Schoenberg / Berio / Carter / Kurtág / Xenakis

~ Release by Schoenberg, Berio, Carter, Kurtág, Xenakis; Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Pelleas und Melisande, op. 5
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Pelleas und Melisande, op. 5 (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1902 until 1903-02)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1905-01-25)
premiered at:
[concert] (1905-01-25)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1905-01-25)
part of:
Works of Arnold Schönberg by opus number (number: op. 5)
Arnold Schoenberg40:20
2Variations, op. 31: I. Introduction
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: Introduction (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:36
3Variations, op. 31: II. Thème
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: Thema (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:04
4Variations, op. 31: III. Variation I
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: I. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:13
5Variations, op. 31: IV. Variation II
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: II. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:31
6Variations, op. 31: V. Variation III
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: III. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg0:42
7Variations, op. 31: VI. Variation IV
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: IV. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:28
8Variations, op. 31: VII. Variation V
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: V. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:47
9Variations, op. 31: VIII. Variation VI
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: VI. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:28
10Variations, op. 31: IX. Variation VII
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: VII. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg2:09
11Variations, op. 31: X. Variation VIII
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: VIII. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg0:35
12Variations, op. 31: XI. Variation IX
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: IX. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg1:02
13Variations, op. 31: XII. Final
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: Finale (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
Arnold Schoenberg5:27
2CD
#TitleArtistRatingLength
1Sinfonia: I.
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (French violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: I. (in 1984-04)
lyricist:
Claude Lévi-Strauss (anthropologist, ethnologist) (until 1964)
composer:
Luciano Berio (Italian composer) (in 1968)
revised by:
Luciano Berio (Italian composer) (in 1969)
quotes lyrics from:
Le Cru et le Cuit
part of:
Sinfonia
Luciano Berio6:20
2Sinfonia: II. O King
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (French violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: II. O King (in 1984-04)
lyricist and composer:
Luciano Berio (Italian composer) (in 1968)
revised by:
Luciano Berio (Italian composer) (in 1969)
dedicated to:
Martin Luther King (American minister and civil rights activist)
part of:
Sinfonia
Luciano Berio5:02
3Sinfonia: III. In ruhig fliessender Bewegung
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (French violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: III. In ruhig fliessender Bewegung (in 1984-04)
lyricist:
Samuel Beckett (Irish writer) (until 1953)
composer:
Luciano Berio (Italian composer) (in 1968)
revised by:
Luciano Berio (Italian composer) (in 1969)
dedicated to:
Gustav Mahler (composer)
is based on:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
quotes lyrics from:
The Unnamable
part of:
Sinfonia
Luciano Berio512:27
4Sinfonia: IV.
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (French violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: IV. (in 1984-04)
composer:
Luciano Berio (Italian composer) (in 1968, from 1968 until 1969)
revised by:
Luciano Berio (Italian composer) (in 1969)
quotes lyrics from:
Sinfonia: I.
quotes lyrics from:
Sinfonia: II. O King
quotes lyrics from:
Sinfonia: III. In ruhig fliessender Bewegung
quotes lyrics from:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)
part of:
Sinfonia
Luciano Berio3:26
5Sinfonia: V.
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (French violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: V. (in 1984-04)
lyricist:
Claude Lévi-Strauss (anthropologist, ethnologist) (until 1964)
composer:
Luciano Berio (Italian composer) (in 1968, from 1968 until 1969)
revised by:
Luciano Berio (Italian composer) (in 1969)
quotes lyrics from:
Le Cru et le Cuit
part of:
Sinfonia
Luciano Berio7:20
6Eindrücke
sound engineer:
Guy Chesnais (producer) and Michel Lepage (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Didier Arditi and Ysabelle Van Wersch-Cot
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1981-07)
conductor:
Pierre Boulez (composer and conductor) (in 1981-07)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (in 1981-07)
recording of:
Eindrücke (in 1981-07)
composer:
Luciano Berio (Italian composer) (from 1973 until 1974)
dedicated to:
Zurich Tonhalle Gesellschaft
premiered at:
[concert] (1974-06-18) (premiere concert for Berio's Eindrücke)
publisher:
Universal Edition (publisher; do NOT use as release label)
Luciano Berio10:15
3CD
#TitleArtistRatingLength
1Concerto pour hautbois
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
Oboe Concerto (in 1987-12)
composer:
Elliott Carter (American composer) (from 1986 until 1987)
dedicated to and was commissioned by:
Paul Sacher
Elliott Carter19:58
2Esprit rude / Esprit doux
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
clarinet:
André Trouttet (in 1987-12)
flute:
Sophie Cherrier (French flutist) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
Esprit rude / Esprit doux I (in 1987-12)
composer:
Elliott Carter (American composer) (in 1985)
dedicated to:
Pierre Boulez (composer and conductor)
Elliott Carter4:52
3A Mirror on Which to Dwell: Anaphora
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
A Mirror on Which to Dwell: I. Anaphora (in 1987-12)
lyricist:
Elizabeth Bishop (American poet)
composer:
Elliott Carter (American composer) (in 1975)
part of:
A Mirror on Which to Dwell
Elliott Carter3:41
4A Mirror on Which to Dwell: Argument
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
A Mirror on Which to Dwell: II. Argument (in 1987-12)
lyricist:
Elizabeth Bishop (American poet)
