The Great EMI Recordings

~ Release by Sir John Barbirolli (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1A London Overture
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (on 1965-12-28)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-12-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-12-28)
recording of:
A London Overture (on 1965-12-28)
composer:
John Ireland (English composer) (in 1936)
version of:
Comedy Overture (for brass band)
John Ireland12:24
2Symphony No. 2 “A London Symphony”: I. Lento – Allegro Risoluto (Molto Pesante)
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in G major “A London Symphony”: I. Lento - Allegro risoluto
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
Ralph Vaughan Williams14:06
3Symphony No. 2 “A London Symphony”: Ii. Lento
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in G major “A London Symphony”: II. Lento
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
Ralph Vaughan Williams11:41
4Symphony No. 2 “A London Symphony”: Iii. Scherzo (Nocturne): Allegro Vivace
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in G major “A London Symphony”: III. Scherzo (Nocturne); Allegro vivace
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
Ralph Vaughan Williams7:32
5Symphony No. 2 “A London Symphony”: Iv. Andante Con Moto – Maestoso Alla Marcia (Quasi Lento) – Allegro – Maestoso Alla Marcia (Alla I) – Epilogue (Andante Sostenuto)
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in G major “A London Symphony”: IV. Andante con moto - Maestoso alla marcia - Allegro - Lento - Epilogue
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
Ralph Vaughan Williams13:21
6The Garden of Fand
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
The Garden of Fand, GP 175
orchestrator:
Sir Arnold Bax (English composer) (in 1916)
composer:
Sir Arnold Bax (English composer) (in 1913)
part of:
A Catalogue of the Works of Sir Arnold Bax (number: GP 175)
Arnold Bax15:28
2▼CD
#TitleArtistRatingLength
1The Walk to the Paradise Garden (A Village Romeo and Juliet)
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
A Village Romeo and Juliet, RT I/6: Scene 5: IV. The walk to the Paradise Garden
composer:
Frederick Delius (English composer)
part of:
A Village Romeo and Juliet, RT I/6
Frederick Delius9:54
2In a Summer Garden
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
In a Summer Garden, RT VI/17
composer:
Frederick Delius (English composer) (until 1908)
dedicated to:
Jelka Rosen
part of:
Works of Frederick Delius by RT number (number: RT VI/17) and Delius Catalogue of Works (DCW) (number: DCW 32)
Frederick Delius15:07
3A Shropshire Lad
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
A Shropshire Lad (orchestral rhapsody)
composer:
George Butterworth (composer)
publisher:
Novello & Co. Ltd.
George Butterworth10:57
4Symphony no. 5 in D: I. Preludio: Moderato – Allegro – Tempo I
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 5 in D major: I. Preludio (Moderato)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
Ralph Vaughan Williams11:02
5Symphony no. 5 in D: II. Scherzo: Presto misterioso
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 5 in D major: II. Scherzo (Presto misterioso)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
Ralph Vaughan Williams4:58
6Symphony no. 5 in D: III. Romanza: Lento
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 5 in D major: III. Romanza (Lento)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
Ralph Vaughan Williams12:11
7Symphony no. 5 in D: IV. Passacaglia: Moderato – Allegro – Tempo primo – Tempo del preludio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 5 in D major: IV. Passacaglia (Moderato)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
Ralph Vaughan Williams10:19
3▼CD
#TitleArtistRatingLength
1Finlandia op. 26
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Finlandia, op. 26 (for orchestra) (from 1966-01-23 until 1966-01-24)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius8:29
2Karelia Suite op. 11: I. Intermezzo
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius3:46
3Karelia Suite op. 11: II. Ballade
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Karelia-sarja, op. 11: II. Ballade (Karelia Suite, op. 11: II. Ballade, for orchestra) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius7:18
4Karelia Suite op. 11: III. Alla marcia
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (Karelia Suite, op. 11: III. Alla marcia, for orchestra) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:41
5Pohjola’s Daughter op. 49
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Pohjolan tytär, op. 49 (Pohjola's Daughter, Op. 49) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1906)
dedicated to:
Robert Kajanus (Finnish composer and conductor)
premiered at:
[concert] (1906-12-29)
publisher:
Schlesinger (in 1906)
part of:
Works of Jean Sibelius by opus number (number: op. 49)
Jean Sibelius14:15
6Valse triste (Kuolema – Incidental Music op. 44)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (on 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (on 1966-01-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-01-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (on 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius5:35
7The Swan of Tuonela (Lemminkäinen Suite op. 22)
producer:
Christopher Bishop (conductor/producer)
cor anglais:
Eric Fletcher (English horn player) (from 1966-01-23 until 1966-01-24)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius7:56
8Cello Concerto in E minor op. 85: I. Adagio – Moderato
producer:
Douglas Terry (Producer)
cello:
André Navarra (cellist) (on 1957-05-21)
orchestra:
Hallé Orchestra (on 1957-05-21)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-21)
balance engineer:
John Mosely and Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-21)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1957-05-21)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:21
9Cello Concerto in E minor op. 85: II. Lento – Allegro molto
producer:
Douglas Terry (Producer)
cello:
André Navarra (cellist) (on 1957-05-21)
orchestra:
Hallé Orchestra (on 1957-05-21)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-21)
balance engineer:
John Mosely and Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-21)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1957-05-21)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:24
10Cello Concerto in E minor op. 85: III. Adagio
producer:
Douglas Terry (Producer)
cello:
André Navarra (cellist) (on 1957-05-21)
orchestra:
Hallé Orchestra (on 1957-05-21)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-21)
balance engineer:
John Mosely and Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-21)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1957-05-21)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:37
11Cello Concerto in E minor op. 85: IV. Allegro ma non troppo
producer:
Douglas Terry (Producer)
cello:
André Navarra (cellist) (on 1957-05-21)
orchestra:
Hallé Orchestra (on 1957-05-21)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-21)
balance engineer:
John Mosely and Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-21)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1957-05-21)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar10:54
4▼CD
#TitleArtistRatingLength
1Symphony no. 5 in C‐sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:48
2Symphony no. 5 in C‐sharp minor: II. Stürmisch Bewegt (Mit größter Vehemenz)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:15
3Symphony no. 5 in C‐sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:05
4Symphony no. 5 in C‐sharp minor: IV. Adagietto (Sehr langsam)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:52
5Symphony no. 5 in C‐sharp minor: V. Rondo – Finale (Allegro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:28
5▼CD
#TitleArtistRatingLength
1La Mer: I. De l’aube à midi sur la mer
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:27
2La Mer: II. Jeux de vagues
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:32
3La Mer: III. Dialogue du vent et de la mer
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:15
4Daphnis et Chloé Suite no. 2: I. Lever du jour
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Daphnis et Chloé, Suite no. 2
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 57b)
is based on:
Daphnis et Chloé
Maurice Ravel5:45
5Daphnis et Chloé Suite no. 2: II. Pantomime
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Daphnis et Chloé, Suite no. 2: II. Pantomime
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
publisher:
Durand S.A. Editions Musicales (1909–1947)
part of:
Daphnis et Chloé, Suite no. 2
Maurice Ravel5:12
6Daphnis et Chloé Suite no. 2: III. Danse générale
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Daphnis et Chloé, Suite no. 2: III. Danse générale
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
publisher:
Durand S.A. Editions Musicales (1909–1947)
part of:
Daphnis et Chloé, Suite no. 2
Maurice Ravel4:52
7La Valse
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
La Valse (for orchestra)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)
Maurice Ravel11:58
8Ma mère l’oye Suite: I. Pavane de la belle au bois dormant
cello:
Oliver Vella (from 1957-05-21 until 1957-05-22)
orchestra:
Hallé Orchestra (from 1957-05-21 until 1957-05-22)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-05-21 until 1957-05-22)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-05-21 until 1957-05-22)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) (from 1957-05-21 until 1957-05-22)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
recording of:
Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel1:36
9Ma mère l’oye Suite: II. Petit Poucet
producer:
Douglas Terry (Producer)
cello:
Oliver Vella (from 1957-05-21 until 1957-05-22)
orchestra:
Hallé Orchestra (from 1957-05-21 until 1957-05-22)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-05-21 until 1957-05-22)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-05-21 until 1957-05-22)
recording of:
Ma mère l’Oye: II. Petit poucet (pour orchestre) (from 1957-05-21 until 1957-05-22)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
recording of:
Ma mère l’Oye : Tableau IV : Petit Poucet
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:18
10Ma mère l’oye Suite: III. Laidronnette, impératrice des pagodes
producer:
Douglas Terry (Producer)
cello:
Oliver Vella (from 1957-05-21 until 1957-05-22)
orchestra:
Hallé Orchestra (from 1957-05-21 until 1957-05-22)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-05-21 until 1957-05-22)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-05-21 until 1957-05-22)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour orchestre) (from 1957-05-21 until 1957-05-22)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
recording of:
Ma mère l’Oye : III. Laideronnette, Impératrice des Pagodes (for solo piano, Charlot)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
piano arranger:
Jacques Charlot
arrangement of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (for solo piano, Charlot)
Maurice Ravel3:29
11Ma mère l’oye Suite: IV. Les Entretiens de la belle et de la bête
producer:
Douglas Terry (Producer)
cello:
Oliver Vella (from 1957-05-21 until 1957-05-22)
orchestra:
Hallé Orchestra (from 1957-05-21 until 1957-05-22)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-05-21 until 1957-05-22)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-05-21 until 1957-05-22)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour orchestre) (from 1957-05-21 until 1957-05-22)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
recording of:
Ma mère l’Oye : IV. Les entretiens de la Belle et de la Bête (for solo piano, Charlot)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
piano arranger:
Jacques Charlot
arrangement of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (for solo piano, Charlot)
Maurice Ravel3:47
12Ma mère l’oye Suite: V. Le Jardin féerique
producer:
Douglas Terry (Producer)
cello:
Oliver Vella (from 1957-05-21 until 1957-05-22)
orchestra:
Hallé Orchestra (from 1957-05-21 until 1957-05-22)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-05-21 until 1957-05-22)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-05-21 until 1957-05-22)
recording of:
Ma mère l’Oye: V. Le Jardin féerique (pour orchestre) (from 1957-05-21 until 1957-05-22)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:27
6▼CD
#TitleArtistRatingLength
1Serenade in C for Strings op. 48: I. Pezzo in forma di sonatina
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (from 1964-09-01 until 1964-09-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-09-01 until 1964-09-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-09-01 until 1964-09-02)
recording of:
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina (from 1964-09-01 until 1964-09-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky10:11
2Serenade in C for Strings op. 48: II. Valse: Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (from 1964-09-01 until 1964-09-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-09-01 until 1964-09-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-09-01 until 1964-09-02)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (from 1964-09-01 until 1964-09-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky3:53
3Serenade in C for Strings op. 48: III. Élégie: Larghetto elegiaco
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (from 1964-09-01 until 1964-09-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-09-01 until 1964-09-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-09-01 until 1964-09-02)
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco (from 1964-09-01 until 1964-09-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky9:24
4Serenade in C for Strings op. 48: IV. Finale: Tema russo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (from 1964-09-01 until 1964-09-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-09-01 until 1964-09-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-09-01 until 1964-09-02)
recording of:
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo (from 1964-09-01 until 1964-09-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky7:40
5Symphony no. 4 in F minor op. 36: I. Andante sostenuto – Moderato con anima
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky17:08
6Symphony no. 4 in F minor op. 36: II. Andantino in modo di canzona
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky9:01
7Symphony no. 4 in F minor op. 36: III. Scherzo: Pizzicato ostinato
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky5:43
8Symphony no. 4 in F minor op. 36: IV. Finale: Allegro con fuoco
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky9:06
7▼CD
#TitleArtistRatingLength
1Introduction and Allegro op. 47
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Introduction and Allegro for Strings, op. 47
composer:
Edward Elgar (composer) (in 1905)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Works of Edward Elgar by opus number (number: op. 47)
Edward Elgar14:07
2Serenade in E minor op. 20: I. Allegro piacevole
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:58
3Serenade in E minor op. 20: II. Larghetto
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar6:00
4Serenade in E minor op. 20: III. Allegretto – Come prima
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:14
5Elegy op. 58
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Elegy, op. 58
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
Edward Elgar4:30
6Sospiri op. 70
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium))
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Edward Elgar5:17
7Fantasia on a Theme by Thomas Tallis
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (on 1962-06-17)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-06-17)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (on 1962-06-17)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1962-06-17)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:20
8Fantasia on “Greensleeves”
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:45
9Tintagel
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Tintagel, GP 213
composer:
Sir Arnold Bax (English composer) (in 1919)
part of:
