Trésors Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:28
2Minnie the Moocher
recording of:
Minnie the Moocher (on 1933-12-18)
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
Cab Calloway3:36
3The Mooche
recording of:
The Mooche
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
Duke Ellington3:36
4Handful of Keys
recorded in:
New York, New York, United States (on 1929-03-01)
solo piano:
Fats Waller (on 1929-03-01)
recording of:
Handful of Keys (on 1929-03-01)
composer:
Fats Waller
Fats Waller2:50
5Moten Swing
performer:
Bennie Moten (jazz pianist)
recording of:
Moten Swing
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Count Basie43:26
6Stormy Weather
instrumental recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
The Golden Gate Quartet2:51
7King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman3:12
8Swingin’ Uptown
Jimmie Lunceford2:41
9Shufflin’ at the HollywoodLionel Hampton3:06
10Body and Soul
recording of:
Body and Soul (on 1939-07-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins3:05
11In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller2:55
12Cotton Tail
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-04)
alto saxophone:
Otto Hardwick (on 1940-05-04) and Johnny Hodges (on 1940-05-04)
alto saxophone [as]:
Johnny Hodges (on 1940-05-04) and Otto Hardwicke (on 1940-05-04)
alto saxophone and clarinet:
Johnny Hodges (on 1940-05-04)
alto saxophone, baritone saxophone and clarinet, baritone saxophone and baritone saxophone [bars]:
Harry Carney (on 1940-05-04)
clarinet:
Harry Carney and Barney Bigard (on 1940-05-04)
clarinet [cl] and clarinet and tenor saxophone:
Barney Bigard (on 1940-05-04)
cornet and cornet [c]:
Rex Stewart (on 1940-05-04)
double bass, double bass [b] and double bass [bass]:
Jimmy Blanton (on 1940-05-04)
drums (drum set) and drums (drum set) [d]:
Sonny Greer (on 1940-05-04)
guitar and guitar [g]:
Fred Guy (on 1940-05-04)
piano and piano [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-05-04)
reeds:
Barney Bigard (on 1940-05-04), Harry Carney (on 1940-05-04), Otto Hardwick (on 1940-05-04) and Johnny Hodges (on 1940-05-04)
tenor saxophone:
Ben Webster (on 1940-05-04)
tenor saxophone [ts]:
Barney Bigard (on 1940-05-04) and Ben Webster (on 1940-05-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1940-05-04), Joe "Tricky Sam" Nanton (on 1940-05-04) and Juan Tizol (on 1940-05-04)
trombone [tb]:
Lawrence Brown (jazz trombonist) (on 1940-05-04) and Joe "Tricky Sam" Nanton (on 1940-05-04)
trumpet:
Wallace Jones (on 1940-05-04), Rex Stewart (on 1940-05-04) and Cootie Williams (on 1940-05-04)
trumpet [t]:
Wallace Jones (on 1940-05-04) and Cootie Williams (on 1940-05-04)
valve trombone and valve trombone [vtb]:
Juan Tizol (on 1940-05-04)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Ben Webster
recording of:
Cotton Tail (on 1940-05-04)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Ben Webster with The Duke Ellington Orchestra13:12
13Little Jazz
recording of:
Little Jazz
writer:
Roy Eldridge and Buster Harding
Artie Shaw3:06
14Nuages
recording of:
Nuages (instrumental)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Django Reinhardt3:14
15Manteca
recorded in:
New York, New York, United States (in 1947)
trumpet:
Dizzy Gillespie (in 1947)
recording of:
Manteca
composer:
Walter “Gil” Fuller (jazz composer & arranger), Dizzy Gillespie and Chano Pozo
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Twenty-Eighth Street Music
Dizzy Gillespie3:08
16Cherokee
instrumental recording of:
Cherokee
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Art Tatum3:02
17Victory Ball
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1949-01-03)
baritone saxophone:
Ernie Caceres (on 1949-01-03)
clarinet:
Buddy DeFranco (on 1949-01-03)
double bass:
Eddie Safranski (on 1949-01-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1949-01-03)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1949-01-03)