composer:
Elliott Carter (American composer) (in 1975)
part of:
A Mirror on Which to Dwell
Elliott Carter2:25
5A Mirror on Which to Dwell: Sandpiper
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
A Mirror on Which to Dwell: III. Sandpiper (in 1987-12)
lyricist:
Elizabeth Bishop (American poet)
composer:
Elliott Carter (American composer) (in 1975)
part of:
A Mirror on Which to Dwell
Elliott Carter2:23
6A Mirror on Which to Dwell: Insomnia
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
A Mirror on Which to Dwell: IV. Insomnia (in 1987-12)
lyricist:
Elizabeth Bishop (American poet)
composer:
Elliott Carter (American composer) (in 1975)
part of:
A Mirror on Which to Dwell
Elliott Carter3:04
7A Mirror on Which to Dwell: View of the Capitol From the Library of Congress
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
A Mirror on Which to Dwell: V. View of the Capitol from the Library of Congress (in 1987-12)
lyricist:
Elizabeth Bishop (American poet)
composer:
Elliott Carter (American composer) (in 1975)
part of:
A Mirror on Which to Dwell
Elliott Carter3:03
8A Mirror on Which to Dwell: O Breath
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
A Mirror on Which to Dwell: VI. O Breath (in 1987-12)
lyricist:
Elizabeth Bishop (American poet)
composer:
Elliott Carter (American composer) (in 1975)
part of:
A Mirror on Which to Dwell
Elliott Carter4:08
9Penthode
sound engineer:
Didier Arditi and Alain Jacquinot (engineer)
producer:
Elliott Carter (American composer) and Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
instruments:
Ensemble intercontemporain (in 1987-12)
conductor:
Pierre Boulez (composer and conductor) (in 1987-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1990)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1987-12)
recording of:
Penthode (in 1987-12)
composer:
Elliott Carter (American composer) (from 1984 until 1985)
dedicated to:
Pierre Boulez (composer and conductor) and Ensemble intercontemporain
was commissioned by:
Ensemble intercontemporain
Elliott Carter19:23
4CD
#TitleArtistRatingLength
1Messages de Feu Demoiselle R.V. Troussova
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Michel Garcin (French producer) and György Kurtág (composer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (from 1983-04-12 until 1983-04-13)
conductor:
Pierre Boulez (composer and conductor) (from 1983-04-12 until 1983-04-13)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
recorded at:
Centre Pompidou in Paris, Île-de-France, France (from 1983-04-12 until 1983-04-13)
recording of:
Messages of the Late R. V. Troussova, op. 17 (from 1983-04-12 until 1983-04-13)
lyricist:
Rimma Dalos
composer:
György Kurtág (composer) (from 1976 until 1980)
György Kurtág25:53
2…AGM…
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Sir Harrison Birtwistle (composer) and Michel Garcin (French producer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (from 1982-06-11 until 1982-06-12)
conductor:
Pierre Boulez (composer and conductor) (from 1982-06-11 until 1982-06-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
recorded at:
Centre Pompidou in Paris, Île-de-France, France (from 1982-06-11 until 1982-06-12)
recording of:
... agm ... (from 1982-06-11 until 1982-06-12)
lyricist:
Σαπφώ (Sappho, ancient greek poet (7th-6th century BC))
composer:
Sir Harrison Birtwistle (composer) (from 1978 until 1979)
dedicated to:
Nicholas Snowman (UK arts administrator)
translator:
Tony Harrison (English poet)
Sir Harrison Birtwistle27:10
3Modulations
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Michel Garcin (French producer) and Gérard Grisey (French contemporary classical composer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (in 1983-04)
conductor:
Pierre Boulez (composer and conductor) (in 1983-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
recorded at:
Centre Pompidou in Paris, Île-de-France, France (in 1983-04)
recording of:
Modulations (in 1983-04)
composer:
Gérard Grisey (French contemporary classical composer) (from 1976 until 1977)
part of:
Les Espaces acoustiques
Gérard Grisey18:36
5CD
#TitleArtistRatingLength
1Jalons
sound engineer:
Pierre Arditi and Jacques Doll
producer:
Michel Garcin (French producer) and Ιάννης Ξενάκης (Iannis Xenakis, Greek-French composer)
editor:
Pierre Arditi and Ysabelle Van Wersch-Cot
instruments:
Ensemble intercontemporain (in 1990-07)
conductor:
Pierre Boulez (composer and conductor) (in 1990-07)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1990-07)
recording of:
Jalons (in 1990-07)
composer:
Ιάννης Ξενάκης (Iannis Xenakis, Greek-French composer) (in 1986)
Iannis Xenakis14:40
2Antiphysis
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Hugues Dufourt (French composer & philosopher) and Michel Garcin (French producer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (in 1982-09)
conductor:
Pierre Boulez (composer and conductor) (in 1982-09)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
co-produced for:
IRCAM
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1982-09)
recording of:
Antiphysis (in 1982-09)
composer:
Hugues Dufourt (French composer & philosopher) (in 1978)
Hugues Dufourt18:14
3Funérailles: Version I
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Brian Ferneyhough (English composer) and Michel Garcin (French producer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (in 1984-02)
conductor:
Pierre Boulez (composer and conductor) (in 1984-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
co-produced for:
IRCAM
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-02)
recording of:
Funérailles I (in 1984-02)
composer:
Brian Ferneyhough (English composer) (in 1969)
part of:
Funérailles
Brian Ferneyhough11:10
4Funérailles: Version II
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Brian Ferneyhough (English composer) and Michel Garcin (French producer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (in 1984-02)
conductor:
Pierre Boulez (composer and conductor) (in 1984-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
co-produced for:
IRCAM
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-02)
recording of:
Funérailles II (in 1984-02)
composer:
Brian Ferneyhough (English composer) (in 1969)
part of:
Funérailles
Brian Ferneyhough13:32

Credits

Release

manufactured by:Warner Music Manufacturing Europe (aka WMME Alsdorf; manufacturing company; not for release label use!)
copyrighted (©) by:Erato Disques S.A. (not for release label use, for copyrights use only) (in 1995)
Discogs:https://www.discogs.com/release/1261415 [info]
ASIN:DE: B000005EDU [info]