophone) (on 1967-07-05)
trumpet:
Bowlegs Miller (American trumpeter) (on 1967-07-05)
vocals:
King Curtis (saxophonist) (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music (publisher)
3:00
2Spanish Harlem
cover recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
2:46
3In the Midnight Hour2:39
4Knock on Wood
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
3:01
5Hold on I'm Coming
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:41
6Fa-Fa-Fa-Fa-Fa (Sad Song)2:40
7I Heard It Through the Grapevine3:20
8Spooky
producer:
Arif Mardin
baritone saxophone:
Haywood Henry (US jazz saxophonist)
bass:
Mike Leech (Nashville session musician and arranger)
guitar:
Reggie Young (guitarist and songwriter)
keyboard:
Bobby Emmons and Spooner Oldham
membranophone:
Gene Chrisman
saxophone:
King Curtis (saxophonist)
tenor saxophone:
Frank Wess
trombone:
Benny Powell (jazz trombonist)
trumpet:
Mel Lastie and Joe Newman (US jazz trumpeter)
arranger:
Arif Mardin
2:48
9The Look of Love
producer:
Arif Mardin
baritone saxophone:
Haywood Henry (US jazz saxophonist)
bass:
Mike Leech (Nashville session musician and arranger)
guitar:
Reggie Young (guitarist and songwriter)
keyboard:
Bobby Emmons and Spooner Oldham
membranophone:
Gene Chrisman
saxophone:
King Curtis (saxophonist)
tenor saxophone:
Frank Wess
trombone:
Benny Powell (jazz trombonist)
trumpet:
Mel Lastie and Joe Newman (US jazz trumpeter)
arranger:
Arif Mardin
instrumental cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
2:31
10Michelle
cover recording of:
Michelle
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
2:09
11Honky Tonk
4:54
12The Dog (A.K.A. Walking the Dog)
2:39
13Whiter Shade of Pale
instrumental cover recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
43:54
14(Sittin' on) The Dock of a Bay
producer:
Tom Dowd and Arif Mardin
alto saxophone:
King Curtis (saxophonist) (on 1968-02-08)
electric bass guitar:
Gerald Jemmot (on 1968-02-08)
guitar:
Everett Barksdale (on 1968-02-08) and Samuel Gordon (guitar) (on 1968-02-08)
membranophone:
Kenneth Rice (on 1968-02-08)
piano:
George Stubbs (on 1968-02-08)
trumpet:
Mel Lastie (on 1968-02-08)
instrumental cover recording of:
(Sittin’ on) the Dock of the Bay (on 1968-02-08)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
2:43
15Good to Me
cover recording of:
Good to Me
writer:
Julius Green (In Group The Mad Lads) and Otis Redding
2:30
16Ode to Billy Joe (live @ Filmore West)
3:19
17Soul Serenade (live @ Filmore West)
recorded at:
Fillmore West in San Francisco, California, United States (from 1971-03-05 until 1971-03-07)
5:32
18I Stand Accused (live @ Filmore West)
6:05
19Them Changes (live @ Filmore West)
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-03-05)
live cover recording of:
Them Changes (on 1971-03-05)
lyricist and composer:
Buddy Miles
publisher:
Bughouse and Miles Ahead Music
5:30
20Whole Lotta Love (live @ Filmore West)
2:16
21Signed, Sealed, Delivered (live @ Filmore West)
2:37
22Mr Bojangles (live @ Filmore West)
recorded at:
Fillmore West in San Francisco, California, United States (from 1971-03-05 until 1971-03-07)
live cover recording of:
Mr. Bojangles (from 1971-03-05 until 1971-03-07)
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
4:28

Credits

Release

part of:Warner Platinum (The Platinum Collection) (order: 77)
Discogs:https://www.discogs.com/release/1272528 [info]
ASIN:UK: B000MV91WU [info]