The Essential Vivaldi

~ Release by Antonio Vivaldi (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Le quattro stagioni: No. 1. La primavera, op. 8 no. 1 (RV 269): I. Allegro
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
3:14
2Le quattro stagioni: No. 1. La primavera, op. 8 no. 1 (RV 269): II. Largo e pianissimo sempre
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
2:57
3Le quattro stagioni: No. 1. La primavera, op. 8 no. 1 (RV 269): III. Danza pastorale: Allegro
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
4:01
4Le quattro stagioni: No. 2. L'estate, op. 8 no. 2 (RV 315): I. Allegro non molto
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
5:04
5Le quattro stagioni: No. 2. L'estate, op. 8 no. 2 (RV 315): II. Adagio
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
solo violin:
Konstanty Andrzej Kulka (violinist)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
2:10
6Le quattro stagioni: No. 2. L'estate, op. 8 no. 2 (RV 315): III. Presto: Tempo impetuoso d'estate
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
3:03
7Le quattro stagioni: No. 3. L'autunno, op. 8 no. 3 (RV 293): I. Allegro
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
4:36
8Le quattro stagioni: No. 3. L'autunno, op. 8 no. 3 (RV 293): II. Adagio
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
solo violin:
Konstanty Andrzej Kulka (violinist) (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
2:09
9Le quattro stagioni: No. 3. L'autunno, op. 8 no. 3 (RV 293): III. Allegro
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
3:26
10Le quattro stagioni: No. 4. L'inverno, op. 8 no. 4 (RV 297): I. Allegro non molto
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
3:17
11Le quattro stagioni: No. 4. L'inverno, op. 8 no. 4 (RV 297): II. Largo
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
solo violin:
Konstanty Andrzej Kulka (violinist)
violin:
Konstanty Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
2:11
12Le quattro stagioni: No. 4. L'inverno, op. 8 no. 4 (RV 297): III. Allegro
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
3:04
13Flute Concerto, op. 10 no. 2 "La notte", RV 439
producer:
Andrew Cornall (engineer / producer)
flute:
Andrea Griminelli (Italian flautist) (in 1986-08)
orchestra:
English Chamber Orchestra (in 1986-08)
conductor:
Jean‐Pierre Rampal (flautist) (in 1986-08)
balance engineer:
James Lock (James Locke, engineer) (in 1986-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1986-08)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (in 1986-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/13) and Ryom-Verzeichnis (number: RV 439)
part of:
6 Flute Concertos, op. 10
9:30
14Concerto (Sinfonia) "alla rustica" in G, RV 151
producer:
Christopher Raeburn (producer)
orchestra:
Festival Strings Lucerne (in 1973-03)
conductor:
Rudolf Baumgartner (conductor) (in 1973-03)
balance engineer:
Colin Moorfoot (engineer) (in 1973-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1973-03)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica” (in 1973-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 151) and Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. XI/11)
4:18
15Guitar Concerto in D, RV 93 (arr. Malipiero): I. [Allegro giusto]
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
guitar arranger:
Gian Francesco Malipiero (Italian composer)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
3:51
16Guitar Concerto in D, RV 93 (arr. Malipiero): : II. Largo
engineer:
John Dunkerley (engineer)
producer:
Paul Myers (classical record producer)
classical guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (Italian composer)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
5:08
17Guitar Concerto in D, RV 93 (arr. Malipiero): : III. Allegro
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
guitar arranger:
Gian Francesco Malipiero (Italian composer)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: III. Allegro (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
2:17
18Piccolo Concerto in C, RV 443
producer:
Chris Hazell
piccolo:
William Bennett (flautist) (in 1975-07)
orchestra:
Academy of St Martin in the Fields (in 1975-07)
conductor:
Sir Neville Marriner (conductor) (in 1975-07)
balance engineer:
John Dunkerley (engineer) (in 1975-07) and Stanley Goodall (engineer) (in 1975-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-07)
compilation of:
Piccolo Concerto in C major, RV 443: I. Allegro by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Piccolo Concerto in C major, RV 443: II. Largo by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Piccolo Concerto in C major, RV 443: III. Allegro molto by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Flautino Concerto in C major, RV 443 (in 1975-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/4) and Ryom-Verzeichnis (number: RV 443)
10:54
2▼CD
#TitleRatingLength
1Gloria in D, RV 589: Gloria in excelsis Deo
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
2:33
2Gloria in D, RV 589: Et in terra pax
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: II. Et in terra pax (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
publisher:
Walton Music Ltd.
