Night and Day

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1You Make Me Feel So Young
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
3:23
2In the Wee Small Hours of the Morning
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:37
3Night and Day
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:34
4Witchcraft
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Witchcraft
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
3:09
5The Lady Is a Tramp
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:26
6Strangers in the Night
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Strangers in the Night
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:51
7I Have Dreamed
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
3:47
8Fly Me to the Moon
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
3:21
9New York, New York
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John McClure (recording engineer and record producer) and Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
instrumental recording of:
Theme From “New York, New York” (usually just titled “New York, New York”)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
3:18
10Luck Be a Lady
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Luck Be a Lady (from “Guys and Dolls”)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
3:16
11I Get a Kick Out of You
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:30
12Mack the Knife (Moritat)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
3:04
13The Shadow of Your Smile
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
2:54
14Softly, as I Leave You
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Softly, as I Leave You
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music (publisher)
translated version of:
Piano
2:32
15Chicago
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
2:36
16The Summer Wind (Sommerwind)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
2:52
17One for My Baby
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer and conductor) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:12

Credits

Release group

included in:John Williams: Conductor by John Williams (American score composer and conductor)
part of:Boston Pops conducted by John Williams (order: 32)
Allmusic:https://www.allmusic.com/album/mw0000621468 [info]