The Very Best of The Cars (international)

~ Veröffentlichung von The Cars (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
4.33:45
2My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
4.353:43
3Good Times Roll
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Good Times Roll (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
3.53:45
4You’re All I’ve Got Tonight
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
You’re All I’ve Got Tonight (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
3.754:15
5Bye Bye Love
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Bye Bye Love (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music (not for release label use!) (in 1978)
3.54:15
6Moving in Stereo
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Moving in Stereo (in 1978-02)
Verfasser(in):
Greg Hawkes und Ric Ocasek
publisher:
Lido Music, Inc., Lido Music (not for release label use!) (in 1978) und Oversnare Music (in 1978)
3.64:46
7Let’s Go
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let’s Go
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corporation und Lido Music, Inc. (in 1979)
43:33
8It’s All I Can Do
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It’s All I Can Do
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
3.653:46
9Dangerous Type
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
Sologesang:
Ric Ocasek
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Dangerous Type
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
4.54:32
10Touch and Go
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
engineered at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Touch and Go
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
3.44:58
11Shake It Up
assistierende(r) Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
aufgenommen bei:
Syncro Sound in Boston, Massachusetts, Vereinigte Staaten
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
4.33:35
12Since You’re Gone
assistierende(r) Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
aufgenommen bei:
Syncro Sound in Boston, Massachusetts, Vereinigte Staaten
recording of:
Since You’re Gone
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
3.53:32
13I’m Not the One
Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer), Ian Taylor (rock producer/engineer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
I’m Not the One
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
34:14
14You Might Think
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
You Might Think
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
4.73:05
15Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
43:54
16Magic
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
Interpret(in):
Robert John “Mutt” Lange (Robert John Lange)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Magic
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
3.23:57
17Hello Again
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Hello Again
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
4.653:49
18Why Can’t I Have You
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Why Can’t I Have You
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
3.354:06
19Tonight She Comes
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
The Cars und Mike Shipley (audio engineer, mixer, producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Tonight She Comes
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
3.353:57
20You Are the Girl
recording engineer und Mix:
Joe Barbaria
Techniker(in):
Joe Barbaria und Jamie Chaleff
Produzent(in):
Ric Ocasek
zusätzliche(r) Produzent(in):
Greg Hawkes
aufgenommen bei und mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
You Are the Girl
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
43:53

Nennungen

Veröffentlichung

kostenlos streamen:https://www.deezer.com/album/87337 [Info]