piano:
Lennie Tristano (on 1949-01-03)
tenor saxophone:
Charlie Ventura (on 1949-01-03)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-01-03) and Kai Winding (on 1949-01-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1949-01-03), Dizzy Gillespie (on 1949-01-03) and Fats Navarro (on 1949-01-03)
orchestra:
Metronome All-Stars Band (on 1949-01-03)
arranger:
Billy Bauer (US cool jazz guitarist) and Lennie Tristano
recording of:
Victory Ball (on 1949-01-03)
composer:
Lennie Tristano
Charlie Parker & Miles Davis with Metronome All-Stars4:14
18Lover Man
instrumental recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Erroll Garner3:18
19Les Oignons
soprano saxophone:
Sidney Bechet (on 1949-10-14)
recording of:
Les Oignons (on 1949-10-14)
composer:
Sidney Bechet
Sidney Bechet2:44
20Sweet Georgia Brown
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Oscar Peterson3:02
2CD
#TitleArtistRatingLength
1Petite Fleur
recording of:
Petite Fleur (original instrumental) (on 1952-01-31)
composer:
Sidney Bechet
Sidney Bechet3:21
2I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Lucky Thompson3:41
3Bernie’s Tune
recording of:
Bernie’s Tune
lyricist:
Jerry Leiber and Mike Stoller
writer:
Jerry Leiber, Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune') and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
Gerry Mulligan4:10
4It Might as Well Be Spring
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (drummer and bandleader) (on 1953-10-15)
piano:
Henri Renaud (French 1940–60s jazz pianist) (on 1953-10-15)
trumpet:
Clifford Brown (trumpet) (on 1953-10-15)
performer:
Clifford Brown Quartet (on 1953-10-15)
instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1953-10-15)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Clifford Brown5:02
5’Round About Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk5:15
6Embraceable You
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Dizzy Gillespie with Sarah Vaughan3:00
7Blues March for Europe N°1
recording of:
Blues March
composer:
Benny Golson (American jazz saxophonist and composer)
Art Blakey & The Jazz Messengers4:54
8The Man I Love
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Roy Eldridge3:35
9Tijuana Gift Shop
recording of:
Tijuana Gift Shop
composer:
Charles Mingus
Charles Mingus3:49
10John’s Abbey
piano:
Bud Powell
recording of:
John's Abbey
composer:
Bud Powell
Bud Powell4:18
11Over the Rainbow
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1962-01-05)
engineer:
Jean‐Pierre Chalbos (mastering engineer)
producer:
Daniel Baumgarten
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1962-01-05)
drums (drum set):
Daniel Humair (on 1962-01-05)
guitar:
René Thomas (Belgian jazz guitarist) (on 1962-01-05)
piano:
Amedeo Tommasi (Italian jazz pianist) (on 1962-01-05)
reeds:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1962-01-05)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1962-01-05)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1962-01-05)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Chet Baker13:30
12The Night Has a Thousand Eyes
instrumental recording of:
The Night Has a Thousand Eyes
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, volume I)
Sonny Rollins3:32
13Autumn Leaves
recording engineer:
Ray Hall (engineer)
producer:
George Avakian (US 1940–90s record producer)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Paul Desmond5:44
14My Little Suede Shoes
recording engineer and engineer:
Mickey Crofford
producer:
Jack Somer
bass trombone:
Tony Studd (on 1964-12-07)
brass:
Ernie Royal (on 1964-12-07) and Clark Terry (American swing trumpeter) (on 1964-12-07)
double bass [bass]:
Bob Cranshaw (on 1964-12-07)
drums (drum set):
Grady Tate (on 1964-12-07)
piano:
Hank Jones (piano) (on 1964-12-07)
saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1964-12-07)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-12-07) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1964-12-07)