part of:
Gloria in D major, RV 589
4:37
3Gloria in D, RV 589: Laudamas te
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-07)
soprano vocals:
Elizabeth Vaughan (soprano) (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: III. Laudamus te (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
2:20
4Gloria in D, RV 589: Gratias agimus tibi
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: IV. Gratias agimus tibi (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
0:31
5Gloria in D, RV 589: Propter magnam gloriam
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: V. Propter magnam gloriam tuam (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
1:02
6Gloria in D, RV 589: Domine Deus
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Elizabeth Vaughan (soprano) (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: VI. Domine Deus (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
3:57
7Gloria in D, RV 589: Domine Fili unigenite
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: VII. Domine, Fili unigenite (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
2:22
8Gloria in D, RV 589: Domine Deus, Agnus Dei
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
3:26
9Gloria in D, RV 589: Qui tollis peccata mundi
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: IX. Qui tollis peccata mundi (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
1:11
10Gloria in D, RV 589: Qui sedes
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
2:51
11Gloria in D, RV 589: Quoniam tu solus sanctus
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
0:50
12Gloria in D, RV 589: Cum Sancto Spiritu
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
3:13
13Flute Concerto, op. 10 no. 1 "La Tempesta di mare", RV 433
producer:
Andrew Cornall (engineer / producer)
flute:
Andrea Griminelli (Italian flautist) (in 1986-08)
orchestra:
English Chamber Orchestra (in 1986-08)
conductor:
Jean‐Pierre Rampal (flautist) (in 1986-08)
balance engineer:
James Lock (James Locke, engineer) (in 1986-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1986-08)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare" (in 1986-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/12) and Ryom-Verzeichnis (number: RV 433)
part of:
6 Flute Concertos, op. 10
6:56
14Concerto in B minor, for 4 Violins, op. 3 no. 10, RV 580
violin:
Trevor Connah (violinist), Anthony Howard (violinist), Sir Neville Marriner (conductor) and Norman Nelson (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. IV/10) and Ryom-Verzeichnis (number: RV 580)
part of:
L’estro armonico, op. 3
10:49
15Bassoon Concerto in A minor, RV 498
producer:
Chris Hazell
bassoon:
Martin Gatt (bassoonist) (in 1975-07)
cello:
Kenneth Heath (cellist) (in 1975-07)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1975-07)
organ:
Colin Tilney (harpsichordist) (in 1975-07)
orchestra:
Academy of St Martin in the Fields (in 1975-07)
conductor:
Sir Neville Marriner (conductor) (in 1975-07)
balance engineer:
John Dunkerley (engineer) (in 1975-07) and Stanley Goodall (engineer) (in 1975-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-07)
recording of:
Bassoon Concerto in A minor, RV 498 (in 1975-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VIII/2) and Ryom-Verzeichnis (number: RV 498)
11:50
16Oboe Concerto in F, RV 456
producer:
Chris Hazell
oboe:
Neil Black (oboist) (in 1975-07)
orchestra:
Academy of St Martin in the Fields (in 1975-07)
conductor:
Sir Neville Marriner (conductor) (in 1975-07)
balance engineer:
John Dunkerley (engineer) (in 1975-07) and Stanley Goodall (engineer) (in 1975-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-07)
recording of:
Oboe Concerto in F major, RV 456 (in 1975-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VII/16) and Ryom-Verzeichnis (number: RV 456)
7:51
17Concerto for 2 Trumpets in C, RV 537
producer:
Michael Bremner (producer/engineer)
harpsichord:
John Churchill (harpsichordist)
trumpet:
Philip Jones (trumpeter) (in 1969-07) and John Wilbraham (trumpet player) (in 1969-07)
orchestra:
Academy of St Martin in the Fields (in 1969-07)
conductor:
Neville Marriner (conductor) (in 1969-07)
balance engineer:
Stanley Goodall (engineer) (in 1969-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-07)
recording of:
Concerto for Two Trumpets in C major, RV 537 (in 1969-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. IX/1) and Ryom-Verzeichnis (number: RV 537)
7:35