A Catalogue of the Works of Sir Arnold Bax (number: GP 213)
Arnold Bax15:04
8▼CD
#TitleArtistRatingLength
1Sea Pictures op. 37: I. Sea Slumber‐song
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar5:05
2Sea Pictures op. 37: II. In Haven
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri)
lyricist:
Alice Elgar (English author, married to Edward Elgar)
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar2:06
3Sea Pictures op. 37: III. Sabbath Morning at Sea
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea
lyricist:
Elizabeth Barrett Browning
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:20
4Sea Pictures op. 37: IV. Where Corals Lie
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar4:11
5Sea Pictures op. 37: V. The Swimmer
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sea Pictures, op. 37: V. The Swimmer
lyricist:
Adam Lindsay Gordon
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:13
6Symphony no. 1 in A‐flat op. 55: I. Andante: Nobilimente e semplice – Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar21:38
7Symphony no. 1 in A‐flat op. 55: II. Allegro molto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar7:03
8Symphony no. 1 in A‐flat op. 55: III. Adagio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar12:15
9Symphony no. 1 in A‐flat op. 55: IV. Lento – Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar12:48
9▼CD
#TitleArtistRatingLength
1Tragic Overture op. 81
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Tragische Ouvertüre, op. 81 (Tragic Overture, op. 81)
composer:
Johannes Brahms (German composer) (in 1880)
premiered by:
Hans Richter (conductor, 1843-1916) (on 1880-12-26) and Wiener Philharmoniker (Vienna Philharmonic) (on 1880-12-26)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1880-12-26)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 81)
Johannes Brahms13:11
2Symphony no. 3 in F op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: I. Allegro con brio
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms10:11
3Symphony no. 3 in F op. 90: II. Andante
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: II. Andante
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms9:05
4Symphony no. 3 in F op. 90: III. Poco allegretto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1967-12-08, on 1967-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-08, on 1967-12-15)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1967-12-08, on 1967-12-15)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1967-12-08 until 1967-12-15)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:14
5Symphony no. 3 in F op. 90: IV. Allegro – Un poco sostenuto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: IV. Allegro
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms9:45
6Variations on an Original Theme op. 36 “Enigma”: Introduction
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36
composer:
Edward Elgar (composer) (from 1898 until 1899)
premiered at:
[concert] (1899-06-19)
publisher:
Novello & Co. Ltd. (from 1899 to present)
premiered at:
St. James’s Hall in London (Greater London), England, United Kingdom (on 1899-06-19)
part of:
Classic 100: The Music You Can't Live Without (2021) (number: 5), Classic 100: Feel Good (2024) (number: 8) and Works of Edward Elgar by opus number (number: op. 36)
Edward Elgar1:28
7Variations on an Original Theme op. 36 “Enigma”: Variation I: (C.A.E.) / Variation II: (H.D.S‐P.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:48
8Variations on an Original Theme op. 36 “Enigma”: Variation II: (H.D.S‐P.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:49
9Variations on an Original Theme op. 36 “Enigma”: Variation III: (R.B.T.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:28
10Variations on an Original Theme op. 36 “Enigma”: Variation IV. (M.W.B.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
11Variations on an Original Theme op. 36 “Enigma”: Variation V: (R.P.A.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:17
12Variations on an Original Theme op. 36 “Enigma”: Variation VI: (Ysobel)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:16
13Variations on an Original Theme op. 36 “Enigma”: Variation VII: (Troyte)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:04
14Variations on an Original Theme op. 36 “Enigma”: Variation VIII: (W.N.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:48
15Variations on an Original Theme op. 36 “Enigma”: Variation IX: (Nimrod)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Nimrod (for brass band, Denis Wright)
composer:
Edward Elgar (composer)
arranger:
Denis Wright (English composer and conductor of brass band music)
arrangement of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:35
16Variations on an Original Theme op. 36 “Enigma”: Variation X: (Dorabella) – Intermezzo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:25
17Variations on an Original Theme op. 36 “Enigma”: Variation XI: (G.R.S.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:00
18Variations on an Original Theme op. 36 “Enigma”: Variation XII: (B.G.N.)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:53
19Variations on an Original Theme op. 36 “Enigma”: Variation XIII: (∙∙∙) – Romanza
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:46
20Variations on an Original Theme op. 36 “Enigma”: Variation XIV: (E.D.U.) – Finale
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:30
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