trumpet:
Ernie Royal (on 1964-12-07)
woodwind:
Jerry Dodgion (on 1964-12-07), Oliver Nelson (saxophone, arranger, composer) (on 1964-12-07) and Jerome Richardson (on 1964-12-07)
arranger:
J.J. Johnson (jazz/bop trombonist/session leader)
phonographic copyright (℗) by:
RCA/Ariola
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-12-07)
recording of:
My Little Suede Shoes (on 1964-12-07)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Jay Jay Johnson with Big Band4:56
15Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Jeanne Lee & Ran Blake4:34
16Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1966-05-09)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington4:41
17The Pink Panther Theme
recording engineer:
Jim Malloy
producer:
Joe Reisman
tenor saxophone:
Plas Johnson (on 1963-09-16)
orchestra:
The Henry Mancini Orchestra (on 1963-09-16)
conductor:
Henry Mancini (US composer, conductor & arranger) (on 1963-09-16)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1963-09-16)
recording of:
The Pink Panther Theme (on 1963-09-16)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
Henry Mancini4.12:39
3CD
#TitleArtistRatingLength
1Step Right Up
recorded in:
New York, New York, United States (from 1970-10-23 until 1970-12-23)
engineer and mixer:
Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Oliver Nelson (saxophone, arranger, composer) (from 1970-10-23 until 1970-12-23)
baritone saxophone:
Cecil Payne (from 1970-10-23 until 1970-12-23)
bass:
Norman Keenan (from 1970-10-23 until 1970-12-23)
brass:
Paul Cohen (US jazz trumpeter) (from 1970-10-23 until 1970-12-23), George Cohn (from 1970-10-23 until 1970-12-23), Pete Minger (from 1970-10-23 until 1970-12-23) and Waymon Reed (from 1970-10-23 until 1970-12-23)
drums (drum set):
Harold Jones (jazz drummer) (from 1970-10-23 until 1970-12-23)
flute:
Hubert Laws (from 1970-10-23 until 1970-12-23)
guitar:
Freddie Green (from 1970-10-23 until 1970-12-23)
piano:
Count Basie (pianist) (from 1970-10-23 until 1970-12-23)
saxophone:
Eric Dixon (woodwind) (from 1970-10-23 until 1970-12-23) and Bobby Plater (from 1970-10-23 until 1970-12-23)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (from 1970-10-23 until 1970-12-23)
trombone:
Bill Hughes (jazz trombonist) (from 1970-10-23 until 1970-12-23) and John Watson (American jazz trombonist) (from 1970-10-23 until 1970-12-23)
conductor:
Oliver Nelson (saxophone, arranger, composer) (from 1970-10-23 until 1970-12-23)
Count Basie4:14
2Early Autumn
recording of:
Early Autumn
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
Stan Getz with Woody Hermann3:54
3What a Wonderful World
recorded in:
New York, New York, United States (on 1970-05-26)
producer:
Bob Thiele (producer & songwriter)
cello:
Charles McCracken (cellist) (on 1970-05-26), Kermit Moore (on 1970-05-26) and George Ricci (on 1970-05-26)
double bass:
Richard Davis (American jazz bassist) (on 1970-05-26) and George Duvivier (on 1970-05-26)
drums (drum set):
Bernard “Pretty” Purdie (on 1970-05-26)
electric bass guitar:
John Williams Jr. (bass) (on 1970-05-26)
flute:
James Spaulding (jazz) (on 1970-05-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-05-26) and Kenny Burrell (on 1970-05-26)
instruments:
Allan Schulman (cellist and composer) (on 1970-05-26)
piano:
Frank Owens (American pianist) (on 1970-05-26)
viola:
Julien Barber (on 1970-05-26), Alfred Brown (viola) (on 1970-05-26), David Schwartz (violist) (on 1970-05-26) and Emanuel Vardi (on 1970-05-26)
violin:
Arnold Black (on 1970-05-26), Winston Collymore (on 1970-05-26), Paul Gershman (on 1970-05-26), Harry Lookofsky (on 1970-05-26), Joe Malin (on 1970-05-26), Manny Green (on 1970-05-26), Gene Orloff (on 1970-05-26), Max Pollikoff (on 1970-05-26) and Selwart Richard Clarke (on 1970-05-26)
vocals:
Louis Armstrong (on 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
BMG Music (in 1970)
recording of:
What a Wonderful World (on 1970-05-26)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3:22
4The Piano Player
Duke Ellington2:51
5Hot House
engineer:
Laurent Peyron
producer:
John Snyder (US producer)
piano:
Mal Waldron (American jazz pianist) (from 1990-07-12 until 1990-07-13)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1990-07-12 until 1990-07-13)
recorded at:
Studios Ferber in Paris, Île-de-France, France (from 1990-07-12 until 1990-07-13)
recording of:
Hot House (from 1990-07-12 until 1990-07-13)
composer:
Tadd Dameron
publisher:
Bregman, Vocco & Conn Inc./ASCAP
Steve Lacy & Mal Waldron4:16
6Get It Straight (Straight No Chaser)
recording of:
Get It Straight
lyricist:
Sally Swisher
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (publisher, affiliated to BMI)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Straight, No Chaser
Carmen McRae3:27
7Wee
producer:
Larry Clothier
alto saxophone:
Antonio Hart (in 1990-01)
double bass:
Scott Colley (bass) (in 1990-01)
drums (drum set):
Al Foster (in 1990-01)
piano:
John Hicks (American jazz pianist) (in 1990-01)
trumpet:
Roy Hargrove (in 1990-01)
recorded at:
BMG Studio A in Theater District, New York, New York, United States (in 1990-01)
mixed at:
BMG Studios in Theater District, New York, New York, United States (in 1990-01)
recording of:
Wee (Allen's Alley)
composer:
Denzil Best
Roy Hargrove4:12
8Once Upper a Summertime
Michel Legrand5:32
9The Sidewinder
engineer:
Tony May (engineer) (from 1988-11-30 until 1988-12-01)
producer:
Ed Michel
drums (drum set):
Robby Ameen (from 1988-11-30 until 1988-12-01)
electric bass guitar [electric bass]:
Francisco Centeno (from 1988-11-30 until 1988-12-01)
percussion and timbales:
Steve Berrios (from 1988-11-30 until 1988-12-01)
piano:
Hilton Ruiz (from 1988-11-30 until 1988-12-01)
tenor saxophone:
Sam Rivers (saxophone, flute jazz musician) (from 1988-11-30 until 1988-12-01)
trombone:
Dick Griffin (from 1988-11-30 until 1988-12-01)
trumpet:
Lew Soloff (from 1988-11-30 until 1988-12-01)
recorded at:
RCA Studio B (New York) in New York, New York, United States (from 1988-11-30 until 1988-12-01)
recording of:
The Sidewinder (from 1988-11-30 until 1988-12-01)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Hilton Ruiz6:20
10Eclipse
Gato Barbieri2:09
11King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Gil Evans3:55
12Lady Day and John Coltrane
producer:
Bob Thiele (producer & songwriter)
mixer:
Bob Simpson (US jazz engineer/producer)
bass guitar and electric bass guitar:
Ron Carter (US jazz double-bassist) (from 1971-04-19 until 1971-04-20)
drums (drum set):
Bernard “Pretty” Purdie (from 1971-04-19 until 1971-04-20)
electric guitar:
Burt Jones (US 1960/70s guitar player) (from 1971-04-19 until 1971-04-20)
electric piano and piano:
Brian Jackson (American keyboardist, flautist, singer, composer & producer) (from 1971-04-19 until 1971-04-20)
flute and saxophone:
Hubert Laws (from 1971-04-19 until 1971-04-20)
lead vocals:
Gil Scott‐Heron (from 1971-04-19 until 1971-04-20)
conductor:
Johnny Pate (from 1971-04-19 until 1971-04-20)
recording of:
Lady Day & John Coltrane (from 1971-04-19 until 1971-04-20)
lyricist and composer:
Gil Scott‐Heron
Gil Scott‐Heron3:36
13Expansions
executive producer:
Sig Sigworth
producer:
Bob Thiele (producer & songwriter) and Lonnie Liston Smith
phonographic copyright (℗) by:
Flying Dutchman Productions, Ltd. (from 1975 to present)
recording of:
Expansions
composer:
Lonnie Liston Smith
publisher:
10 Music Ltd., Cosmic Echoes Publishing Co., Famous Chappell, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Lonnie Liston Smith & The Cosmic Echoes36:07
14Inside Out
electric bass guitar:
Neil Jason (bassist)
electric guitar:
Barry Finnerty
keyboard and trumpet:
Randy Brecker
membranophone:
Terry Bozzio
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
instrumental recording of:
Inside Out
composer:
Randy Brecker
The Brecker Brothers9:28
15City Kids
Spyro Gyra5:11